Tunes Du Jour Celebrates Famous Dates In Pop Music

It was the third of September / That day I’ll always remember

It was the third of June, another sleepy, dusty Delta day

Early morning, April 4 / Shot rings out in the Memphis sky

Do you remember the twenty-first night of September?

The theme of today’s playlist is dates referenced in song lyrics.

A date can do a lot of heavy lifting in a song. It can anchor a memory, mark a turning point, or drop us directly into a moment in history. Sometimes it’s deeply personal—Jay-Z naming his birthday in “December 4th”—and sometimes it’s collective, as in U2’s “Pride (In the Name of Love),” with its reference to April 4, 1968, the day Martin Luther King Jr. was assassinated.

Songwriters also use dates to heighten mystery. Bobbie Gentry’s “Ode to Billie Joe” begins on June 3, but instead of telling us what happened at the Tallahatchie Bridge, the lyric circles around it, making the day itself loom larger than the unexplained event. Similarly, the Temptations’ “Papa Was a Rolling Stone” ties the father’s death to September 3, a detail that sticks in the mind as much as the funk groove itself.

Not every date is somber. Earth, Wind & Fire turned September 21 into an annual celebration, and Chicago’s “Saturday in the Park” keeps the Fourth of July grounded in a snapshot of music, sunshine, and family fun. Bruce Springsteen’s “4th of July, Asbury Park (Sandy)” is more bittersweet, capturing the mix of romance and restlessness that defined his early work.

Dates can also mark social upheaval. Sublime’s “April 29, 1992 (Miami)” references the Los Angeles riots, while the Neville Brothers’ “Sister Rosa” pays tribute to Rosa Parks’ refusal to give up her bus seat on December 1, 1955. Songs like these remind us that a single day can ripple outward into history.

Taken together, this playlist shows the many ways a songwriter can spin meaning out of the calendar. A date can be the start of a story, a marker of joy or tragedy, or just a sly joke. What matters is how it sticks in your memory, long after the last chord fades.

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Tunes Du Jour Celebrates Bastille Day

Happy Bastille Day!

On this date in 1789, the French people stormed the Bastille Prison in Paris to shout “No More Kings!” They probably shouted that in French. I can’t say for sure as I wasn’t there that day. Anyhoo, it worked! How’ bout that? This uprising ultimately led to the birth of democracy in France.

To celebrate, I compiled a Bastille Day playlist. I’ll be the first to tell you that there are far more accurate Bastille Day playlists out there. I’m using the holiday as an excuse to compile tracks from French artists, songs sung in French, songs with French titles, and one song by Chicago-born 60s song parodist Allan Sherman. I learned more from that three-minute record, baby, than I ever learned in school about the French Revolution.

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Your (Almost) Daily Playlist: 8-14-23

The Toot Uncommons, Steve Martin’s backing band on “this song”King Tut,” usually performed under the name The Nitty Gritty Dirt Band. That group’s John McEuen taught Martin how to play the banjo. “King Tut” is included on Martin’s album A Wild and Crazy Guy, which won the Grammy Award for Best Comedy Album of 1979. In 2010 Martin won another Grammy Award, this one in the category Best Bluegrass Album for his album The Crow: New Songs for the 5-String Banjo, which showcased his banjo-playing skills. The album was produced by John McEuen.

Steve Martin was born on this date in 1945. He inspired today’s playlist.

https://open.spotify.com/embed/playlist/2jtBtUzBuyiiLmEZpEwm9v?utm_source=generator

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Your (Almost) Daily Playlist: 11-30-22

Today’s playlist celebrates the November 30 birthdays of Generation X’s Billy Idol, Shuggie Otis, Peter Paul and Mary’s Noel Paul Stookey, No Age’s Dean Allen Spunt, The Pointer Sisters’ June Pointer, The Runaways’ Cherie Currie, Whodini’s Jalil, Luther Ingram, The Beloved’s Jon Marsh, The Grass Roots’ Rob Grill, Des’ree, Frank Ifield, Allan Sherman, and American Bandstand‘s Dick Clark.

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