Inspired by the February 4 birthdays of Alice Cooper, Cam’ron, James’ Tim Booth, and Natalie Imbruglia; the February 3 birthdays of The Temptations’ Dennis Edwards, The Kinks’ Dave Davies, Melanie, and Daddy Yankee; and the February 2 birthdays of Graham Nash, Honey Cone’s Edna Wright, Shakira, Howard Bellamy and Stan Getz; and the February 3 anniversary of the passing of Buddy Holly.
Tag Archives: Crosby Stills Nash and Young
“You go to a supermarket and you see a faggot behind the fuckin’ cash register, you don’t want him to handle your potatoes.” – Neil Young in Melody Maker, September 1985
It sucks when anybody makes an ignorant and offensive statement, particularly when it’s somebody the public eye. For this post I‘ll focus on homophobia (and related AIDS-phobia).
It sucks when Pat Boone says children are being “indoctrinated with an appreciation for homosexuality,” but that didn’t hurt me too much as Pat Boone is a talentless has-been who built his career on taking songs recorded by Little Richard and Fats Domino and making them safe for uptight white folks. I wasn’t his target audience (notwithstanding that I wasn’t born yet when he rose to fame).
It sucks when Donny Osmond says he condemns homophobia and opposes gay marriage, but at least he’s (inadvertently) condemning himself, thereby saving me the trouble. Also, he’s marginally more talented and slightly less of a has-been than Pat Boone, and while I love “Morning Side of the Mountain,” if someone told me I had to delete all Osmonds recordings from my iTunes library, I wouldn’t put up much of a fight.
It sucks that Eminem’s new song has the lyric “Happy as Anderson Cooper having a tuba crammed in his pooper.” It’s not so much that it’s homophobic per se. It’s that a 42-year-old feels he has to resort to such juvenilia to feel relevant and not see his career go the way of Pat Boone and Donny Osmond. He doesn’t need to stoop to this. He still sells truckloads of records, despite having made only one or two good singles in the past decade. He could probably keep coasting for a while. And seriously, a tuba? That doesn’t even rhyme.
It sucks that The Beastie Boys wanted to title their first album Don’t Be a Faggot, with a couple of song lyrics that were interpreted as homophobic. However, in 1999 the trio’s Ad-Rock sent a letter to Time Out New York that read “I would like to … formally apologize to the entire gay and lesbian community for the shitty and ignorant things we said on our first record, 1986′s Licensed to Ill. There are no excuses. But time has healed our stupidity. … We hope that you’ll accept this long overdue apology.”
It’s odd that director Jonathan Demme reached out to Neil Young to compose and record a theme song for his 1993 film Philadelphia. Demme told The Toledo Blade that the film was “intended to reach an audience in desperate need of sensitization on the issue of homophobia. We thought how the right movie could help young males – the most rigid of all – open up to the humanity and courage of gay people. So I had this idea that I would start it off with a giant Neil Young guitar anthem and it would relax all the young uptight homophobic guys.” So he asked a guy who thought AIDS was spread via potatoes touched by faggots. Young recorded a song for the film, and while it wasn’t the anthem Demme was expecting (Bruce Springsteen ended up providing that), it fit the film well and was nominated for an Academy Award for Best Original Song, which it lost to Springsteen’s “Streets of Philadelphia.”
I don’t recall Neil Young ever apologizing for his boneheaded homophobic and AIDS-phobic remarks; however, I don’t recall him making similar statements since the mid-eighties, and that may be better than an apology.
In his 2002 biography of Neil Young, Shakey, Jimmy McDonough writes “I had found out that Young was planning on donating the proceeds from the ‘Philadelphia’ track to the Gay Men’s Health Crisis center. He acknowledged it was true but didn’t seem anxious to publicize the fact. I got the feeling there were other chartable acts I didn’t know about. ‘I’m not trying to score any social points,’ he said.”
Today Neil Young turns 69 years old. Here are twenty career highlights. (NOTE – “Philadelphia” is not on Spotify.)
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The Guardian asked its readers to put aside the selfie and send in a shelfie – a photo of your bookshelves. As Tunes Du Jour is a music blog I figured it makes me sense to take a shelfie of some of my music collection:
One act that takes up a fair amount of shelf space is The Rolling Stones. In fifth grade my music teacher, Mrs. Matzot, played the group’s Hot Rocks for us in class. She knew the secret is to hook ‘em when they’re young. I became a Stones fan that day.
Today Tunes Du Jour celebrates the 70th birthday of Keith Richards.
I didn’t get the film Muriel’s Wedding. Not as in I didn’t get the Blu-Ray of this movie for Hanukkah. I don’t even own a Blu-Ray player. No, I mean I didn’t understand it. Or rather, I didn’t buy it. Muriel, the ugly duckling girl who is mocked and abused, ends up marrying a beautiful South African swimmer and then splits up with him because of some self-esteem bullshit. WHAT? For fuck’s sake, Muriel! The man has beautiful eyes, a great body and doesn’t beat you. What more could you want? If this means I’m shallow and superficial then I don’t want to be right. She says to him “I don’t love you” and he replies “I don’t love you either but I think I could like having you around.” He’s so sweet! I dream of the day someone says something so romantic to me! Someone attractive, that is. Oh, um, SPOILER ALERT. I should have said that a few sentences ago. If you haven’t seen the movie yet and plan to (which you should, just to see what Muriel walked away from) then forget what you just read.
Muriel’s Wedding had its good points: a) David (Muriel’s husband), b) it introduced us to Toni Collette as Muriel, c) it introduced us to Rachel Griffiths, and d) along with The Adventures of Priscilla, Queen of the Desert, it brought ABBA back into the public consciousness.
Today Tunes du Jour celebrates the birthday of ABBA’s Benny Andersson who, along with the group’s Björn Ulvaeus, co-wrote and co-produced most of their hits.