Your (Almost) Daily Playlist: 8-16-22

Today’s playlist celebrates the August 16 birthdays of Madonna, Soft Machine’s Kevin Ayers, Young Thug, Kool & the Gang’s James “JT” Taylor, The Coral’s James Skelly, The Chicks/Court Yard Hounds’ Emily Robison, Golden Earring’s Barry Hay, Ketty Lester, The Music Machine’s Sean Bonniwell, Barbara George, Vanessa Carlton, Al Hibbler, The American Breed’s Gary Loizzo, Sheila of Sheila & B. Devotion, Billy Joe & The Checkmates’ Ernie Freeman, Eydie Gorme, Rina Sawayama, and Joe Sealy.

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A Carole King Playlist

Here’s a fun fact (or three): In the history of the Billboard Hot 100, nine songs have hit #1 performed by different artists. The first two songs to achieve this feat were “Go Away Little Girl” (Steve Lawrence in 1963 and Donny Osmond in 1971) and “The Loco-motion” (Little Eva in 1962 and Grand Funk in 1974). Both of those were written by Carole King (b. February 9, 1942) and the late Gerry Goffin, who she married. To date Carole King has a writing credit on 118 Hot 100 hits. 118. One hundred eighteen.

Here are 30 of those 118 songs Carole co-wrote.

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Your (Almost) Daily Playlist (8-16-20)

Inspired by the anniversary of the passings of Elvis Presley and Aretha Franklin; the August 16 birthdays of Madonna, Kool & the Gang’s James “JT” Taylor, Young Thug, Al Hibbler, Eydie Gorme, Barbara George, Court Yard Hounds’ Emily Robison, Ketty Lester, Sheila, and Joe Sealy; and the August 15 birthdays of Deee-Lite’s Lady Miss Kier, The The’s Matt Johnson, The Doobie Brothers’ Tom Johnston, Bobby Helms, Bobby Caldwell, and Nipsey Hussle.

“Lean On Me” – Bill Withers

In 1967 Bill Withers moved to Los Angeles to try to make it as a songwriter. While pursuing this dream he worked at Lockheed Aircraft, making around $3.50/hour. He spent $2500 of his own money to record some demo tracks. Not one record company or publisher expressed interest.

While working at a factory making toilet seats for 747s, he formed friendships with his co-workers and appreciated how they would help each other out. The mutual support this group of workers offered inspired him to compose a song. He titled it “Lean on Me.”

His upbringing played a large part in the song’s sentiment. “Being from a rural, West Virginia setting, that kind of circumstance would be more accessible to me than it would be to a guy living in New York where people step over you if you’re passed out on the sidewalk, or Los Angeles, where you could die on the side of the freeway and it would probably be 8 days before anyone noticed you were dead. Coming from a place where people were a little more attentive to each other, less afraid, that would cue me to have those considerations.”

He recorded the track for his album Still Bill. The single went to #1 on the Billboard Hot 100 in July 1972. He left his factory job, but retained a good perspective, telling the L.A. Times: “Even when I was working on bathroom seats, this was at least constructive. I challenge anybody: I won’t sing for a month and you don’t go to the bathroom for a month and let’s see who comes off with less misery.”

“Lean On Me” won Withers a Grammy award for Best R&B Song … in 1987. On March 21 of that year Club Nouveau took their rendition of the song to #1, only the fifth time in the rock era that two different versions of the same song hit #1. (The first four? “Go Away Little Girl” – Steve Lawrence/Donny Osmond, “The Loco-Motion” – Little Eva/Grand Funk, “Please Mr. Postman” – The Marvelettes/The Carpenters, and “Venus” – The Shocking Blue/Bananarama.)

Bill Withers turns 77 years old today. Being he is an American institution, federal offices and banks are closed today. Many parts of the country are celebrating his birthday with fireworks displays, as they should. Here are twenty Withers tracks worth hearing, starting with the classic “Lean on Me.”


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Winston + Club Nouveau

It’s Friday And I Need To Dance!

In 1967 Bill Withers moved to Los Angeles to try to make it as a songwriter. While pursuing this dream he worked at Lockheed Aircraft, making around $3.50/hour. He spent $2500 of his own money to record some demo tracks. Not one record company or publisher expressed any interest.

While working at a factory making toilet seats for 747s, he formed friendships with his co-workers and appreciated how they would help each other out. The mutual support this group of workers offered inspired him to compose a song. He titled it “Lean on Me.”

His upbringing played a large part in the song’s sentiment. “Being from a rural, West Virginia setting, that kind of circumstance would be more accessible to me than it would be to a guy living in New York where people step over you if you’re passed out on the sidewalk, or Los Angeles, where you could die on the side of the freeway and it would probably be 8 days before anyone noticed you were dead. Coming from a place where people were a little more attentive to each other, less afraid, that would cue me to have those considerations.”

He recorded the track for his album Still Bill. The single went to #1 on the Billboard Hot 100 in July 1972. He left his factory job, but retained a good perspective, telling the L.A. Times: “Even when I was working on bathroom seats, this was at least constructive. I challenge anybody: I won’t sing for a month and you don’t go to the bathroom for a month and let’s see…who comes off with less misery.”

“Lean On Me” won Withers a Grammy award for Best R&B Song … in 1987. On March 21 of that year Club Nouveau took their rendition of the song to #1, only the fifth time in the rock era that two different versions of the same song hit #1. (The first four? “Go Away Little Girl” – Steve Lawrence/Donny Osmond, “The Loco-Motion” – Little Eva/Grand Funk, “Please Mr. Postman” – The Marvelettes/The Carpenters, and “Venus” – The Shocking Blue/Bananarama.)

Winston + Club Nouveau

This week’s dance playlist kicks off with the record that hit #1 on this day 27 years ago – Club Nouveau’s “Lean on Me.”

UPDATE: For some reason, the original version of Club Nouveau’s “Lean on Me” is not on Spotify; only a cheesy re-record is there. Screw it! We’ll kick off our dance party with Aretha Franklin’s “Freeway of Love.”

Ringo + Carole King 002

The Twelfth Best Album Of All-Time, Subject To Change

Ringo + Carole King 002

I’m creating a list of my top 100 albums of all-time. I’ve been working on it for a couple of years. I need to get it right. I’ve whittled the list down to 112 nominees, which I listen to repeatedly, moving albums around as I assess their impact on my ears and emotions. Presently sitting at #12, between The Beatles’ Rubber Soul and the Phil Spector Christmas album, is Carole King’s Tapestry.

Released in 1971, Tapestry was a huge success, staying at #1 on the album charts for 15 weeks and remaining on Billboard’s album chart for 300 weeks, the longest run of any album by a female solo act. The album won King the Grammy Award for Album of the Year, its track “It’s Too Late” was named Record of the Year, its song “You’ve Got a Friend” won Song of the Year (as well as a Grammy for Best Pop Vocal Performance, Male for James Taylor for his cover version), and its title track won King the Best Pop Vocal Performance, Female award.

The album includes new songs written or co-written by King, including “I Feel the Earth Move” and “So Far Away,” as well as covers of songs she wrote or co-wrote that had already been hits for other acts, such as “(You Make Me Feel Like) A Natural Woman,” a smash for Aretha Franklin, and “Will You Love Me Tomorrow,” which The Shirelles took to #1 ten years earlier.

Other King compositions you may know are “Up on the Roof,” a hit for The Drifters, “One Fine Day,” a hit for The Chiffons, “Pleasant Valley Sunday,” a hit for The Monkees, “Go Away Little Girl” a hit for Steve Lawrence and later Donny Osmond, “I’m Into Something Good,” a hit for Herman’s Hermits, “It’s Going to Take Some Time,” a hit for The Carpenters, and “The Loco-motion,” a song which holds the distinction of going top ten in three different decades – in the sixties for Little Eva (King’s babysitter), in the seventies for Grand Funk and in the eighties for Kylie Minogue. In the forty years between 1959 and 1999 King made the Billboard Hot 100 118 times as a songwriter.

Tunes du Jour honors the classic work of Carole King, who turns 72 today.