Tunes Du Jour Presents Holland-Dozier-Holland

Brian Holland, Lamont Dozier, and Eddie Holland, collectively known as Holland-Dozier-Holland (H-D-H), are synonymous with the sound of Motown. Their string of hits in the 1960s and beyond fueled the success of the record label, shaping popular music and paving the way for R&B to dominate the airwaves. Each song on this playlist, from The Four Tops’ powerful “Reach Out (I’ll Be There)” to The Supremes’ iconic “Where Did Our Love Go,” credits one or more members of H-D-H. With a blend of melody, rhythm, and hooks that remain timeless, the team’s work redefined what hit songwriting could accomplish.

This songwriting trio didn’t merely write songs—they crafted narratives of love, heartbreak, and resilience that resonated with audiences across generations. Tracks like “This Old Heart of Mine (Is Weak for You)” by The Isley Brothers and Marvin Gaye’s “Can I Get a Witness” reveal the emotional depth in their compositions, supported by rhythms and production styles that have endured decades of cover versions. Their songs often feel instantly recognizable, whether it’s the infectious chorus of Chairmen of the Board’s “Give Me Just a Little More Time” or the stomping beat of Junior Walker & the All-Stars’ “(I’m A) Road Runner.”

The irony, however, is that Eddie Holland, despite being a key member of the team, had only one top 40 pop single as a solo artist, “Jamie”—and it wasn’t written by any member of Holland-Dozier-Holland. Instead, it was penned by Barrett Strong and William “Mickey” Stevenson, fellow Motown talents who contributed in their own right to the label’s powerhouse status. Though Eddie found his calling behind the scenes rather than as a performer, his experience as an artist gave him unique insight into the singer’s perspective, a quality that helped make H-D-H’s songs vocally compelling and relatable.

Beyond Motown, the trio’s influence stretched into rock, pop, and soul genres, as evident from covers and reinterpretations by artists like The Rolling Stones, Rod Stewart, and Bananarama. These renditions, like Linda Ronstadt’s cover of “Heat Wave” or James Taylor’s soulful take on “How Sweet It Is (To Be Loved by You),” show how their music transcended genre boundaries. Each version emphasizes the versatility of H-D-H’s songwriting, capable of adapting to various musical expressions while retaining its core appeal.

Ultimately, the legacy of Holland-Dozier-Holland isn’t just in their impressive catalog but in their contributions to the very essence of popular music. They captured the spirit of a generation through music that continues to find new audiences, sounding as fresh today as it did over half a century ago. Their work endures, a testament to their genius, and is rightly celebrated by the many artists who’ve covered and revived their timeless songs.

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Tunes Du Jour Presents 2017

In the realm of music, 2017 proved to be a year of vibrant eclecticism, where established artists continued to push boundaries and emerging voices made their mark. The year’s soundtrack was a rich collection of narratives, each song telling its own story, whether it be Kendrick Lamar’s thought-provoking lyricism on “HUMBLE.”, or Cardi B’s “Bodak Yellow,” an anthem of confidence and empowerment.

The year also saw artists like Future and Lil Uzi Vert pushing the boundaries of rap music, while Lorde and Portugal. The Man offered a more introspective take on pop. Drake’s “Passionfruit” and Calvin Harris’ “Slide” were the smooth, rhythmic tracks that became the backdrop of many summer nights, showcasing the seamless blend of R&B and electronic music.

Veterans like Harry Styles and Miley Cyrus reinvented themselves, leaving behind their pure pop personas for more mature, soulful expressions in “Sign of the Times” and “Malibu,” respectively. Meanwhile, SZA and Sampha delivered deeply personal albums that spoke to the complexities of relationships and self-discovery.

The indie scene was no less vibrant, with King Krule, St. Vincent, and The War on Drugs each offering a unique sonic experience that defied mainstream trends. And let’s not forget the poignant comeback of Kesha, who reminded us of the redemptive power of music.

As we reminisce about the tunes of 2017, it’s impossible not to feel the excitement and energy they brought into our lives. Each track on this playlist brings its own flavor to the table. It’s not just about the songs; it’s about the memories they evoke, the feelings they stir, and the way they become the soundtrack to our lives. Let’s crank up the volume, lose ourselves in the melodies, and celebrate the music of 2017.

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Your (Almost) Daily Playlist: 10-7-23

One night in December 1994 my friend Kathy and I attended the WDRE Acoustic Xmas show at New York City’s Beacon Theater. There were multiple artists on the bill, each getting a short slot to perform three or four songs. The acts were The Go-Go’s, Big Audio Dynamite, Jesus and Mary Chain, frente!, Love Spit Love, Black 47, G. Love & Special Sauce, and Radiohead’s Thom Yorke and Jonny Greenwood. I looked up online who performed, as the only act I recall seeing there were the Radiohead guys. The band had one album out at that time, 1993’s Pablo Honey. Kathy and I just wanted them to do their hit – “Creep” – and then skedaddle. They didn’t play “Creep.” They played some song about plastic trees and one about an iron long and some other mess. Kathy and I knew this band would never be heard from again.

Oops.

Radiohead’s Thom Yorke was born on this date in 1968. Lots of Thom’s work on today’s playlist.

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