Tunes Du Jour Presents Holland-Dozier-Holland

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Brian Holland, Lamont Dozier, and Eddie Holland, collectively known as Holland-Dozier-Holland (H-D-H), are synonymous with the sound of Motown. Their string of hits in the 1960s and beyond fueled the success of the record label, shaping popular music and paving the way for R&B to dominate the airwaves. Each song on this playlist, from The Four Tops’ powerful “Reach Out (I’ll Be There)” to The Supremes’ iconic “Where Did Our Love Go,” credits one or more members of H-D-H. With a blend of melody, rhythm, and hooks that remain timeless, the team’s work redefined what hit songwriting could accomplish.

This songwriting trio didn’t merely write songs—they crafted narratives of love, heartbreak, and resilience that resonated with audiences across generations. Tracks like “This Old Heart of Mine (Is Weak for You)” by The Isley Brothers and Marvin Gaye’s “Can I Get a Witness” reveal the emotional depth in their compositions, supported by rhythms and production styles that have endured decades of cover versions. Their songs often feel instantly recognizable, whether it’s the infectious chorus of Chairmen of the Board’s “Give Me Just a Little More Time” or the stomping beat of Junior Walker & the All-Stars’ “(I’m A) Road Runner.”

The irony, however, is that Eddie Holland, despite being a key member of the team, had only one top 40 pop single as a solo artist, “Jamie”—and it wasn’t written by any member of Holland-Dozier-Holland. Instead, it was penned by Barrett Strong and William “Mickey” Stevenson, fellow Motown talents who contributed in their own right to the label’s powerhouse status. Though Eddie found his calling behind the scenes rather than as a performer, his experience as an artist gave him unique insight into the singer’s perspective, a quality that helped make H-D-H’s songs vocally compelling and relatable.

Beyond Motown, the trio’s influence stretched into rock, pop, and soul genres, as evident from covers and reinterpretations by artists like The Rolling Stones, Rod Stewart, and Bananarama. These renditions, like Linda Ronstadt’s cover of “Heat Wave” or James Taylor’s soulful take on “How Sweet It Is (To Be Loved by You),” show how their music transcended genre boundaries. Each version emphasizes the versatility of H-D-H’s songwriting, capable of adapting to various musical expressions while retaining its core appeal.

Ultimately, the legacy of Holland-Dozier-Holland isn’t just in their impressive catalog but in their contributions to the very essence of popular music. They captured the spirit of a generation through music that continues to find new audiences, sounding as fresh today as it did over half a century ago. Their work endures, a testament to their genius, and is rightly celebrated by the many artists who’ve covered and revived their timeless songs.

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Tunes Du Jour Presents Smokey Robinson

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Smokey Robinson is one of the most influential and beloved figures in the history of American music. He is not only a legendary singer, songwriter, and producer, but also a humanitarian who has used his fame and fortune to support various causes.

William “Smokey” Robinson was born in Detroit, Michigan, in 1940. He grew up in a musical environment, listening to the likes of Nolan Strong, Hank Ballard, and Jackie Wilson. He formed his first vocal group, the Five Chimes, while in high school, and later changed their name to the Miracles. He met Berry Gordy Jr., the founder of Motown Records, in 1957, and became one of his first artists and collaborators. He also suggested the name Motown, in honor of the Motor City.

The Miracles gave Motown its first number one hit with “Shop Around” in 1960, and went on to score many more classics, such as “You’ve Really Got a Hold on Me,” “The Tracks of My Tears,” “I Second That Emotion,” and “The Tears of a Clown.” Smokey Robinson was the lead singer and the main songwriter of the group, as well as a prolific producer for other Motown acts, such as Mary Wells, the Temptations, the Supremes, and the Marvelettes. He wrote and produced some of the most iconic songs of the Motown era, such as “My Guy,” “My Girl,” “The Way You Do the Things You Do,” and “The Hunter Gets Captured by the Game.”

Smokey Robinson left the Miracles in 1972 to pursue a solo career, and continued to create hits, such as “Quiet Storm,” “Cruisin’”, “Being with You,” and “One Heartbeat.” He also became the vice president of Motown, and helped to nurture the careers of new artists, such as Lionel Richie, Rick James, and Teena Marie. He was inducted into the Rock and Roll Hall of Fame twice, as a solo artist and as a member of the Miracles. He also received a Grammy Lifetime Achievement Award, a Kennedy Center Honor, and a Library of Congress Gershwin Prize for his contributions to popular music.

Smokey Robinson has written and sung some of the most romantic songs ever. He has also shown his love for humanity by supporting various charities and causes, such as the Barbara Davis Center for Childhood Diabetes, the Boys & Girls Clubs of America, the Elton John AIDS Foundation, the Gabrielle’s Angel Foundation, the Miami Children’s Hospital Foundation, UNICEF, and the United Negro College Fund. He has also invested in his hometown of Detroit by donating to the Motown Museum and supporting arts and music programs for young people.

Smokey Robinson is a living legend who has enriched our lives with his music and his love. He is a role model for aspiring artists and a source of inspiration for generations of fans. He is a treasure of American culture and a gift to the world. Let us celebrate his legacy by listening to thirty of his best songs as a vocalist, which are featured in the playlist below. Enjoy!

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Your (Almost) Daily Playlist: 2-2-24

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The Honey Cone was the first act signed to Hot Wax Records, a label started in 1968 by Eddie and Brian Holland and Lamont Dozier, who previously were staff writers and producers at Motown Records and in that role wrote twelve number one singles between 1962 and 1967, two performed by The Four Tops and the other ten by The Supremes, with lead vocals by Diana Ross, who would soon leave the trio and be replaced by Jean Terrell in 1970, with Terrell being replaced in 1973 by Scherrie Payne, who before then was the singer in a group called Glass House, also signed to Hot Wax Records, who recorded “Want Ads” prior to The Honey Cone, but neither Scherrie nor the track’s producer, Greg Perry, liked their version, leading Scherrie to re-record the song with her sister Freda, who had a number 3 record in 1970 with “Band of Gold,” a song co-penned by Holland-Dozier-Holland under assumed names, but the sisters’ version of “Want Ads” was also discarded, which then led Scherrie to suggest to Perry that he try the song again with Edna Wright singing, Wright being the lead singer for The Honey Cone and the sister of Darlene Wright, the singer for the group The Blossoms, and while you may not recognize the names Darlene Wright or The Blossoms, you may know their music, for producer Phil Spector renamed Darlene Wright Darlene Love (without her knowledge) and released records by The Blossoms under the name The Crystals, who hit number 1 with “He’s a Rebel,” and should not be but will be confused with another group called The Crystals, also produced by Phil Spector at the same time he was working with Wright/Love and The Blossoms, but let’s get back to Edna Wright, who recorded “Want Ads” with backing vocals by the other two members of The Honey Cone, Shellie Clark, who a couple of years earlier was singing backup for Ike and Tina Turner, and Carolyn Willis, who toured as a member of Bob B. Soxx & the Blue Jeans, a group whose records were produced by Phil Spector and featured vocals from Darlene Wright/Love. In June of 1971 The Honey Cone took “Want Ads” to number 1. (This paragraph is pulled from my long-awaited (by me, anyway) book, which I’m trying to get out this year.) 

The late Edna Wright of The Honey Cone was born on this date in 1945. A couple of the group’s best-known songs, including “Want Ads,” are on today’s playlist.

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Your (Almost) Daily Playlist: 12-19-23

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One of the very things I ordered from the Columbia House Record and tape Club when I signed up back in 1975 was the Earth, Wind & Fire album That’s The Way Of The World, which includes their breakthrough hit “Shining Star.” Loved it then, love it now. 

The late Maurice White of Earth, Wind & Fire was born on this date in 1941. Lots of EWF on today’s playlist.

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Your (Almost) Daily Playlist: 12-17-23

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Norman Whitfield and Barrett Strong collaborated to write several hits for The Temptations, among them “Papa Was A Rollin’ Stone,” “I Can’t Get Next To You,” “Psychedelic Shack,” “Ball Of Confusion,” and “Just My Imagination (Running Away With Me).” The latter was inspired by Strong’s crush on a woman who didn’t know he existed. It became The Temptations’ third number one single on the Hot 100. 

Lead vocalist on “Just My Imagination,” the late Eddie Kendricks of the Temptations was born on this date in 1939.

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