Your (Almost) Daily Playlist: 4-29-24

In their autobiography Hound Dog, songwriters Jerry Leiber and Mike Stoller tell of one time when they were at Jerry’s apartment. Jerry was in the kitchen while Mike was trying out ideas on the piano. Jerry called out to him “Take out the papers and the trash!” Immediately, Mike responded “Or you don’t get no spending cash.” Ten minutes later, the duo finished writing a rock and roll classic. The Coasters took the song, “Yakety Yak,” to number one.

The late Carl Gardner of The Coasters and The Robins was born on this date in 1928. A few of those groups’ songs with Gardner on lead are featured on today’s playlist.

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Your (Almost) Daily Playlist: 4-25-24

Per the chatbot with whom I was just conversing, before Erasure, Andy Bell sang in a heavy metal band called Power of Dreams.

The chatbot also told me that Erasure’s Andy Bell was born on this date in 1964. A few of his/their songs are included on today’s playlist.

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Your (Almost) Daily Playlist: 4-24-24

“Daydreams light the corners of my mind.” That was the original opening line of this smash. Barbra Streisand suggested changing “daydreams” to “memories.” I applaud that change.

Barbra Streisand was born on this date in 1942. A few tracks from her are included on today’s playlist.

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Your (Almost) Daily Playlist: 4-21-24

It really rankles and roils, riling me relentlessly, gets my goat and grinds my gears that a ghastly ghost greedily grabbed some of my greatest grooves, several superb sounds from my marvelous music menagerie, including The Cure’s Disintegration on vinyl, vanishing without a visible vestige. It’s a haunting hijacking that has me howling hauntingly, harboring hopes that horrific hoodlum returns my rightful recordings. Relievingly, I’ve retained Robert Smith’s resonant refrains on compact disc, considerably consoling my celestial lamentations.

The Cure’s Robert Smith was born on this date in 1959. Even if you don’t have the disease, we have The Cure on today’s playlist.

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Your (Almost) Daily Playlist: 4-20-24

If you’re looking for a smooth soundtrack to unwind with, Luther Vandross has you covered. His smooth vocals and captivating stage presence made him a beloved and influential figure in R&B and soul music.

Early in his career, Vandross honed his skills not just as a singer, but as a songwriter and producer. He penned the uplifting “Everybody Rejoice/A Brand New Day” for the Broadway musical The Wiz, showcasing his talent for crafting memorable melodies. This period also saw him become a sought-after background vocalist, lending his voice to the recordings of icons like David Bowie, Stevie Wonder, Donna Summer, Todd Rundgren, Diana Ross, Ben E. King, Sister Sledge, Roberta Flack, Chaka Khan, Judy Collins, the J. Geils Band, Irene Cara, and Bette Midler. Not only did Vandross sing on Bowie’s “Fascination,” but they wrote the song together. This experience further solidified Vandross’ own artistic vision, which he would soon unleash on the world.

Before embarking on his solo journey, Vandross dipped his toes into the world of lead vocals. He fronted the disco group Change, belting out their hit “The Glow of Love.” He also sang lead for Bionic Boogie on their track “Hot Butterfly,” and even fronted a short-lived band simply called Luther.

Quincy Jones’ “Takin’ It To the Streets,” featuring Vandross as a lead vocalist alongside Gwen Guthrie, demonstrated his ability to shine even before his solo breakout. Later in his career, Vandross would seamlessly slip back into the role of collaborator, creating magic on duets with artists like Janet Jackson (“The Best Things in Life Are Free”) and Dionne Warwick (“How Many Times Can We Say Goodbye”).

The 1980s marked Vandross’ rise to stardom as a solo artist. Tracks like “Never Too Much” and “Here and Now” became instant classics, showcasing his ability to blend vulnerability with pure soulful power.

Throughout his career, Vandross racked up accolades. He’s a Grammy Award winner with eight statues to his name, and countless other awards solidify his place as a musical giant. But beyond the trophies, his true impact lies in the way his music continues to connect with listeners. Whether it’s a slow dance ballad or a roof-raising anthem, Vandross’ music offers a timeless blend of emotion and artistry. So next time you hear that velvety voice, take a moment to appreciate the work of a true musical great, who not only delivered unforgettable solo performances but also left his mark through songwriting, production, and collaborations across genres. Today’s playlist isn’t just a collection of Luther Vandross’ greatest hits – it’s a mix of some of those tracks alongside other gems that reveal the breadth of Vandross’ musical contributions. Prepare to be surprised at where he turns up. For example, those unforgettable “ba ba”s that open Stevie Wonder’s “Part-Time Lover?” That’s Luther!

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Your (Almost) Daily Playlist: 4-19-24

Elenore
Gee, I think you’re swell
And you really do me well 
You’re my pride and joy, et cetera…

After the huge success of their “Happy Together,” The Turtles’ record label asked them for another love song in a similar vein. Jokingly, they turned in “Elenore.” It became their eighth US top 40 hit, reaching number 6 on the Billboard Hot 100.

The Turtles’ Mark Volman was born on this date in 1947. A few songs from his band are included on today’s playlist.

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Tunes Du Jour Presents Liz Phair

Liz Phair’s impact on popular music can be traced back to her groundbreaking debut album, Exile in Guyville. Released in 1993, this seminal work challenged the conventions of the male-dominated rock scene with its bold, unapologetic exploration of female desire and sexuality.

Songs like “Flower” and “Divorce Song” laid bare the complexities of relationships and heartbreak with a candor that was both disarming and refreshingly authentic. Phair’s witty, razor-sharp lyrics, coupled with her ability to craft infectious melodies, established her as a singular voice in the world of alternative rock.

While Exile in Guyville served as Phair’s introduction to the masses, subsequent releases like Whip-Smart and Whitechocolatespaceegg solidified her reputation as a fearless storyteller unafraid to delve into the depths of the human experience. Tracks like “Polyester Bride” and “Chopsticks” tackled themes of self-discovery and personal growth with a level of vulnerability that resonated deeply with listeners.

While critical acclaim and accolades have certainly followed Phair throughout her career, her true contribution lies in her unwavering dedication to crafting music that resonates on a profoundly personal level. Through her fearless exploration of the human condition, Liz Phair has carved out a unique space in popular music, inspiring countless individuals to embrace their authentic voices and shatter conventions along the way.

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