Thirty more holiday tunes!
Follow Tunes Du Jour on Facebook
Follow me on Bluesky
Follow me on Instagram
Tunes Du Jour Presents Holland-Dozier-Holland
Brian Holland, Lamont Dozier, and Eddie Holland, collectively known as Holland-Dozier-Holland (H-D-H), are synonymous with the sound of Motown. Their string of hits in the 1960s and beyond fueled the success of the record label, shaping popular music and paving the way for R&B to dominate the airwaves. Each song on this playlist, from The Four Tops’ powerful “Reach Out (I’ll Be There)” to The Supremes’ iconic “Where Did Our Love Go,” credits one or more members of H-D-H. With a blend of melody, rhythm, and hooks that remain timeless, the team’s work redefined what hit songwriting could accomplish.
This songwriting trio didn’t merely write songs—they crafted narratives of love, heartbreak, and resilience that resonated with audiences across generations. Tracks like “This Old Heart of Mine (Is Weak for You)” by The Isley Brothers and Marvin Gaye’s “Can I Get a Witness” reveal the emotional depth in their compositions, supported by rhythms and production styles that have endured decades of cover versions. Their songs often feel instantly recognizable, whether it’s the infectious chorus of Chairmen of the Board’s “Give Me Just a Little More Time” or the stomping beat of Junior Walker & the All-Stars’ “(I’m A) Road Runner.”
The irony, however, is that Eddie Holland, despite being a key member of the team, had only one top 40 pop single as a solo artist, “Jamie”—and it wasn’t written by any member of Holland-Dozier-Holland. Instead, it was penned by Barrett Strong and William “Mickey” Stevenson, fellow Motown talents who contributed in their own right to the label’s powerhouse status. Though Eddie found his calling behind the scenes rather than as a performer, his experience as an artist gave him unique insight into the singer’s perspective, a quality that helped make H-D-H’s songs vocally compelling and relatable.
Beyond Motown, the trio’s influence stretched into rock, pop, and soul genres, as evident from covers and reinterpretations by artists like The Rolling Stones, Rod Stewart, and Bananarama. These renditions, like Linda Ronstadt’s cover of “Heat Wave” or James Taylor’s soulful take on “How Sweet It Is (To Be Loved by You),” show how their music transcended genre boundaries. Each version emphasizes the versatility of H-D-H’s songwriting, capable of adapting to various musical expressions while retaining its core appeal.
Ultimately, the legacy of Holland-Dozier-Holland isn’t just in their impressive catalog but in their contributions to the very essence of popular music. They captured the spirit of a generation through music that continues to find new audiences, sounding as fresh today as it did over half a century ago. Their work endures, a testament to their genius, and is rightly celebrated by the many artists who’ve covered and revived their timeless songs.
Follow Tunes Du Jour on Facebook
Follow Tunes Du Jour on Twitter
Follow me on Instagram
Your (Almost) Daily Playlist: 1-16-24
“I only make records when I feel I have something to say. I’m not interested in releasing music just for the sake of selling something.“ – Sade Adu
Sade’s last album came out in 2010. The album preceding that one came out in 2000.
Sade Adu, lead singer and namesake of the band Sade, was born on this date in 1959. A handful of Sade’s best tunes are included on today’s playlist.
Follow Tunes du Jour on Facebook
Follow Tunes du Jour on Twitter
Follow me on Instagram
Tunes Du Jour Presents Covers of Show Tunes
The theme of today’s playlist is cover versions of songs that originated in stage musicals. Here are the songs listed with the shows that introduced them:
- Mack the Knife by Bobby Darin – From The Threepenny Opera (1928)
- Till There Was You by The Beatles – From The Music Man (1957)
- Smoke Gets In Your Eyes by The Platters – From Roberta (1933)
- Little Girl Blue by Nina Simone – From Jumbo (1935)
- You’ll Never Walk Alone by Gerry & The Pacemakers – From Carousel (1945)
- I Am What I Am by Gloria Gaynor – From La Cage aux Folles (1983)
- On The Street Where You Live by Vic Damone – From My Fair Lady (1956)
- Everything’s Coming Up Roses by The Replacements – From Gypsy (1959)
- Send In The Clowns by Judy Collins – From A Little Night Music (1973)
- I Don’t Know How to Love Him by Helen Reddy – From Jesus Christ Superstar (1970)
- Hair by The Cowsills – From Hair (1967)
- Put On A Happy Face by Diana Ross & The Supremes – From Bye Bye Birdie (1960)
- Losing My Mind by Liza Minnelli – From Follies (1971)
- Tomorrow by Grace Jones – From Annie (1977)
- My Favorite Things by John Coltrane – From The Sound of Music (1959)
- Well Did You Evah? by Debbie Harry & Iggy Pop – From DuBarry Was a Lady (1939)
- The Man I Love by Kate Bush – From Lady, Be Good! (1924)
- If My Friends Could See Me Now by Linda Clifford – From Sweet Charity (1966)
- Summertime by Big Brother & The Holding Company – From Porgy and Bess (1935)
- Cabaret by Harold Melvin & The Blue Notes – From Cabaret (1966)
- I Get A Kick Out Of You by Frank Sinatra – From Anything Goes (1934)
- Don’t Cry For Me Argentina by Festival – From Evita (1978)
- Somewhere by Pet Shop Boys – From West Side Story (1957)
- The Lady is a Tramp by Tony Bennett & Lady Gaga – From Babes in Arms (1937)
- I’ll Never Fall In Love Again by Dionne Warwick – From Promises, Promises (1968)
- I Love Paris by Screamin’ Jay Hawkins – From Can-Can (1953)
- Night + Day by U2 – From Gay Divorce (1932)
- There Are Worse Things I Could Do by Alison Moyet – From Grease (1971)
- Corner of the Sky by The Jackson 5 – From Pippin (1972)
- I Enjoy Being a Girl by Phranc – From Flower Drum Song (1958)
Follow Tunes du Jour on Facebook
Follow Tunes du Jour on Twitter
Follow me on Instagram
Your (Almost) Daily Playlist: 6-14-23
Culture Club’s “Do You Really Want to Hurt Me“ takes me back to Newbury Comics in Cambridge, Massachusetts in late 1982. There was a TV in the shop that showed music videos. That was my first exposure to this song and to Boy George. I was transfixed, partly because the song is so good, and partly because I couldn’t figure out the singer’s gender. We only knew of two genders back then. Though I had not yet been recruited into the homosexual lifestyle, I became fascinated with Boy George. It helped that his band’s music was so good, for a while anyway. His solo catalogue has some worthwhile numbers as well.
Boy George was born on this date in 1961.
Follow Tunes du Jour on Facebook
Follow Tunes du Jour on Twitter
Follow me on Instagram