Tag Archives: George Michael

A Hint Of Mint – Volume 85: LGBTQ Music From 1990 To 1991

This playlist consists of twenty songs, most performed by artists who fall somewhere under the LGBTQ umbrella. There are queer artists covering songs written by a gay man in decade before the rock and roll era, straight singers with queer guest artists and one woman who took an underground dance from gay balls and made it into a worldwide phenomenon. Artists include George Michael, k.d. lang, The B-52’s, plus all the ones you’d expect.


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A Hint Of Mint – Volume 83: LGBTQ Music From 1988 To 1989

This playlist consists of twenty songs, most performed by artists who fall somewhere under the LGBTQ umbrella, a couple with queer lyrical content. Artists include R.E.M., k.d. lang and George Michael.


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A Hint Of Mint – Volume 81: LGBTQ Music From 1987 (continued)

Continuing with 1987, this playlist consists of twenty more songs from that year, most performed by artists who fall somewhere under the LGBTQ umbrella, a couple with queer lyrical content. Appearing for the first time in this playlist series is the late Godfather of House Music, Frankie Knuckles, with two classic tracks of the genre.


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A Hint Of Mint – Volume 80: LGBTQ Music From 1986 To 1987

This playlist consists of twenty songs, most performed by artists who fall somewhere under the LGBTQ umbrella, plus the Cyndi Lauper classic adopted as a LGBTQ anthem with her full support.


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In Memoriam: 2016

Per the email I received from Spotify in mid-December, my most-streamed track of 2016 was Blue Oyster Cult’s “(Don’t Fear) The Reaper.” While that is a great song, I don’t recall playing it more than once or twice this year. However, I did spend hours listening to music by those taken from us by the Grim Reaper. I’m not the only person to feel incredible sadness at the seemingly non-stop loss of great talents, which started on New Year’s Day when we heard the report that Natalie Cole died the day before.

With this playlist I want to celebrate the contributions these folks made to our lives and our culture. If I missed someone, forgive me. There were a lot of folks to remember.

Before we get to the Spotify playlist, videos from two whose music is not on Spotify.

Thank you for enriching my life:
David Bowie
George Michael
Glenn Frey (of Eagles)
Gene Wilder
Leonard Cohen
Muhammad Ali (nee Cassius Clay)
Maurice White (of Earth, Wind and Fire)
Florence Henderson
Merle Haggard
Carrie Fisher (actress best known for Star Wars)
Debbie Reynolds
Paul Kantner (of Jefferson Airplane)
Signe Toly Anderson (of Jefferson Airplane)
Sir George Martin (record producer best known for his work with The Beatles)
Attrell “Prince Be” Cordes (of P.M. Dawn)
Garry Marshall (television/film director/producer/writer, creator of Happy Days)
Pete Burns (of Dead or Alive)
Billy Paul
Natalie Cole
Garry Shandling
Sharon Jones
Alan Vega (of Suicide)
Don Ciccone (of The Four Seasons)
Alan Rickman
Keith Emerson (of Emerson, Lake and Palmer)
Greg Lake (of Emerson, Lake and Palmer)
Steven Young (of M/A/R/R/S)
Joan Marie Johnson (of The Dixie Cups)
Malik “Phife Dawg” Taylor (of A Tribe Called Quest)
Prince Buster
Bernie Worrell (of Parliament)
Bobby Vee
Gary Paxton (of The Hollywood Argyles)
Rick Parfitt (of Status Quo)
Mack Rice (songwriter whose credits include “Respect Yourself”)
Milt Okun (record producer best known for his work with John Denver)
Marni Nixon (singer/actress best known for dubbing the singing voices of Natalie Wood in West Side Story and Audrey Hepburn in My Fair Lady)
Rod Temperton (of Heatwave)
Leon Russell
John Chelew (record producer best known for his work with John Hiatt)
Lonnie Mack
Gogi Grant
Jim Lowe
Sonny James
Nicholas Caldwell (of The Whispers)
Kitty Kallen
Mose Allison
Black
Otis Clay
Bobby Hutcherson
Joe Dowell
Trisco Pearson (of Force MDs)
Gayle McCormick (of Smith)
Gary Loizzo (of American Breed)
Leon Haywood
Paul Upton (of The Spiral Starecase)
Carlo Mastrangelo (of The Belmonts)
Fred Tomlinson (co-writer of “Lumberjack Song”)
Steve Young
Alexis Arquette
Dan Hicks
John D. Loudermilk
Zsa Zsa Gabor
Christina Grimmie
Alan Thicke

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Throwback Thursday – 1987 (Part II)

One of 1987’s most popular and critically-acclaimed hits began its life as a demo recording named after the duo who sang “It’s Raining Men.”

It’s by the band U2, who referred to the track as “The Weather Girls” or “Under the Weather.” Their guitarist, The Edge, told Rolling Stone magazine that the song sounded like a reggae band’s version of Survivor’s “Eye of the Tiger.” Over time they developed the song. Instruments were added to the initial drum pattern. When it came time to come up with lyrics, The Edge gave singer Bono a piece of paper on which he had written a phrase that came to him earlier that day – “I Still Haven’t Found What I’m Looking For.”

That became the song’s title, with lyrics inspired by the gospel music Bono was listening to at the time. “I Still Haven’t Found What I’m Looking For” was U2’s second consecutive #1 single, following “With or Without You,” which was included on part 1 of Tunes du Jour’s Throwback Thursday – 1987 playlist.

Here are twenty of 1987’s best, kicking off not with The Weather Girls, but with U2.


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It’s LGBT Pride Month And I Need To Dance!

Because there are millions of people who tell us we shouldn’t be who we are because it doesn’t conform to who they think we should be;

Because this “government of the people, by the people and for the people” often isn’t for all the people;

Because “All men are created equal” doesn’t include those in the LGBT populations per many politicians and their constituents;

Because our Pride parades are attended not only by LGBT peoples are their allies, but by “counter protestors” who shout hateful rhetoric through megaphones in the name of religion, as these self-proclaimed Christians have no place better to be on a Sunday morning;

Because LGBT youth represent 7% of the youth population, while LGBT homeless youth make up 40% of the homeless youth population;

Because LGB and questioning youth are four times more likely to attempt suicide than non-LGB youth;

Because queer youth need to see there are many people like them;

Because if we don’t celebrate who we are, then we tacitly say we are not worthy of celebration and things are fine as they are, neither of which is true;

Because there is strength in numbers;

Because in many parts of the world one is killed for the suspicion of being gay or lesbian;

Because in many parts of the world it is illegal and/or dangerous to show your LGBT pride;

Because nobody should live in fear of expressing their authentic self, including the asshats who attempt to intimidate us from doing so;

Because it is empowering to be able to express one’s sexuality or gender identity in a supportive environment;

Because coming together brings about positive change;

Because while marrying someone of the opposite gender has been legal throughout US history, the right to marry someone of the same gender is coming on just one year;

Because we still have a ways to get to before we reach true equality, and we’ve come too far to stop now;

Because it’s fun!;

Because diversity should be celebrated;

Because pride is respect for yourself and you deserve respect;

Because men in Speedos;

Because despite all of the bull feces, we persevere. That is why

We still need LGBT Pride Month celebrations.

Here is your expanded soundtrack:


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Throwback Thursday – 1996

Per the site WhoSampled.com, Joe Cocker’s “Woman to Woman” (1972) has been sampled 24 times. Joe Cocker! Twenty-four times! Who knew?

The best-known track to sample “Woman to Woman” is 2Pac’s “California Love,” which utilizes the instrumental riff from the beginning of the Cocker song as one of its hooks. Here is “Woman to Woman:”

“California Love” kicks off this week’s Throwback Thursday playlist, spotlighting the music of 1996.


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Throwback Thursday – 1985

Ringo + Madonna

In 1984, Madonna peaked at #18 on the Billboard Hot 100 with her first charting single, “Holiday.” By the following year, she had established herself as the Queen of the Pop Charts. She followed “Holiday” with three singles that hit the top ten in 1984: “Borderline,” “Lucky Star” and “Like a Virgin,” the latter hitting #1 and remaining there for six weeks. She opened 1985 with the #2 hit “Material Girl,” followed closely by the #1 “Crazy for You.” “Crazy” is from the film Vision Quest, in which Madonna had a small part as a nightclub singer.

Madonna had a much larger role in the film Desperately Seeking Susan. Released in April 1985, the smash film featured a new track from Madonna, “Into the Groove.” As one might expect when a new superstar has a new song, and a great song at that, the track received lots of radio airplay. “Groove” hit #1 on the Dance Club chart, and the only record on which it appeared, a 12-inch single where it was the b-side of “Angel,” went gold, selling over a million units in the US.

Though it was a big seller with a ton of airplay and club play, “Into the Groove” never hit Billboard’s Hot 100. Though that chart is supposed to accurately reflect a song’s popularity in the US, Billboard imposes rules that hang around longer than they should, throwing off historians looking into a song’s popularity. One of the arcane rules in 1985 was that a song had to be available on a commercial 7-inch vinyl single to be eligible to chart. Commercial availability solely on a 12-inch vinyl single, even one that sold over a million copies, is not enough. Widespread radio play on a variety of formats (the song hit the top twenty on the r&b chart, which for reasons that made sense to Billboard’s chart editors, allowed 12-inch singles to chart) is not enough.

Eventually, Billboard got around to revising these rules. The advent of cassingles (cassette tape singles) and CD singles expanded the formats eligible. The music industry’s decision to hold back the release of singles in any format to force consumers to shell out big bucks for a full-length album to get the one song they liked forced Billboard to make radio airplay without a commercial single good enough for a Hot 100 chart placement, but that change didn’t come into being until December of 1998, thirteen years too late for Madonna and historians.

This week’s Throwback Thursday kicks off with one of the best-known songs to have never charted on Billboard’s Hot 100, Madonna’s “Into the Groove.” It is followed by other music highlights of 1985.


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It’s National Teachers Day And I Need To Dance!

On the off-chance I don’t win an Oscar for Best Original Screenplay, which, seeing as I have yet to write a single scene, is a remote possibility, I’d like to present the text of my acceptance speech here and now.

“Thank you! Thank you so much! Thank you! (wink at Meryl) Wow! I wasn’t expecting to win. This is such a surprise. Let me read you the speech I wrote for this occasion.

I’d like to thank the Academy, specifically the members who voted for me. I’d like to thank everyone who bought a ticket to see my movie. I’d like to thank the cast and crew. It takes a village! Am I right? Of course I’m right! I’m a right-er! (smile, acknowledge the laughter in the audience)

Mostly, I’d like to thank all those who taught me about writing and provided encouragement. I’d like to thank all of my English teachers, my writing teachers, my stand-up comedy teachers and my improvisation teachers. I’d like to thank my fellow classmates, workshops and meetup members and the friends and family members who provided feedback and support. In particular, I’d like to…oh, they’re playing the music, indicating it’s time for me to leave. Until next year, remember I love you all, except those who voted for my competitors.”
Winston + Hall-Oates
Today is National Teachers Day. Our weekly dance party kicks off with Daryl Hall and John Oates’ “Adult Education.”


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