Lots of music from The Police on today’s playlist, as it is the birthday of their frontman Sting.
Your (Almost) Daily Playlist: 8-22-24
Living Colour’s Vernon Reid was born on this date in 1958. A handful of Living Colour tracks are included on today’s playlist.
Tunes Du Jour Presents 1981
As the new decade dawned, 1981 emerged as a year of significant musical transformation. The eclectic mix of songs that defined this period reflected a music industry in flux, with established genres evolving and new sounds emerging to captivate listeners across the globe.
Rock music continued to hold its ground, adapting to the changing times. The Rolling Stones proved their enduring relevance with the gritty “Start Me Up,” while Journey’s “Don’t Stop Believin'” became an arena rock anthem that would stand the test of time. Bruce Springsteen’s “The River” showcased his storytelling prowess, and Phil Collins’ “In The Air Tonight” introduced a new dimension of atmospheric rock with its iconic drum break. George Harrison’s “All Those Years Ago,” a touching tribute to John Lennon, marked Harrison’s first U.S. top ten single in eight years, demonstrating the lasting appeal of the former Beatles.
New Wave and post-punk sounds flourished in 1981, pushing boundaries and incorporating electronic elements. Talking Heads’ “Once in a Lifetime” demonstrated the genre’s art-rock leanings, while The Go-Go’s brought a pop sensibility to new wave with “Our Lips Are Sealed.” Duran Duran’s “Girls on Film” hinted at the new romantic movement that was gaining traction. The Psychedelic Furs’ “Pretty in Pink,” with its blend of post-punk edge and pop accessibility, showcased Richard Butler’s distinctive vocals and would later inspire and lend its name to a defining film of the ’80s.
The year also saw the emergence of hip-hop as a force in popular music. Blondie’s “Rapture” became the first song featuring rap vocals to reach number one on the U.S. Billboard Hot 100, fusing new wave with hip-hop influences. Meanwhile, Grandmaster Flash’s innovative “The Adventures of Grandmaster Flash on the Wheels of Steel” was one of the first records to extensively use sampling, laying the groundwork for hip-hop’s future.
Dance music was evolving beyond disco into new, exciting forms. Grace Jones’ “Pull Up to the Bumper” blended funk, new wave, and reggae influences, pointing towards a more eclectic and experimental future for club music. Taana Gardner’s “Heartbeat” helped define the emerging genre of garage house with its stripped-down beat and soulful vocals. Kool & the Gang’s “Celebration” remains a party staple, bridging the gap between disco and contemporary R&B.
In the realm of R&B and funk, Luther Vandross’ “Never Too Much” marked the acclaimed background vocalist’s first hit under his own name, showcasing his smooth, sophisticated style. Rick James pushed funk to new heights with “Super Freak,” incorporating rock elements and a memorable synth line that would be sampled for years to come. The Pointer Sisters’ “Slow Hand” kept R&B smooth and soulful.
1981 also witnessed the continued rise of synth-pop and electronic music. Heaven 17’s politically charged “(We Don’t Need This) Fascist Groove Thang” and New Order’s “Ceremony” showcased the genre’s range from danceable pop to moody post-punk.
As some artists embraced new sounds, others used music to comment on social issues. The Specials’ “Ghost Town” reflected the urban decay and racial tensions in Britain, while Black Flag’s hardcore punk anthem “Rise Above” railed against societal norms. Prince’s “Controversy” challenged listeners both musically and lyrically, blending funk, rock, and new wave while tackling taboo subjects and questioning social norms, hinting at the boundary-pushing artist he would become.
From the chart-topping pop of Kim Carnes’ “Bette Davis Eyes” and Olivia Newton-John’s “Physical” to ABBA’s emotionally charged ballad “The Winner Takes It All,” 1981 was a year of contrasts and transitions. It was a time when established stars adapted to new trends, emerging artists made their mark, and genres blended in exciting ways. This rich musical landscape set the stage for the diverse and innovative sounds that would define the rest of the decade, making 1981 a pivotal year in the evolution of popular music.
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Tunes Du Jour Presents Talking Heads
In the vast and ever-evolving landscape of popular music, few bands have left an indelible mark quite like Talking Heads. Hailing from the vibrant streets of New York City, this innovative quartet carved out a unique sonic identity that defied conventions and pushed the boundaries of what rock music could be.
Led by the charismatic and visionary David Byrne, Talking Heads burst onto the scene with a raw, eclectic sound that seamlessly blended elements of punk, funk, and global music. Their debut album, Talking Heads: 77, introduced listeners to a refreshingly different approach, with tracks like “Psycho Killer” showcasing their penchant for unconventional rhythms and lyrics.
As their popularity grew, Talking Heads continued to evolve, exploring new sonic territories and challenging traditional songwriting structures. Their collaborations with producer Brian Eno yielded groundbreaking albums like Remain in Light and Fear of Music, which incorporated African rhythms, experimental textures, and avant-garde sensibilities into their sound. The 1983 album Speaking in Tongues further cemented their status as musical innovators, with the hit single “Burning Down the House” becoming an instant classic.
But Talking Heads’ influence extended far beyond their musical output. Their live performances were nothing short of captivating, with Byrne’s iconic jerky dance moves and the band’s infectious energy captivating audiences worldwide. Their music videos, directed by acclaimed filmmakers including Jonathan Demme, Jim Jarmusch, and Wim Wenders, plus Toni Basil and David Byrne himself, were visual masterpieces that redefined the art form. Additionally, the band members’ creative pursuits outside of Talking Heads, such as Tom Tom Club’s funky explorations, showcased their versatility and dedication to pushing artistic boundaries.
Moreover, Talking Heads’ impact can be felt across genres and generations. Their unique blend of art-rock, funk, and world music paved the way for countless artists who followed, inspiring a new wave of musical experimentation and genre-blending. From alternative rock to electronic music, the band’s influence can be traced in the works of countless contemporary artists.
In a world where trends come and go, Talking Heads’ enduring legacy remains a testament to their artistic vision and unwavering dedication to pushing the boundaries of popular music. Their melodies and rhythms continue to resonate with listeners, serving as a reminder that true art transcends time and never grows old.
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Your (Almost) Daily Playlist: 3-29-24
Peretz Bernstein was born on this date in 1959. He took the word peripheral and used that as the basis for his stage name, Perry Farrell. Some of Farrell’s work with Jane’s Addiction and Porno For Pyros is included on today’s playlist.
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Tunes Du Jour Presents 1985
The year 1985 was a remarkable one for music, as it showcased a variety of genres, styles, and influences. From pop to rock, from synth to soul, from rap to reggae, the music of 1985 reflected the diversity and creativity of the artists and the listeners. Whether it was the catchy melodies, the powerful lyrics, or the innovative sounds, the music of 1985 had something for everyone.
One of the most notable trends of 1985 was the emergence of new wave and synth-pop, which dominated the charts and the airwaves. Artists like Tears for Fears, a-Ha, Simple Minds, and The Cure blended synthesizers, guitars, and drums to create catchy and memorable songs that captured the mood and the spirit of the times. Songs like “Everybody Wants To Rule The World”, “Take On Me”, “Don’t You (Forget About Me)”, and “Close to Me” became anthems for a generation that was looking for fun, freedom, and adventure.
Another trend of 1985 was the influence of dance and disco, which brought energy and excitement to the music scene. Artists like Madonna, Frankie Goes To Hollywood, Dead Or Alive, and Sade combined dance beats, catchy hooks, and sensual vocals to create songs that made people want to move and groove. Songs like “Into the Groove”, “Relax”, “You Spin Me Round (Like A Record)”, and “Smooth Operator” became hits that defined the style and the attitude of the era.
A third trend of 1985 was the resurgence of rock and roll, which showed the diversity and the versatility of the genre. Artists like Bruce Springsteen, Prince, Dire Straits, and The Smiths demonstrated their musical skills, their lyrical talents, and their artistic visions. Songs like “Born In The U.S.A.”, “Raspberry Beret”, “Money For Nothing”, and “How Soon Is Now” became classics that showcased the range and the depth of rock music.
A fourth trend of 1985 was the rise of social awareness and activism, which inspired many artists to use their music as a platform for change and charity. Artists took part in USA For Africa and Band Aid to raise funds and awareness for famine relief.
The music of 1985 was a year of diversity and innovation, as it offered a wide range of musical experiences and expressions. The playlist below features some of the best songs of 1985, which represent the different trends and influences of the year. Enjoy the music and relive the memories of 1985!
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Your (Almost) Daily Playlist: 11-28-23
Randy Newman was born on this date in 1943. Lots of songs from him on today’s playlist.
https://open.spotify.com/embed/playlist/2U2ab5KT0a5uNLFha5cWSU?utm_source=generator
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Your (Almost) Daily Playlist: 11-18-23
In early 1980 newspaper The Village Voice published the results of its poll of 155 music critics. Voted the best album of 1979 was Graham Parker & The Rumour’s Squeezing Out Sparks. The rest of the top ten was:
Neil Young – Rust Never Sleeps
The Clash – The Clash
Talking Heads – Fear of Music
Elvis Costello – Armed Forces
Van Morrison – Into the Music
The B-52s – The B-52s
Tom Petty & the Heartbreakers – Damn the Torpedoes
Pere Ubu – Dub Housing
Donna Summer – Bad Girls Graham Parker
was born on this date in 1950. A handful of his songs are included on today’s playlist.
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