“Daydreams light the corners of my mind.” That was the original opening line of this smash. Barbra Streisand suggested changing “daydreams” to “memories.” I applaud that change.
Barbra Streisand was born on this date in 1942. A few tracks from her are included on today’s playlist.
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If you’re looking for a smooth soundtrack to unwind with, Luther Vandross has you covered. His smooth vocals and captivating stage presence made him a beloved and influential figure in R&B and soul music.
Early in his career, Vandross honed his skills not just as a singer, but as a songwriter and producer. He penned the uplifting “Everybody Rejoice/A Brand New Day” for the Broadway musical The Wiz, showcasing his talent for crafting memorable melodies. This period also saw him become a sought-after background vocalist, lending his voice to the recordings of icons like David Bowie, Stevie Wonder, Donna Summer, Todd Rundgren, Diana Ross, Ben E. King, Sister Sledge, Roberta Flack, Chaka Khan, Judy Collins, the J. Geils Band, Irene Cara, and Bette Midler. Not only did Vandross sing on Bowie’s “Fascination,” but they wrote the song together. This experience further solidified Vandross’ own artistic vision, which he would soon unleash on the world.
Before embarking on his solo journey, Vandross dipped his toes into the world of lead vocals. He fronted the disco group Change, belting out their hit “The Glow of Love.” He also sang lead for Bionic Boogie on their track “Hot Butterfly,” and even fronted a short-lived band simply called Luther.
Quincy Jones’ “Takin’ It To the Streets,” featuring Vandross as a lead vocalist alongside Gwen Guthrie, demonstrated his ability to shine even before his solo breakout. Later in his career, Vandross would seamlessly slip back into the role of collaborator, creating magic on duets with artists like Janet Jackson (“The Best Things in Life Are Free”) and Dionne Warwick (“How Many Times Can We Say Goodbye”).
The 1980s marked Vandross’ rise to stardom as a solo artist. Tracks like “Never Too Much” and “Here and Now” became instant classics, showcasing his ability to blend vulnerability with pure soulful power.
Throughout his career, Vandross racked up accolades. He’s a Grammy Award winner with eight statues to his name, and countless other awards solidify his place as a musical giant. But beyond the trophies, his true impact lies in the way his music continues to connect with listeners. Whether it’s a slow dance ballad or a roof-raising anthem, Vandross’ music offers a timeless blend of emotion and artistry. So next time you hear that velvety voice, take a moment to appreciate the work of a true musical great, who not only delivered unforgettable solo performances but also left his mark through songwriting, production, and collaborations across genres. Today’s playlist isn’t just a collection of Luther Vandross’ greatest hits – it’s a mix of some of those tracks alongside other gems that reveal the breadth of Vandross’ musical contributions. Prepare to be surprised at where he turns up. For example, those unforgettable “ba ba”s that open Stevie Wonder’s “Part-Time Lover?” That’s Luther!
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Is technology ruining music? I’ll answer that with another question: If we had GPS in the 1960s, would we have gotten “Do You Know The Way To San José?” If you request Alexa to play “Do You Know The Way To San José” by merely stating its title, would Alexa play it or ramble on about making a left here and bearing right there, which would make for a real crap song? When presented with “Do You Know The Way To San José” by its writers, Burt Bacharach and Hal David, Dionne Warwick was not taken by it. “What is this whoa whoa whoa whoa whoa whoa whoa whoa whoa crap?” she asked. I’m paraphrasing. She eventually came around, for decades later she said that winning the Grammy Award for Best Female Pop Vocal Performance for her recording of that song was the highlight of her career.
Dionne Warwick was born on this date in 1940. Lots of songs performed by her are included on today’s playlist.
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In 1993, humor columnist Dave Barry surveyed his readers to find the worst song. The clear winner for Worst Overall Song and Worst Lyrics was “Mac Arthur Park.” Culture critic Joe Queenan disagreed with the results “because ‘Ebony and Ivory’ exists, as do ‘You Don’t Bring Me Flowers,’ ‘Baby, I’m-a Want You,’ ‘Feelings,’ ‘Benny and the Jets,’ ‘Witchy Woman’ and ‘Sussudio,’” adding “On a planet where somebody thought it would be a good idea to write ‘Scenes from an Italian Restaurant,’ the best ‘MacArthur Park’ is ever going to earn in the sucky-song sweepstakes is a tie.”
The late Richard Harris was born on this date in 1930. Celebrate his birthday with a piece of soggy cake and by listening to today’s playlist, which includes the song many hate.
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In his excellent autobiography Le Freak, Chic’s Nile Rodgers writes how his group’s record label wanted to capture the magic Rodgers and his music partner Bernard Edwards brought to their group to other acts on the Atlantic Records roster, such as The Rolling Stones and Bette Midler. Nile turned down the acts that were firmly established, as with them less attention would be paid to the song’s writers and producers. He wanted to work with a lesser known act. Atlantic Records president Jerry Greenberg suggested a group of sisters who “stick together like birds of a feather,” and so it came to be that Rodgers and Edwards wrote and produced the We Are Family album for Sister Sledge. I think you know what happened next.
Today’s playlist celebrates the birthday of Sister Sledge lead vocalist Kathy Sledge by including several tracks from that classic album.