Tunes Du Jour Presents 1966

By 1966, rock and pop music had reached a critical turning point. The early, relatively simple sounds of rock and roll were giving way to a more experimental, ambitious approach, yet the airwaves were still filled with instantly memorable melodies. The year saw the release of songs that would go on to define entire careers—The Beach Boys’ “Good Vibrations” took pop production to new heights, The Four Tops’ “Reach Out (I’ll Be There)” solidified Motown’s dominance, and The Rolling Stones’ “Paint It Black” pushed rock into darker, more dramatic territory. Meanwhile, The Monkees burst onto the scene with “I’m a Believer,” adding a dose of manufactured but undeniably catchy charm to the mix.

Psychedelia was creeping into mainstream music, foreshadowing the sonic explorations that would fully take hold in the coming years. The Byrds’ “Eight Miles High” and The 13th Floor Elevators’ “You’re Gonna Miss Me” hinted at a new, mind-expanding direction for rock, while The Beatles’ “Paperback Writer” and its B-side, “Rain,” found the band toying with the limits of studio technology. The Who’s “My Generation,” released in late 1965 but peaking on the US charts in ’66, captured the rebellious energy of youth culture, while ? and the Mysterians’ “96 Tears” gave garage rock one of its most enduring anthems.

Soul music was also in full bloom, delivering some of its most powerful and enduring records. Percy Sledge’s “When a Man Loves a Woman” became an instant classic, dripping with raw emotion. Jimmy Ruffin’s “What Becomes of the Brokenhearted” and The Supremes’ “You Can’t Hurry Love” showcased Motown’s knack for blending heartache and joy in equal measure. Meanwhile, James Brown’s “It’s a Man’s Man’s Man’s World” was a testament to his singular ability to infuse deep soul with commentary. Over in the R&B realm, Ike & Tina Turner’s “River Deep – Mountain High”—though not a hit in the U.S. at the time—demonstrated producer Phil Spector’s bombastic “Wall of Sound” approach at its most overwhelming.

The year also had its share of songs that were simply too infectious to ignore. The Lovin’ Spoonful’s “Summer in the City” painted a sweltering urban landscape with its mix of laid-back verses and explosive choruses. Nancy Sinatra’s “These Boots Are Made for Walkin’” turned a simple, stomping beat into a statement of defiant cool. The Walker Brothers’ “The Sun Ain’t Gonna Shine Anymore” and The Left Banke’s “Walk Away Renée” delivered lush, baroque pop melancholy, while Eddie Floyd’s “Knock on Wood” became one of the defining records of Stax-style Southern soul.

Perhaps what’s most striking about 1966 in retrospect is just how many of these songs have endured. Whether through original recordings, countless covers, or their presence in film and television, these records still resonate. From the garage rock sneer of The Bobby Fuller Four’s “I Fought the Law” to the hypnotic stomp of The Troggs’ “Wild Thing,” the music of 1966 wasn’t just a snapshot of its time—it was the foundation for what was to come.

Follow Tunes Du Jour on Facebook

Follow me on Bluesky

Follow me on Instagram

Tunes Du Jour Celebrates World Kindness Day

Today is World Kindness Day. While every day would be a great day to practice basic human decency, some people are nasty assbags with no regard for others. If you’re one of those walking masterpieces of jackholery, here’s a wild idea: try being kind for ONE WHOLE DAY and see what it does. For example, let’s say you’re the personal assistant to someone who lives in a building with other residents. When you’re walking out of the building’s front door just in front of a neighbor who is holding his 17-year-old blind dog and leading his other pupper on a leash, maybe – and I’m just spitballing here – don’t let the door slam in their face, you self-absorbed piece of human garbage. And if said neighbor thoughtfully moves your precious Tesla charging cable to prevent damage (gasp – the audacity of helping!), perhaps, don’t show up at his door and berate him for protecting your property. Wild concept: Show some gratitude for his thoughtfulness. Consider saying “thank you,” you self-important, unreasonable, entitled, high-handed weenie.

FFS people, be kind! Rewind!

(Any resemblance to persons unfortunately living is purely intentional.)

Follow Tunes Du Jour on Facebook

Follow Tunes Du Jour on Twitter

Follow me on Instagram

Your (Almost) Daily Playlist: 4-19-24

Elenore
Gee, I think you’re swell
And you really do me well 
You’re my pride and joy, et cetera…

After the huge success of their “Happy Together,” The Turtles’ record label asked them for another love song in a similar vein. Jokingly, they turned in “Elenore.” It became their eighth US top 40 hit, reaching number 6 on the Billboard Hot 100.

The Turtles’ Mark Volman was born on this date in 1947. A few songs from his band are included on today’s playlist.

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on Twitter

Follow me on Instagram

Your (Almost) Daily Playlist: 10-21-23

“This is a song I wrote for my first album. It was the only song I ever wrote that was a Top 10 hit. It wasn’t for me, it was for a group called Manfred Mann’s Earth Band. They were a great band, but they changed the lyrics. And it pissed me off. Because I have a big ego. And I wanted to hear my words coming out of the radio. But they had a hit, so I was happy about that. But what they did was, they took out one of my lines and they put in one of their own. And their line became one of the most misunderstood lines of all time. In my version, the line went: ‘Cut loose like a deuce, another runner in the night.’ A deuce is a 1932 Ford Coupe, a very hot car back in the day. But they changed it to: ‘Blinded by the light, revved up like a deuce, you know the runner in the night.’ Now that makes no sense. But that’s OK, because it rhymed. But then people started to mishear that line. And they misheard it as: ‘Blinded by the light, wrapped up like a douche, another rumor in the night.’ A douche is not a car. It’s a feminine hygiene product. And it doesn’t even rhyme! So I don’t know how they got that. But that’s what people heard. And that’s what they’ve been singing for 40 years.” – Bruce Springsteen

Manfred Mann was born Manfred Lubowitz on this date in 1940. A few of his hits are on today’s playlist.

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on Twitter

Follow me on Instagram

Your (Almost) Daily Playlist: 9-24-23

I say let the sun catch you crying. You have control over your own life. As long as you’re not impinging on someone else’s rights or happiness, do it. Cry.

The late Gerard Marsden of Gerry and The Pacemakers was born on this date in 1942. A couple of his group’s tunes are on this week’s playlist.

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on Twitter

Follow me on Instagram

Your (Almost) Daily Playlist: 8-6-23

Judy Craig, the lead singer of The Chiffons, was a senior in high school when “He’s So Fine” hit number one. Written by the group’s manager, Ronnie Mack, the song was recorded with the band The Tokens providing the instrumentation. The Tokens brought the recording to their record label, Capitol, to see if they’d be interested in releasing it, but the label president thought it “too trite.” Laurie Records signed the group and made “He’s So Fine” one of the biggest hits of 1963. The group hit the top ten twice more, with “One Fine Day” and “Sweet Talkin’ Guy.” Judy Craig, who turns 79 today, still tours with The Chiffons, now comprised of her, her daughter and her niece.

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on X

Follow me on Instagram