beta

It’s Sting’s Birthday And I Need To Dance!

“Turn on my VCR, same one I’ve had for years”

beta
I still have my beta player. It’s not a Betamax, which is a Sony brand, but rather a Sanyo. I haven’t used it since I moved to LA in 2003, because it isn’t working. I don’t want to get rid of it, though, as I have a lot of great stuff on beta tapes. Stuff that is irreplaceable.

beta tapesThere are plenty more where these came from!

Some of the recordings I have on beta tapes can be found on YouTube – The Making of “Do They Know It’s Christmas,” for example. Others, such as Purple Rain and The Flamingo Kid, are available on a host of formats that have hit the market since beta. I’m sure I could find Madonna’s pre-fame feature A Certain Sacrifice on-line if I bothered to look for it.

I used to always keep a recordable beta tape in the machine. You never know if while channel surfing you’ll come across Chaka Khan being interviewed on a Spanish talk show on UHF. (UHF pre-dates cable TV. It pre-dates beta tapes. Look it up.) I have several dozen tapes filled with television performances from artists I was obsessed with during my beta machine’s lifetime. Not that it’s dead. I refuse to believe it is. Perhaps I’m still in the denial stage of Dr. Kübler-Ross seven stages of grieving, but I believe the beta machine can easily be fixed. It probably needs a new band. Getting the machine fixed is on my To Do list. I can’t wait to dig in to those old tapes. I look forward to watching the one I labelled “Highlights from The Late Show With Joan Rivers.” It contains her interview with the late great disco queen Sylvester in which he accidentally outed his boyfriend. It also contains several appearances by The Bangles, as I was obsessed with both the Bangles and Joan Rivers. Sometimes I miss the 80s, but then I remember Duran Duran.

Might any of my LA readers be able to recommend a beta machine repair person?

The lyric that opens this post is from The Police’s song “When the World Is Running Down, You Make the Best of What’s Still Around.” I have some of the band’s TV appearances on those beta tapes.

Today is the 64th birthday of that band’s usual lead singer, Sting. Our weekly dance party kicks off with the song with the longest title of any in the trio’s recorded repertoire.


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Ethel Merman disco

It’s Joe Strummer’s Birthday And I Need To Dance!

Nineteen seventy-nine saw the release of The Ethel Merman Disco Album. That same year saw western music banned in Iran. If you heard that album you’d hail that decision. Six-and-a-half minutes of “Everything’s Coming up Roses” set to a dance beat was deemed too decadent and an insult to decent citizens. By order of the Prophet, they banned that boogie sound, as it degenerated the faithful.

Ethel Merman discoIt’s a it’s a it’s a it’s a sin!

While waiting for his bandmates to come to the studio to work on the album with the working title Rat Patrol from Fort Bragg, The Clash’s Topper Headon recorded a song he wrote. He played drums, piano and bass on the track. Per the group’s former associate and sometime manager Kosmo Vinyl, Headon accompanied his music with “very, very pornographic lyrics” about his girlfriend. The Prophet would not be happy.

Raga is a style of Indian classical music. Its performed pieces typically last for a half hour or longer. After a few days of hearing each song being worked on for the The Clash’s album lasting a minimum of six minutes, band manager Bernard Rhodes asked “Does everything have to be as long as a raga?” The question inspired the band’s Joe Strummer to write the lyric “The king told the boogie men ‘You have to let that raga drop.’” (NOTE: Joe Strummer did not compose the KC & the Sunshine Band hit “I’m Your Boogie Man.” Or did he???)

With that line as his starting point, Strummer replaced the original “pornographic” lyrics Headon wrote for his tune with ones inspired by Iran’s ban of disco music. In the song, once the Shareef is out of sight, the populace ignore the ban. Even the fighter pilots the Shareef brings in to drop bombs on the partying civilians turn up the music on their radios once he’s been chauffeured away. Western dance music? The Shareef don’t like it!

By the late 1990s the laws against western music had been relaxed in Iran, only to be reinstituted in 2005 by Iranian president Mahmoud Ahmadinejad.

Ringo + The Clash
Though Ahmadinejad thinks it’s not kosher to boogie, we at Tunes du Jour think it’s treif to let Friday pass by without dancing. Our weekly dance playlist kicks off with The Clash’s “Rock the Casbah,” with lyrics by Joe Strummer, who was born on this day in 1952. By the way, the album from which the song is taken, released under the name Combat Rock, contains only one song longer than five minutes, the five-and-a-half minute long “Straight to Hell.” The king won.


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It’s Richard Butler’s Birthday And I Need To Dance!

About the Psychedelic Furs song “Love My Way,” Richard Butler, the band’s lead singer, said “It’s basically addressed to people who are fucked up about their sexuality, and says ‘Don’t worry about it.’ It was originally written for gay people.”

I could be upset that he says I’m fucked up about my sexuality, but I choose to focus on the positive. He wrote a song about me. Thanks, Richard, and happy birthday!

Friday is dance day at Tunes du Jour, so let’s get this party started!


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It’s Pete Shelley’s Birthday And I Need To Dance!

In 1981, Pete Shelley reached #14 on the US Dance chart with “Homosapien,” a keyboard-centric single that sounded much different than his work as the lead singer of punk band The Buzzcocks.

“Homosapien” did not get much airplay in Shelley’s native England, as the BBC took exception to the lyric “Homo superior in my interior.” Shelley said the song was not intended as a “gay song;” rather, it’s about homosapiens falling in love with other homosapiens. That may be so, but the opening line is “I’m the shy boy, you’re the coy boy / And you know we’re homosapien, too,” so there is more than a little homo in this sapien.

Shelley lives as the homosapien of his song, eschewing labels because “there doesn’t seem to be a word for ‘having relationships with people,’” regardless of gender, which is where Shelley sees himself.

It’s Friday and I need to dance! It’s also Pete Shelley’s birthday (he’s 60), so we’ll kick off our dance party with “Homosapien.”

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It’s Friday And I Need To Dance!

“I go through stages of intense dislike for ‘Blue Monday,’ which I’m sure every group does when they get one song they’re synonymous with, but the way it keeps getting reinvented is wonderful. It seems to be one of those tracks that’s timeless, which is amazing. We were using technology which could have dated like other ’80s stuff, but somehow we managed to swerve it. Was that deliberate? No, everything we do is by accident. The fact that for two years no one spotted that the sleeves cost more to make than the records confirms this. I honestly thought ‘Thieves Like Us,’ the single after ‘Blue Monday,’ was far superior. ‘Blue Monday’’s not a song, it’s a feeling, but once people hear that drum riff they’re off. People used to go mad when we didn’t play it. We had a fight onstage with a DJ in Nottingham once because we wouldn’t play it – which was a very New Order thing to do. As you get older and mellower you appreciate what got you where you are. We play it now because people love it.” – Peter Hook of New Order, 2003, in Q magazine, which named “Blue Monday” one of the best songs ever

Peter Hook turns 59 today. Tunes du Jour kicks off our weekly dance party with “Blue Monday.”

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Patti Smith!

Patti Smith was born in Chicago on December 30, 1946.

She co-wrote a play called Cotton Mouth with Sam Shepard, which she performed once, in 1971.

She wrote lyrics for several Blue Öyster Cult songs. For a while she was under consideration to be the band’s lead singer.

The Patti Smith Group released their first record in 1974, a single featuring the songs “Hey Joe” and “Piss Factory.”

ALBUMS
Patti Smith has released eleven studio albums to date: Horses, Radio Ethiopia, Easter, Wave, Dream of Life, Gone Again, Peace and Noise, Gung Ho, Trampin’, Twelve and Banga.

The Patti Smith Group’s debut album, 1975’s Horses, was listed at #1 on NME’s list of “20 Near-as-Damn-It Perfect Initial Efforts.” It was #44 on Rolling Stone’s list of “The 500 Greatest Albums of All-Time” and #49 in Out magazine’s “100 Greatest, Gayest Albums of All Time” list.

Easter also made the Out magazine list, coming in at #64.

David Keenan of the Sunday Herald placed Radio Ethiopia on his list of “The 103 Best Albums Ever, Honest .”

Rolling Stone called Gone Again one of the “Essential Recordings of the Nineties.”

FANS
Siouxsie and the Banshees’ “Carcass” was inspired by Smith’s Horses.

About Horses, R.E.M.’s Michael Stipe said it “tore my limbs off and put them back on in a whole different order.” In 1996 Smith contributed vocals to R.E.M.’s “E-bow the Letter.”

Patti Smith was not a member of the band The Smiths. However, the group’s Morrissey and Johnny Marr said that their song “The Hand That Rocks the Cradle” is a reworking of “Kimberly” from Patti’s Horses. Morrissey later released a single with a cover of that album’s “Redondo Beach.”

Sammy Hagar covered Horses’ “Free Money” on his self-titled album.

Courtney Love said Smith’s Horses album helped inspire her to become a rock star.

U2 covered Smith’s “Dancing Barefoot” for the b-side of their “When Loves Comes to Town” single. Smith later covered U2’s “Until the End of the World” for a U2 tribute compilation.

HONORS
In 2005, Patti Smith was named a Commander of the Ordre des Arts et des Lettres by the French Ministry of Culture.

She was inducted into the Rock and Roll Hall of Fame in 2007.

In 2010 she won the National Book Award for her memoir Just Kids, which documents her romantic relationship with artist Robert Mapplethorpe as the couple were struggling artists and Mapplethorpe was struggling with his homosexuality. Mapplethorpe, whose photographs of Smith covered her albums Horses, Wave and Dream of Life, died from AIDS-related illness in 1989. Smith donated the royalties for her 1996 book The Coral Sea to the Robert Mapplethorpe Laboratory for AIDS Research at Boston’s Deaconess Hospital/Harvard Medical School.

SONGS
Smith’s sole top 40 pop hit was 1978’s “Because the Night.” The song’s music and chorus were written by Bruce Springsteen. He had trouble writing verses to it as it was a love song and at that time he wasn’t writing straightforward love songs. He gave what he had done to Patti Smith, who was recording an album in the studio next to where he was recording Darkness in the Edge of Town. Her record, which reached #13, was the first hit for producer Jimmy Iovine, who later co-founded Interscope Records and Beats by Dr. Dre.

“Gloria” was written by Van Morrison for his band Them. It peaked at #93 in 1965. Smith covered the song using the title of the Catholic hymn “Gloria: in Excelsis Deo,” adding her own lyrics.

About how “People Have the Power” came to be, Patti told UK music mag NME “I was in the kitchen. My late husband was writing music, and he was a great songwriter, Fred ‘Sonic’ Smith, and we were writing some songs together. And I was peeling potatoes, and I remember I was in a bad mood because I had, you know, I was making dinner and washing the clothes and peeling potatoes. And in the middle of it, Fred came in and said, ‘Tricia, people have the power, write it.’ And I was standing there with a potato peeler thinking I’d like to have the power to make him peel these potatoes, that’s what I’d like… but I kept him. So for the next few nights, I really contemplated – because Fred was very political, and we talked about it, what we wanted to do with this line, which was Fred’s. And what we wanted to do was remind the listener of their individual power but also of the collective power of the people, how we can do anything. That’s why at the end it goes, ‘I believe everything we dream can come to pass, through our union we can turn the world around, we can turn the earth’s revolution.’ We wrote it consciously together to inspire people, to inspire people to come together.”

Smith’s “About a Boy” was written about Kurt Cobain. She told the Seattle Weekly “I was heartbroken when he committed suicide. I loved Nirvana … [My husband and I] felt so badly. We just wished that we would have known him, and been able to talk to him, and had some positive effect on him.” She covered Nirvana’s “Smells Like Teen Spirit” on her album Twelve.

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Ringo + Billy Idol

Punks And Lesbians

In the early days of London’s punk rock movement, around 1976, there were no punk clubs per se, so the punks needed somewhere to congregate where they can be who they are and dress how they dress without fear of being hassled. They found such a place at Club Louise, a lesbian bar that also welcomed gay men and punks, just off Oxford Street in London’s Soho district. Billy Idol hung out there every night. Other regulars included Johnny Rotten, Sid Vicious, Paul Cook, Siouxsie Sioux, Malcolm McLaren, Vivienne Westwood, members of The Clash and members of The Slits. Writes Billy Idol in his recently-released autobiography Dancing With Myself, “[Louise’s] was a much-needed haven. Back then, the way we dressed would have started a riot if we had set foot in any normal club or pub.”

Idol discusses Louise’s as ground zero for the punks’ plans. “We all congregated there, drinking and socializing, plotting our rebellion. It was our midnight meeting place, our sanctuary. We all walked the same path at that time. Many of the classic-rock bands talked about musicianship but had little to offer us, the disenfranchised and disenchanted… As the gay ladies danced and loved one another, we devised our plans and consolidated a movement. By being like-minded, we ruled the night. We would rock London to its core. The lesbian bar was our spiritual ‘upper room,’ and we, the new aristocracy of the poor, knighted with fire, sallied forth and followed Johnny Rotten into the unknown!”

New York City’s punk scene was similar. Club 82, a drag queen/transsexual bar, was one of the few public places where punks could perform in the early to mid-1970s. The club always welcomed the outcasts, so the punks were part of the family. Other gay bars opened their doors to punks as well. These not only were places that accepted those who are “different;” gay bars also were places where people could experiment with their appearance.

Idol explains the bond between the punk rockers and the LGBT populations by quoting a figure from American history. “Benjamin Franklin once offered advice to his fellow revolutionaries: ‘We must all hang together, or assuredly we shall all hang separately.’ We were a small group of people bored with the repeated clichés of modern life and its stagnant, putrid waters. That is what brought us — and ultimately bonded us — together.”

Ringo + Billy Idol
Today Billy Idol turns 59 years old. Here are twenty career highlights.

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Ringo + Björk

It’s Björk’s Birthday And I Need To Dance!

“I think everyone’s bisexual to some degree or another; it’s just a question of whether or not you choose to recognize it and embrace it. Personally, I think choosing between men and women is like choosing between cake and ice cream. You’d be daft not to try both when there are so many different flavors.”
– Björk, Diva Magazine, October 2004

I love cake, but I prefer ice cream. I’m not into vanilla – it’s too…vanilla. I’ll eat it if there are no other options, but I prefer chocolate. I could eat a big dish of chocolate ice cream every night and never tire of it.

However, my favorite flavor is chocolate chip mint. Everything is better with a hint of mint. Chocolate and mint together? If one has that at home there is no reason to ever leave the house.

Dulce de leche is next on my list. Mmm mmm. That sweet caramel makes my tongue so damn happy! Throw a little hot fudge and whipped cream on top and it’s the perfect late night snack to enjoy before dozing off to sleep.

While I prefer ice cream, I enjoy going to a good bakery to check out the cakes. As with ice cream, I love the chocolate cakes. (“Chocolate Cake,” by the way, is the title of an underrated song by Crowded House.)

I like many cakes, but I don’t care for fruity ones. I’m not referring to fruitcake. I have no idea what a fruitcake is; it’s something I’ve heard used as a punchline on Christmas specials, but I don’t think I’ve ever encountered one in real life. I’m referring to cakes that have jelly in them, or strawberries or anything else that may be construed as healthy. It’s a friggin’ cake! Don’t be getting your healthy fruits mixed up in my cake. A banana is welcome, but that’s it. Chocolate and banana is a combination I love. Add a hint of mint and I’m all set.

Ringo + Björk
Today Björk turns 49 years old. Celebrate with some cake and ice cream. Our weekly dance party kicks off with her first post-Sugarcubes single, “Human Behaviour.”

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