Tunes Du Jour Celebrates Famous Dates In Pop Music

It was the third of September / That day I’ll always remember

It was the third of June, another sleepy, dusty Delta day

Early morning, April 4 / Shot rings out in the Memphis sky

Do you remember the twenty-first night of September?

The theme of today’s playlist is dates referenced in song lyrics.

A date can do a lot of heavy lifting in a song. It can anchor a memory, mark a turning point, or drop us directly into a moment in history. Sometimes it’s deeply personal—Jay-Z naming his birthday in “December 4th”—and sometimes it’s collective, as in U2’s “Pride (In the Name of Love),” with its reference to April 4, 1968, the day Martin Luther King Jr. was assassinated.

Songwriters also use dates to heighten mystery. Bobbie Gentry’s “Ode to Billie Joe” begins on June 3, but instead of telling us what happened at the Tallahatchie Bridge, the lyric circles around it, making the day itself loom larger than the unexplained event. Similarly, the Temptations’ “Papa Was a Rolling Stone” ties the father’s death to September 3, a detail that sticks in the mind as much as the funk groove itself.

Not every date is somber. Earth, Wind & Fire turned September 21 into an annual celebration, and Chicago’s “Saturday in the Park” keeps the Fourth of July grounded in a snapshot of music, sunshine, and family fun. Bruce Springsteen’s “4th of July, Asbury Park (Sandy)” is more bittersweet, capturing the mix of romance and restlessness that defined his early work.

Dates can also mark social upheaval. Sublime’s “April 29, 1992 (Miami)” references the Los Angeles riots, while the Neville Brothers’ “Sister Rosa” pays tribute to Rosa Parks’ refusal to give up her bus seat on December 1, 1955. Songs like these remind us that a single day can ripple outward into history.

Taken together, this playlist shows the many ways a songwriter can spin meaning out of the calendar. A date can be the start of a story, a marker of joy or tragedy, or just a sly joke. What matters is how it sticks in your memory, long after the last chord fades.

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Your (Almost) Daily Playlist: 10-31-22

Today’s playlist celebrates Halloween; the October 31 birthdays of U2’s Larry Mullen Jr., The Smiths’ Johnny Marr, Beastie Boys’ Ad-Rock, Chic’s Bernard Edwards, Guided By Voices’ Robert Pollard, The Del-Vikings’ Norman Wright, Bow Wow Wow’s Annabella Lwin, Argent’s Russ Ballard, Tom Paxton, Vanilla Ice, and Guy Marks; and the November 1 birthdays of Red Hot Chili Peppers’ Anthony Kiedis, Stereolab’s Mary Hansen, The Feelies’ Glenn Mercer, Kool & the Gang’s Ronald Bell, The Five Satins’ Bill Baker, America’s Dan Peek, The Clovers’ Billy Mitchell, Geto Boys’ Willie D, Lyle Lovett, Sophie B. Hawkins, Beat Happening’s Calvin Johnson, Big & Rich’s Big Kenny, Tina Arena, Lamb’s Lou Rhodes, Bill Anderson, and Ssgt. Barry Sadler.

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Your (Almost) Daily Playlist (5-3-20)

2020 seemed like just another year, until this week. Something mind-boggling happened. No, the president of the U.S. didn’t display empathy. Get this: The Village People are presently in the Top 40 on the Adult Contemporary chart with a ballad taken from their 2019 Christmas album. The key terms in that sentence: Village People, presently, Top 40, Adult Contemporary, ballad, Christmas. It’s 2020! The song is called “If You Believe” and it jumped from #53 to #25 this week with a 310% increase in radio airplay over last week. “If You Believe?” More like “Hard to Believe!” Am I right, people?

Today’s playlist is inspired by the May 3 birthdays of James Brown, Frankie Valli, Father John Misty, Soft Cell’s David Ball, Pete Seeger, Christopher Cross, Mary Hopkin and Napoleon XIV.