To celebrate Moon Day, here are thirty songs with the word “moon” somewhere in the title.
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Tunes Du Jour Presents The Original Versions
Many of us grow up assuming the hit version of a song is the original. This playlist celebrates those surprising musical genealogies: well-known songs that were originally recorded by someone else, often with little fanfare. Here are the stories behind the transformations—where they started, and how they became iconic.
“Don’t Leave Me This Way” – Thelma Houston / Originally by Harold Melvin & the Blue Notes (1975)
Houston’s disco anthem actually began life as a Philly soul track sung by Teddy Pendergrass. Thelma took it to the dancefloor—and to #1.
“War” – Edwin Starr / Originally by The Temptations (1970)
This protest song started as an album cut by The Temptations. Starr’s rawer, angrier take made it a searing hit during the Vietnam era.
“Strawberry Letter 23” – The Brothers Johnson / Originally by Shuggie Otis (1971)
Otis’ dreamy, psychedelic original flew under the radar until producer Quincy Jones supercharged it with funk for The Brothers Johnson.
“I Feel for You” – Chaka Khan / Originally by Prince (1979)
Prince wrote it, recorded it, and released it on his 1979 self-titled album. Chaka Khan added Stevie Wonder’s harmonica and Melle Mel’s rap, creating a genre-blurring smash that gave the song a second life—and a much bigger audience.
“Louie Louie” – The Kingsmen / Originally by Richard Berry (1957)
Berry’s calypso-tinged rhythm & blues song became an unintelligible rock ‘n’ roll classic in the hands of teenage garage rockers.
“Pass The Koutchie” – Musical Youth as “Pass the Dutchie” / Originally by Mighty Diamonds (1981)
Musical Youth’s version cleaned up the ganja references but kept the groove. A British reggae hit born from a roots original.
“Tainted Love” – Soft Cell / Originally by Gloria Jones (1964)
This Northern Soul favorite was ignored in the U.S. until Soft Cell’s chilly synth-pop cover turned it into an international sensation.
“You Are So Beautiful” – Joe Cocker / Originally by Billy Preston (1974)
Preston’s gospel-inflected original was co-written with Dennis Wilson of the Beach Boys. Cocker slowed it down into a tearjerking ballad.
“The First Cut Is The Deepest” – Rod Stewart / Originally by P.P. Arnold (1967)
Before Cat Stevens, the song’s writer, sang it himself, P.P. Arnold delivered a powerful version. Stewart’s cover gave it global traction.
“Red, Red Wine” – UB40 / Originally by Neil Diamond (1967)
Diamond’s mournful original was a slow ballad. UB40’s reggae version confused even him—he didn’t recognize his own song on the radio.
“Brand New Cadillac” – The Clash / Originally by Vince Taylor and His Playboys (1959)
This rockabilly obscurity became a snarling punk track on London Calling. Vince Taylor later served as an inspiration for David Bowie’s Ziggy Stardust persona.
“Take Me To The River” – Talking Heads / Originally by Al Green (1974)
Green’s swampy soul gave way to Talking Heads’ jittery art-funk. An old-school spiritual reborn in new wave style.
“The Tide Is High” – Blondie / Originally by The Paragons (1967)
Jamaican rocksteady meets NYC cool. Blondie took this mellow gem and gave it a global pop sheen.
“Brandy” – Barry Manilow as “Mandy” / Originally by Scott English (1971)
English’s sad and simple original got a new name and new polish. Manilow’s grand version topped the charts.
“Don’t Let Me Be Misunderstood” – The Animals / Originally by Nina Simone (1964)
Simone’s pleading ballad became a snarling British Invasion hit. Her nuanced sorrow gave way to the raw edge of rock.
“Bette Davis Eyes” – Kim Carnes / Originally by Jackie DeShannon (1974)
The original was breezy and piano-driven. Carnes and her producer Val Garay turned it into new wave noir.
“Heaven Must Have Sent You” – Bonnie Pointer / Originally by The Elgins (1966)
Pointer’s disco version revived a Motown deep cut and put it back on the charts over a decade later.
“Love Buzz” – Nirvana / Originally by Shocking Blue (1969)
Nirvana turned this obscure Dutch psych-rock tune into a distorted grunge landmark. Their debut single.
“Piece Of My Heart” – Big Brother & The Holding Company / Originally by Erma Franklin (1967)
Aretha’s sister recorded it first, but Janis Joplin made it a fiery centerpiece of her legend.
“It’s Oh So Quiet” – Björk / Originally by Betty Hutton (1951)
A novelty big-band number revived by Björk into a theatrical showstopper. Old Hollywood meets Icelandic art-pop.
“China Girl” – David Bowie / Originally by Iggy Pop (1977)
Co-written with Bowie, Iggy’s version was skeletal and raw. Bowie’s version added synth gloss and MTV appeal.
“Good Lovin'” – The Young Rascals / Originally by The Olympics (1965)
The Olympics had the groove, but The Rascals turned it into a garage-rock rave-up and a #1 hit.
“Valerie” – Mark Ronson featuring Amy Winehouse / Originally by The Zutons (2006)
The Zutons wrote it as a bluesy rock song. Winehouse made it retro-soul perfection.
“Police On My Back” – The Clash / Originally by The Equals (1967)
A stomping, paranoid track from Eddy Grant’s first band. The Clash turned it into a punk fugitive anthem.
“After Midnight” – Eric Clapton / Originally by J.J. Cale (1966)
Cale’s laid-back shuffle was juiced up with guitar licks by Clapton, who kept the songwriter’s cool intact.
“On Broadway” – The Drifters / Originally by The Cookies (1962)
Songwriters Barry Mann & Cynthia Weil gave this to a girl group first, but The Drifters made it a city-slick R&B classic.
“Love Hurts” – Nazareth / Originally by The Everly Brothers (1960)
Gentle heartbreak became hard rock agony. Nazareth’s arena wail made the song a power ballad staple.
“I Love Rock ‘n’ Roll” – Joan Jett & the Blackhearts / Originally by The Arrows (1975)
Jett saw it on UK TV and recorded a fiercer, snarling version that girls (and boys) everywhere could scream along to.
“Without You” – Nilsson / Originally by Badfinger (1970)
Badfinger’s version was plaintive; Nilsson’s was operatic. He didn’t just sing it—he wailed it.
“Superman” – R.E.M. / Originally by The Clique (1969)
A psychedelic pop obscurity turned indie-rock cult classic. One of R.E.M.’s rare early tracks not written by the band.
These songs remind us that inspiration doesn’t always strike where the spotlight shines. Sometimes greatness is borrowed—and reinvented.
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Tunes Du Jour Presents 1971
The music of 1971 was shaped by a world in transition. The optimism of the ’60s had given way to a more complicated reality—political upheaval, the Vietnam War, and shifting cultural norms weighed heavily on society. In response, many artists channeled these changes into their music, whether through protest, storytelling, or deeply personal reflection. The result was a year that produced enduring songs across multiple genres, from confessional singer-songwriter fare to hard-hitting rock and infectious soul.
Some of the most memorable hits of the year leaned into personal themes rather than overt social commentary. Carole King’s “It’s Too Late” and Elton John’s “Your Song” exemplified the rise of the singer-songwriter era, blending lyrical vulnerability with sophisticated melodies. Al Green’s “Tired of Being Alone” showcased his effortless mix of longing and smooth Southern soul, while Rod Stewart’s “Maggie May” became his breakthrough solo hit, telling the story of youthful romance with a blend of folk and rock. At the same time, Marvin Gaye’s “What’s Going On” took a broader view, addressing war, inequality, and injustice in a way that felt both urgent and timeless.
Rock music remained as dominant as ever, though it took on new forms. Led Zeppelin’s “Immigrant Song” showcased their thunderous power, while The Who’s “Won’t Get Fooled Again” harnessed synthesizers and political defiance to craft an enduring anthem. The Rolling Stones’ “Brown Sugar,” released without much controversy at the time, has since been reevaluated due to its lyrical content. Meanwhile, The Doors painted a dark, atmospheric landscape on “Riders on the Storm,” and Paul & Linda McCartney’s “Uncle Albert/Admiral Halsey” leaned into whimsical experimentation, proving that rock still had room for playfulness.
Soul and funk made significant strides in 1971, with Sly & The Family Stone’s “Family Affair” pioneering a more subdued, groove-heavy sound. The Staple Singers’ “Respect Yourself” and Curtis Mayfield’s “Move On Up” carried messages of empowerment, while Honey Cone’s “Want Ads” and Jean Knight’s “Mr. Big Stuff” infused attitude into their infectious rhythms. The Jackson 5’s “Never Can Say Goodbye” demonstrated a maturing sound beyond their bubblegum pop beginnings, while Cher’s “Gypsies, Tramps and Thieves” and Melanie’s “Brand New Key” brought storytelling into the pop realm with memorable melodies and an enduring campiness.
Fifty-plus years later, the music of 1971 still resonates. Whether through the social commentary of “What’s Going On,” the country-rock warmth of “Me and Bobby McGee,” or the swampy energy of Ike & Tina Turner’s “Proud Mary,” these songs remain essential listening. They serve as both a time capsule and a reminder that great music doesn’t just reflect its era—it continues to shape the generations that follow.
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Your (Almost) Daily Playlist: 9-22-23
“I love rock ‘n roll, so put another dime in the jukebox, baby”
Would the youth of today understand those lyrics from Joan Jett & the Blackhearts’ cover of The Arrows’ “I Love Rock ‘n Roll?” “What’s a jukebox? What’s a dime?” I hear them asking. If that song were written today, how would it go?
“I love rock ‘n roll, so stream your favorite song on your smartwatch, baby”
“I love rock ‘n roll, so send payment via Venmo so you can unlock the playlist you want to hear, baby”
“I love rock ‘n roll, so tap your phone to connect to the speaker’s Bluetooth and hit play on your selection, baby”
“I love rock ‘n roll, so say ‘Hey Siri, play some rock ‘n roll and feel free to include women and Black artists because you’re not Jann Wenner, baby’”
“I love rock ‘n roll, so use your smartphone’s camera to scan the square-shaped QR code to be redirected to a website or an app where you can choose from a variety of songs and see the ratings, reviews, and popularity of each and select the song you want and it will be added to the queue and play when it’s your turn, baby / I love rock ‘n roll, so come and take some time and dance with me”
That last one just rolls off the tongue. So singalongable!
I love rock ‘n roll and I love Joan Jett, who turns 65 today. A handful of tracks by Joan Jett & the Blackhearts are on today’s playlist.
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Your (Almost) Daily Playlist: 9-26-22
Today’s playlist celebrates the September 26 birthdays of Everything But The Girl’s Tracey Thorn, Roxy Music’s Bryan Ferry, Marty Robbins, En Vogue’s Cindy Herron, Lonnie Gordon, composer George Gershwin, Boyz II Men’s Shawn Stockman, Blind Melon’s Shannon Hoon, Lynn Anderson, Olivia Newton-John, Julie London, Nicki French, David Frizzell, and Dr. Jeckyll; and the September 27 birthdays of Lil Wayne, Meat Loaf, Bachman-Turner Overdrive’s Randy Bachman, Avril Lavigne, 3 Doors Down’s Brad Arnold, Shaun Cassidy, and Trick Daddy.
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Throwback Thursday: 1968
Today’s Throwback Thursday playlist makes a strong case for 1968 being the best year for pop music in the rock era. So many classics hit that year. Yes, I know I didn’t include all of them. I didn’t want to be too classic rock heavy, as other genres produced timeless pieces as well. There’ll be a part 2 one of these weeks. Until then, enjoy!
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Throwback Thursday: 1971
I recently read a book about the music of 1971. It was pretty bad. I should have been clued off seeing that the book derived its title from the name of a Rod Stewart album that came out in…1972. The author and I agree that 1971 was a great year for music, though he focused mainly on white acts. Marvin Gaye’s What’s Going On, recently named the number one album of all-time in Rolling Stone, was dismissed as being overrated due to white guilt, something the author clearly doesn’t feel. I humbly suggest that the playlist below shows more of the greatness (and diversity) of 1971’s music than this book.
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Your (Almost) Daily Playlist (9-26-20)
Inspired by the September 26 birthdays of Olivia Newton-John, Roxy Music’s Bryan Ferry, En Vogue’s Cindy Herron, Marty Robbins, Everything But the Girl’s Tracey Thorn, David Frizzell, Lynn Anderson, Nicki French, Dr. Jeckyll & Mr. Hyde’s Andre Harrell, Julie London and George Gershwin; and the September 25 birthdays of T.I., Santigold, The Fresh Prince, Childish Gambino, Cecil Womack and Catherine Zeta-Jones.