Monthly Archives: July 2016

A Hint Of Mint – Volume 63: Let’s Get Political

Inspired by the election cycle in which those of us stateside are presently immersed, here are twenty songs about the democratic process and some of the players, including songs about Presidents Bush (the second), Nixon, Obama, Reagan and Truman. Artists include R.E.M., Pet Shop Boys and Anohni.


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It’s Danger Mouse’s Birthday And I Need To Dance!

About Bill Cosby, rapper A$AP Rocky recently said, “He did so much positive things leading up to one thing, which he was convicted of being innocent for, by the way.” First off, it’s so many positive things, not so much. Secondly, it’s for which he was convicted of being innocent. Thirdly, one gets convicted of being innocent? No wonder our nation’s jails are overcrowded. Go on, $AP. “All you remember is the 56 woman and all that kind of shit.” Yes, all that kind of serial rapist shit. Nobody remembers he introduced the world to Fat Albert and Raven Symone. Just rape rape rape and more rape. Oh, sorry. I interrupted this genius again. Back to you A$$. “I’m not his lawyer, but I do know he’s innocent.” And even if he is guilty, “All we know is that he was accused, he allegedly raped however many woman he raped, which, you got, it’s so much issues in the world, you know I’m saying?” I know what you’re saying! There are so many issues in the world, so why spend any time on one of the issues in the world, that being the issue of crime?

I expected better from the guy who rapped “I be fuckin’ broads like I be fuckin’ bored / Turn a dyke bitch out have her fuckin’ boys, beast” and “I swear that bitch Rita Ora got a big mouth/ Next time I see her might curse the bitch out/ Kicked the bitch out once cause she bitched out/ Spit my kids out, jizzed up all in her mouth and made the bitch bounce.” It turns out he’s not as intelligent, articulate and thoughtful as those lyrics make him out to be.

The only time I ever bought the “clean” version over the “explicit” version of a song is when I got A$AP Rocky’s “F**kin’ Problems,” from which the dyke bitch lyric is taken. The beat is great, but the lyrics are so over-the-top misogynist, and that’s saying a lot for a genre in which far too many lyrics are extremely misogynist.

Rocky is a talented guy, albeit one with a vile attitude toward women. Usually I can separate the person from the art. I love the movie Chinatown, even though its director, Roman Polanski, pled guilty to statutory rape. I love the Ronettes’ “Be My Baby” and the Righteous Brothers’ “You’ve Lost That Lovin’ Feeling,” even though the producer of those records, Phil Spector, is presently serving time for second degree murder. I love Robin Thicke’s “Blurred Lines,” even though he’s Robin Thicke. I don’t know what I’ll do if Chris Brown ever releases a halfway decent song. Good things the odds of that ever happening are mighty slim.

I’m not defending these artists. Being a monster and being talented are not mutually exclusive. Sometimes I can listen to or watch the art and not think about the crimes allegedly committed. Is that wrong? If it is, that’s my f**kin’ problem.

CeeLo Green gave us the great “Fuck You” in 2010. In 2012, Green was accused by a woman of drugging and sexually assaulting her. CeeLo’s attorney said the sex was consensual, with the singer tweeting “If someone is passed out they’re not even WITH you consciously, so WITH Implies consent. People who have really been raped REMEMBER!!!” Fuck you.

I still listen to Green’s “Fuck You,” but I don’t set out to listen to his newer music. In part it’s because of his attitude. Even if he didn’t drug and or rape this woman, I read his tweets about rape and think “Does that make him crazy? Probably.” To be honest, I also don’t listen to his newer music because it sucks. Everything the man has done since “Fuck You” is pretty bad. Did you hear his song “Robin Williams” from last year? It’s shit. I’m not saying I’m glad he died, but the actor is lucky he never had to hear it.

So I’ll listen to “Fuck You” and I’ll listen to “Crazy,” the worldwide smash he had as one-half of Gnarls Barkley. The other half of the duo, Brian Burton, professionally known as Danger Mouse,” celebrates his 39th birthday today. Tunes du Jour kicks off its weekly dance party with Gnarls Barkley’s “Crazy.” Will I be celebrating when CeeLo’s birthday comes around? Maybe by singing “Fuck You.”


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Throwback Thursday – 1955

Blackboard Jungle hit US theaters on March 25, 1955. The plot concerned the arrival of a new teacher at a violent inner-city school. The producers wanted a theme song that was typical of what a 1955 teenager would listen to. Glenn Ford, who starred in the film alongside Anne Francis and Sidney Poitier, looked through his son’s record collection. In there, the theme song was found.

It was the b-side of a single entitled “Thirteen Women (And the Only Man in Town)” that had been released the prior year. When the song was used under Blackboard Jungle’s opening credits, that flip-side, “(We’re Gonna) Rock Around the Clock,” performed by Bill Haley and His Comets, went to #1 in the US, and is considered to be the first rock and roll song to do so. It became a smash elsewhere in the world, too, becoming the UK’s first million-selling single.

The classic guitar solo on the track was performed by Danny Cedrone, who was not one of Haley’s Comets but a session musician who had worked with the group previously. He got paid $21 for his contribution to the track. Cedrone took a tumble on a stairway and died shortly after the song was recorded, not living to see its success, let alone its iconic status.

Ringo + Bill Haley
Tunes du Jour’s Throwback Thursday playlist this week spotlights the year 1955, kicking off with Bill Haley and His Comets’ “(We’re Gonna) Rock Around the Clock.”


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A Sonic Youth Playlist

This is why I’m not going to write an entry about Sonic Youth’s “Teen Age Riot,” the song that kicks off today’s playlist, consisting of twenty of that band’s best tracks:

1) The song was originally called “Rock and Roll for President,” which has me to thinking about this year’s presidential election and how stomach-turning and dispiriting the whole thing is. I don’t want to stew in negativity.

2) The song includes the lyric “He acts the hero, we paint a zero on his hand,” which has me to thinking about this year’s presidential election and how stomach-turning and dispiriting in particular one party and their candidate is. I don’t want to stew in negativity.

3) My HP Envy laptop, which you should not envy as it is more of a good idea for a computer than it is a good computer, is moving more slowly and freezing more than usual today, which is saying a lot, as this awful piece of machinery, that I hate with every fiber of my being, has not functioned well since the day I bought it two years ago. I don’t want to stew in negativity.

Just enjoy today’s Sonic Youth playlist as you celebrate the 58th birthday of one of its founding members, Thurston Moore.


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It’s Keith Sweat and George Clinton’s Birthday Today And I Need To Dance!

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I received a message from a guy on OKCupid
He needed to tell me my screen name is stupid

He objected to my handle including the word “cute”
I looked at his photos; he isn’t a beaut

He ended his note with “Have a nice day”
And for a brief moment, I was done being gay

I chose to ignore his unsolicited advice
Me listen to you? Uh uh, no dice

Am I supposed to believe he’s an expert who knows?
The man is 45 and posing in Speedos

Will I now change my name? No way! Not a chance!
On another note, it’s Friday, and I need to dance!

Today’s the 55th birthday of Mr. Keith Sweat
“I Want Her”’s the tune that kicks off this set

It’s also the 75th birthday of the legend George Clinton
No relation to Hillary, who I’m voting for because Donald Trump is a fucking nightmare.


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Throwback Thursday – 1998

Your knees start shakin’ and your fingers pop
Like a pinch on the neck from Mr. Spock

I think I read somewhere that there is a new Star Trek movie opening this weekend, or sometime soon. I didn’t pay too much attention. I’ve never seen any Star Trek movie, nor have I seen any episode of the TV show Star Trek, or any of its offshoots.

I saw part of one episode from the original series. Joan Collins was a guest star. I watched when she was on screen; I changed the channel when she wasn’t. That small fact told my friend Laura’s brother more about me than I knew about myself at that time.

I don’t know what Star Trek is about. I know there’s a spaceship called the Enterprise, and that’s about it. I don’t know when the show takes place. I don’t know the characters’ personality types or if they all get along or if any of them hook up.

I’ve heard William Shatner recite the lyrics to “Mr. Tambourine Man” and “Space Oddity” and other songs that were classics until the moment I heard Bill do ‘em. I’ve heard Leonard Nimoy “sing” a song about Hobbits (don’t get me started on my lack of knowledge about Hobbits! I’m not even sure the word Hobbits should be capitalized.). Those recordings weren’t enough to entice me into checking out the work that made those guys famous.

I’m also familiar with the song “Star Trekkin’” by a group called The Firm, not to be confused with the Jimmy Page band The Firm, though equally awful. “Star Trekkin’” went to #1 on the UK singles chart in 1987, and by doing so removed the bragging rights of anyone else who hit #1 on the UK singles chart. “Oh, you had a #1 UK single, Nicole Scherzinger? You know what else was a #1 UK single? ‘Star Trekkin”’.”

William Shatner was on another television show somewhat recently. I don’t recall what it was. I think it was set in a courtroom or a law office. I never watched it.

I don’t know if Leonard Nimoy did anything after the Star Trek TV series.

Though I don’t know from and couldn’t care any less about Star Trek, I do recognize some Star Trek references in pop culture, like in the lyrics that opened this post, which are from Beastie Boys’ “Intergalactic,” one of 1998’s best singles and the song that kicks off Tunes du Jour’s 1998 playlist on this Throwback Thursday. I take it when Mr. Spock touches someone’s neck, their knees shake and their fingers pop, like mine do when I listen to Beastie Boys. Let’s get poppin’!


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A Hint Of Mint – Volume 62: Oldies But Minties

A collection of songs from the fifties and sixties that have a hint of mint. Perhaps the singer was openly minty or came out later in life, or perhaps the lyrics are minty, some unintentionally. There are also a couple of women included who had and have a large minty following. Artists include The Beatles, Elvis Presley and Little Richard.


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It’s Alicia Bridges’ Birthday And I Need To Dance!

Ringo + Alicia
“I will never do a disco album. I’d prefer to do deodorant commercials. I didn’t sing since I was ten years old so I could stand up like a moron and go ‘Getfunkynow, getfunkynow, getboogie-woogie, getfunkynow’.”
– Alicia Bridges, Sounds magazine

Alicia Bridges. You know, the lady who sang “I love the nightlife, I gotta boogie on the disco round.” She co-wrote that song as well. That record is a disco classic, peaking at #2 on the Billboard Disco chart. It crossed over to the pop chart, hitting #5, and the r&b chart, where it reached #31. It was Bridges’ only top 40 hit on any chart. Nowadays she shills for Arrid Extra Dry. Not really.

Today, Alicia Bridges turns 63 years old. Friday is dance day at Tunes du Jour, and we’ll celebrate Ms. Bridges’ birthday with a playlist she’s bound to hate, full of disco hits, kicking off with “I Love the Nightlife (Disco ‘Round).” Getboogiewoogie!

Oh, and what is a disco round?


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Throwback Thursday – 1980

Winston + Blondie
In 1979, Giorgio Moroder, famous mostly for his production work on Donna Summer records, composed the score for the film American Gigolo. He asked Stevie Nicks to sing the movie’s theme song, for which Moroder wrote the music, but she had to decline for contractual reasons. He next turned to Deborah Harry of Blondie.

Harry write the lyrics to the song that became “Call Me,” the second #1 single for her band. Of her experience with Moroder, she told Billboard “He’s very nice to work with, very easy, (but) I don’t think he has a lot of patience with people who fool around or don’t take what they do seriously. I think he’s very serious about what he does and he’s intense and he’s a perfectionist and he’s very talented, so I think that people who are less talented or less concentrated bore him quickly…you really have to pay attention.”

Said Moroder of working with Blondie, “There were always fights. I was supposed to do an album with them after that. We went to the studio, and the guitarist was fighting with the keyboard player. I called their manager and quit.”

Moroder did end up working with Deborah Harry again years later on another soundtrack song, producing “Rush Rush” from Scarface, and in 2004 remixed Blondie’s single “Good Boys.”

Tunes du Jour’s Throwback Thursday playlist this week spotlights the best of 1980, kicking off with Blondie’s “Call Me.”


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Cool New Music

Looking for some new music to check out? Here are twenty recently-released tracks that are in heavy rotation at Chez Schwartz:


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