Tunes Du Jour Presents The Original Versions

Many of us grow up assuming the hit version of a song is the original. This playlist celebrates those surprising musical genealogies: well-known songs that were originally recorded by someone else, often with little fanfare. Here are the stories behind the transformations—where they started, and how they became iconic.


“Don’t Leave Me This Way” – Thelma Houston / Originally by Harold Melvin & the Blue Notes (1975)
Houston’s disco anthem actually began life as a Philly soul track sung by Teddy Pendergrass. Thelma took it to the dancefloor—and to #1.

“War” – Edwin Starr / Originally by The Temptations (1970)
This protest song started as an album cut by The Temptations. Starr’s rawer, angrier take made it a searing hit during the Vietnam era.

“Strawberry Letter 23” – The Brothers Johnson / Originally by Shuggie Otis (1971)
Otis’ dreamy, psychedelic original flew under the radar until producer Quincy Jones supercharged it with funk for The Brothers Johnson.

“I Feel for You” – Chaka Khan / Originally by Prince (1979)
Prince wrote it, recorded it, and released it on his 1979 self-titled album. Chaka Khan added Stevie Wonder’s harmonica and Melle Mel’s rap, creating a genre-blurring smash that gave the song a second life—and a much bigger audience.

“Louie Louie” – The Kingsmen / Originally by Richard Berry (1957)
Berry’s calypso-tinged rhythm & blues song became an unintelligible rock ‘n’ roll classic in the hands of teenage garage rockers.

“Pass The Koutchie” – Musical Youth as “Pass the Dutchie” / Originally by Mighty Diamonds (1981)
Musical Youth’s version cleaned up the ganja references but kept the groove. A British reggae hit born from a roots original.

“Tainted Love” – Soft Cell / Originally by Gloria Jones (1964)
This Northern Soul favorite was ignored in the U.S. until Soft Cell’s chilly synth-pop cover turned it into an international sensation.

“You Are So Beautiful” – Joe Cocker / Originally by Billy Preston (1974)
Preston’s gospel-inflected original was co-written with Dennis Wilson of the Beach Boys. Cocker slowed it down into a tearjerking ballad.

“The First Cut Is The Deepest” – Rod Stewart / Originally by P.P. Arnold (1967)
Before Cat Stevens, the song’s writer, sang it himself, P.P. Arnold delivered a powerful version. Stewart’s cover gave it global traction.

“Red, Red Wine” – UB40 / Originally by Neil Diamond (1967)
Diamond’s mournful original was a slow ballad. UB40’s reggae version confused even him—he didn’t recognize his own song on the radio.

“Brand New Cadillac” – The Clash / Originally by Vince Taylor and His Playboys (1959)
This rockabilly obscurity became a snarling punk track on London Calling. Vince Taylor later served as an inspiration for David Bowie’s Ziggy Stardust persona.

“Take Me To The River” – Talking Heads / Originally by Al Green (1974)
Green’s swampy soul gave way to Talking Heads’ jittery art-funk. An old-school spiritual reborn in new wave style.

“The Tide Is High” – Blondie / Originally by The Paragons (1967)
Jamaican rocksteady meets NYC cool. Blondie took this mellow gem and gave it a global pop sheen.

“Brandy” – Barry Manilow as “Mandy” / Originally by Scott English (1971)
English’s sad and simple original got a new name and new polish. Manilow’s grand version topped the charts.

“Don’t Let Me Be Misunderstood” – The Animals / Originally by Nina Simone (1964)
Simone’s pleading ballad became a snarling British Invasion hit. Her nuanced sorrow gave way to the raw edge of rock.

“Bette Davis Eyes” – Kim Carnes / Originally by Jackie DeShannon (1974)
The original was breezy and piano-driven. Carnes and her producer Val Garay turned it into new wave noir.

“Heaven Must Have Sent You” – Bonnie Pointer / Originally by The Elgins (1966)
Pointer’s disco version revived a Motown deep cut and put it back on the charts over a decade later.

“Love Buzz” – Nirvana / Originally by Shocking Blue (1969)
Nirvana turned this obscure Dutch psych-rock tune into a distorted grunge landmark. Their debut single.

“Piece Of My Heart” – Big Brother & The Holding Company / Originally by Erma Franklin (1967)
Aretha’s sister recorded it first, but Janis Joplin made it a fiery centerpiece of her legend.

“It’s Oh So Quiet” – Björk / Originally by Betty Hutton (1951)
A novelty big-band number revived by Björk into a theatrical showstopper. Old Hollywood meets Icelandic art-pop.

“China Girl” – David Bowie / Originally by Iggy Pop (1977)
Co-written with Bowie, Iggy’s version was skeletal and raw. Bowie’s version added synth gloss and MTV appeal.

“Good Lovin'” – The Young Rascals / Originally by The Olympics (1965)
The Olympics had the groove, but The Rascals turned it into a garage-rock rave-up and a #1 hit.

“Valerie” – Mark Ronson featuring Amy Winehouse / Originally by The Zutons (2006)
The Zutons wrote it as a bluesy rock song. Winehouse made it retro-soul perfection.

“Police On My Back” – The Clash / Originally by The Equals (1967)
A stomping, paranoid track from Eddy Grant’s first band. The Clash turned it into a punk fugitive anthem.

“After Midnight” – Eric Clapton / Originally by J.J. Cale (1966)
Cale’s laid-back shuffle was juiced up with guitar licks by Clapton, who kept the songwriter’s cool intact.

“On Broadway” – The Drifters / Originally by The Cookies (1962)
Songwriters Barry Mann & Cynthia Weil gave this to a girl group first, but The Drifters made it a city-slick R&B classic.

“Love Hurts” – Nazareth / Originally by The Everly Brothers (1960)
Gentle heartbreak became hard rock agony. Nazareth’s arena wail made the song a power ballad staple.

“I Love Rock ‘n’ Roll” – Joan Jett & the Blackhearts / Originally by The Arrows (1975)
Jett saw it on UK TV and recorded a fiercer, snarling version that girls (and boys) everywhere could scream along to.

“Without You” – Nilsson / Originally by Badfinger (1970)
Badfinger’s version was plaintive; Nilsson’s was operatic. He didn’t just sing it—he wailed it.

“Superman” – R.E.M. / Originally by The Clique (1969)
A psychedelic pop obscurity turned indie-rock cult classic. One of R.E.M.’s rare early tracks not written by the band.


These songs remind us that inspiration doesn’t always strike where the spotlight shines. Sometimes greatness is borrowed—and reinvented.


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Tunes Du Jour Presents John Lennon

John Lennon’s musical legacy is a testament to his evolving artistry and the profound impact he had on popular culture. From the early days of The Beatles to his solo career, Lennon’s songs reflect a man constantly pushing boundaries and exploring new territories in music and thought.

The playlist at hand offers a glimpse into Lennon’s musical journey, starting with the youthful energy of early Beatles tracks like “Love Me Do” and “From Me To You.” These songs, with their catchy melodies and simple lyrics about love, mark the beginning of a career that would soon take unexpected turns. As The Beatles progressed, so did Lennon’s songwriting. Tracks like “Help!” and “Nowhere Man” hint at a deeper introspection, moving beyond the realm of simple pop tunes to explore more personal and complex themes.

The psychedelic era brought forth some of Lennon’s most innovative work. Songs such as “Strawberry Fields Forever,” “I Am The Walrus,” and “Lucy In The Sky With Diamonds” showcase his experimentation with sound, structure, and lyrics. These tracks, along with “Tomorrow Never Knows,” demonstrate Lennon’s willingness to push the boundaries of what was possible in popular music, incorporating influences from avant-garde and Eastern philosophy.

As the 1960s drew to a close, Lennon’s songwriting took on a more politically charged tone. “Revolution” and “Give Peace A Chance” reflect his growing activism and desire to use his platform for social change. This shift continued into his solo career, with tracks like “Imagine” and “Working Class Hero” further cementing his status as not just a musician, but a voice for his generation.

Songs like “(Just Like) Starting Over” and “#9 Dream,” reveal an artist who had found a balance between his experimental tendencies and his gift for melody. These tracks, along with the haunting “Jealous Guy,” show a more mature Lennon, one who could look back on his life and career with a mixture of nostalgia and hard-earned wisdom. Through this playlist, we see John Lennon not just as a member of The Beatles or a solo artist, but as a continuously evolving musician whose work continues to resonate with listeners decades after his untimely death.

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Tunes Du Jour Presents Paul McCartney

Paul McCartney, an iconic figure in the music industry, has had a remarkable career spanning over six decades. As a founding member of The Beatles, his contributions have significantly shaped the landscape of popular music. His work with The Beatles produced some of the most enduring songs of all time, including classics like “Hey Jude,” “Let It Be,” and “Yesterday.” These tracks not only topped charts globally but also influenced countless artists across various genres.

McCartney’s talent was not confined to his time with The Beatles. After the band’s breakup, he formed Paul McCartney & Wings, continuing to release hits like “Band on the Run” and “Live and Let Die.” His ability to reinvent himself and remain relevant in the evolving music scene is a testament to his versatility as an artist. Songs like “Maybe I’m Amazed” showcased his knack for crafting deeply personal and emotionally resonant music.

Throughout his illustrious career, McCartney has garnered numerous accolades. He is an 18-time Grammy Award winner, a two-time inductee into the Rock and Roll Hall of Fame (as both a Beatle and a solo artist), and a recipient of the prestigious Gershwin Prize for Popular Song from the Library of Congress. In 1997, he was knighted by Queen Elizabeth II for his services to music, cementing his status as one of the most influential musicians in history.

Beyond his musical achievements, McCartney is also known for his philanthropic efforts. He has been a vocal advocate for animal rights, environmental conservation, and vegetarianism. Along with his late wife, Linda McCartney, he campaigned extensively for these causes, even launching the Linda McCartney Foods line of vegetarian products. His support extends to numerous charities and humanitarian efforts, reflecting his commitment to using his platform for positive change.

McCartney’s legacy is not just in the music he created but also in the way he has inspired generations of musicians and fans. His songwriting prowess, innovative approach to music, and unwavering dedication to social causes make him a towering figure in popular culture. As we listen to timeless songs like “Eleanor Rigby,” “Penny Lane,” and “Blackbird,” we are reminded of the profound impact Paul McCartney has had on the world, both through his art and his actions.

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Your (Almost) Daily Playlist: 12-10-23

“Nightshift” was Commodores’ biggest hit following the departure of usual lead singer Lionel Richie. The group’s Walter Orange, a co-writer of the song, sings lead on verse one. Orange also sang lead on Commodores’ hits “Brick House” and “Too Hot Ta Trot.” So there. 

Commodores’ Walter Orange was born on this date (or maybe yesterday’s date) in 1946. Two of the group’s songs on which he sang lead are included on today’s playlist.

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Your (Almost) Daily Playlist: 9-2-23

“Will It Go Round In Circles,” Billy Preston’s second US number one single, was borne from a comment Preston made to his songwriting partner, Bruce Fisher, about having a song but no melody. From there the pair came up with lyrics about having a dance with no steps and added to those words a very catchy melody. A session that included pre-stardom guitar and bass players The Brothers Johnson brought the groove and the funk.

Billy Preston’s first time having his name appear at the top spot of the Hot 100 was in 1969 with “Get Back,” credited to The Beatles With Billy Preston. Following The Beatles’ breakup, Preston continued working with its members, including playing with George Harrison at the Concert for Bangladesh. Preston was the first artist to record Harrison’s My Sweet Lord,” which Harrison co-produced and later recorded himself.

“Will It Go Round In Circles” entered the Hot 100 at number 99. It reached the top ten eleven weeks later, at which time the number one song was Paul McCartney and Wings’ “My Love.” “My Love” was knocked from the top spot by George Harrison’s “Give Me Love (Give Me Peace On Earth),” which was knocked from the top spot by “Will it Go Round In Circles.” The b-side of the Preston single was his cover of The Beatles’ song “Blackbird.”

The late Billy Preston was born on this date in 1946. A handful of his songs feature on today’s playlist.

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Your (Almost) Daily Playlist: 10-8-22

Today’s playlist celebrates the October 8 birthdays of Ramones’ Johnny Ramone and C.J. Ramone, Kool & the Gang’s Robert “Kool” Bell, The Stylistics’ Airrion Love, Average White Band’s Hamish Stuart, BLACKstreet’s Teddy Riley, C.L. Smooth, Bruno Mars, Pigbag’s James Johnstone, and Saturday Night Live‘s Chevy Chase; and the October 9 birthdays of The Beatles’ John Lennon, The Who’s John Entwistle, PJ Harvey, Jackson Browne, Labelle’s Nona Hendryx, Men Without Hats’s Ivan Doroschuk, Heatwave’s Rod Temperton, Ini Kamoze, and Phantom Planet’s Alex Greenwald.

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