Tunes Du Jour Presents Holland-Dozier-Holland

Brian Holland, Lamont Dozier, and Eddie Holland, collectively known as Holland-Dozier-Holland (H-D-H), are synonymous with the sound of Motown. Their string of hits in the 1960s and beyond fueled the success of the record label, shaping popular music and paving the way for R&B to dominate the airwaves. Each song on this playlist, from The Four Tops’ powerful “Reach Out (I’ll Be There)” to The Supremes’ iconic “Where Did Our Love Go,” credits one or more members of H-D-H. With a blend of melody, rhythm, and hooks that remain timeless, the team’s work redefined what hit songwriting could accomplish.

This songwriting trio didn’t merely write songs—they crafted narratives of love, heartbreak, and resilience that resonated with audiences across generations. Tracks like “This Old Heart of Mine (Is Weak for You)” by The Isley Brothers and Marvin Gaye’s “Can I Get a Witness” reveal the emotional depth in their compositions, supported by rhythms and production styles that have endured decades of cover versions. Their songs often feel instantly recognizable, whether it’s the infectious chorus of Chairmen of the Board’s “Give Me Just a Little More Time” or the stomping beat of Junior Walker & the All-Stars’ “(I’m A) Road Runner.”

The irony, however, is that Eddie Holland, despite being a key member of the team, had only one top 40 pop single as a solo artist, “Jamie”—and it wasn’t written by any member of Holland-Dozier-Holland. Instead, it was penned by Barrett Strong and William “Mickey” Stevenson, fellow Motown talents who contributed in their own right to the label’s powerhouse status. Though Eddie found his calling behind the scenes rather than as a performer, his experience as an artist gave him unique insight into the singer’s perspective, a quality that helped make H-D-H’s songs vocally compelling and relatable.

Beyond Motown, the trio’s influence stretched into rock, pop, and soul genres, as evident from covers and reinterpretations by artists like The Rolling Stones, Rod Stewart, and Bananarama. These renditions, like Linda Ronstadt’s cover of “Heat Wave” or James Taylor’s soulful take on “How Sweet It Is (To Be Loved by You),” show how their music transcended genre boundaries. Each version emphasizes the versatility of H-D-H’s songwriting, capable of adapting to various musical expressions while retaining its core appeal.

Ultimately, the legacy of Holland-Dozier-Holland isn’t just in their impressive catalog but in their contributions to the very essence of popular music. They captured the spirit of a generation through music that continues to find new audiences, sounding as fresh today as it did over half a century ago. Their work endures, a testament to their genius, and is rightly celebrated by the many artists who’ve covered and revived their timeless songs.

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Your (Almost) Daily Playlist: 12-2-23

According to my Spotify Wrapped, pop was my top genre of 2023, thanks to the many hits I jammed to this year. But did you know I almost missed one of the greatest pop songs ever? Back in 1999, I barely heard Britney Spears’ “…Baby One More Time” when it was a chart-topper. It was only when the song was descending on the charts and I joined Jive Records, her label, as their head of Licensing that I discovered this masterpiece. I’ve been a loyal fan ever since, even after I left the company. 

We had a party at Jive when Britney turned 18. It’s hard to believe that today she turns 42. A few of her hits are on today’s playlist.

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Your (Almost) Daily Playlist: 6-14-23

Culture Club’s “Do You Really Want to Hurt Me“ takes me back to Newbury Comics in Cambridge, Massachusetts in late 1982. There was a TV in the shop that showed music videos. That was my first exposure to this song and to Boy George. I was transfixed, partly because the song is so good, and partly because I couldn’t figure out the singer’s gender. We only knew of two genders back then. Though I had not yet been recruited into the homosexual lifestyle, I became fascinated with Boy George. It helped that his band’s music was so good, for a while anyway. His solo catalogue has some worthwhile numbers as well.

Boy George was born on this date in 1961.

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Your (Almost) Daily Playlist: 12-17-22

Today’s playlist celebrates the December 17 birthdays of R.E.M.’s Mike Mills, The Temptations’ Eddie Kendricks, Dirty Projectors’ David Longstreth, Free/Bad Company’s Paul Rodgers, The Meters’ Art Neville, Paul Butterfield, Bananarama’s Sara Dallin, Emotions’ Wanda Hutchinson, and Dave Dee; and the December 18 birthdays of Billie Eilish, The Rolling Stones’ Keith Richards, Julia Holter, Christina Aguilera, Sia, DMX, slowthai, Martha and the Muffins’ Martha Johnson, Angie Stone, The Gories’ Mick Collins, and Shonen Knife’s Naoko Yamano.

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Your (Almost) Daily Playlist: 9-9-22

Today’s playlist celebrates the September 9 birthdays of Otis Redding, Eurythmics’ Dave Stewart, Iron Butterfly’s Doug Ingle, Drugstore’s Isabel Monteiro, Les Rythmes Digitales’ Stuart Price (a/k/a Jacques LuCont), Dee Dee Sharp, The Caravelles’ Andrea Simpson, and Brittney Spencer; and the September 10 birthdays of Aerosmith’s Joe Perry, Big Daddy Kane, Camper Van Beethoven/Cracker’s Dave Lowery, Bananarama/Shakespear’s Sister’s Siobhan Fahey, Three Dog Night’s Danny Hutton, T’Pau’s Carol Decker, José Feliciano, Ashley Monroe, and Avenue Q songwriter Jeff Marx.

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Your (Almost) Daily Playlist: 8-17-22

Today’s playlist celebrates the August 17 birthdays of Dexys Midnight Runners’ Kevin Rowland, The Go-Go’s’ Belinda Carlisle, Phoebe Bridgers, Mark Dining, Luscious Jackson’s Jill Cunniff, The Revolution/Wendy & Lisa’s Lisa Coleman, Maria McKee, The Pack’s Lil B, and Robert DeNiro; and the August 18 birthdays of Arcade Fire’s Régine Chassagne, Aphex Twin, the xx’s Romy, Wu-Tang Clan’s Masta Killa, The Orioles’ Sonny Til, Clairo, House of Pain’s Everlast, The Primitives’ Tracy Tracy, The Move’s Carl Wayne, Mika, The Toys’ Barbara Harris, Johnny Preston, Maxine Brown, The Lonely Island’s Andy Samberg, Martin Mull, and Denis Leary.

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