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Cool New Music

I interrupt my interruption to bring you twenty new(ish) songs that are rocking my world these days. Let me know which ones hit you.

Regular blogging will resume at some point this year.


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It’s Danger Mouse’s Birthday And I Need To Dance!

About Bill Cosby, rapper A$AP Rocky recently said, “He did so much positive things leading up to one thing, which he was convicted of being innocent for, by the way.” First off, it’s so many positive things, not so much. Secondly, it’s for which he was convicted of being innocent. Thirdly, one gets convicted of being innocent? No wonder our nation’s jails are overcrowded. Go on, $AP. “All you remember is the 56 woman and all that kind of shit.” Yes, all that kind of serial rapist shit. Nobody remembers he introduced the world to Fat Albert and Raven Symone. Just rape rape rape and more rape. Oh, sorry. I interrupted this genius again. Back to you A$$. “I’m not his lawyer, but I do know he’s innocent.” And even if he is guilty, “All we know is that he was accused, he allegedly raped however many woman he raped, which, you got, it’s so much issues in the world, you know I’m saying?” I know what you’re saying! There are so many issues in the world, so why spend any time on one of the issues in the world, that being the issue of crime?

I expected better from the guy who rapped “I be fuckin’ broads like I be fuckin’ bored / Turn a dyke bitch out have her fuckin’ boys, beast” and “I swear that bitch Rita Ora got a big mouth/ Next time I see her might curse the bitch out/ Kicked the bitch out once cause she bitched out/ Spit my kids out, jizzed up all in her mouth and made the bitch bounce.” It turns out he’s not as intelligent, articulate and thoughtful as those lyrics make him out to be.

The only time I ever bought the “clean” version over the “explicit” version of a song is when I got A$AP Rocky’s “F**kin’ Problems,” from which the dyke bitch lyric is taken. The beat is great, but the lyrics are so over-the-top misogynist, and that’s saying a lot for a genre in which far too many lyrics are extremely misogynist.

Rocky is a talented guy, albeit one with a vile attitude toward women. Usually I can separate the person from the art. I love the movie Chinatown, even though its director, Roman Polanski, pled guilty to statutory rape. I love the Ronettes’ “Be My Baby” and the Righteous Brothers’ “You’ve Lost That Lovin’ Feeling,” even though the producer of those records, Phil Spector, is presently serving time for second degree murder. I love Robin Thicke’s “Blurred Lines,” even though he’s Robin Thicke. I don’t know what I’ll do if Chris Brown ever releases a halfway decent song. Good things the odds of that ever happening are mighty slim.

I’m not defending these artists. Being a monster and being talented are not mutually exclusive. Sometimes I can listen to or watch the art and not think about the crimes allegedly committed. Is that wrong? If it is, that’s my f**kin’ problem.

CeeLo Green gave us the great “Fuck You” in 2010. In 2012, Green was accused by a woman of drugging and sexually assaulting her. CeeLo’s attorney said the sex was consensual, with the singer tweeting “If someone is passed out they’re not even WITH you consciously, so WITH Implies consent. People who have really been raped REMEMBER!!!” Fuck you.

I still listen to Green’s “Fuck You,” but I don’t set out to listen to his newer music. In part it’s because of his attitude. Even if he didn’t drug and or rape this woman, I read his tweets about rape and think “Does that make him crazy? Probably.” To be honest, I also don’t listen to his newer music because it sucks. Everything the man has done since “Fuck You” is pretty bad. Did you hear his song “Robin Williams” from last year? It’s shit. I’m not saying I’m glad he died, but the actor is lucky he never had to hear it.

So I’ll listen to “Fuck You” and I’ll listen to “Crazy,” the worldwide smash he had as one-half of Gnarls Barkley. The other half of the duo, Brian Burton, professionally known as Danger Mouse,” celebrates his 39th birthday today. Tunes du Jour kicks off its weekly dance party with Gnarls Barkley’s “Crazy.” Will I be celebrating when CeeLo’s birthday comes around? Maybe by singing “Fuck You.”


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50 Songs Named After Real People

Today is the birthday of two music icons – Jam-Master Jay of rap pioneers Run-D.M.C. and disc jockey Wolfman Jack. Besides their place in their history of rock and roll, both men have another thing in common – they were the subjects of songs. That inspired me to put together today’s playlist – songs named after real people.

I found fifty songs whose titles are actual people. Actually I found more than fifty, but I didn’t want to subject you to Chiddy Bang or Mac Miller. I made a few rules for myself:
1) The title can’t have words besides the person’s name, hence no Kim Carnes’ “Bette Davis Eyes” or Sleater-Kinney’s “I Wanna Be Your Joey Ramone.”
2) The title has to be the full name the person is known by, so no “Springsteen” by Eric Church or “Jessica” (about Jessica Simpson) by Adam Green. Allowed are “Galileo,” “Joan of Arc” and “King Tut,” as that is how most people identify Galileo Galilei, Joan d’Arc and Tutankhamun.
3) The song doesn’t have to be about the person after whom it is titled, so “Jack the Ripper” and “Rosa Parks” are in.
4) The track has to be on Spotify. This means I left out Bob Dylan’s “George Jackson” and Hoodie Allen’s “James Franco.”

Amazingly for a playlist based on such a goofy concept, it holds together quite well, if I say so myself.

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It’s Friday And I Need To Dance!

Gwen Stefani, the lead singer and lyricist of the band No Doubt, wanted to do a dance-oriented solo album, but when the band finished its Rock Steady tour in November 2002, all she wanted to do was sleep. “I wanted to take a break and was really burned out, but the record company were ready to go.” Her label, Interscope, wanted her to work on her solo album with singer-songwriter Linda Perry, who was available for only five days.

Without the time to recharge, Stefani’s anxieties about doing the record rose to the surface and she spent a lot of time crying in bed. She’d been with the guys in No Doubt for seventeen years at that point; could she do a record without them?

On their second day in the studio together, Perry presented Stefani with the music of a song she stayed up the previous night to write. Stefani was to come up with lyrics, and she took the speed with which Perry came up with the song as a dare, as if to ask her “What are you waiting for?”

That was the inspiration Stefani needed. She wrote the lyrics to “What You Waiting For?,” addressing her fears about doing the record, her lack of inspiration, and the pressure the felt her label was putting on her. The song opens with Stefani referencing her bandmates and their years together – “What an amazing time / What a family/ How did the years go by?/ Now it’s only me.” Then the repeated background vocals of “tick tock” suggest the clock is ticking and she needs to get to work on this solo venture. Her nervous side sings “I’m worried if I go it alone,” to which her confident persona responds “You never know, it could be great” and “Take a chance, you might grow.”

“What You Waiting For?” was the first single released from Stefani’s first solo venture, Love, Angel, Music, Baby. The album sold seven million copies worldwide and was nominated for a Grammy Award for Album of the Year. Hit singles from the album were “Hollaback Girl,” “Rich Girl,” “Cool” and “Luxurious.”

Of the experience making the record, Stefani said “I think it’s very important to put yourself in a situation that’s uncomfortable to be able to grow.”

Is there something you wish to do but have not yet started to tackle? What you waiting for?
doggies + Gwen 2014-07-18 11.34

Friday is dance day at Tunes du Jour. We kick off this week’s party with Gwen Stefani’s “What You Waiting For?”

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Oscar Oscar Oscar!

dogs + stuff 002
The Oscars will be handed out this afternoon/evening. Here are my predictions:

BEST PICTURE: 12 Years a Slave
ACTOR: Bruce Dern (Nebraska)
ACTRESS: Cate Blanchett (Blue Jasmine)
SUPPORTING ACTOR: Jared Leto (Dallas Buyers Club)
SUPPORTING ACTRESS: Lupita Nyong’o (12 Years a Slave)
DIRECTOR: Alfonso Cuarón (Gravity)
ORIGINAL SCREENPLAY: Her
ADAPTED SCREENPLAY: 12 Years a Slave
FILM EDITING: Gravity
CINEMATOGRAPHY: Gravity
PRODUCTION DESIGN: Gravity
ANIMATED FEATURE: Frozen
COSTUME DESIGN: American Hustle
MAKEUP AND HAIRSTYLING: Dallas Buyers Club
VISUAL EFFECTS: Gravity
SOUND MIXING: Gravity
SOUND EDITING: Gravity
ORIGINAL SCORE: Gravity
ORIGINAL SONG: “The Moon Song” from Her

Here is your Academy Awards-inspired playlist:

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