Inspired by the March 30 birthdays of Eric Clapton, Tracy Chapman, Norah Jones, M.C. Hammer, Duck Sauce’s A-Trak, Lene Lovich and Pete Holmes.
Tag Archives: Talking Heads
Your (Almost) Daily Playlist (3-29-20)
Inspired by the March 29 birthdays of Monty Python’s Eric Idle, Toto’s Bobby Kimball, Jane’s Addiction/Porno for Pyros’ Perry Farrell, The Waitresses’ Patty Donahue, Terry Jacks, Vangelis, Astrud Gilberto, The Guess Who’s Chad Allan and Thunderclap Newman’s Speedy Kane.
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Your (Almost) Daily Playlist (3-17-20)
Inspired by the March 17 birthdays of Smashing Pumpkins’ Billy Corgan, Jefferson Airplane’s Paul Kantner, The Lovin’ Spoonful’s John Sebastian, Nat King Cole, Gene Ween, The Darkness’ Justin Hawkins, Altered Images’ Clare Grogan, and Hozier; and the March 16 birthdays of Public Enemy’s Flavor Flav, Heart’s Nancy Wilson, Blu Cantrell, and Murs.
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Your (Almost) Daily Playlist (3-2-20)
Inspired by the March 2 birthdays of Lou Reed, Wu-Tang Clan’s Method Man, Karen Carpenter, Coldplay’s Chris Martin, Jay Osmond, Boogie Down Productions’ Scott La Rock, Missing Persons’ Dale Bozzio, Musical Youth’s Dennis Seaton, UTFO’s Doctor Ice, the Kooks’ Luke Pritchard, and composer Kurt Weill (“Mack the Knife”).
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Your (Almost) Daily Playlist (2-24-20)
Inspired by the February 24 birthdays of N.E.R.D.’s Chad Hugo, Manfred Mann’s Paul Jones, M People’s Mike Pickering, George Thorogood, Rupert Holmes, Plastic Bertrand and Barry Bostwick.
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It’s Fred Schneider’s Birthday And I Need To Dance!
The B-52’s 1980 single “Private Idaho” made Pitchfork’s list of the “500 Greatest Songs from Punk to Present,” present being 2006. In his capsule review, Nitsuh Abebe wrote “Those who dismiss the B-52’s as silly or kitschy should live in fear of the frenzied last half-minute, which sounds like it’s out to track those people down, lock them up in cages, and make them go-go dance until they cry for mercy.”
Every Friday, Tunes du Jour tries to make you dance to welcome in the weekend. This week’s dance playlist kicks off with The B-52’s’ “Private Idaho,” featuring the vocals of Fred Schneider, who turns 65 today. (By the way, the B-52’s first performed in Idaho in 2011.)
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Throwback Thursday – 1985
In 1984, Madonna peaked at #18 on the Billboard Hot 100 with her first charting single, “Holiday.” By the following year, she had established herself as the Queen of the Pop Charts. She followed “Holiday” with three singles that hit the top ten in 1984: “Borderline,” “Lucky Star” and “Like a Virgin,” the latter hitting #1 and remaining there for six weeks. She opened 1985 with the #2 hit “Material Girl,” followed closely by the #1 “Crazy for You.” “Crazy” is from the film Vision Quest, in which Madonna had a small part as a nightclub singer.
Madonna had a much larger role in the film Desperately Seeking Susan. Released in April 1985, the smash film featured a new track from Madonna, “Into the Groove.” As one might expect when a new superstar has a new song, and a great song at that, the track received lots of radio airplay. “Groove” hit #1 on the Dance Club chart, and the only record on which it appeared, a 12-inch single where it was the b-side of “Angel,” went gold, selling over a million units in the US.
Though it was a big seller with a ton of airplay and club play, “Into the Groove” never hit Billboard’s Hot 100. Though that chart is supposed to accurately reflect a song’s popularity in the US, Billboard imposes rules that hang around longer than they should, throwing off historians looking into a song’s popularity. One of the arcane rules in 1985 was that a song had to be available on a commercial 7-inch vinyl single to be eligible to chart. Commercial availability solely on a 12-inch vinyl single, even one that sold over a million copies, is not enough. Widespread radio play on a variety of formats (the song hit the top twenty on the r&b chart, which for reasons that made sense to Billboard’s chart editors, allowed 12-inch singles to chart) is not enough.
Eventually, Billboard got around to revising these rules. The advent of cassingles (cassette tape singles) and CD singles expanded the formats eligible. The music industry’s decision to hold back the release of singles in any format to force consumers to shell out big bucks for a full-length album to get the one song they liked forced Billboard to make radio airplay without a commercial single good enough for a Hot 100 chart placement, but that change didn’t come into being until December of 1998, thirteen years too late for Madonna and historians.
This week’s Throwback Thursday kicks off with one of the best-known songs to have never charted on Billboard’s Hot 100, Madonna’s “Into the Groove.” It is followed by other music highlights of 1985.
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It’s National Teachers Day And I Need To Dance!
On the off-chance I don’t win an Oscar for Best Original Screenplay, which, seeing as I have yet to write a single scene, is a remote possibility, I’d like to present the text of my acceptance speech here and now.
“Thank you! Thank you so much! Thank you! (wink at Meryl) Wow! I wasn’t expecting to win. This is such a surprise. Let me read you the speech I wrote for this occasion.
I’d like to thank the Academy, specifically the members who voted for me. I’d like to thank everyone who bought a ticket to see my movie. I’d like to thank the cast and crew. It takes a village! Am I right? Of course I’m right! I’m a right-er! (smile, acknowledge the laughter in the audience)
Mostly, I’d like to thank all those who taught me about writing and provided encouragement. I’d like to thank all of my English teachers, my writing teachers, my stand-up comedy teachers and my improvisation teachers. I’d like to thank my fellow classmates, workshops and meetup members and the friends and family members who provided feedback and support. In particular, I’d like to…oh, they’re playing the music, indicating it’s time for me to leave. Until next year, remember I love you all, except those who voted for my competitors.”
Today is National Teachers Day. Our weekly dance party kicks off with Daryl Hall and John Oates’ “Adult Education.”
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A Hint Of Mint – Volume 51: So Sexy It Hurts
Forgotten uptempo songs primarily from the eighties and nineties to play at your next party provided you don’t invite you-know-who, ’cause she has the personality of a wet mop and takes life way too seriously. Does she enjoy the B-52’s? No! Can she get into Tom Jones covering Talking Heads? Absolutely not! And if she heard the vulgarities on that Sinéad O’Connor record she’d turn red and run out of the room crying. Bye, Felicia!
[8tracks width=”300″ height=”250″ playops=”” url=”http://8tracks.com/mixes/7933720″]
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It’s David Bowie’s Birthday And I Need To Dance!
Our weekly dance playlist kicks off with a track that was inspired by a song from the 1952 film Hans Christian Andersen. In the movie, Danny Kaye performs the Frank Loesser’s “Inchworm.” While schoolchildren sing “Two and two are four / Four and four are eight” etc., Kaye sings to the titular worm “You and your arithmetic/ You’ll probably go far,” and asking “Could it be you’d stop and see
how beautiful they are?” Singer-songwriter David Bowie told Performing Songwriter magazine “You wouldn’t believe the amount of my songs that have sort of spun off that one song. Not that you’d really recognize it. Something like ‘Ashes to Ashes’ wouldn’t have happened if it hadn’t have been for ‘Inchworm.’ There’s a child’s nursery rhyme element in it, and there’s something so sad and mournful and poignant about it. It kept bringing me back to the feelings of those pure thoughts of sadness that you have as a child, and how they’re so identifiable even when you’re an adult. There’s a connection that can be made between being a somewhat lost five-year old and feeling a little abandoned and having the same feeling when you’re in your twenties. And it was that song that did that for me.”
Today is David Bowie’s 69th birthday. Put on your red shoes and dance the blues with this playlist of club tunes.
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