Sounds Of Blackness’ Ann Nesby was born on this date in 1955. A couple of their tracks are included on today’s playlist.
Follow Tunes Du Jour on Facebook
Follow Tunes Du Jour on Twitter
Follow me on Instagram
Tunes Du Jour Presents 1998
The year 1998 was a watershed moment for popular music. Emerging from the stylistic chaos and radical experimentation of the early/mid ’90s, the music of 1998 represented a culmination of daring artistic visions cohering into some of the most innovative, insightful, and flat-out infectious songs of the decade. Across genres, it was a year that shattered boundaries and solidified legends – a prolific melting pot of game-changing sounds destined to endure.
One of the standout tracks of the year was The Verve’s “Bitter Sweet Symphony,” a song that fused rock with sweeping orchestral arrangements, creating an anthemic yet melancholic sound that resonated with a wide audience. Its poignant lyrics and grandiose strings captured a sense of wistful longing and existential reflection that felt emblematic of the complicated late ’90s zeitgeist. Similarly, Radiohead’s “Karma Police” continued to explore the darker, more unsettling side of human experience with its haunting melody and cryptic lyrics, solidifying the band’s status as one of alt-rock’s most vital and cerebral forces.
The late ’90s also saw electronic music rapidly integrating into the mainstream pop landscape in visionary ways. Fatboy Slim’s “The Rockafeller Skank” was an explosively funky example of this trend, with its gritty, sample-heavy production and addictive dancefloor-ready beats. Stardust’s “Music Sounds Better With You” took a more soulful tack, combining classic house rhythms with a simple yet instantly catchy vocal hook to create an enduring dancefloor classic still beloved today. And the Norman Cook remix of Cornershop’s “Brimful of Asha” ingeniously blended Indian folk sounds with UK club vibes for a globe-spanning hit. For seekers of more atmospheric, boundary-pushing electronica, Massive Attack’s “Teardrop” provided a hypnotic, cinematic soundscape. This fertile era helped lay the groundwork for electronic music’s dominance in pop in the coming decades.
Hip-hop and R&B asserted their cultural force in 1998 as well, with few tracks as powerful as Lauryn Hill’s “Doo Wop (That Thing)” – an undeniable feminist anthem of self-respect powered by Hill’s dexterous rapping and soulful crooning. Her ability to fuse hip-hop bravado with uplifting, socially-conscious lyricism over neo-soul grooves earned her massive critical acclaim. Similarly future-leaning was Aaliyah’s “Are You That Somebody?” which saw the singer’s sultry vocals gliding over Timbaland’s percussive, synthetic production for an alluringly sleek sound that felt years ahead of its time.
While maintaining their commercial clout, pop’s biggest icons weren’t afraid to musically reinvent themselves in 1998. Madonna’s “Ray of Light” saw the Queen of Pop shedding her known persona for a more spiritually inquisitive stance matched by the song’s trance-inflected electronica textures. And Janet Jackson’s “Together Again” honored loved ones lost to AIDS with its uplifting, gospel-tinged dance-pop sound tempering heavier subject matter.
In retrospect, the diverse brilliance of 1998’s musical landscape feels almost overwhelming. From fist-pumping dancefloor anthems to raw outpourings of soul, from guitar-driven songs of profundity to mindblowing productions that rewrote pop’s boundaries – the year’s music seamlessly bridged the underground and the mainstream in a way that felt thrillingly new. It was the sound of artists across genres at their hungriest and most inspired, creating the shared musical memories that still bond generations of fans together in nostalgic reverie decades later. For many, 1998 was simply the rarest of cultural moments – when everything intersected with perfection.
Follow Tunes Du Jour on Facebook
Follow Tunes Du Jour on Twitter
Follow me on Instagram
Tunes Du Jour Presents 1997
Music in 1997 was a true reflection of the decade’s diversity and boundary-pushing spirit. From the era’s biggest mainstream pop acts to the underground scenes bubbling up, the hits of ’97 showcased an exciting range of styles and genres commingling.
On the one hand, you had the unstoppable rise of wildly popular all-female groups like the Spice Girls with their debut smash “Wannabe” and the soaring vocals of Whitney Houston on “Step by Step.” At the same time, 1997 was also the year that brought the world jarring yet brilliant alt-rock statements like Radiohead’s sci-fi epic “Paranoid Android” and the dark, literary narratives of acts like Nick Cave.
Hip-hop continued evolving in dozens of directions, from the stunning lyricism of Notorious B.I.G.’s “Hypnotize” to the early flashes of what would become the dominant sound of the 2000s with Missy Elliott’s groundbreaking “The Rain (Supa Dupa Fly).” The year’s electronic/dance highlights came in all tempos and styles, whether the gritty yet blissful big beat of The Prodigy’s “Firestarter” or the sleek Daft Punk groover “Around the World.”
While teenager pop captured the mainstream with acts like Hanson’s “MMMBop,” the alternative/indie realm gifted 1997 with timeless gems spanning rockist earnestness (Ben Folds Five), fuzz-pop dreaminess (The Cardigans’ “Lovefool”), and idiosyncratic lo-fi (Elliot Smith, Yo La Tengo). It was an era of strange but beautiful hybrids, like the trip-hop soul of Erykah Badu’s “On & On.”
Looking back at 1997’s musical landscape, you’re struck by not just the sheer quality of the output, but the vibrant plurality of styles. It was a moment when the underground and the overground were engaged in an intriguing conversation, shaping what came next.
Follow Tunes Du Jour on Facebook
Follow Tunes Du Jour on Twitter
Follow me on Instagram
Tunes Du Jour Presents Janet Jackson
Janet Jackson has long been a force in the world of popular music, carving out a distinct legacy that spans decades. Her impact can be seen not only in her numerous chart-topping hits but also in the cultural shifts she helped to inspire through her music and public presence. From the assertive beats of “Rhythm Nation” to the smooth, sultry tones of “That’s the Way Love Goes,” Jackson’s versatility as an artist has made her a pivotal figure in shaping the sound and style of contemporary pop and R&B.
Starting her career at a young age under the watchful eyes of the public, Janet Jackson quickly emerged from the shadow of her famous brothers to forge her own path. With the release of her breakthrough album, Control, in 1986, she established herself as a powerhouse in the music industry. Hits like “Nasty” and “What Have You Done for Me Lately” showcased her assertive new persona and introduced the world to a young woman taking charge of her destiny both professionally and personally. This album not only solidified her place in the music industry but also became a cultural milestone, empowering a generation of listeners.
Jackson’s contributions to music extend far beyond her powerful voice and infectious beats. Her albums, particularly Rhythm Nation 1814, are noted for their social consciousness. With songs like “Rhythm Nation” and “State of the World,” she addressed pressing issues such as racism, poverty, and substance abuse. These tracks became anthems for social change, illustrating how pop music could be both entertaining and enlightening. The album’s commercial success, coupled with its profound messages, cemented Janet Jackson’s reputation as an artist with both substance and style.
Throughout her career, Jackson has amassed a multitude of accolades, reflecting her influence and success. She has received numerous awards, including Grammy Awards, American Music Awards, and Billboard Music Awards. Her innovative music videos and dynamic stage performances have also earned her the MTV Video Vanguard Award, recognizing her profound impact on the music video landscape.
Beyond her musical achievements, Janet Jackson is also known for her philanthropic efforts. She has supported a variety of causes, from AIDS research and cancer awareness to child education and poverty alleviation. Her involvement in these causes underscores her commitment to using her platform for positive change, further enhancing her legacy as not only an entertainer but also a humanitarian. Janet Jackson’s career is a testament to her enduring talent, her willingness to tackle significant social issues, and her generosity offstage. With a catalog of hits that have shaped the sound of modern music, and a heart dedicated to making the world a better place, Jackson’s contributions are both vast and profound. She remains a luminary in the music world, inspiring future generations to find their own voices and make their own impacts.
Follow Tunes Du Jour on Facebook
Follow Tunes Du Jour on Twitter
Follow me on Instagram
Your (Almost) Daily Playlist: 4-20-24
If you’re looking for a smooth soundtrack to unwind with, Luther Vandross has you covered. His smooth vocals and captivating stage presence made him a beloved and influential figure in R&B and soul music.
Early in his career, Vandross honed his skills not just as a singer, but as a songwriter and producer. He penned the uplifting “Everybody Rejoice/A Brand New Day” for the Broadway musical The Wiz, showcasing his talent for crafting memorable melodies. This period also saw him become a sought-after background vocalist, lending his voice to the recordings of icons like David Bowie, Stevie Wonder, Donna Summer, Todd Rundgren, Diana Ross, Ben E. King, Sister Sledge, Roberta Flack, Chaka Khan, Judy Collins, the J. Geils Band, Irene Cara, and Bette Midler. Not only did Vandross sing on Bowie’s “Fascination,” but they wrote the song together. This experience further solidified Vandross’ own artistic vision, which he would soon unleash on the world.
Before embarking on his solo journey, Vandross dipped his toes into the world of lead vocals. He fronted the disco group Change, belting out their hit “The Glow of Love.” He also sang lead for Bionic Boogie on their track “Hot Butterfly,” and even fronted a short-lived band simply called Luther.
Quincy Jones’ “Takin’ It To the Streets,” featuring Vandross as a lead vocalist alongside Gwen Guthrie, demonstrated his ability to shine even before his solo breakout. Later in his career, Vandross would seamlessly slip back into the role of collaborator, creating magic on duets with artists like Janet Jackson (“The Best Things in Life Are Free”) and Dionne Warwick (“How Many Times Can We Say Goodbye”).
The 1980s marked Vandross’ rise to stardom as a solo artist. Tracks like “Never Too Much” and “Here and Now” became instant classics, showcasing his ability to blend vulnerability with pure soulful power.
Throughout his career, Vandross racked up accolades. He’s a Grammy Award winner with eight statues to his name, and countless other awards solidify his place as a musical giant. But beyond the trophies, his true impact lies in the way his music continues to connect with listeners. Whether it’s a slow dance ballad or a roof-raising anthem, Vandross’ music offers a timeless blend of emotion and artistry. So next time you hear that velvety voice, take a moment to appreciate the work of a true musical great, who not only delivered unforgettable solo performances but also left his mark through songwriting, production, and collaborations across genres. Today’s playlist isn’t just a collection of Luther Vandross’ greatest hits – it’s a mix of some of those tracks alongside other gems that reveal the breadth of Vandross’ musical contributions. Prepare to be surprised at where he turns up. For example, those unforgettable “ba ba”s that open Stevie Wonder’s “Part-Time Lover?” That’s Luther!
Follow Tunes Du Jour on Facebook
Follow Tunes du Jour on Twitter
Follow me on Instagram
Tunes Du Jour Presents Q-Tip & A Tribe Called Quest
If you’re looking to delve into some classic hip-hop with a sophisticated twist, then look no further than Q-Tip and his legendary group, A Tribe Called Quest. This playlist offers an introduction to their work, blending catchy rhymes with smooth jazz influences that will have you tapping your foot in no time.
Q-Tip, the group’s mastermind, is a true artist. His rapping style is intelligent and witty, avoiding the braggadocio that can sometimes dominate the genre. Tracks like “Can I Kick It?” and “Scenario” showcase his playful wordplay and knack for storytelling. But A Tribe Called Quest is more than just clever lyrics. The production, often featuring jazzy samples and soulful melodies, creates a laid-back atmosphere that’s perfect for unwinding after a long day.
This playlist goes beyond just A Tribe Called Quest, though. It highlights Q-Tip’s collaborations with other artists, demonstrating his versatility. Tracks like “Got ‘Til It’s Gone” with Janet Jackson and “Go” with The Chemical Brothers proves his influence extends beyond hip-hop.
So, whether you’re a longtime hip-hop fan or just curious to explore the genre’s more thoughtful side, this playlist is a great place to start. With its infectious grooves and insightful lyrics, A Tribe Called Quest’s music is sure to become a new favorite for listeners of all ages.
Follow Tunes du Jour on Facebook
Follow Tunes du Jour on Twitter
Follow me on Instagram
Tunes Du Jour Presents 1989
Although 1989 may not have been a groundbreaking year for popular music, it bestowed upon us an array of iconic hits spanning diverse genres. Take, for instance, The B-52’s infectious “Love Shack,” with its quirky lyrics and irresistible beat that whisked revelers away to a neon-lit haven of love and laughter. Meanwhile, Neneh Cherry’s “Buffalo Stance” effortlessly blended hip-hop beats and funk, showcasing Cherry’s distinct rap-singing style and exuding an aura of boldness and unapologetic confidence.
On a more introspective note, The Cure’s “Lovesong” captured the poignant ache of love’s longing through haunting melodies and Robert Smith’s plaintive vocals. In contrast, Paula Abdul’s “Straight Up” emerged as a pop gem, infusing catchy hooks with Abdul’s signature sassy charm. Public Enemy’s “Fight the Power” thundered onto the scene as a resounding anthem against social injustice, urging listeners to question authority and demand change.
Meanwhile, De La Soul’s “Me, Myself And I” provided a playful yet insightful commentary on self-identity and individuality, solidifying their status as pioneers of alternative rap. Pixies’ “Debaser” shattered musical conventions with its raw energy, while N.W.A’s “Express Yourself” defiantly resonated with those embracing authenticity. Enya’s “Orinoco Flow” whisked us away on Celtic winds, and Young M.C.’s “Bust A Move” had us grooving to its playful rap verses.
Then there were the soulful strains of Guns N’ Roses’ “Patience,” revealing a softer side to the rock rebels, and Madonna’s “Like a Prayer,” a fusion of pop sensibility with gospel-infused vocals that pushed boundaries. Fine Young Cannibals’ “She Drives Me Crazy” pulsated with infectious energy, blending pop, new wave, and soul, while Prince’s “Batdance” defied genres with its blend of funk, rock, and pop flamboyance. Meanwhile, Nirvana’s “About a Girl” hinted at the seismic shift the band would bring to the music industry.
Reflecting on the music of 1989, we’re reminded of its enduring legacy and profound impact on contemporary music. Each song in this playlist serves as a time capsule, transporting us to a moment when music had the power to unite, inspire, and ignite imaginations. So let’s press play and embark on a journey through the sonic landscape of 1989, where every note resonates with the magic of music.
Follow Tunes du Jour on Facebook
Follow Tunes du Jour on Twitter
Follow me on Instagram
Your (Almost) Daily Playlist: 12-13-23
WHAT TIME IS IT? Time to celebrate the 67th birthday of The Time’s Morris Day! A few of his selections are on today’s playlist.
https://open.spotify.com/playlist/5HGp6sA2mAESD5SwZa9Yrh?si=d3f23ce6e4204584
Follow Tunes du Jour on Facebook
Follow Tunes du Jour on Twitter
Follow me on Instagram
