Tunes Du Jour Presents Covers of Show Tunes

The theme of today’s playlist is cover versions of songs that originated in stage musicals. Here are the songs listed with the shows that introduced them:

  • Mack the Knife by Bobby Darin – From The Threepenny Opera (1928)
  • Till There Was You by The Beatles – From The Music Man (1957)
  • Smoke Gets In Your Eyes by The Platters – From Roberta (1933)
  • Little Girl Blue by Nina Simone – From Jumbo (1935)
  • You’ll Never Walk Alone by Gerry & The Pacemakers – From Carousel (1945)
  • I Am What I Am by Gloria Gaynor – From La Cage aux Folles (1983)
  • On The Street Where You Live by Vic Damone – From My Fair Lady (1956)
  • Everything’s Coming Up Roses by The Replacements – From Gypsy (1959)
  • Send In The Clowns by Judy Collins – From A Little Night Music (1973)
  • I Don’t Know How to Love Him by Helen Reddy – From Jesus Christ Superstar (1970)
  • Hair by The Cowsills – From Hair (1967)
  • Put On A Happy Face by Diana Ross & The Supremes – From Bye Bye Birdie (1960)
  • Losing My Mind by Liza Minnelli – From Follies (1971)
  • Tomorrow by Grace Jones – From Annie (1977)
  • My Favorite Things by John Coltrane – From The Sound of Music (1959)
  • Well Did You Evah? by Debbie Harry & Iggy Pop – From DuBarry Was a Lady (1939)
  • The Man I Love by Kate Bush – From Lady, Be Good! (1924)
  • If My Friends Could See Me Now by Linda Clifford – From Sweet Charity (1966)
  • Summertime by Big Brother & The Holding Company – From Porgy and Bess (1935)
  • Cabaret by Harold Melvin & The Blue Notes – From Cabaret (1966)
  • I Get A Kick Out Of You by Frank Sinatra – From Anything Goes (1934)
  • Don’t Cry For Me Argentina by Festival – From Evita (1978)
  • Somewhere by Pet Shop Boys – From West Side Story (1957)
  • The Lady is a Tramp by Tony Bennett & Lady Gaga – From Babes in Arms (1937)
  • I’ll Never Fall In Love Again by Dionne Warwick – From Promises, Promises (1968)
  • I Love Paris by Screamin’ Jay Hawkins – From Can-Can (1953)
  • Night + Day by U2 – From Gay Divorce (1932)
  • There Are Worse Things I Could Do by Alison Moyet – From Grease (1971)
  • Corner of the Sky by The Jackson 5 – From Pippin (1972)
  • I Enjoy Being a Girl by Phranc – From Flower Drum Song (1958)

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Throwback Thursday: 1956

Though it was 65 years ago, the names of many of the hitmakers of 1956 remain well-known to today’s public: Elvis Presley, Carl Perkins, Frankie Lymon & The Teenagers, Little Richard, Johnny Cash, The Platters, Chuck Berry, Fats Domino, Screamin’ Jay Hawkins, James Brown, Bill Haley and His Comets, Frank Sinatra, Bo Diddley, Ella Fitzgerald, The Drifters. What a year! Check out some highlights below.

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Ruth Brown And 1950s Rhythm And Blues

So successful was Ruth Brown in the 1950s that her label, Atlantic Records, which started in 1947, was nicknamed The House the Ruth Built.

Her first single for the label, “So Long,” reached #4 on the Rhythm & Blues chart in 1949. Her next hit, “Teardrops from My Eyes,” spent 11 weeks at #1 on that chart. She earned the nickname the Queen of R&B, and over the next ten years scored an additional nineteen r&b top ten singles, including four more number ones. In total she spent thirty-two weeks at #1 on the r&b singles chart. In 1953, Brown crossed over to the pop top 40 with “(Mama) He Treats Your Daughter Mean.”

In the 1960s Brown focused on her family life. She returned to music the following decade, and added acting gigs to her resume. In 1979 she was a regular character on the sitcom Hello, Larry, and she famously portrayed Motormouth Maybelle in the original 1988 movie version of Hairspray, a role which had echoes of her life performing at segregated dances in the sixties. She won the 1989 Tony Award for Best Performance by a Leading Actress in a Musical for her performance in the Broadway show Black and Blue. Her companion album, Blues on Broadway, won Brown the Grammy Award for Best Jazz Performance, Female.

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Brown was also influential in the creation of the Rhythm and Blues Foundation, founded in 1988. Per the nonprofit’s mission statement, the Rhythm and Blues Foundation is “dedicated to the historical and cultural preservation of Rhythm & Blues music and recognition of participants in its community by providing services and programs to Rhythm & Blues artists and their fans.”

In 1993, Ruth Brown was inducted into the Rock and Roll Hall of Fame.

She died in 2006 from complications resulting from a heart attack and stroke.

Inspired by Ruth Brown, who was born on January 12*, 1928, today’s playlist presents twenty of the best rhythm and blues recordings from the 1950s.


(*I initially prepared this entry to be posted on January 12. However, once I was about to post it, I read in a few places that the information I had was incorrect, and that Brown’s birth date was January 30, so I saved it for today. Just after I finished re-editing it this afternoon, I looked on Wikipedia and see they (now) list her birthday as January 12, which some other sites confirmed.)

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I auditioned for American Idol

In February 2002 my friend Sophie and I auditioned to be the hosts of a new US television series based on the successful UK show Pop Idol. On American Idol, amateur singers competed against each other and the public voted for the winner.

I’ve never seen American Idol. It’s not because I’m bitter I didn’t get the job. I have a different opinion than many of the show’s viewers as to what constitutes good singing. Being loud and hitting high notes do not necessarily make for great singing. A great singer is expressive, feeling the words they are singing. Aretha Franklin and Adele are two singers who can belt and hit a wide range of notes. They also know when to sing softly or when not to let vocal gymnastics get in the way of the song. They are great singers. Bob Dylan and Tom Waits are also great singers. They own their material. They feel their material. They live their material (more accurately, the personas they put forth for each song lives the material).

Dylan and Waits are also great songwriters. Dylan is the better-known of the two, but as today is Waits’ birthday, I’m going to focus on him. His songs have been recorded by a diverse group of artists, including Elvis Costello, Eagles, The Ramones, Johnny Cash, The Pogues, Solomon Burke, Steve Earle, Marianne Faithfull, The Neville Brothers, Screamin’ Jay Hawkins, Robert Plant and Alison Krauss, Norah Jones, Bette Midler, Bruce Springsteen and Neko Case, the latter two appearing on today’s playlist with Waits covers. His sole US top forty hit on the Billboard Hot 100 was not as an artist, but as the writer of “Downtown Train,” which Rod Stewart took to the top ten in 1990.

Today’s Tom Waits-inspired playlist kicks off with the singer-songwriter’s version of that one hit. Enjoy!