Playlist For January 8, 2020

I just thought of a great line to use in an improv scene I was in six years ago. I wish I could turn back time (not intending to quote a song title from birthday boy R. Kelly there) and use it. Ironically, the scene was about traveling back in time. I won’t tell you more about it, because describing an improv scene is .00003% as much fun as watching the improv scene, and this scene was no great shakes to start with, though with the addition of the line I just thought of its shakes would be .07% greater.

Today’s playlist begins with songs from two music legends with birthdays today – Elvis Presley and David Bowie. It’s also Little Anthony’s birthday, which led me to lean heavily toward oldies from the early days of rock and roll. Dame Shirley Bassey also celebrates her birthday today, so I threw in a couple of joints from her catalogue. i opted to not include any R. Kelly songs in the playlist, though Mary J. Blige and Erykah Badu are representing 90s r&b.

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The Ultimate Christmas Playlist

Today is the day after Thanksgiving here in the United States of America. You’re officially allowed to start listening to holiday music now. To get you started, I compiled a playlist of what I consider to be 100 of the best Christmas songs. Okay, 98 songs, a stand-up routine and a skit. It’s a mix of standards, versions of standards with which you may not be familiar, and obscure but delightful tunes.

Enjoy!

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Throwback Thursday – 1961

From 1958 to 1960, Ben E. King was the lead singer of The Drifters, scoring hits with “There Goes My Baby,” “Save the Last Dance for Me,” “This Magic Moment” and “I Count the Tears.” He suggested to the group’s manager, George Treadwell, that they record the spiritual tune “Stand by Me Father,” but Treadwell turned him down. King also asked Treadwell for a greater share of the group’s royalties. Again, Treadwell turned him down. King said goodbye.

King left the group after recording just thirteen songs with them. He soon made the top ten as a solo act with 1961’s “Spanish Harlem.”

Around that time, King was working on a song based on “Stand by Me Father.” He had some lyrics and a melody. He finished the lyrics with his producer, Jerry Leiber. Leiber’s songwriting/production partner, Mike Stoller, added some chords behind the melody, as well as a bass line.

Per Leiber, it’s that last addition that makes Ben E. King’s “Stand By Me” a classic. “The lyrics are good, King’s vocal is great. But Mike’s bass line pushed the song into the land of immortality. Believe me – it’s the bass line.”

“Stand By Me” kicks off this week’s Throwback Thursday playlist, spotlighting hits from 1961.


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