Your (Almost) Daily Playlist: 10-12-22

Today’s playlist celebrates the October 12 birthdays of The Temptations’ Melvin Franklin, The Damned’s Dave Vanian, Sam & Dave’s Sam Moore, The Smithereens’ Pat DiNizio, Jane Siberry, Luciano Pavarotti, and New Boyz’ Dominic “Legacy” Thomas; and the October 13 birthdays of Simon & Garfunkel’s Paul Simon, Bloc Party’s Kele Okereke, Chicago’s Robert Lamm, Anthrax’s Joey Belladonna, BTS’s Jimin, John Ford Coley, Lumidee, Van Halen’s Sammy Hagar, Dorothy Moore, Cherrelle, The Joy Formidable’s Rhiannon “Ritzy” Bryan, Marie Osmond, Ashanti, New Boyz’ Ben J, and Joe Dolce.

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A Public Enemy Playlist

In some ways Public Enemy’s Chuck D is the Eric Clapton of hip hop. Both are very talented guys who espoused bigoted points of view and spread hatred toward those of populations different than theirs. Eric Clapton said “Get the coons out. Keep Britain white.” Chuck D said about gay people “I think they’re a little confused” and supports the anti-Semitism espoused by his fellow Public Enemy member Professor Griff and Louis Farrakhan. (For more on the Clapton’s racism, check out For more on Chuck D’s homophobia and anti-Semitism, check out In his autobiography Clapton wrote that the lesson he learned after all the pushback he received on his comments was “Since then I have learned to keep my opinions to myself.” Two things about that: 1) I think there was a bigger lesson for him to learn, and 2) He made the news in 2021 by speaking out AGAINST measures to stop the spread of COVID-19. Chuck D went on to co-host a morning show on satellite radio alongside Rachel Maddow. I don’t know if that counts as a mea culpa. Though I have a low opinion of Chuck D (and anybody from an oppressed population that seeks to further oppress those from other oppressed populations), I do enjoy Public Enemy’s first four albums. Hear highlights of their career below. I completely understand if you don’t wish for someone who said such horrible things to make money from your music streaming. I rationalized this for myself by acknowledging that Spotify pays hardly anything per stream and my blog playlists don’t get much traffic.

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Throwback Thursday – 1991

“It was a 5-minute song with no chorus and a mandolin as the lead instrument. So for us to hold that as the bar we have to jump over every time we write a song would be ridiculous.”

In the summer of 1990, R.E.M. demoed a song in the studio with the working title of “Sugar Cane.” The band’s guitarist, Peter Buck, had recently purchased a mandolin and while learning how to play it, came up with the song’s main riff and chorus.

Lyrics about obsession and unrequited love were added, including an expression from the southern part of the United States that means “being at the end of one’s rope.” That expression became the song’s new title. The band’s singer, Michael Stipe, recorded his vocals in one take.

Though in the liner notes the R.E.M.’s career retrospective, Part Lies, Part Heart, Part Truth, Part Garbage 1982-2011, Stipe wrote “I don’t think any of us had any idea it would ever be … anything,” the group wanted it to be the first single released from their album Out of Time. Their record label, Warner Bros., didn’t think that was a good idea, as it was, in the words of one of the company’s executives, an “unconventional track.” After much discussion, Warner relented.

That record, with the title “Losing My Religion,” went to #4 on Billboard’s Hot 100 and became a smash worldwide. The album from which it was taken, Out of Time, sold over 18 million copies, far more than any of their previous releases.

Out of Time won the Grammy Award for Best Alternative Music Album and was nominated for Album of the Year. “Losing My Religion” won Best Pop Performance by a Duo or Group with Vocal and Best Short Form Music Video and was nominated for Record of the Year and Song of the Year, which it lost to “Unforgettable,” which was written in 1951.

When asked at the time if he was worried that the song’s success might alienate older fans, Peter Buck told Rolling Stone, “The people that changed their minds because of ‘Losing My Religion’ can just kiss my ass.”

“Losing My Religion” made Rolling Stone’s list of the 500 Greatest Songs of All Time, VH1’s list of the 100 Greatest Songs of the 90s, Blender’s list of The 500 Greatest Songs Since You Were Born, and The Rock and Roll Hall of Fame’s list of 500 Songs that Shaped Rock and Roll. On their annual music critics poll, the Village Voice had “Losing My Religion” as the #2 single of 1991, just behind Nirvana’s “Smells Like Teen Spirit.”

For this Throwback Thursday, Tunes du Jour presents twenty of the best tracks from 1991. (I didn’t include “Smells Like Teen Spirit” because I base this not on year of release, but on the year a song peaked in popularity. “Smells Like Teen Spirit” hit the top ten on the Hot 100 in 1992.)

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Public Enemy: Don’t Tell Me That You Understand Until You Hear The Men

Today is the 55th birthday of Chuck D of the rap group Public Enemy. The ensemble have many fans. They also have their fair share of detractors. A large portion of the latter have never heard the group’s music, basing their dislike of the group from what they’ve learned about them through the white media, which painted them as anti-Semitic and homophobic.

Let’s examine these accusations.

About gay people, Chuck D (born Carlton Ridenhour, and let’s face it – Carlton is a terrible name for a rapper. It’s a good name for Rhoda’s doorman.) told music writer/critic Robert Christgau “I think they’re a little confused.” On its face that sounds offensive, but to be fair, he didn’t say we’re confused about our sexuality. I, for one, am confused about why someone would think they are heroic for killing a wounded lion. I know I’m not the only gay who feels this way. Lonnie, a gay at the Starbucks around the corner from my condo, agrees.

In the spring of 1988, Professor Griff, the group’s Minister of Information (What? Your band doesn’t have a Minister of Information?), told the UK press “There’s no place for gays. When God destroyed Sodom and Gomorrah, it was for that sort of behavior” and “If the Palestinians took up arms, went into Israel and killed all the Jews, it’d be alright.” A few months later Chuck defended Griff’s comments, telling Spin magazine “I back Griff. Whatever he says, he can prove.” He can prove there is no place for gays? Clearly he has never been to the Starbucks around the corner from my condo.

Griff later said he dared Jews to send “their faggot little hit men” after him and revealed how “the Jews finance these experiments on AIDS with black people in South Africa.” What a relief! I thought he was going to blame the gays for AIDS!

A 1989 story in the Washington Times quotes Griff as saying “’The Jews are wicked. And we can prove this.” He helpfully added that Jews are responsible for “the majority of wickedness that goes on across the globe.” All I can say in response to that is I hope that the dentist who killed the lion isn’t Jewish. Please don’t let him be Jewish!

To his credit, Public Enemy’s Chuck D swiftly kicked Griff out of the group (swiftly being a relative term, i.e. relative to how successful and popular the group had become since Griff made his comments the year prior). D then hired him back into the group seven weeks later, demoted to Supreme Allied Chief of Community Relations. (What? Your band doesn’t have a Supreme Allied Chief of Community Relations?) Griff rid himself of his anti-Semitic feelings in just seven weeks. That’s why he was put in charge of community relations.

Mr. D has also taken heat for being a follower of Louis Farrakhan, leader of the Nation of Islam. He rapped “Farrakhan’s a prophet and I think you ought to listen to what he can say to you” and “Don’t tell me that you understand until you hear the man.” Fair enough. Let’s hear him:

“The Jews don’t like Farrakhan, so they call me Hitler. Well, that’s a good name. Hitler was a very great man.” March 1984
“Murder and lying comes easy for white people.” February 1994
“Did you know that the Koran says that Jews are the most violent of people? I didn’t write it, but I’m living to see it.” February 2012
“They stole land in Palestine and this Synagogue of Satan knows that the end of their time of rule is up.” October 2010

I listened. I heard the man. I’m not sure I understand, but then again, I’m gay and therefore confused.

(By the way, for more of Reverend Farrakhan’s greatest anti-Semitic hits, go to the Anti-defamation League website. Then read how the Nation of Islam’s head said it was Jews responsible for the 9/11 attacks.)

In “Welcome to the Terrordome,” Chuck D raps “Crucifixion ain’t no fiction / So-called chosen frozen / Apologies made to whoever pleases / Still they got me like Jesus.” On behalf of the so-called chosen people, I accept this beautiful, heartfelt apology. It’s beautiful to see a man learn from his missteps. In return I’d like to say I’m sorry we killed Jesus.

In the group’s song “Meet the G That Killed Me,” Chuck D raps the classic homophobic line “Man to man, I don’t know if they can, from what I know, the parts don’t fit.” Work harder, Carlton. The parts will fit.

In “A Letter to the NY Post,” the group’s resident felon Flavor Flav (born William Drayton) rails against his domestic abuse arrest being reported by the titular newspaper. He raps “It only brings agony / Ask James Cagney / He beat up on a guy when he found he was a fagney / Cagney is a favorite / He is my boy.” A true poet, Flav is. I did an internet search and could not find any evidence of Cagney beating up any fagneys. So Flav likens making public his arrest for assaulting his girlfriend to James Cagney beating a fagney, considers Cagney a hero for beating up a fagney, and makes up the story of Cagney beating up a fagney. When asked about this lyric, Chuck D told Robert Christgau “Flavor doesn’t like homos.” Ah, thanks for clearing that up. I was confused, as homosexuals are, you know. By the way, since the NY Post printed the story that led Flav to write that song, he has been arrested for attempted murder, domestic violence, driving with a suspended license, driving without insurance, possession of marijuana, unlicensed operation of a vehicle, driving under the influence, speeding, assault with a deadly weapon, battery, and something having to do with cocaine. Though I’m upset this fine upstanding human being doesn’t like homos, as an olive branch form the gay community, I’m suggesting some rhymes for all the songs he needs to write about how his arrests keep being reported by the media: Emily Kagan/fagin, Sammy Hagar/fagar, Bilbo Baggins/faggins, Dolly Dagger/fagger, George Burns/fagurns, Marilyn Monroe/fagrow, Pagliacci/fagliacci. You’re welcome.

While speaking as the authority on who women of color should date, Chuck was quoted as saying “Homosexuality among brothers is another barrier cutting into the numbers [of men available for black women].” I have a solution – more black lesbians! Balance this shit out! You’re welcome.

Don’t try to get Chuck to elaborate on his views on gay people. Robert Christgau tried and was told by D, “Talking about homosexuality is almost like talking about Jews, you know, it’s a waste of my fucking time. I don’t spend much of my day talking about either.” True. He doesn’t spend much of his time talking about either. He succinctly says gays are confused and Jews are evil and then he moves on to whine about the group’s critics.

In 2003, Chuck D co-hosted a nationally-syndicated daily radio show alongside Lizz Winstead and Rachel Maddow. No Jews, but a big gay. Said D “[Rachel] steers the bus. Rachel is one of the best professional broadcasters I’ve worked with.” And so all is forgiven.

And now onto the music!

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Glenn’s Ten – 8/27/14

Demi Lovato’s “Really Don’t Care” remains at #1 in Glenn’s Ten this week. There is one new entry – “A Place With No Name” performed by Michael Jackson, who has been in Glenn’s Ten many times over the years.

Glenn’s Ten for this week is:
1. “Really Don’t Care” – Demi Lovato featuring Cher Lloyd
2. “Chandelier” – Sia
3. “Do You” – Spoon
4. “New Dorp, New York” – SBTRKT featuring Ezra Koenig
5. “All the Rage Back Home” – Interpol
6. “How Can You Really” – Foxygen
7. “Dark Sunglasses” – Chrissie Hynde
8. “Electric Lady” – Janelle Monae featuring Solange
9. “Nothing More than Everything to Me” – Christopher Owens
10. “A Place with No Name” – Michael Jackson

Rounding out today’s playlist are ten tunes that were #1 on this date in Glenn’s Ten history, in reverse chronological order. It’s a place where Rihanna, The Chemical Brothers, Simply Red, Anthrax, Thompson Twins, Frank Zappa and Skee-Lo can peacefully co-exist.

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