Today’s playlist celebrates the August 16 birthdays of Madonna, Soft Machine’s Kevin Ayers, Young Thug, Kool & the Gang’s James “JT” Taylor, The Coral’s James Skelly, The Chicks/Court Yard Hounds’ Emily Robison, Golden Earring’s Barry Hay, Ketty Lester, The Music Machine’s Sean Bonniwell, Barbara George, Vanessa Carlton, Al Hibbler, The American Breed’s Gary Loizzo, Sheila of Sheila & B. Devotion, Billy Joe & The Checkmates’ Ernie Freeman, Eydie Gorme, Rina Sawayama, and Joe Sealy.
It’s been over four years since the most recent, and, imo, best Jay-Z album, 4:44. It’s been over three years since he and Beyoncé released the album Everything Is Love. This is a longer gap between albums than the one between when Jay-Z announced his retirement in 2003 and released Kingdom Come in 2006. Come on, Jay-Z! You can’t leave rap alone; the game needs you. Here are 30 examples as to why:
Two thousand four. Nothing radical happened in music, though that’s okay. There were enough good songs coming out to keep us entertained. Here are 30 of them.
Today’s playlist celebrates the work of Nile Rodgers. It mainly focuses on Chic, the band he started with Bernard Edwards, though it also covers the hits he made (often in conjunction with Edwards) with others.
In 2001 HBO aired a Britney Spears concert around the time Jive Records released the singer’s album Britney. A few days before the first promo for the concert was to run on HBO, Jive’s head of publicity had the idea that Britney’s then-brand new single “I’m a Slave 4 U” should be used in the promo spots. The song was written (and produced) by the team of Pharrell Williams and Chad Hugo. I was running the licensing department at Jive at that time. I went to Pharrell and Chad’s publishers, EMI, to secure the necessary permissions. It was on a Wednesday. The spot was scheduled to premier the coming Saturday. The person at EMI with whom I spoke told me the song is so new that it is not yet in their system, and therefore she couldn’t license it. “Can’t you just add it to your system? You know they’re signed to your company.” “No. You won’t be able to use the song.”
Oh, really? A song cannot be licensed simply because someone at that company can’t think outside the box and figure out a way to effect the deal before the usual ingestion process is complete? That explanation doesn’t work for me. EMI will forego a license fee if the song isn’t used, which is fine, as their employee is the one not allowing it. Also, standing to forego revenue? Pharrell and Chad, who rely on EMI to make the deals for their music so they can get paid.
I called the Jive executive who paired Pharrell and Chad with Britney and told him EMI’s stance. He called Pharrell and/or Chad. Pharrell and/or Chad called EMI. On Thursday I got EMI’s approval to proceed. Don’t tell me something can’t be done.
Producer/Songwriter/NERD Pharrell Williams turns 47 today. In his honor I present to you this playlist of thirty songs Pharrell, often with Chad Hugo, had a hand in writing and/or producing and/or performing. You may be surprised at how many of these you know.
Today is International Day of Happiness. Do something that makes you feel like a room without a roof. As long as you don’t impinge on someone else’s happiness, it’s all good.
Today’s playlist consists of thirty songs with the word happy in the title.
The Grammy Awards are being presented tonight. Woo. It’s billed as “music’s biggest night,” just as May 7 through May 16 is billed as “the biggest week in American birding,” if only because ten days is a lot for one week. Birders. Am I right, people? Performers at this year’s Grammys include Bruno Mars and Anderson .Paak doing their new song, because what better way to celebrate the music of 2020 than with a single that was released last week? Performers I’m looking forward to include Miranda Lambert, Cardi B, HAIM, Megan Thee Stallion, Brittany Howard, Doja Cat, Dua Lipa, and Billie Eilish, whose “Everything I Wanted” is up for Record of the Year. That’s my favorite of the nominees, though I think the award will go to Beyoncé for “Black Parade,” and I have no problem with that. However, if the award goes to that record I never heard of until I started typing this sentence, sneakers will be thrown at my television (though that record may be good for all I know). For Album of the Year my vote goes to Fiona Apple’s Fetch the Bolt Cutters, as it was handily the best album of 2020. It probably won’t win, seeing as it wasn’t nominated. What was nominated over Apple’s album? That Coldplay album you forgot about and the Jacob Collier album you never heard of until you started reading this sentence (though that album may be good for all you know). Of the albums nominated, I’d pick HAIM’s. It’s very good. Not Fetch The Bolt Cutters good, but very good nonetheless. If HAIM win I hope they hand their award to Fiona Apple live on the telecast, which would be super impressive, seeing as they won’t be in the same room. I’m sure tonight’s show will include a tribute to dead people done by living people who are no match for said dead people. I’d rather want a montage of clips of the dead people performing when they were living people. <Fill in the blank> screaming is not representative of what made Aretha Franklin amazing. No disrespect to <fill in the blank>, but there’s more to being the Queen of Soul than having a mic and ovaries.
It’s easy to shit on the Grammys, as they are so shittable, but to be fair, not every Record of the Year is as terrible as 1988’s recipient, “Don’t Worry, Be Happy.” Here are thirty of the better winners:
Inspired by the March 10 birthdays of Neneh Cherry, Timbaland, Boston’s Tom Scholz, The Jayhawks’ Gary Louris, Jan & Dean’s Dean Torrence, Edie Brickell, Robin Thicke, Beverly Bremers, Lemon Pipers’ Ivan Browne, and Carrie Underwood.
