Your (Almost) Daily Playlist: 12-31-23

The year after I graduated from college I moved out of my parents’ house into my own apartment in Woodbridge, New Jersey, where I lived for two years before moving into Manhattan. Woodbridge was no great shakes, though there was one cool thing about it. Around the corner from me was an independent record store whose name I will never recall. Always on the hunt for new music, I would spend hours there flipping through the racks. It was on one of those occasions, in 1986 or ’87, that I chanced upon an album named Let It Be. I already had an album at home called Let It Be by a different band, and that one was pretty good, so I figured I’d take a chance on this Let It Be. It’s by a band named The Replacements, and while I had never heard their music, I did recall reading positive things about them in the music press. I splurged the $9 + tax on the still sealed vinyl LP, took that baby home, and have never looked back. I now own every album ever released by The Replacements in triplicate plus one (is that called quadruplicate?), not because I’m an obsessive, but because I worked for their record company. And because I’m an obsessive.

The Replacements’ Paul Westerberg was born on this date in 1959. A few of the band’s earlier recordings are included on today’s playlist.

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It’s Sinéad O’Connor’s Birthday And I Can’t Think Of A Headline

The latter half of the eighties was a great time for alternative rock music and its fans. During the years after the new wave boom but before Nirvana penetrated the mainstream, bringing a host of new rock acts with them, we would hear fresh, interesting acts on WLIR/WDRE and see them on MTV’s 120 Minutes.

In early 1988 120 Minutes aired a video from a new Irish singer named Sinéad O’Connor. The song was “Mandinka.” It grabbed me immediately. I bought her LP The Lion and the Cobra. It was (and is) great. I became obsessed. Not in a creepy stalker kind of way. I felt the need to own every note this woman released. I bought the albums, the remixes, the non-LP singles (e.g. “My Special Child”), the singles with non-LP b-sides (the UK CD single of “Success Has Made a Failure of Our Home” with its cover of “My Heart Belongs to Daddy,” the UK CD single of “This Is a Rebel Song” with its cover of “Redemption Song”), every movie soundtrack album she appeared on (Married to the Mob, In the Name of the Father) and every compilation she appeared on (Red Hot + Blue, Help, A Very Special Christmas 2). I loved her passion, her songs, her intelligence, her tenderness, her individuality and her look. She stood out from the pack.

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Today Tunes du Jour celebrates the birthday of Sinéad O’Connor with a playlist inspired by her and the music of the 120 Minutes era.