Throwback Thursday – 1997

by with No Comment playlists

Randy Badazz Alpert received many requests to license “Rise,” a song he co-wrote that became a #1 hit for his uncle Herb in 1979, as a sample in hip hop tracks. He said no to Ice Cube, Vanilla Ice, Eazy-E, and the others who requested permission. However, when he received a cassette from the producer then known as Puff Daddy of a new song utilizing the sample, he consented. He loved the new tune and felt it could make his song go to #1 again.

He was right. The new recording was “Hypnotize” and it was performed by the Notorious B.I.G. “Hypnotize” topped the Billboard Hot 100 in May of 1997, less than two months after the rapper was killed in Los Angeles.

This week’s Throwback Thursday playlist spotlights the best of 1997, kicking off with The Notorious B.I.G.’s “Hypnotize,” which uses a sample from a songwriter whose middle name really is Badazz.


Click here to like Tunes du Jour on Facebook!
Follow me on Twitter: @TunesDuJour
Follow me on Instagram: @GlennSchwartz

It’s Alison Goldfrapp’s Birthday And I Need To Dance!

by with No Comment playlists

Translated literally, the French expression “ooh la la” means “Oh there there.”

Per About.com, “ooh la la” is an interjection that “can indicate surprise, disappointment, commiseration, distress, annoyance… any moderately strong reaction to something that was just said or done. Note that there is no connotation of sexiness or impropriety in French.”

Per UrbanDictionary.com, “ooh la la” is “a universally understood way of saying ‘check out that hot piece of ass.’” I detect a slight connotation of sexiness and impropriety.

Per OxfordDictionaries.com, “ooh la la” is “used to express surprise or excitement” or “to convey a sexual innuendo.”

The music duo Goldfrapp, made up of Alison Goldfrapp and Will Gregory, released a single called “Ooh La La” in 2005. Written by the duo, the song tells of Alison’s lust for someone without a romantic component.

Goldfrapp’s “Ooh La La” became their first top ten pop single in the UK and their third #1 on the US dance chart. It was nominated for a Grammy Award for Best Dance Recording, and Rolling Stone magazine placed it at #10 on their list of the year’s best singles.

Today, Alison Goldfrapp turns 50 years old. Tunes du Jour’s weekly dance party is heavy on her group’s music, kicking off with “Ooh La La.”


Click here to like Tunes du Jour on Facebook!
Follow me on Twitter: @TunesDuJour

The Grammys Are Coming And I Need To Dance!

by with No Comment playlists

Friday is dance day at Tunes du Jour. Today’s playlist includes the five recordings nominated for a Grammy Award in the category Best Dance Recording. Those nominated recordings are:

“We’re All We Need” – Above & Beyond Featuring Zoë Johnston
“Go” – The Chemical Brothers Featuring Q-Tip
“Never Catch Me” – Flying Lotus Featuring Kendrick Lamar
“Runaway (U & I)” – Galantis
“Where Are Ü Now” – Skrillex And Diplo With Justin Bieber

The Best Dance Recording category was introduced in 1998. It hasn’t been the most accurate barometer of innovations in dance music. The nominating committee has a thing for Gloria Estefan, who was well past her prime in 1998, as she was in 1999, when she was nominated, and 2000, when she was nominated, and 2002, when she was nominated.

In 2001, the Grammy for Best Dance Recording was awarded to “Who Let the Dogs Out?” by the Baha Men. I admit that I love that song, but Best Dance Recording? What the fur? Other tracks nominated that year were performed by Jennifer Lopez, Enrique Iglesias and Eiffel 65, which suggests that 2000 was a very bad year for dance music. It was not. The fifth nominee, Moby’s “Natural Blues,” is the kind of record that should win. It sets itself apart from the other recordings in this field. Of course, one could say “Who Let the Dogs Out?” is unlike the other dance recordings of 2000, mostly because it is not a dance recording.

There are no embarrassing nominees this year in this category. Tune in Monday evening to see who wins. Actually, this may not be one of the four or so awards presented in the telecast, so you may have to find out who won online.

For now, enjoy this playlist consisting of this year’s nominees plus fifteen of the better recordings nominated in this category in past years.


Click here to like Tunes du Jour on Facebook!
Follow me on Twitter: @TunesDuJour

Throwback Thursday – 1999

by with No Comment playlists

Eminem has often been accused of being homophobic. Maybe it’s because he rapped “I’ll still be able to break a motha-fuckin’ table over the back of a couple of faggots and crack it in half.” Maybe it’s because he rapped “My words are like a dagger with a jagged edge / That’ll stab you in the head whether you’re a fag or lez.” And “All you lil’ faggots can suck it / No homo, but I’ma stick it to ’em like refrigerator magnets.” And “Little gay-looking boy / So gay I can barely say it with a straight face-looking boy / You witnessing massacre like you watching a church gathering taking place-looking boy / ‘Oy vey, that boy’s gay,’ that’s all they say looking-boy / You take a thumbs up, pat on the back, the way you go from your label every day-looking boy.” And “You fags think it’s all a game.” Anyone can see how the artist born Marshall Mathers got labeled a homophobe, even if he pretends he doesn’t see it.

So it’s ironic that in his first hit single, the song that put him on the map and into the international consciousness, the music bed is based around a sample from an openly gay singer-songwriter.

“My Name Is” became Eminem’s first single to crack the Billboard Hot 100, peaking at #36. Its music is taken from a 1975 release called “I Got the…,” written and performed by Labi Siffre. Siffre, who was born in England in 1945, says he knew he was gay since age four. He met his life partner, Peter John Carver Lloyd, in 1964. They remained a couple for 49 years, until Lloyd’s death in 2013.

Before Siffre would allow Eminem to use the sample, he made the rapper change some of the words on “My Name Is.” The lyric “My English teacher wanted to have sex in junior high / The only problem was, my English teacher was a guy” became “My English teacher wanted to flunk me in junior high / Thanks a lot, next semester I’ll be 35.” The lyric “Extraterrestrial killing pedestrians, raping lesbians while they’re screaming, ‘Let’s just be friends!’” became “Extraterrestrial running over pedestrians in a spaceship while they’re screaming, ‘Let’s just be friends!’”.” Said Siffre, “Dissing the victims of bigotry – women as bitches, homosexuals as faggots – is lazy writing. Diss the bigots, not their victims. I denied sample rights till that lazy writing was removed. I should have stipulated “all versions” but at that time knew little about rap’s “clean” & “explicit” modes, so they managed to get the lazy lyric on versions other than the single and first album.”

For Throwback Thursday this week, Tunes du Jour revisits some of the musical highlights of 1999, kicking off with Eminem’s “My Name Is.”


Click here to like Tunes du Jour on Facebook!
Follow me on Twitter: @TunesDuJour

My Top 99 Songs Of 2015

by with No Comment playlists

Herewith, my 99 favorite tracks of this year:

1. Can’t Feel My Face – The Weeknd
2. Sugah Daddy – D’Angelo & the Vanguard
3. Peanut Butter Jelly – Galantis
4. Downtown – Macklemore & Ryan Lewis featuring Eric Nally, Melle Mel, Kool Moe Dee & Grandmaster Kaz
5. Fuck It All – Elle Varner
6. Therapy – Mary J. Blige
7. Coffee (Fucking) – Miguel
8. What Do You Mean? – Justin Bieber
9. Close Your Eyes (And Count to Fuck) – Run the Jewels featuring Zack De La Rocha
10. Hello – Adele
11. Only One – Kanye West featuring Paul McCartney
12. Depreston – Courtney Barnett
13. On the Regular – Shamir
14. Lampshades on Fire – Modest Mouse
15. Shine – Years & Years
16. Hotline Bling – Drake
17. Truffle Butter – Nicki Minaj featuring Drake and Lil Wayne
18. The Blacker the Berry – Kendrick Lamar
19. Dead Fox – Courtney Barnett
20. The Ground Walks, with Time in a Box – Modest Mouse
21. Uptown Funk – Mark Ronson featuring Bruno Mars
22. FourFiveSeconds – Rihanna featuring Kanye West and Paul McCartney
23. Teenage Talk – St. Vincent
24. Alright – Kendrick Lamar
25. Who U? – Dynas featuring Slick Rick
26. Friday I’m in Love – Yo La Tengo
27. Queen – Perfume Genius
28. King Kunta – Kendrick Lamar
29. Yoga – Janelle Monae featuring Jidenna
30. Dreams – Beck
31. Return to the Moon (Political Song for Didi Bloome to Sing, with Crescendo) – EL VY
32. The Love Within – Bloc Party
33. The Night Josh Tillman Came to Our Apt. – Father John Misty
34. Huarache Lights – Hot Chip
35. Dancing in the Dark – Hot Chip
36. B.O.B. – Macy Gray
37. Break the Rules – Charli XCX
38. Ex’s & Oh’s – Elle King
39. Stay Gold – First Aid Kit
40. Cool for the Summer – Demi Lovato
41. Girl Crush – Little Big Town
42. Nobody Really Cares if You Don’t Go to the Party – Courtney Barnett
43. Little Red Wagon – Miranda Lambert
44. Cedar Lane – First Aid Kit
45. Jonathan – Christine and the Queens featuring Perfume Genius
46. Boxing Day Blues (Revisited) – Courtney Barnett
47. In for the Kill – Shamir
48. Biscuits – Kacey Musgraves
49. Can’t Get Enough of Myself – Santigold featuring BC
50. You’re So Beautiful – Empire Cast featuring Jussie Smollett
51. Ugly Cherries – PWR BTTM
52. Earned It (Fifty Shades of Grey) – The Weeknd
53. Leave a Trace – CHVRCHES
54. Freedom – Pharrell Williams
55. Betray My Heart – D’Angelo & the Vanguard
56. Snakeskin – Deerhunter
57. Really Love – D’Angelo & the Vanguard
58. I Can’t Lose – Mark Ronson featuring Keyone Starr
59. Outta My Mind – the Arcs
60. Happy Idiot – TV on the Radio
61. Bad Blood – Ryan Adams
62. Nobody’s Empire – Belle & Sebastian
63. Come – Jain
64. Stonemilker – Björk
65. Holding On – Julio Bashmore featuring Sam Dew
66. Go Out – Blur
67. Weight in Gold – Gallant
68. Chateau Lobby #4 (in C for Two Virgins) – Father John Misty
69. Coming Home – Leon Bridges
70. All Day – Kanye West featuring Theophilus London, Allan Kingdom and Paul McCartney
71. Glory – Common and John Legend
72. Need You Now – Hot Chip
73. Sausage – Lil Mama
74. Déjà Vu – Giorgio Moroder featuring Sia
75. Alone on Christmas Day – Phoenix featuring Bill Murray, Jason Schwartzmann, Buster Poindexter and Paul Shaffer
76. Smokin’ & Drinkin’ – Miranda Lambert featuring Little Big Town
77. She’s Not Me – Jenny Lewis
78. Omen – Disclosure featuring Sam Smith
79. For Sale – Kendrick Lamar
80. NWA – Miguel featuring Kurupt
81. Times Square – Destroyer
82. I Put a Spell on You – Annie Lennox
83. 4 Degrees – ANOHNI
84. Go – The Chemical Brothers featuring Q-Tip
85. Sometimes – Heems
86. Bitch Better Have My Money – Rihanna
87. Runnin’ (Lose It All) – Naughty Boy featuring Beyoncé and Arrow Benjamin
88. Smooth Sailin’ – Leon Bridges
89. Hell – The Pains of Being Pure at Heart
90. Simple Things – Miguel
91. Shivers – Courtney Barnett
92. Tom’s Diner – Giorgio Moroder featuring Britney Spears
93. Trap Queen – Fetty Wap
94. Tell Your Friends – The Weeknd
95. L$D – A$AP Rocky
96. These Walls – Kendrick Lamar featuring Bilal, Anna Wise and Thundercat
97. Love is Free – Robyn & La Bagatelle Magique
98. Country Down – Beck
99. Better in the Morning – Little Boots


Click here to like Tunes du Jour of Facebook!
Follow me on Twitter: @TunesDuJour

Grammy Nominations!

by with No Comment playlists

It seems that last week I was busy doing something close to nothing, so I didn’t get a chance to tell you who was nominated for Grammys this year. Here is the list, with my random thoughts thrown in:

Record of the Year
“Really Love” — D’Angelo and the Vanguard
“Uptown Funk” — Mark Ronson featuring Bruno Mars
“Thinking Out Loud” — Ed Sheeran
“Blank Space” — Taylor Swift
“Can’t Feel My Face” — The Weeknd

I’d give it to The Weeknd, but I wouldn’t mind if Mark Ronson or D’Angelo won. I’ve never heard this Taylor Swift fella so I can’t vote for him. I have heard Ed Sheeran so I can’t vote for him.

Song of the Year
“Alright” — Kendrick Lamar (written by Kendrick Duckworth, Mark Anthony Spears and Pharrell Williams)
“Blank Space” — Taylor Swift (written by Max Martin, Shellback and Taylor Swift)
“Girl Crush” — Little Big Town (written by Hillary Lindsey, Lori McKenna and Liz Rose)
“See You Again” — Wiz Khalifa featuring Charlie Puth (written by Andrew Cedar, Justin Franks, Charles Puth and Cameron Thomaz)
“Thinking Out Loud” — Ed Sheeran (written by Ed Sheeran and Amy Wadge)

Kendrick’s “Alright” is more than alright and I have a boy crush on Little Big Town’s “Girl Crush.” As for “See You Again,” I hope I never hear it again. I’m not going to say what I think of Ed Sheeran out loud. This Taylor Swift fella’s songs are not on Spotify, which is why nobody knows who he is.

Album of the Year
Sound & Color — Alabama Shakes
To Pimp a Butterfly — Kendrick Lamar
Traveller — Chris Stapleton
1989 — Taylor Swift
Beauty Behind the Madness — The Weeknd

To Pimp a Butterfly is the best album of 2015, but the category is called Album of the Year, not Best Album of the Year. The Weeknd’s album had its moments, and I have no beef with Alabama Shakes. I wouldn’t know a Chris Stapleton song if it hit me in the ears, but I loved Jean Stapleton on All in the Family. And there’s that Taylor Swift fella again, who will probably win Album of the Year as he named his album after a year, the sneaky devil. Maybe then he’ll finally start getting some press.

Best New Artist
Courtney Barnett
James Bay
Sam Hunt
Tori Kelly
Meghan Trainor

Last year Meghan Trainor was nominated for Record of the Year for “All About That Bass.” However, per the Recording Academy, to be eligible for a Best New Artist nomination “a person or band must have or have not released an album, song, or spoken a single word any time during their life, after their life, or never.” I’m voting for Courtney Barnett, who has been putting out music since 2012, for Best New Artist of 2015. Regarding the others up for this award, I’ve heard of Sam Hunt but haven’t heard any of his or her music, and James Bay and Tori Kelly are names the Academy made up so there would be five nominees.

Best Pop Duo/Group Performance
“Ship to Wreck” — Florence + The Machine
“Sugar” — Maroon 5
“Uptown Funk” — Mark Ronson featuring Bruno Mars
“Bad Blood” — Taylor Swift featuring Kendrick Lamar
“See You Again” — Wiz Khalifa featuring Charlie Puth

Are they going to have this Taylor Swift fella perform on the Grammy Awards telecast so the world can see what he looks like? I’d give this award to Mark Ronson and Bruno Mars. If Maroon 5 or Wiz Khalifa/Charlie Puth win, somebody’s going to get hurt.

Best Pop Solo Performance
“Heartbeat Song” — Kelly Clarkson
“Love Me Like You Do” — Ellie Goulding
“Thinking Out Loud” — Ed Sheeran
“Blank Space”— Taylor Swift
“Can’t Feel My Face” — The Weeknd

Is Taylor Swift that guy from the Twilight movies?

Best Pop Vocal Album
Piece By Piece — Kelly Clarkson
How Big, How Blue, How Beautiful — Florence + The Machine
Uptown Special — Mark Ronson
1989 — Taylor Swift
Before This World — James Taylor

James Taylor? What just happened? Is Taylor Swift the guy who wrote Gulliver’s Travels back in the 1700s?

Best Rap Collaboration
“One Man Can Change The World” — Big Sean featuring Kanye West and John Legend
“Glory” — Common and John Legend
“Classic Man” — Jidenna featuring Roman GianArthur
“These Walls” — Kendrick Lamar featuring Bilal, Anna Wise and Thundercat
“Only” — Nicki Minaj featuring Drake, Lil Wayne and Chris Brown

Where’s Taylor Swift’s nomination?

Best Rap Song
“All Day” — Kanye West featuring Theophilus London, Allan Kingdom and Paul McCartney (written by Kanye West, Paul McCartney, Tyler Bryant, Kendrick Duckworth, Karim Kharbouch, Ernest Brown, Cydel Young, Victor Mensah, Allan Kyariga, Mike Dean, Che Pope, Noah Goldstein, Allen Ritter, Mario Winans, Charles Njapa, Malik Yusef Jones, Patrick Reynolds, Rennard East and Noel Ellis)
“Alright — Kendrick Lamar (written by Kendrick Duckworth, Mark Anthony Spears and Pharrell Williams)
“Energy” — Drake (written by Richard Dorfmeister, A. Graham, Markus Kienzl, M. O’Brien, M. Samuels and Phillip Thomas)
“Glory” — Common and John Legend (written by Lonnie Lynn, Che Smith and John Stephens)
“Trap Queen” — Fetty Wap (written by Tony Fadd & Willie J. Maxwell)

It’s about time Grandmaster Paul McCartney was nominated for Best Rap Song, though the fact that it took 19 people to write it diminishes what is otherwise a perfectly so-so track. MC Paul McC is up against some heavyweights, so he’ll need to keep trying for the rap trophy because this won’t be his year.

Best Rap Album
2014 Forest Hills Drive — J. Cole
Compton — Dr. Dre
If You’re Reading This It’s Too Late — Drake
To Pimp a Butterfly — Kendrick Lamar
The Pinkprint — Nicki Minaj

Kendrick. Anna Kendrick.

Best Rap Performance
“Apparently” — J. Cole
“Back to Back” — Drake
“Trap Queen” — Fetty Wap
“Alright” — Kendrick Lamar
“Truffle Butter” — Nicki Minaj featuring Drake and Lil Wayne
“All Day” – Kanye West featuring Theophilus London, Allan Kingdom and Paul McCartney

Eddie Kendricks.

Best Country Album
Montevallo — Sam Hunt
Pain Killer — Little Big Town
The Blade — Ashley Monroe
Pageant Material — Kacey Musgraves
Traveller — Chris Stapleton

Kendrick Lamar or Taylor Swift.

Best Country Solo Performance
“Burning House” — Cam
“Traveller” — Chris Stapleton
“Little Toy Guns” — Carrie Underwood
“John Cougar, John Deere, John 3:16″ — Keith Urban
“Chances Are” — Lee Ann Womack

Hedy Lamarr or Elizabeth Taylor.

Best Country Duo/Group Performance
“Stay a Little Longer” — Brothers Osborne
“If I Needed You” — Joey + Rory
“The Driver” — Charles Kelley, Dierks Bentley, Eric Paslay
“Girl Crush” — Little Big Town
“Lonely Tonight” — Blake Shelton featuring Ashley Monroe

Hedley Lamarr or Motel the Tailor.

Best Country Song
“Chances Are” — Lee Ann Womack (written by Hayes Carll)
“Diamond Rings and Old Barstools” — Tim McGraw (written by Barry Dean, Luke Laird and Jonathan Singleton)
“Girl Crush” — Little Big Town (written by Hillary Lindsey, Lori McKenna and Liz Rose)
“Hold My Hand” — Brandy Clark (written by Brandy Clark and Mark Stephen Jones)
“Traveller” — Chris Stapleton (written by Chris Stapleton)

Swifty Lazar or Lord and Taylor.

Best Rock Album
Chaos and the Calm — James Bay
Kintsugi — Death Cab for Cutie
Mister Asylum — Highly Suspect
Drones — Muse
.5: The Gray Chapter — Slipknot

Laser Hair Removal or Tailor On Premises.

Best Dance Recording
“We’re All We Need” — Above and Beyond featuring Zoë Johnston
“Go” — The Chemical Brothers
“Never Catch Me” — Flying Lotus featuring Kendrick Lamar
“Runaway (U & I)” — Galantis
“Where Are Ü Now” — Skrillex and Diplo with Justin Bieber

Laser Beams – oh, wait. Kendrick Lamar really is nominated in this category.

Best Rock Performance
“Don’t Wanna Fight” — Alabama Shakes
“What Kind of Man” — Florence + The Machine
“Something From Nothing” — Foo Fighters
“Ex’s & Oh’s” — Elle King
“Moaning Lisa Smile” — Wolf Alice

What happened to that Taylor Swift fella? He hasn’t been nominated in the last few categories. The Academy built him up and then knocked him right back down.

Best Rock Song
“Don’t Wanna Fight” — Alabama Shakes (written by Alabama Shakes)
“Ex’s & Oh’s” — Elle King (written by Dave Bassett and Elle King)
“Hold Back the River” — James Bay (written by Iain Archer and James Bay)
“Lydia” — Highly Suspect (written by Richard Meyer, Ryan Meyer and Johnny Stevens)
“What Kind of Man” — Florence + The Machine (written John Hill, Tom Hull and Florence Welch)

I find these nominees highly suspect. Who is Highly Suspect? Isn’t James Bay the guy who directed Avatar and Transformers? I like the Elle King song, but she’s Rob Schneider’s daughter (seriously!), so give the award to Alabama Shakes or Florence.

Best Dance/Electronic Album
Our Love — Caribou
Born in the Echoes — The Chemical Brothers
Caracal — Disclosure
In Colour — Jamie XX
Skrillex and Diplo Present Jack Ü — Skrillex And Diplo

I’m rooting for – hold on, the phone is ringing.

Best R&B Song
“Coffee” — Miguel (written by Brook Davis and Miguel Pimente)
“Earned It (Fifty Shades of Grey)” — The Weeknd (written by Ahmad Balshe, Stephan Moccio, Jason Quenneville and Abel Tesfaye)
“Let It Burn” — Jazmine Sullivan (written by Kenny B. Edmonds, Jazmine Sullivan and Dwane M. Weir II)
“Really Love” — D’Angelo and the Vanguard (written by D’Angelo and Kendra Foster)
“Shame” — Tyrese (written by Warryn Campbell, Tyrese Gibson and DJ Rogers Jr,)

Jazmine Sullivan put out a record this year? I don’t think so. Tyrese put out a record this year? Yeah, sure he did! I’m okay with any of the folks who actually released a record this year winning.

Best R&B Performance
“If I Don’t Have You” — Tamar Braxton
“Rise Up” — Andra Day
“Breathing Underwater” — Hiatus Kaiyote
“Planes” — Jeremih featuring J. Cole
“Earned It (Fifty Shades Of Grey)” — The Weeknd

This is The Weeknd’s to lose. I don’t know the other nominated songs, but I imagine they’re boring and Hiatus Kaiyote is not a real thing.

Best R&B Album
Coming Home — Leon Bridges
Black Messiah — D’Angelo and the Vanguard
Cheers to the Fall — Andra Day
Reality Show — Jazmine Sullivan
Forever Charlie — Charlie Wilson

If D’Angelo doesn’t win then the terrorists have won.

Best Alternative Music Album
Sound & Color — Alabama Shakes
Vulnicura — Björk
The Waterfall — My Morning Jacket
Currents — Tame Impala
Star Wars — Wilco

[Insert play on names Kendrick Lamar and Taylor Swift here.]

Best Urban Contemporary Album
Ego Death — The Internet
You Should Be Here — Kehlani
Blood — Lianne La Havas
Wildheart — Miguel
Beauty Behind the Madness — The Weeknd

You can Google Kehlani and found out who or what that is. You can Google Lianne La Havas and find out who or what that is. You can Google The Internet and NOT LEARN A GODDAMN THING ABOUT WHO OR WHAT THAT IS. When you’re done Googling, face the fact that this category is a two-person contest between Miguel and The Weeknd.

Best Spoken Word Album
Blood On Snow (Jo Nesbø) – Patti Smith
Brief Encounters: Conversations, Magic Moments, And Assorted Hijinks – Dick Cavett
A Full Life: Reflections at Ninety – Jimmy Carter
Patience And Sarah (Isabel Miller) – Janis Ian and Jean Smart
Yes Please – Amy Poehler

This is Patti Smith’s first Grammy nomination. The woman who co-wrote “Because the Night” with Bruce Springsteen and made it a top fifteen pop hit and classic rock staple has never been nominated previously for a Grammy. The woman whose 1975 release Horses consistently appears on All Time Best Albums lists receives her first Grammy nomination in 2015 for reading a book out loud, a book somebody else wrote at that! This is a real category??? Too bad Smith is going to lose this award to former president Jimmy Carter who, great man that he is, does not have a “Piss Factory” in him.

Today’s playlists is made up of twenty selections that were not nominated for Grammy Awards. Not for Song of the Year, not for Record of the year, not for vocal performance in any genre, nor were the albums on which these tracks initially appeared nominated under any genre. Listen to these losers!


Click here to like Tunes du Jour on Facebook!
Follow me on Twitter: @TunesDuJour

It’s Q-Tip’s Birthday And I Need To Dance!

by with One Comment playlists

Here’s the thing…I started writing today’s blog entry about mishaps I’ve recently encountered in on-line dating, specifically with an app I downloaded last week that despite my creating a profile that says I’m a man looking for a man, keeps trying to set me up with straight guys. I tied that into today’s birthday, Q-Tip from A Tribe Called Quest, by saying he’s one straight guy who wouldn’t date me. I quoted lyrics from Tribe’s song “Georgy Porgy.” While I was typing those lyrics, my stomach turned. I had trouble finding the humor in a song that refers to a gay guy as gross, ill, a fag, wounded, weak, a fucking faggot, and then some. The post started out funny but when I got to Q-Tip’s lyric “You can call me homophobic but I know it and you know it/ you’re filthy and funny to the utmost,” I decided I may be funny, but he isn’t, nor is he worth celebrating.

Odd that such a hateful bigot should appear on a record by Deee-Lite, a trio of gay and gay-friendly performers. Q-Tip appears on a lot of good records.

Friday is dance day at Tunes du Jour. Today’s playlist doesn’t celebrate the loathsome Q-Tip, but rather twenty great club tracks, a few of which feature Q-Tip. I’ll fill you in on my dating app experiences later.


Click here to like Tunes du Jour on Facebok!
Follow me on Twitter: @TUnesDuJour

It’s Moby’s Birthday And I Need To Dance!

by with One Comment playlists

On September 11 I was living in New York City, two miles from where the Twin Towers stood. I remember voting that morning, as it was Primary Election Day. I remember walking to work. I remember my boss coming in to my office to tell me the towers are falling and I should go home. I remember how crowded yet quiet the sidewalks were. I remember spending the rest of the day sitting on my bed crying. I remember thinking about dinner. I don’t know how to cook. I usually ordered in or went out. I regained some composure around 8 PM. I opened my apartment door to find the hallway full of smoke. A neighbor down the hall saw me and yelled “The building’s on fire. The fire department is here.” I went back inside. The only food I kept in my apartment was a can of soup for emergency colds. That night for dinner I had a can of soup.

I remember a lot more details about that day and the days that followed. I still cry when I think about them.

On September 12 I had dinner with my friend Jesse. As the police would not allow anyone below 14th Street who didn’t live in that area, as Jesse did, he came to my place on 16th Street. We figured we’d see if any restaurants in Chelsea were open.

Not only were almost all restaurants along Eighth Avenue open, they were packed. Music was playing. People were laughing. That may sound strange to people not there, but amidst all the horrendousness, amidst the postings of missing people that started to cover all available wall space, amidst the stench that worked its way uptown and permeated our neighborhood, people were celebrating life and friendship.

I’ll never forget what my city was like on September 11. I’ll never forget that night of September 12 either. Life is fleeting. Take advantage of being alive. Celebrate.

Every Friday Tunes du Jour celebrates life with a dance playlist. We kick off this week’s party with Moby, who turns 50 years old today.


Click here to like Tunes du Jour on Facebook!
Follow me on Twitter: @TunesDuJour

Glenn’s Ten – 8/27/14

by with No Comment playlists

Demi Lovato’s “Really Don’t Care” remains at #1 in Glenn’s Ten this week. There is one new entry – “A Place With No Name” performed by Michael Jackson, who has been in Glenn’s Ten many times over the years.

Glenn’s Ten for this week is:
1. “Really Don’t Care” – Demi Lovato featuring Cher Lloyd
2. “Chandelier” – Sia
3. “Do You” – Spoon
4. “New Dorp, New York” – SBTRKT featuring Ezra Koenig
5. “All the Rage Back Home” – Interpol
6. “How Can You Really” – Foxygen
7. “Dark Sunglasses” – Chrissie Hynde
8. “Electric Lady” – Janelle Monae featuring Solange
9. “Nothing More than Everything to Me” – Christopher Owens
10. “A Place with No Name” – Michael Jackson

Rounding out today’s playlist are ten tunes that were #1 on this date in Glenn’s Ten history, in reverse chronological order. It’s a place where Rihanna, The Chemical Brothers, Simply Red, Anthrax, Thompson Twins, Frank Zappa and Skee-Lo can peacefully co-exist.

Click here to like Tunes du Jour on Facebook.

doggies + Gwen 2014-07-18 11.34

It’s Friday And I Need To Dance!

by with No Comment playlists

Gwen Stefani, the lead singer and lyricist of the band No Doubt, wanted to do a dance-oriented solo album, but when the band finished its Rock Steady tour in November 2002, all she wanted to do was sleep. “I wanted to take a break and was really burned out, but the record company were ready to go.” Her label, Interscope, wanted her to work on her solo album with singer-songwriter Linda Perry, who was available for only five days.

Without the time to recharge, Stefani’s anxieties about doing the record rose to the surface and she spent a lot of time crying in bed. She’d been with the guys in No Doubt for seventeen years at that point; could she do a record without them?

On their second day in the studio together, Perry presented Stefani with the music of a song she stayed up the previous night to write. Stefani was to come up with lyrics, and she took the speed with which Perry came up with the song as a dare, as if to ask her “What are you waiting for?”

That was the inspiration Stefani needed. She wrote the lyrics to “What You Waiting For?,” addressing her fears about doing the record, her lack of inspiration, and the pressure the felt her label was putting on her. The song opens with Stefani referencing her bandmates and their years together – “What an amazing time / What a family/ How did the years go by?/ Now it’s only me.” Then the repeated background vocals of “tick tock” suggest the clock is ticking and she needs to get to work on this solo venture. Her nervous side sings “I’m worried if I go it alone,” to which her confident persona responds “You never know, it could be great” and “Take a chance, you might grow.”

“What You Waiting For?” was the first single released from Stefani’s first solo venture, Love, Angel, Music, Baby. The album sold seven million copies worldwide and was nominated for a Grammy Award for Album of the Year. Hit singles from the album were “Hollaback Girl,” “Rich Girl,” “Cool” and “Luxurious.”

Of the experience making the record, Stefani said “I think it’s very important to put yourself in a situation that’s uncomfortable to be able to grow.”

Is there something you wish to do but have not yet started to tackle? What you waiting for?
doggies + Gwen 2014-07-18 11.34

Friday is dance day at Tunes du Jour. We kick off this week’s party with Gwen Stefani’s “What You Waiting For?”