Thirty songs that made their mark in 1999.
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Throwback Thursday: 1999
The music of 1999 shows the century coming to a close in grand style, as if to say the next year the party will be over, oops, out of time, so this year we better party. Latinx artists were crossing over to the mainstream pop chart. Cher and Santana, who first charted in the 1960s, scored the biggest hits of their careers. Artists who made their chart debuts include Eminem and Britney Spears. Pure pop exploded, though the charts made room for country, hip hop, electronica, and big beat. As one who values diversity, I loved hearing all these different genres and styles bump up against each other on the radio. Here are 30 prime examples of the music that hit in 1999.
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Records of the Year
The Grammy Awards are being presented tonight. Woo. It’s billed as “music’s biggest night,” just as May 7 through May 16 is billed as “the biggest week in American birding,” if only because ten days is a lot for one week. Birders. Am I right, people? Performers at this year’s Grammys include Bruno Mars and Anderson .Paak doing their new song, because what better way to celebrate the music of 2020 than with a single that was released last week? Performers I’m looking forward to include Miranda Lambert, Cardi B, HAIM, Megan Thee Stallion, Brittany Howard, Doja Cat, Dua Lipa, and Billie Eilish, whose “Everything I Wanted” is up for Record of the Year. That’s my favorite of the nominees, though I think the award will go to Beyoncé for “Black Parade,” and I have no problem with that. However, if the award goes to that record I never heard of until I started typing this sentence, sneakers will be thrown at my television (though that record may be good for all I know). For Album of the Year my vote goes to Fiona Apple’s Fetch the Bolt Cutters, as it was handily the best album of 2020. It probably won’t win, seeing as it wasn’t nominated. What was nominated over Apple’s album? That Coldplay album you forgot about and the Jacob Collier album you never heard of until you started reading this sentence (though that album may be good for all you know). Of the albums nominated, I’d pick HAIM’s. It’s very good. Not Fetch The Bolt Cutters good, but very good nonetheless. If HAIM win I hope they hand their award to Fiona Apple live on the telecast, which would be super impressive, seeing as they won’t be in the same room. I’m sure tonight’s show will include a tribute to dead people done by living people who are no match for said dead people. I’d rather want a montage of clips of the dead people performing when they were living people. <Fill in the blank> screaming is not representative of what made Aretha Franklin amazing. No disrespect to <fill in the blank>, but there’s more to being the Queen of Soul than having a mic and ovaries.
It’s easy to shit on the Grammys, as they are so shittable, but to be fair, not every Record of the Year is as terrible as 1988’s recipient, “Don’t Worry, Be Happy.” Here are thirty of the better winners:
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Your (Almost) Daily Playlist (2-14-20)
Inspired by Valentine’s Day and the February 14 birthdays of Cait Brennan, Tim Buckley, Rob Thomas, and Dwele.
Throwback Thursday – 1999
Eminem has often been accused of being homophobic. Maybe it’s because he rapped “I’ll still be able to break a motha-fuckin’ table over the back of a couple of faggots and crack it in half.” Maybe it’s because he rapped “My words are like a dagger with a jagged edge / That’ll stab you in the head whether you’re a fag or lez.” And “All you lil’ faggots can suck it / No homo, but I’ma stick it to ’em like refrigerator magnets.” And “Little gay-looking boy / So gay I can barely say it with a straight face-looking boy / You witnessing massacre like you watching a church gathering taking place-looking boy / ‘Oy vey, that boy’s gay,’ that’s all they say looking-boy / You take a thumbs up, pat on the back, the way you go from your label every day-looking boy.” And “You fags think it’s all a game.” Anyone can see how the artist born Marshall Mathers got labeled a homophobe, even if he pretends he doesn’t see it.
So it’s ironic that in his first hit single, the song that put him on the map and into the international consciousness, the music bed is based around a sample from an openly gay singer-songwriter.
“My Name Is” became Eminem’s first single to crack the Billboard Hot 100, peaking at #36. Its music is taken from a 1975 release called “I Got the…,” written and performed by Labi Siffre. Siffre, who was born in England in 1945, says he knew he was gay since age four. He met his life partner, Peter John Carver Lloyd, in 1964. They remained a couple for 49 years, until Lloyd’s death in 2013.
Before Siffre would allow Eminem to use the sample, he made the rapper change some of the words on “My Name Is.” The lyric “My English teacher wanted to have sex in junior high / The only problem was, my English teacher was a guy” became “My English teacher wanted to flunk me in junior high / Thanks a lot, next semester I’ll be 35.” The lyric “Extraterrestrial killing pedestrians, raping lesbians while they’re screaming, ‘Let’s just be friends!’” became “Extraterrestrial running over pedestrians in a spaceship while they’re screaming, ‘Let’s just be friends!’”.” Said Siffre, “Dissing the victims of bigotry – women as bitches, homosexuals as faggots – is lazy writing. Diss the bigots, not their victims. I denied sample rights till that lazy writing was removed. I should have stipulated “all versions” but at that time knew little about rap’s “clean” & “explicit” modes, so they managed to get the lazy lyric on versions other than the single and first album.”
For Throwback Thursday this week, Tunes du Jour revisits some of the musical highlights of 1999, kicking off with Eminem’s “My Name Is.”
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Glenn’s Ten – 9/30/14
Ariel Pink’s “Put Your Number in My Phone” moves into #1 in Glenn’s Ten this week, knocking from the top Meghan Trainor’s “All About that Bass.” There are three new entries – “Beggin for Thread” performed by Banks, “i” performed by Kendrick Lamar and “Dangerous” performed by Big Data featuring Joywave.
Glenn’s Ten for this week is:
1. “Put Your Number in My Phone” – Ariel Pink
2. “Gotta Get Away” – The Black Keys
3. “Secrets” – Mary Lambert
4. “All About that Bass” – Meghan Trainor
5. “Beggin for Thread” – Banks
6. “Alone in My Home” – Jack White
7. “i” – Kendrick Lamar
8. “Flawless” – Beyoncé featuring Chimamanda Ngozi Adichie
9. “Dangerous” – Big Data featuring Joywave
10. “Do You” – Spoon
Rounding out today’s playlist are ten tunes that were #1 on this date in Glenn’s Ten history, in reverse chronological order.
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Did You Know Sara Bareilles Released An Album This Year?
I’ve worked on nearly every Grammy compilation release since the first one.
The nominees for the 56th annual Grammy Awards were announced last Friday. The nominations always elicit strong reactions from music fans. I’m pleased with many of the Academy’s selections (Go Kendrick Lamar and Daft Punk!) and puzzled by others (Ed Sheeran is nominated for Best New Artist. Last year he was nominated for Song of the Year. Was he pre-new then?).
Today’s Tunes du Jour playlist consists of some of the tracks that have won Record of the Year. I choose to focus on the positive. I refuse to bash the Grammy voters for when they got it wrong (such as, for example, when they gave Record of the Year to Bobby McFerrin for “Don’t Worry Be Happy.” What the hell was that about? That record won over Tracy Chapman’s “Fast Car.” Are you kidding me?).
Herewith are some of the better Record of the Year winners.