Tag Archives: Electronic

Your (Almost) Daily Playlist (5-22-20)

Inspired by the May 22 birthdays of Morrissey, Marshall Tucker Band’s Doug Gray, Jigsaw’s Des Dyer, Johnny Gill and Icehouse’s Iva Davies.

https://open.spotify.com/playlist/49BPnFE29sFYJGxO0HPuWa

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It’s Friday And I Need To Dance!

I knew I was in trouble when the doctor walked into the examination room, looked at me, and said “Mrs. Garcia?”

Unfortunately, I was forced to change health care plans this year. By doing so, I could not longer see the doctor I’ve been going to for the past eleven years. Of those affiliated with my new insurance provider, I selected the doctor who was closest to my home.

I went to his office today because of my eyes. My eyelids are itchy and flaky, and beneath my eyes is swollen and red. I asked him how I should treat them, and he answered “I don’t know. I’m not a dermatologist.” Per the rules of the plan, I had to see him before I could go to a specialist, which seems to me to be a silly waste of time. He took a photograph of my eyes, instructing me to close my eyes for an effective photo. I didn’t go to medical school, but I could have figured out on my own that the best way to photograph my eyelids is for me to have my eyes shut. He’ll send the photos into headquarters, who will then contact me with the name of a dermatologist I can see. Until then, all I can do is scratch my eyelids until they bleed.

On the plus side, the doctor said I’m not pregnant. That calls for a dance.

Tunes du Jour’s weekly dance party kicks off with Neneh Cherry’s “Kisses on the Wind.”


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It’s Neil Tennant’s Birthday And I Need To Dance!

In 1983, a writer for the UK’s Smash Hits magazine, along with a friend he met two years earlier in a music shop, inspired by such disparate sources as a James Cagney film, a T.S. Eliot poem, and Grandmaster Flash & the Furious Five’s “The Message,” recorded a rap tune contrasting two parts of London and people’s need to escape the pressures of everyday life.

The song, released on Bobcat Records, got some attention in Los Angeles, Canada, Belgium, and in dance clubs in parts of Europe and North America.

PSB + Ringo
In 1985 the duo rerecorded the song for their new label, EMI. This time around, “West End Girls” became a worldwide pop smash.

Today Neil Tennant turns 61 years old. Tunes du Jour kicks off its weekly dance party with the biggest British rap hit to hit the U.S. charts.


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It’s Pete Shelley’s Birthday And I Need To Dance!

In 1981, Pete Shelley reached #14 on the US Dance chart with “Homosapien,” a keyboard-centric single that sounded much different than his work as the lead singer of punk band The Buzzcocks.

“Homosapien” did not get much airplay in Shelley’s native England, as the BBC took exception to the lyric “Homo superior in my interior.” Shelley said the song was not intended as a “gay song;” rather, it’s about homosapiens falling in love with other homosapiens. That may be so, but the opening line is “I’m the shy boy, you’re the coy boy / And you know we’re homosapien, too,” so there is more than a little homo in this sapien.

Shelley lives as the homosapien of his song, eschewing labels because “there doesn’t seem to be a word for ‘having relationships with people,’” regardless of gender, which is where Shelley sees himself.

It’s Friday and I need to dance! It’s also Pete Shelley’s birthday (he’s 60), so we’ll kick off our dance party with “Homosapien.”

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It’s Sinéad O’Connor’s Birthday And I Can’t Think Of A Headline

The latter half of the eighties was a great time for alternative rock music and its fans. During the years after the new wave boom but before Nirvana penetrated the mainstream, bringing a host of new rock acts with them, we would hear fresh, interesting acts on WLIR/WDRE and see them on MTV’s 120 Minutes.

In early 1988 120 Minutes aired a video from a new Irish singer named Sinéad O’Connor. The song was “Mandinka.” It grabbed me immediately. I bought her LP The Lion and the Cobra. It was (and is) great. I became obsessed. Not in a creepy stalker kind of way. I felt the need to own every note this woman released. I bought the albums, the remixes, the non-LP singles (e.g. “My Special Child”), the singles with non-LP b-sides (the UK CD single of “Success Has Made a Failure of Our Home” with its cover of “My Heart Belongs to Daddy,” the UK CD single of “This Is a Rebel Song” with its cover of “Redemption Song”), every movie soundtrack album she appeared on (Married to the Mob, In the Name of the Father) and every compilation she appeared on (Red Hot + Blue, Help, A Very Special Christmas 2). I loved her passion, her songs, her intelligence, her tenderness, her individuality and her look. She stood out from the pack.

Sinead 003

Today Tunes du Jour celebrates the birthday of Sinéad O’Connor with a playlist inspired by her and the music of the 120 Minutes era.

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