‘Tis the season.
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Tunes Du Jour Presents 1971
The music of 1971 was shaped by a world in transition. The optimism of the ’60s had given way to a more complicated reality—political upheaval, the Vietnam War, and shifting cultural norms weighed heavily on society. In response, many artists channeled these changes into their music, whether through protest, storytelling, or deeply personal reflection. The result was a year that produced enduring songs across multiple genres, from confessional singer-songwriter fare to hard-hitting rock and infectious soul.
Some of the most memorable hits of the year leaned into personal themes rather than overt social commentary. Carole King’s “It’s Too Late” and Elton John’s “Your Song” exemplified the rise of the singer-songwriter era, blending lyrical vulnerability with sophisticated melodies. Al Green’s “Tired of Being Alone” showcased his effortless mix of longing and smooth Southern soul, while Rod Stewart’s “Maggie May” became his breakthrough solo hit, telling the story of youthful romance with a blend of folk and rock. At the same time, Marvin Gaye’s “What’s Going On” took a broader view, addressing war, inequality, and injustice in a way that felt both urgent and timeless.
Rock music remained as dominant as ever, though it took on new forms. Led Zeppelin’s “Immigrant Song” showcased their thunderous power, while The Who’s “Won’t Get Fooled Again” harnessed synthesizers and political defiance to craft an enduring anthem. The Rolling Stones’ “Brown Sugar,” released without much controversy at the time, has since been reevaluated due to its lyrical content. Meanwhile, The Doors painted a dark, atmospheric landscape on “Riders on the Storm,” and Paul & Linda McCartney’s “Uncle Albert/Admiral Halsey” leaned into whimsical experimentation, proving that rock still had room for playfulness.
Soul and funk made significant strides in 1971, with Sly & The Family Stone’s “Family Affair” pioneering a more subdued, groove-heavy sound. The Staple Singers’ “Respect Yourself” and Curtis Mayfield’s “Move On Up” carried messages of empowerment, while Honey Cone’s “Want Ads” and Jean Knight’s “Mr. Big Stuff” infused attitude into their infectious rhythms. The Jackson 5’s “Never Can Say Goodbye” demonstrated a maturing sound beyond their bubblegum pop beginnings, while Cher’s “Gypsies, Tramps and Thieves” and Melanie’s “Brand New Key” brought storytelling into the pop realm with memorable melodies and an enduring campiness.
Fifty-plus years later, the music of 1971 still resonates. Whether through the social commentary of “What’s Going On,” the country-rock warmth of “Me and Bobby McGee,” or the swampy energy of Ike & Tina Turner’s “Proud Mary,” these songs remain essential listening. They serve as both a time capsule and a reminder that great music doesn’t just reflect its era—it continues to shape the generations that follow.
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Tunes Du Jour Presents The Smokey Robinson Songbook
ABC wasn’t wrong—when Smokey sings, everything is wonderful. But just as impressive as his voice is his pen. Smokey Robinson didn’t just write hit songs; he crafted narratives, emotions, and melodies so timeless that they continue to be recorded and reinterpreted decades later. His songwriting, marked by poetic lyricism and effortless hooks, helped define the Motown sound and set a gold standard for pop and R&B composition.
His songs weren’t just catchy; they were masterclasses in storytelling. “My Girl” gave The Temptations a signature hit with a lyric so simple yet evocative that it remains a cultural touchstone. “My Guy” did the same for Mary Wells, its playful devotion making it an anthem of unwavering love. Whether it was the swagger of “Get Ready,” the tenderness of “Ooh Baby Baby,” or the clever metaphor of “The Hunter Gets Captured by the Game,” Smokey knew how to tap into universal feelings and dress them in melodies that lingered.
His influence extended far beyond Motown, as shown by the sheer range of artists who have covered his work. The Beatles took on “You Really Got a Hold on Me,” Elvis Costello recorded “From Head to Toe,” The Rolling Stones tackled “Going to a Go-Go,” D’Angelo put his own spin on “Cruisin’,” and Peter Tosh reimagined “(You Gotta Walk And) Don’t Look Back.” Whether through his own performances or the countless reinterpretations of his songs, Smokey Robinson’s writing continues to resonate, proving that while it’s great when Smokey sings, it’s just as magical when Smokey writes.
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Tunes Du Jour Presents Michael Jackson
Michael Jackson’s legacy in music is undeniably profound, with a career spanning several decades and an influence that is still felt today. From his early days with The Jackson 5 to his solo career that redefined the boundaries of pop music, Jackson’s contributions have left an indelible mark on the industry.
Jackson’s work with The Jackson 5 introduced the world to a young talent capable of captivating audiences with his voice and energy. Hits like “I Want You Back” and “ABC” showcased his ability to bring a unique sense of rhythm and soul, even as a child. As he transitioned into his solo career, Jackson’s music evolved, blending elements of pop, rock, and R&B to craft a distinctive sound that set him apart. Songs like “Don’t Stop ‘Til You Get Enough” and “Rock With You” from his Off the Wall album laid the groundwork for what would become his signature style—catchy melodies, intricate rhythms, and an infectious energy.
The release of Thriller in 1982 was a watershed moment, not just for Jackson but for the entire music industry. With tracks like “Billie Jean,” “Beat It,” and the title track, Jackson broke records and set new standards. The music video for “Thriller” itself became a cultural phenomenon, pioneering the concept of the music video as an art form and cementing Jackson’s reputation as a creative visionary. His music during this period was not just entertainment; it was a catalyst for change, influencing countless artists and shaping the future of pop music.
Beyond his musical achievements, Jackson was also known for his philanthropic efforts. His involvement in the creation of “We Are the World,” a charity single aimed at raising funds for famine relief in Africa, demonstrated his commitment to using his platform for good. Jackson supported numerous charities throughout his life, including the Make-A-Wish Foundation, the Elizabeth Taylor AIDS Foundation, and his own Heal the World Foundation, which focused on improving the lives of children around the globe.
However, Jackson’s legacy is also marred by credible criminal allegations of child abuse, which have cast a long shadow over his career. These allegations have led to ongoing debates about how to reconcile his artistic contributions with his personal life. While the legal battles and media scrutiny that followed these accusations are part of his story, they do not erase the impact of his work on music and culture.
In the end, Michael Jackson’s legacy is a complex one, marked by both extraordinary musical achievements and troubling personal controversies. His influence on the music industry is undeniable, as is his role in philanthropy. The challenge lies in acknowledging the full scope of his life and career while recognizing the impact he had on both music and society.
Your (Almost) Daily Playlist: 5-11-24
Eric Burdon rose to fame as the lead vocalist of the rock band The Animals, which was part of the British Invasion that took the music world by storm in the 1960s. With his powerful and distinctive vocals, Burdon helped the band achieve international success with hits like “House of the Rising Sun” and “Don’t Let Me Be Misunderstood.”
In the late 1960s, with a new set of Animals, Burdon embraced the psychedelic sound that was popular during that era. This incarnation of the band showcased Burdon’s ability to evolve with the changing times, as they incorporated elements of funk, soul, and psychedelic rock into their music.
In 1970, Burdon introduced the world to the band War. Their collaboration resulted in the hit song “Spill the Wine,” which fused elements of rock, funk, and Latin music. I’m impressed by Burdon’s versatility and willingness to explore new musical territories.
Eric Burdon was born on this date in 1941. A few songs from him are included on today’s playlist.
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Tunes Du Jour Presents Covers of Show Tunes
The theme of today’s playlist is cover versions of songs that originated in stage musicals. Here are the songs listed with the shows that introduced them:
- Mack the Knife by Bobby Darin – From The Threepenny Opera (1928)
- Till There Was You by The Beatles – From The Music Man (1957)
- Smoke Gets In Your Eyes by The Platters – From Roberta (1933)
- Little Girl Blue by Nina Simone – From Jumbo (1935)
- You’ll Never Walk Alone by Gerry & The Pacemakers – From Carousel (1945)
- I Am What I Am by Gloria Gaynor – From La Cage aux Folles (1983)
- On The Street Where You Live by Vic Damone – From My Fair Lady (1956)
- Everything’s Coming Up Roses by The Replacements – From Gypsy (1959)
- Send In The Clowns by Judy Collins – From A Little Night Music (1973)
- I Don’t Know How to Love Him by Helen Reddy – From Jesus Christ Superstar (1970)
- Hair by The Cowsills – From Hair (1967)
- Put On A Happy Face by Diana Ross & The Supremes – From Bye Bye Birdie (1960)
- Losing My Mind by Liza Minnelli – From Follies (1971)
- Tomorrow by Grace Jones – From Annie (1977)
- My Favorite Things by John Coltrane – From The Sound of Music (1959)
- Well Did You Evah? by Debbie Harry & Iggy Pop – From DuBarry Was a Lady (1939)
- The Man I Love by Kate Bush – From Lady, Be Good! (1924)
- If My Friends Could See Me Now by Linda Clifford – From Sweet Charity (1966)
- Summertime by Big Brother & The Holding Company – From Porgy and Bess (1935)
- Cabaret by Harold Melvin & The Blue Notes – From Cabaret (1966)
- I Get A Kick Out Of You by Frank Sinatra – From Anything Goes (1934)
- Don’t Cry For Me Argentina by Festival – From Evita (1978)
- Somewhere by Pet Shop Boys – From West Side Story (1957)
- The Lady is a Tramp by Tony Bennett & Lady Gaga – From Babes in Arms (1937)
- I’ll Never Fall In Love Again by Dionne Warwick – From Promises, Promises (1968)
- I Love Paris by Screamin’ Jay Hawkins – From Can-Can (1953)
- Night + Day by U2 – From Gay Divorce (1932)
- There Are Worse Things I Could Do by Alison Moyet – From Grease (1971)
- Corner of the Sky by The Jackson 5 – From Pippin (1972)
- I Enjoy Being a Girl by Phranc – From Flower Drum Song (1958)
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Your (Almost) Daily Playlist: 12-19-23
One of the very things I ordered from the Columbia House Record and tape Club when I signed up back in 1975 was the Earth, Wind & Fire album That’s The Way Of The World, which includes their breakthrough hit “Shining Star.” Loved it then, love it now.
The late Maurice White of Earth, Wind & Fire was born on this date in 1941. Lots of EWF on today’s playlist.
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Your (Almost) Daily Playlist: 12-17-23
Norman Whitfield and Barrett Strong collaborated to write several hits for The Temptations, among them “Papa Was A Rollin’ Stone,” “I Can’t Get Next To You,” “Psychedelic Shack,” “Ball Of Confusion,” and “Just My Imagination (Running Away With Me).” The latter was inspired by Strong’s crush on a woman who didn’t know he existed. It became The Temptations’ third number one single on the Hot 100.
Lead vocalist on “Just My Imagination,” the late Eddie Kendricks of the Temptations was born on this date in 1939.
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