September is Self Improvement Month. Hear are 30 songs to inspire you to become your best self.
Tunes Du Jour Presents Disco
This fall marks fifty years since Billboard magazine began publishing its disco chart, an acknowledgment of a genre that danced its way into the hearts of millions. Disco music, with its infectious rhythms and vibrant energy, was more than just a soundtrack for nightlife; it was a cultural phenomenon rooted in the experiences of Black, Latinx, and gay communities. The genre’s pulsating beats and soulful melodies offered an escape, a place where people could come together and express themselves freely on the dance floor.
Disco’s origins can be traced back to the dance halls of New York City, where marginalized communities created spaces for celebration and expression. Early tracks like The Trammps’ “That’s Where the Happy People Go” and Shirley & Co’s “Shame, Shame, Shame” laid the foundation for what would become a global movement. These songs, along with others from the era, were not just about the beats but also about creating a sense of community and shared experience on the dance floor, where people from all walks of life could come together and express themselves freely.
Black artists played a central role in shaping disco’s sound and message. Chic’s “Le Freak” and Sister Sledge’s “He’s the Greatest Dancer” brought sophisticated grooves that transcended race, while Marvin Gaye’s “Got to Give It Up” and Diana Ross’s “Upside Down” combined soul with danceable rhythms, pushing the genre into mainstream consciousness. The smooth yet dynamic production styles and vocals showcased a depth that went beyond the glittering surface often associated with disco.
Latinx influences also left an indelible mark on the genre. Songs like “Turn The Beat Around” by Vicki Sue Robinson and “Cherchez La Femme” by Dr. Buzzard’s Original Savannah Band infused Latin rhythms with disco beats, creating a vibrant and eclectic sound. This cross-pollination of cultures on the dance floor reflected the diversity of the communities that embraced disco, making it a genre that celebrated inclusivity long before it became a mainstream value.
As we commemorate fifty years since Billboard recognized disco’s impact, it’s important to remember that disco was more than just a moment in time. It was a movement that broke down social barriers and created a space where joy and liberation could thrive. Whether it’s the enduring appeal of “Stayin’ Alive” by the Bee Gees or the timeless groove of KC & the Sunshine Band’s “That’s the Way (I Like It),” disco’s legacy lives on, reminding us of the power of music to unite and uplift.
Tunes Du Jour Presents 1980
As the calendar turned to 1980, the music world stood at a fascinating crossroads. The year marked not just the dawn of a new decade, but also a pivotal moment in popular music, where established genres evolved and new sounds emerged to captivate listeners.
The influence of disco could still be felt, though its dominance was waning. Michael Jackson’s “Rock With You” showcased his exceptional vocal talents and danceable rhythms, while Diana Ross’s “Upside Down” demonstrated the sophisticated production techniques that defined the era. These tracks, along with hits like Lipps, Inc.’s “Funkytown” and The Brothers Johnson’s “Stomp!”, proved that disco’s infectious energy still had the power to fill dance floors.
Stevie Wonder’s “Master Blaster (Jammin’)” further exemplified how established artists were adapting to the changing musical landscape, infusing reggae influences into his signature soulful sound.
However, 1980 also heralded the rise of new wave and synth-pop, genres that would come to define much of the decade’s sound. Gary Numan’s “Cars” introduced many listeners to the futuristic possibilities of synthesizer-driven music, creating an atmospheric soundscape that was both innovative and influential. Blondie’s “Call Me” further exemplified the genre’s versatility, blending punk aesthetics with disco beats to create a chart-topping hit that appealed to a broad audience. Pretenders established themselves with “Brass in Pocket,” a song that showcased Chrissie Hynde’s distinctive vocals and the band’s unique blend of punk energy and pop sensibility.
Rock and punk maintained a strong presence throughout the year. Pink Floyd’s “Another Brick in the Wall, Pt. 2” dominated charts worldwide, its memorable chorus and biting social commentary resonating with listeners. The Clash’s “London Calling” and AC/DC’s “You Shook Me All Night Long” brought raw energy and rebellious spirit to the airwaves. These tracks, along with Motörhead’s aggressive “Ace of Spades,” spoke to listeners seeking music that channeled their frustrations and aspirations. In contrast, Joy Division’s haunting “Love Will Tear Us Apart” showcased a more introspective side of post-punk, its emotional depth influencing countless artists in the years to come. The Cure’s “A Forest” further expanded the boundaries of post-punk, its atmospheric sound and introspective lyrics pointing towards the gothic rock movement that would flourish in the coming years.
The year was also marked by significant releases that left an indelible mark on popular culture. John Lennon’s “(Just Like) Starting Over” served as a poignant reminder of his enduring legacy, released shortly before his untimely death. Queen’s “Another One Bites the Dust” demonstrated the band’s ability to blend rock with funk, creating an anthem that remains popular decades later. David Bowie’s “Ashes to Ashes” continued his tradition of pushing musical boundaries, seamlessly merging art rock with electronic elements.
Oh, a guy named Prince had his breakthrough hit “I Wanna Be Your Lover.” We’d hear more from him throughout the 1980s.
As the year closed, it was clear that 1980 had set the stage for the decade to come. The eclectic mix of sounds reflected a world in transition. It was a year where artists embraced both the past and the future, creating music that was as much a reflection of its time as it was a precursor to the trends that would define the 1980s.
Tunes Du Jour Celebrates International Hangover Day
Today is International Hangover Day. Celebrate accordingly. Here’s your inspired by playlist:
Tunes Du Jour Celebrates PRIDE!
Music has long been a powerful force for self-expression and building community for LGBTQ+ artists and listeners alike. This Pride playlist celebrates the incredible diversity within the LGBTQ+ community through a wide range of styles, eras, and voices.
From enduring anthems like Diana Ross’ “I’m Coming Out” and Queen’s defiant “I Want To Break Free” to recent hits from Lil Nas X, Janelle Monae, and Troye Sivan, the songs seamlessly blend messages of pride, self-acceptance, and living authentically. Legendary artists like Elton John, George Michael, and Melissa Etheridge stand alongside bold new voices like Rina Sawayama and Perfume Genius, showing how LGBTQ+ musicians have blazed trails across decades.
The playlist pays tribute to tracks that turned the spotlight on LGBTQ+ experiences through storytelling, like The Kinks’ “Lola,” Pet Shop Boys’ “It’s a Sin,” and Bronski Beat’s “Smalltown Boy.” It also uplifts joyful, celebratory bops, such as “I’m Still Standing,” “Go West,” and the iconic “It’s Raining Men.”
With a mix of pop smashes, singer-songwriter confessionals, rock anthems, and hip-hop ground-breakers, the eclectic playlist reflects how LGBTQ+ artists have fruitfully influenced every corner of the musical landscape. From Carl Bean’s pioneering disco hit “I Was Born This Way” to Gossip’s “Standing in the Way of Control,” these songs unite in championing self-love, equality, and the fundamental human rights that the LGBTQ+ community continues fighting for.
Ultimately, this playlist invites listeners of all identities and backgrounds to share in the uplifting spirit of Pride. It’s a vibrant, multi-dimensional celebration of the perseverance, creativity, and unshakeable truth at the heart of the LGBTQ+ experience.
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Your (Almost) Daily Playlist: 4-20-24
If you’re looking for a smooth soundtrack to unwind with, Luther Vandross has you covered. His smooth vocals and captivating stage presence made him a beloved and influential figure in R&B and soul music.
Early in his career, Vandross honed his skills not just as a singer, but as a songwriter and producer. He penned the uplifting “Everybody Rejoice/A Brand New Day” for the Broadway musical The Wiz, showcasing his talent for crafting memorable melodies. This period also saw him become a sought-after background vocalist, lending his voice to the recordings of icons like David Bowie, Stevie Wonder, Donna Summer, Todd Rundgren, Diana Ross, Ben E. King, Sister Sledge, Roberta Flack, Chaka Khan, Judy Collins, the J. Geils Band, Irene Cara, and Bette Midler. Not only did Vandross sing on Bowie’s “Fascination,” but they wrote the song together. This experience further solidified Vandross’ own artistic vision, which he would soon unleash on the world.
Before embarking on his solo journey, Vandross dipped his toes into the world of lead vocals. He fronted the disco group Change, belting out their hit “The Glow of Love.” He also sang lead for Bionic Boogie on their track “Hot Butterfly,” and even fronted a short-lived band simply called Luther.
Quincy Jones’ “Takin’ It To the Streets,” featuring Vandross as a lead vocalist alongside Gwen Guthrie, demonstrated his ability to shine even before his solo breakout. Later in his career, Vandross would seamlessly slip back into the role of collaborator, creating magic on duets with artists like Janet Jackson (“The Best Things in Life Are Free”) and Dionne Warwick (“How Many Times Can We Say Goodbye”).
The 1980s marked Vandross’ rise to stardom as a solo artist. Tracks like “Never Too Much” and “Here and Now” became instant classics, showcasing his ability to blend vulnerability with pure soulful power.
Throughout his career, Vandross racked up accolades. He’s a Grammy Award winner with eight statues to his name, and countless other awards solidify his place as a musical giant. But beyond the trophies, his true impact lies in the way his music continues to connect with listeners. Whether it’s a slow dance ballad or a roof-raising anthem, Vandross’ music offers a timeless blend of emotion and artistry. So next time you hear that velvety voice, take a moment to appreciate the work of a true musical great, who not only delivered unforgettable solo performances but also left his mark through songwriting, production, and collaborations across genres. Today’s playlist isn’t just a collection of Luther Vandross’ greatest hits – it’s a mix of some of those tracks alongside other gems that reveal the breadth of Vandross’ musical contributions. Prepare to be surprised at where he turns up. For example, those unforgettable “ba ba”s that open Stevie Wonder’s “Part-Time Lover?” That’s Luther!
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Tunes Du Jour Presents Marvin Gaye
Marvin Gaye wasn’t just a singer; he was a cultural touchstone. His music transcended genres and generations, leaving an indelible mark on the soundtrack of our lives.
Today’s playlist delves into the multifaceted artistry of this musical giant. We hear the early days of Gaye, the prince of Motown, with classics like “Ain’t That Peculiar” and “How Sweet It Is (To Be Loved By You).” These tracks showcase Gaye’s undeniable charisma and his ability to deliver a love song that could melt glaciers.
But Gaye wasn’t content to simply be a love ballad specialist. One can’t ignore the social and political commentary woven into Gaye’s later works, particularly What’s Going On, which topped Rolling Stone’s 2020 survey of the greatest albums of all time. That record tackled war, poverty, and environmental concerns with a raw honesty that resonated deeply. Tracks like “Mercy Mercy Me (The Ecology)” tackled environmental degradation, while the title track became an anthem for a generation yearning for peace and a response to society’s ills. This willingness to confront social issues set Gaye apart, making him a voice for the voiceless.
Gaye’s influence on music is undeniable. His use of layered instrumentation paved the way for future generations of artists. More importantly, his vocal prowess – the raspy vulnerability, the effortless power – became a benchmark for countless singers across genres. From R&B to soul to pop, Gaye’s influence can be felt in the music we listen to today.
Beyond the music, Gaye’s personal struggles became part of his narrative. His tempestuous relationships and inner demons fueled the emotional intensity of his music, adding a layer of authenticity that resonated with listeners. But it’s important to remember the man behind the music, not just the turmoil. Gaye’s collaborations with Tammi Terrell, Kim Weston, Mary Wells, and Diana Ross produced some of the most beloved soul duets ever recorded, showcasing a tenderness and vulnerability that balanced his more confrontational moments.
The accompanying playlist offers a glimpse into the vast and multifaceted world of Marvin Gaye. You’ll find heart-wrenching ballads like “I Heard It Through the Grapevine” alongside the dancefloor anthems like “Got to Give It Up.” There are the iconic duets with Tammi Terrell, the socially conscious anthems, and the smooth, seductive grooves that made him a legend.
Marvin Gaye’s legacy extends far beyond the number of records sold or awards won. He was a cultural icon, a voice for a generation, and an artist whose influence continues to be felt today. So put on your headphones, crank up the volume, and let the music of Marvin Gaye wash over you.
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Tunes Du Jour Presents Diana Ross
Diana Ross is a name synonymous with powerhouse vocals, unforgettable style, and a career that has spanned over six decades. But beyond the glitz and glamour, Ross’ impact on music is undeniable. As the lead singer of The Supremes, she shattered racial barriers and brought a new level of sophistication to pop music. Hits like “Baby Love,” “Where Did Our Love Go,” and “You Can’t Hurry Love” remain timeless classics, while tracks like “Love Child” subtly challenged societal norms.
Leaving The Supremes to forge a successful solo career, Ross continued to push boundaries. Songs like “Upside Down” and “Love Hangover” cemented her status as a disco queen, while the uplifting “Ain’t No Mountain High Enough” became a rallying cry for overcoming obstacles, “Theme from Mahogany (Do You Know Where You’re Going To?)” displayed her versatility as a dramatic performer, and “I’m Coming Out” became a cultural touchstone, an anthem for the LGBTQ+ community. Whether intentional or not, Ross’s music consistently resonated with those seeking empowerment and self-discovery. Ross’ music wasn’t just catchy; it spoke to the aspirations and heartaches of a generation.
While the spotlight often shines on her musical achievements, Ross’s philanthropic efforts deserve equal recognition. She has championed causes that touch the lives of many. Here are some highlights:
- Autism Movement Therapy: Ross’s support for this organization underscores her commitment to inclusivity. By promoting movement-based therapies for individuals with autism, she advocates for a world where everyone’s unique abilities are celebrated.
- Elton John AIDS Foundation: Ross’s involvement in this foundation reflects her compassion. She recognizes the devastating impact of HIV/AIDS and works tirelessly to raise awareness and funds for research and support.
- Muhammad Ali Parkinson Center: Inspired by her dear friend Muhammad Ali, Ross contributes to this center, which provides care and resources for those battling Parkinson’s disease. Her empathy extends beyond the stage.
- United Service Organization (USO): Ross’s dedication to supporting military personnel and their families is unwavering. Her performances for troops stationed around the world demonstrate her gratitude and respect.
Listening to the playlist as a whole, it’s clear that Diana Ross’s legacy goes beyond just chart-topping hits. She was a pioneer for Black artists in the music industry, an artist whose music continues to inspire and uplift. By paving the way for future generations of artists, she helped diversify the soundscape of popular music. So crank up the volume, hit play, and let yourself be swept away by the timeless sounds of Diana Ross.
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