Thirty career highlights from Eurythmics, including the group from which they sprang, The Tourists, and post-Eurythmics works from the duo’s members.
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Throwback Thursday: 1974
In 1974 Grandpa Abe gave ten-year-old me a radio. Very quickly that radio became shy me’s best friend. I hadn’t paid much attention to music previously, only hearing what played in the family care when we went out to eat or to Sunday school or the orthodontist. With my best friend Radio by my side I was exposed to so much more. Mostly I listened to the top 40 station WABC. By the autumn of 1974 I was making weekly treks on my bicycle to Melody Manor to buy whatever single entered the top 40 that week, unless it was something truly heinous like “Cat’s in the Cradle.” It’s a habit I kept up until the mid to late eighties, when “Lady in Red,” “The Final Countdown,” “Hip To Be Square” and Milli Vanilli convinced me to eschew that habit and only buy records that were tolerable. Today’s playlist celebrates the music of the year I started collecting records.
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Throwback Thursday: 1968
Today’s Throwback Thursday playlist makes a strong case for 1968 being the best year for pop music in the rock era. So many classics hit that year. Yes, I know I didn’t include all of them. I didn’t want to be too classic rock heavy, as other genres produced timeless pieces as well. There’ll be a part 2 one of these weeks. Until then, enjoy!
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Throwback Thursday: 1971
I recently read a book about the music of 1971. It was pretty bad. I should have been clued off seeing that the book derived its title from the name of a Rod Stewart album that came out in…1972. The author and I agree that 1971 was a great year for music, though he focused mainly on white acts. Marvin Gaye’s What’s Going On, recently named the number one album of all-time in Rolling Stone, was dismissed as being overrated due to white guilt, something the author clearly doesn’t feel. I humbly suggest that the playlist below shows more of the greatness (and diversity) of 1971’s music than this book.
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Records of the Year
The Grammy Awards are being presented tonight. Woo. It’s billed as “music’s biggest night,” just as May 7 through May 16 is billed as “the biggest week in American birding,” if only because ten days is a lot for one week. Birders. Am I right, people? Performers at this year’s Grammys include Bruno Mars and Anderson .Paak doing their new song, because what better way to celebrate the music of 2020 than with a single that was released last week? Performers I’m looking forward to include Miranda Lambert, Cardi B, HAIM, Megan Thee Stallion, Brittany Howard, Doja Cat, Dua Lipa, and Billie Eilish, whose “Everything I Wanted” is up for Record of the Year. That’s my favorite of the nominees, though I think the award will go to Beyoncé for “Black Parade,” and I have no problem with that. However, if the award goes to that record I never heard of until I started typing this sentence, sneakers will be thrown at my television (though that record may be good for all I know). For Album of the Year my vote goes to Fiona Apple’s Fetch the Bolt Cutters, as it was handily the best album of 2020. It probably won’t win, seeing as it wasn’t nominated. What was nominated over Apple’s album? That Coldplay album you forgot about and the Jacob Collier album you never heard of until you started reading this sentence (though that album may be good for all you know). Of the albums nominated, I’d pick HAIM’s. It’s very good. Not Fetch The Bolt Cutters good, but very good nonetheless. If HAIM win I hope they hand their award to Fiona Apple live on the telecast, which would be super impressive, seeing as they won’t be in the same room. I’m sure tonight’s show will include a tribute to dead people done by living people who are no match for said dead people. I’d rather want a montage of clips of the dead people performing when they were living people. <Fill in the blank> screaming is not representative of what made Aretha Franklin amazing. No disrespect to <fill in the blank>, but there’s more to being the Queen of Soul than having a mic and ovaries.
It’s easy to shit on the Grammys, as they are so shittable, but to be fair, not every Record of the Year is as terrible as 1988’s recipient, “Don’t Worry, Be Happy.” Here are thirty of the better winners:
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A Carole King Playlist
Here’s a fun fact (or three): In the history of the Billboard Hot 100, nine songs have hit #1 performed by different artists. The first two songs to achieve this feat were “Go Away Little Girl” (Steve Lawrence in 1963 and Donny Osmond in 1971) and “The Loco-motion” (Little Eva in 1962 and Grand Funk in 1974). Both of those were written by Carole King (b. February 9, 1942) and the late Gerry Goffin, who she married. To date Carole King has a writing credit on 118 Hot 100 hits. 118. One hundred eighteen.
Here are 30 of those 118 songs Carole co-wrote.
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