Ringo + Dead or Alive

It’s Pete Burns’s Birthday And I Need To Dance!

Ringo + Dead or Alive

Early in the career of the group Dead or Alive, UK music magazine Melody Maker described their lead singer Pete Burns as “a cross between Bette Midler and Jim Morrison.” Sure.

At the time Burns was sharing a home and a bed with his wife Lynne and his lover Steve. His marriage with Lynne dissolved in 2006, the year he announced his engagement to a man named Michael.

Today Burns celebrates his 57th birthday. Tunes du Jour kicks off its weekly dance party with Dead or Alive’s “Brand New Lover,” with lead vocals by the man Melody Maker called a “transvestite sex symbol.” Sure.


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Ringo + T4F

It’s Curt Smith’s Birthday And I Need To Dance!

Tears for Fears, the duo consisting of Roland Orzabel and Curt Smith, released their debut album, The Hurting, in 1983. In their native England the album spawned three top five singles, “Mad World,” “Change” and “Pale Shelter.” In the US, their most successful single, “Change,” peaked at #73 on the Billboard Hot 100.

When it came time to do their second album, they wanted to break the US market. Needing one more song to round out the record, the duo’s producer, Chris Hughes, suggested Orzabel flesh out a song sketch he brought into the studio. Orzabel did so, and while he didn’t think much of the finished piece, Smith and Hughes thought this is the song that would change their fortunes stateside.

This song, “Everybody Wants to Rule the World,” was the first single released in the US from Songs from the Big Chair. It went to #1. The song that was the album’s first single in much of the world, “Shout,” was the second US single from the album, and the duo’s second #1.

Ringo + T4F
Today, Curt Smith of Tears for Fears turns 55 years old. Tunes du Jour’s weekly dance party kicks off with a song on which Smith sings lead, Tears for Fears’ #1 breakthrough hit “Everybody Wants to Rule the World.”


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Winston + Hall-Oates

It’s National Teachers Day And I Need To Dance!

On the off-chance I don’t win an Oscar for Best Original Screenplay, which, seeing as I have yet to write a single scene, is a remote possibility, I’d like to present the text of my acceptance speech here and now.

“Thank you! Thank you so much! Thank you! (wink at Meryl) Wow! I wasn’t expecting to win. This is such a surprise. Let me read you the speech I wrote for this occasion.

I’d like to thank the Academy, specifically the members who voted for me. I’d like to thank everyone who bought a ticket to see my movie. I’d like to thank the cast and crew. It takes a village! Am I right? Of course I’m right! I’m a right-er! (smile, acknowledge the laughter in the audience)

Mostly, I’d like to thank all those who taught me about writing and provided encouragement. I’d like to thank all of my English teachers, my writing teachers, my stand-up comedy teachers and my improvisation teachers. I’d like to thank my fellow classmates, workshops and meetup members and the friends and family members who provided feedback and support. In particular, I’d like to…oh, they’re playing the music, indicating it’s time for me to leave. Until next year, remember I love you all, except those who voted for my competitors.”
Winston + Hall-Oates
Today is National Teachers Day. Our weekly dance party kicks off with Daryl Hall and John Oates’ “Adult Education.”


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It’s Michael Hutchence’s Birthday And I Need To Dance!

There’s a dead bird on my balcony. I don’t know the bird. I don’t know how he or she died. I raised the shades on Tuesday morning and saw the bird underneath one of the two lounge chairs I bought at Ikea ten years ago.

I don’t know what to do with the dead bird. I’d like to alert his or her family, who for all I know are keeping a vigil, hoping to see their loved one come home to roost, or whatever non-chicken birds do when they return home. More so, I’d like the dead bird off my balcony, as it makes me sad to see him or her whenever I have the shades up. Dead bird aside, I like to have the shades up.

It would be great if a huge breeze came along and blew the dead bird off of my balcony and into a neighbor’s backyard, where he or she would no longer be my problem, but that seems unlikely. We were promised that El Niño would hit Los Angeles in mid-January and wreak havoc through mid-May, also bringing about some much-needed rain to our drought-ridden state, but our hopes for miserable weather have been dashed. Yesterday was sunny and in the mid-seventies with nary a breeze in sight (in feel?), and today is a mere five degrees cooler.

If I were still living on the east coast, I’d be preparing for a huge blizzard right now, one in which dead birds are blown far away, or at the very least covered in snow, where they can’t be seen when one raises their shades. Count your blessings, east coasters. Each and every morning I’m forced to face a dead bird, and by extension my own mortality, while you get to lock yourselves up inside your tiny apartments, never to again set foot outdoors. Lucky.

You may be wondering what all of this has to do with the late Michael Hutchence, who was born on this date in 1960. I’ll tell you. Michael Hutchence was the original lead singer of INXS, and New York is expecting INXS of ten inches of snow over the next twenty-four or so hours.

If you’re in New York, or elsewhere on the east coast where blizzards are expected, stay inside and dance. If you’re on the west coast, where dead birds mysteriously show up on your balcony beneath one of the two lounge chairs you bought at Ikea ten years ago, stay inside and dance. Everyone else should stay inside and dance. Here is your Michael Hutchence-inspired Friday dance playlist.


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Ringo + Lizards

It’s Black Friday And I Need To Dance!

What do people want more than anything else? Love, perhaps. When songwriter/Motown founder Berry Gordy, Jr. asked “What do people want most?,” his writing partner Janie Bradford answered “Money. That’s what I want.”

A song was born, a classic that became the first hit for Gordy’s Motown Records, with singer Barrett Strong taking “Money (That’s What I Want)” to #23 in 1960.

Ringo + Lizards
Twenty years after Strong hit with it, UK band The Flying Lizards took a cover of “Money” to #50 on the US pop chart. Their version also made the dance chart. It kicks off Tunes du Jour’s weekly dance party.


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beta

It’s Sting’s Birthday And I Need To Dance!

“Turn on my VCR, same one I’ve had for years”

beta
I still have my beta player. It’s not a Betamax, which is a Sony brand, but rather a Sanyo. I haven’t used it since I moved to LA in 2003, because it isn’t working. I don’t want to get rid of it, though, as I have a lot of great stuff on beta tapes. Stuff that is irreplaceable.

beta tapesThere are plenty more where these came from!

Some of the recordings I have on beta tapes can be found on YouTube – The Making of “Do They Know It’s Christmas,” for example. Others, such as Purple Rain and The Flamingo Kid, are available on a host of formats that have hit the market since beta. I’m sure I could find Madonna’s pre-fame feature A Certain Sacrifice on-line if I bothered to look for it.

I used to always keep a recordable beta tape in the machine. You never know if while channel surfing you’ll come across Chaka Khan being interviewed on a Spanish talk show on UHF. (UHF pre-dates cable TV. It pre-dates beta tapes. Look it up.) I have several dozen tapes filled with television performances from artists I was obsessed with during my beta machine’s lifetime. Not that it’s dead. I refuse to believe it is. Perhaps I’m still in the denial stage of Dr. Kübler-Ross seven stages of grieving, but I believe the beta machine can easily be fixed. It probably needs a new band. Getting the machine fixed is on my To Do list. I can’t wait to dig in to those old tapes. I look forward to watching the one I labelled “Highlights from The Late Show With Joan Rivers.” It contains her interview with the late great disco queen Sylvester in which he accidentally outed his boyfriend. It also contains several appearances by The Bangles, as I was obsessed with both the Bangles and Joan Rivers. Sometimes I miss the 80s, but then I remember Duran Duran.

Might any of my LA readers be able to recommend a beta machine repair person?

The lyric that opens this post is from The Police’s song “When the World Is Running Down, You Make the Best of What’s Still Around.” I have some of the band’s TV appearances on those beta tapes.

Today is the 64th birthday of that band’s usual lead singer, Sting. Our weekly dance party kicks off with the song with the longest title of any in the trio’s recorded repertoire.


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It’s Friday And I Need To Dance!

While performing stand-up comedy in the late 1990s/early 2000s I appeared in several contests. More often than not I scored very well. In a contest at the club StandUp NY to find New York’s funniest gay man, I came in second. First place went to Seth Rudetsky. Around that same time both of us were entrants in another stand-up contest. Again, I came in second to Seth’s first.

Our acts were similar. Both of us were (are) thin New York gay Jews who mocked silly pop song lyrics in our sets. Seth talked about Sheena Easton’s “Morning Train” while I discussed Air Supply’s “All Out of Love.” I don’t begrudge him his first place winnings – he was great.

Seth went on to write for The Rosie O’Donnell Show, which garnered him several Emmy nominations. He has written for the Grammy Awards and the Tony Awards. He hosts a radio show on SiriusXM about Broadway musicals.

This past Tuesday my friend Scott and I attended Seth’s one-person show at Largo. His opening act was Judd Apatow. In the audience were Barbra Streisand, Sean Hayes, and the guy who played Valerie Cherish’s PR person on The Comeback. Also in the audience was me, the runner-up. Was I jealous? Was I bitter? You bet I was!

On the positive tip, I was inspired as well. It was a very fun show and gave me some ideas as to how to structure the one-person show I’ve been saying I will write for the past fourteen years. Destiny is calling me – open up my eager eyes, ‘cause I’m Mr. Brightside.

Our weekly dance party kicks off with The Killers.


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It’s Richard Butler’s Birthday And I Need To Dance!

About the Psychedelic Furs song “Love My Way,” Richard Butler, the band’s lead singer, said “It’s basically addressed to people who are fucked up about their sexuality, and says ‘Don’t worry about it.’ It was originally written for gay people.”

I could be upset that he says I’m fucked up about my sexuality, but I choose to focus on the positive. He wrote a song about me. Thanks, Richard, and happy birthday!

Friday is dance day at Tunes du Jour, so let’s get this party started!


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Brandeis ID

It’s Friday And I Need To Dance! – College Reunion Edition

Brandeis ID
On the Facebook page for my thirty-year college reunion, which is coming up this June, someone brought up the music that reminds them of our college days. Many posts followed, naming songs that remind us of shared experiences at Brandeis University in the first half of the 1980s.

That post inspired today’s playlist. Friday is dance day at Tunes du Jour, and today I present 50 songs we danced to in the Usdan Ballroom at Brandeis University between the fall of 1981 and the spring of 1985. It was a great time for popular music. These songs have stood the test of time.

Have a great weekend!

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It’s Friday And I Need To Dance!

“I go through stages of intense dislike for ‘Blue Monday,’ which I’m sure every group does when they get one song they’re synonymous with, but the way it keeps getting reinvented is wonderful. It seems to be one of those tracks that’s timeless, which is amazing. We were using technology which could have dated like other ’80s stuff, but somehow we managed to swerve it. Was that deliberate? No, everything we do is by accident. The fact that for two years no one spotted that the sleeves cost more to make than the records confirms this. I honestly thought ‘Thieves Like Us,’ the single after ‘Blue Monday,’ was far superior. ‘Blue Monday’’s not a song, it’s a feeling, but once people hear that drum riff they’re off. People used to go mad when we didn’t play it. We had a fight onstage with a DJ in Nottingham once because we wouldn’t play it – which was a very New Order thing to do. As you get older and mellower you appreciate what got you where you are. We play it now because people love it.” – Peter Hook of New Order, 2003, in Q magazine, which named “Blue Monday” one of the best songs ever

Peter Hook turns 59 today. Tunes du Jour kicks off our weekly dance party with “Blue Monday.”

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