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Throwback Thursday – 1987 (Part II)

One of 1987’s most popular and critically-acclaimed hits began its life as a demo recording named after the duo who sang “It’s Raining Men.”

It’s by the band U2, who referred to the track as “The Weather Girls” or “Under the Weather.” Their guitarist, The Edge, told Rolling Stone magazine that the song sounded like a reggae band’s version of Survivor’s “Eye of the Tiger.” Over time they developed the song. Instruments were added to the initial drum pattern. When it came time to come up with lyrics, The Edge gave singer Bono a piece of paper on which he had written a phrase that came to him earlier that day – “I Still Haven’t Found What I’m Looking For.”

That became the song’s title, with lyrics inspired by the gospel music Bono was listening to at the time. “I Still Haven’t Found What I’m Looking For” was U2’s second consecutive #1 single, following “With or Without You,” which was included on part 1 of Tunes du Jour’s Throwback Thursday – 1987 playlist.

Here are twenty of 1987’s best, kicking off not with The Weather Girls, but with U2.


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Throwback Thursday – 1998

Your knees start shakin’ and your fingers pop
Like a pinch on the neck from Mr. Spock

I think I read somewhere that there is a new Star Trek movie opening this weekend, or sometime soon. I didn’t pay too much attention. I’ve never seen any Star Trek movie, nor have I seen any episode of the TV show Star Trek, or any of its offshoots.

I saw part of one episode from the original series. Joan Collins was a guest star. I watched when she was on screen; I changed the channel when she wasn’t. That small fact told my friend Laura’s brother more about me than I knew about myself at that time.

I don’t know what Star Trek is about. I know there’s a spaceship called the Enterprise, and that’s about it. I don’t know when the show takes place. I don’t know the characters’ personality types or if they all get along or if any of them hook up.

I’ve heard William Shatner recite the lyrics to “Mr. Tambourine Man” and “Space Oddity” and other songs that were classics until the moment I heard Bill do ‘em. I’ve heard Leonard Nimoy “sing” a song about Hobbits (don’t get me started on my lack of knowledge about Hobbits! I’m not even sure the word Hobbits should be capitalized.). Those recordings weren’t enough to entice me into checking out the work that made those guys famous.

I’m also familiar with the song “Star Trekkin’” by a group called The Firm, not to be confused with the Jimmy Page band The Firm, though equally awful. “Star Trekkin’” went to #1 on the UK singles chart in 1987, and by doing so removed the bragging rights of anyone else who hit #1 on the UK singles chart. “Oh, you had a #1 UK single, Nicole Scherzinger? You know what else was a #1 UK single? ‘Star Trekkin”’.”

William Shatner was on another television show somewhat recently. I don’t recall what it was. I think it was set in a courtroom or a law office. I never watched it.

I don’t know if Leonard Nimoy did anything after the Star Trek TV series.

Though I don’t know from and couldn’t care any less about Star Trek, I do recognize some Star Trek references in pop culture, like in the lyrics that opened this post, which are from Beastie Boys’ “Intergalactic,” one of 1998’s best singles and the song that kicks off Tunes du Jour’s 1998 playlist on this Throwback Thursday. I take it when Mr. Spock touches someone’s neck, their knees shake and their fingers pop, like mine do when I listen to Beastie Boys. Let’s get poppin’!


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It’s National Cell Phone Courtesy Month And I Need To Dance!

July is National Cell Phone Courtesy Month. Seriously. I didn’t make that up.

The fact that we need a National Cell Phone Courtesy Month says a lot about our country. Cell phones are ubiquitous. People are self-centered sphincters. You need to be courteous for only one month per year.

We use cell phones to text people we don’t feel like talking to. We use them to show the world what food looks like. We use them to film police officers murdering unarmed black citizens. Sometimes we use them as phones. Naomi Campbell has been known to use hers as a weapon.

Here are some cell phone courtesy tips:
Don’t use your cell phone during business meetings! Those meetings are set by executives who need their egos stroked by having people gather in a room to hear them bloviate and accomplish nothing. How can they adequately waste your time if you’re getting things done on your cell phone? That’s cheating. Put the phone away, unless you’re one of the senior execs who need the ego stroking. Then by all means check your phone while people sit in the conference room waiting for the meeting to be over. They already think you’re rude, so why not take that as far as you can? Sphincter!

Reply to your text messages promptly! Don’t keep someone in suspense who needs to know what you think of their alleged witticism. Send an emoji. They’ll probably then respond with a different emoji, meaning you’ll have to answer that as well. Next thing you know, the whole day is shot, you got nothing done, but the insecure person who initiated the text conversation feels a little bit better about themselves, so it’s all worth it. If you’re at a meeting when a text message comes in, don’t respond right away! Wait until the egomaniacal sphincter who called the meeting isn’t looking at you, which will be most of the meeting as his only concern is the sound of his own voice. Hold your phone under the table and reply. That works every time.

Don’t use your phone while on a date! That is so rude! Someone is taking the time to get to know you and try to enjoy a meal with you. Not paying attention to them demonstrates your complete lack of manners. There are exceptions to this rule. If the person bores you to tears, text your best friend and tell him to call you with a made-up emergency. If your best friend doesn’t reply promptly (rude!) and your date is droning on and on about how “all lives matter” or how great the band Chicago is, break the monotony of his or her blather by photographing your food and showing the pic to your date. He or she will be astonished at how much the food in the photo looks like the food on the table in front of him or her, and for a moment, will cease his or her otherwise endless babble. If that doesn’t work, just run out of the restaurant. What do you care? You have no intention of seeing him/her again anyway. Don’t forget to block them on your phone so they can’t text or call you again.

Set your phone to silent or vibrate while in a movie theater, a Broadway show, or a house of worship on your wedding day. Do the same thing if you die. It’s so awkward to be at a funeral and hear “Thong Song” emanate from the deceased. Mourners won’t know if it’s okay to laugh, and that song will be stuck in everyone’s head for the rest of the day, just like it will be stuck in yours for the next few hours. That thong-th-thong-thong-thong.

Don’t be staring at your cellular device while walking on a crowded sidewalk or while in a shopping mall with a large fountain. I take that back. Stare at it in the mall. I can never get enough of that video of that woman who fell into the mall fountain while staring at her device. Remember her? Then she sued the mall! LOL! If you see someone at the mall who is so busy staring at their device that they’re about to fall into the fountain, PLEASE, take out your phone and film it! Post it on the Internet. Humiliate them so they learn proper cell phone etiquette, but only do so if it is July.

I hope these tips help you avoid being a complete sphincter while out in public.

Friday is dance day at Tunes du Jour. Our weekly dance party kicks off with the Lady Gaga/Beyoncé collaboration, “Telephone.”


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A Fourth Of July Playlist

On the fourth of July in 1776, the Declaration of Independence, in which the thirteen American colonies declared their independence from Great Britain, was adopted.

None of the songs in today’s playlist address the events of 1776 directly. However, the song selection is inspired by our 4th of July holiday.

Besides being great songs on their own, the collection represents one of the great things about the United States – its diversity. Long considered a melting pot where people of different backgrounds and beliefs could come to achieve their dreams and goals, the U.S. of A. is powerful and innovative as a result of this blend of people. Today’s playlist represents this diversity with a blend of genres – rock, funk, pop, Broadway, new wave, soul, and then some. Despite our differences, we are one nation, under a groove, with liberty and justice for all.

Whether or not you celebrate Independence Day, enjoy this Fourth of July-inspired playlist.


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It’s Curt Smith’s Birthday And I Need To Dance!

Tears for Fears, the duo consisting of Roland Orzabel and Curt Smith, released their debut album, The Hurting, in 1983. In their native England the album spawned three top five singles, “Mad World,” “Change” and “Pale Shelter.” In the US, their most successful single, “Change,” peaked at #73 on the Billboard Hot 100.

When it came time to do their second album, they wanted to break the US market. Needing one more song to round out the record, the duo’s producer, Chris Hughes, suggested Orzabel flesh out a song sketch he brought into the studio. Orzabel did so, and while he didn’t think much of the finished piece, Smith and Hughes thought this is the song that would change their fortunes stateside.

This song, “Everybody Wants to Rule the World,” was the first single released in the US from Songs from the Big Chair. It went to #1. The song that was the album’s first single in much of the world, “Shout,” was the second US single from the album, and the duo’s second #1.

Ringo + T4F
Today, Curt Smith of Tears for Fears turns 55 years old. Tunes du Jour’s weekly dance party kicks off with a song on which Smith sings lead, Tears for Fears’ #1 breakthrough hit “Everybody Wants to Rule the World.”


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Throwback Thursday – 1986

By 1986, Aerosmith appeared to have had their best years behind them. Sales of their releases that decade lagged significantly behind their hits in the 1970s, and the group’s members were struggling with drug addictions.

They did have fans, though. One was music producer Rick Rubin. He was working with rap group Run-D.M.C., who were known in hip hop circles and with music critics for incorporating rock guitars and beats in their boastful raps, such as “Rock Box” and “King of Rock.”

Rubin suggested Run-D.M.C. do a remake of Aerosmith’s 1977 hit “Walk This Way,” but the rappers had no interest in doing a cover. However, the group’s DJ, Jam Master Jay, was open to the idea, and Rubin called Aerosmith’s Steven Tyler and Joe Perry to come into the studio. Perry was familiar with the rappers, as his stepson was a fan. Jam Master Jay convinced Run and D.M.C. to give the remake a shot, seeing as Tyler and Perry were in the studio with Rubin.

The Run-D.M.C./Aerosmith version of “Walk This Way” was not only massively successful, but highly influential as well. It became Run-D.M.C.’s first crossover hit, and the first rap track to make the top ten of Billboard’s Hit 100, peaking at #4, six notches higher than Aerosmith’s original peaked. It opened the door to future song/rap collaborations, something that continues to dominate the charts to this day, not to mention bringing “rock rap” to a wide audience.

Steven Tyler went to rehab in 1986, and the other members of Aerosmith also sought treatment for their drug addictions. On the heels of the success of the “Walk This Way” remake, Aerosmith released the Permanent Vacation album in the late summer of 1987. Its first single, “Dude (Looks Like a Lady),” became the group’s first hit single outside the Run-D.M.C. collaboration since 1978’s “Come Together.” They followed that single with a string of big hits over the next few years, including “Love in an Elevator,” “Cryin’,” “Janie’s Got a Gun,” “I Don’t Want to Miss a Thing,” “Livin’ on the Edge,” and “Jaded.”

This week’s Throwback Thursday playlist spotlights the best of 1986, kicking off with the groundbreaking “Walk This Way,” performed by Run-D.M.C. and featuring Aerosmith’s “Steven Tyler and Joe Perry.


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It’s LGBT Pride Month And I Need To Dance!

Because there are millions of people who tell us we shouldn’t be who we are because it doesn’t conform to who they think we should be;

Because this “government of the people, by the people and for the people” often isn’t for all the people;

Because “All men are created equal” doesn’t include those in the LGBT populations per many politicians and their constituents;

Because our Pride parades are attended not only by LGBT peoples are their allies, but by “counter protestors” who shout hateful rhetoric through megaphones in the name of religion, as these self-proclaimed Christians have no place better to be on a Sunday morning;

Because LGBT youth represent 7% of the youth population, while LGBT homeless youth make up 40% of the homeless youth population;

Because LGB and questioning youth are four times more likely to attempt suicide than non-LGB youth;

Because queer youth need to see there are many people like them;

Because if we don’t celebrate who we are, then we tacitly say we are not worthy of celebration and things are fine as they are, neither of which is true;

Because there is strength in numbers;

Because in many parts of the world one is killed for the suspicion of being gay or lesbian;

Because in many parts of the world it is illegal and/or dangerous to show your LGBT pride;

Because nobody should live in fear of expressing their authentic self, including the asshats who attempt to intimidate us from doing so;

Because it is empowering to be able to express one’s sexuality or gender identity in a supportive environment;

Because coming together brings about positive change;

Because while marrying someone of the opposite gender has been legal throughout US history, the right to marry someone of the same gender is coming on just one year;

Because we still have a ways to get to before we reach true equality, and we’ve come too far to stop now;

Because it’s fun!;

Because diversity should be celebrated;

Because pride is respect for yourself and you deserve respect;

Because men in Speedos;

Because despite all of the bull feces, we persevere. That is why

We still need LGBT Pride Month celebrations.

Here is your expanded soundtrack:


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Throwback Thursday – 1985

Ringo + Madonna

In 1984, Madonna peaked at #18 on the Billboard Hot 100 with her first charting single, “Holiday.” By the following year, she had established herself as the Queen of the Pop Charts. She followed “Holiday” with three singles that hit the top ten in 1984: “Borderline,” “Lucky Star” and “Like a Virgin,” the latter hitting #1 and remaining there for six weeks. She opened 1985 with the #2 hit “Material Girl,” followed closely by the #1 “Crazy for You.” “Crazy” is from the film Vision Quest, in which Madonna had a small part as a nightclub singer.

Madonna had a much larger role in the film Desperately Seeking Susan. Released in April 1985, the smash film featured a new track from Madonna, “Into the Groove.” As one might expect when a new superstar has a new song, and a great song at that, the track received lots of radio airplay. “Groove” hit #1 on the Dance Club chart, and the only record on which it appeared, a 12-inch single where it was the b-side of “Angel,” went gold, selling over a million units in the US.

Though it was a big seller with a ton of airplay and club play, “Into the Groove” never hit Billboard’s Hot 100. Though that chart is supposed to accurately reflect a song’s popularity in the US, Billboard imposes rules that hang around longer than they should, throwing off historians looking into a song’s popularity. One of the arcane rules in 1985 was that a song had to be available on a commercial 7-inch vinyl single to be eligible to chart. Commercial availability solely on a 12-inch vinyl single, even one that sold over a million copies, is not enough. Widespread radio play on a variety of formats (the song hit the top twenty on the r&b chart, which for reasons that made sense to Billboard’s chart editors, allowed 12-inch singles to chart) is not enough.

Eventually, Billboard got around to revising these rules. The advent of cassingles (cassette tape singles) and CD singles expanded the formats eligible. The music industry’s decision to hold back the release of singles in any format to force consumers to shell out big bucks for a full-length album to get the one song they liked forced Billboard to make radio airplay without a commercial single good enough for a Hot 100 chart placement, but that change didn’t come into being until December of 1998, thirteen years too late for Madonna and historians.

This week’s Throwback Thursday kicks off with one of the best-known songs to have never charted on Billboard’s Hot 100, Madonna’s “Into the Groove.” It is followed by other music highlights of 1985.


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It’s Cher’s Birthday And I Need To Dance!

In the early 1990s a demo of a song written by four men circulated through Warner Bros. Records. Though people at the label appreciated the song’s chorus, nobody wanted to record it.

Thinking that with some work the song may be good for Cher, whose last top ten pop hit was 1989’s “Just Like Jesse James,” Warner sent the demo to London’s Metro Studio, where two additional songwriters took a stab at improving the composition. Producers Mark Taylor and Brian Rawling created a dance track for the revised song, which they presented to Cher. She liked it.

She recorded the song. She and her producers played with a new technology called Auto-Tune, which added a robotic sound effect to her voice. When Warner heard that, they asked that it be removed, but Cher was adamant it stay.

In October of 1998, more than a half-decade after the composition’s original incarnation, Warner released Cher’s recording of “Believe.” On March 13, 1999, the song, the first pop tune to feature Auto-Tune, became Cher’s fifth #1 single in the United States, making her, then age 52, the oldest woman to top the US charts. It was her first #1 single since “Dark Lady” in 1974, the longest span ever between #1 records. It was the biggest-selling single stateside of 1999.

The record hit #1 in the UK, where it became the best-selling single of all-time by a female artist. It also topped the charts in Germany, Canada, The Netherlands, Australia, France, Sweden, Italy, Spain, Belgium, Norway, Denmark, Switzerland, New Zealand and Ireland.

Today the woman born Cherilyn Sarkisian turns 70 years old. Our weekly dance party kicks off with “Believe.” Have a superb weekend!


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Throwback Thursday – 1994

Ringo + Beck

Some years ago I played Beck’s “Loser” for my 94-year-old grandfather. He didn’t care for the lyrics. “I’m a loser, baby, so why don’t you kill me?”

“That’s why so many young people commit suicide,” he argued.

Hearing “Loser” and the rest of Beck’s major label debut album, Mellow Gold, didn’t make me want to kill myself. Quite the opposite. He brought and continues to bring so much joy into my life.

Beck’s “Loser” kicks off this week’s Throwback Thursday playlist, spotlighting the year 1994.


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