Tag Archives: The Kinks

The Ultimate Christmas Playlist

Today is the day after Thanksgiving here in the United States of America. You’re officially allowed to start listening to holiday music now. To get you started, I compiled a playlist of what I consider to be 100 of the best Christmas songs. Okay, 98 songs, a stand-up routine and a skit. It’s a mix of standards, versions of standards with which you may not be familiar, and obscure but delightful tunes.

Enjoy!

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A Hint Of Mint – Volume 70: LGBTQ Music From 1977 To 1978

We are everywhere! In punk, in disco, in glam, in pop, in adult contemporary, in classic rock.

This playlists consists of twenty songs, some performed by artists who fall somewhere under the LGBTQ umbrella, others with queer lyrical content. Performers include Buzzcocks, the Rolling Stones and the Kinks.


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Throwback Thursday – 1964

Between the British invasion, the growth of Motown, and the girl group sound, many arguments could be made as to why 1964 was the best year for pop music. Here are twenty:


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Jimmy Page: Pre-Zeppelin

(I meant to post this yesterday, but I entered the wrong date on the schedule. Oopsie!)

Before founding Led Zeppelin, Jimmy Page, who turns 72 years old today, was an in-demand musician. Here are twenty pre-Zeppelin tracks on which he played:


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Grammy Nominations!

It seems that last week I was busy doing something close to nothing, so I didn’t get a chance to tell you who was nominated for Grammys this year. Here is the list, with my random thoughts thrown in:

Record of the Year
“Really Love” — D’Angelo and the Vanguard
“Uptown Funk” — Mark Ronson featuring Bruno Mars
“Thinking Out Loud” — Ed Sheeran
“Blank Space” — Taylor Swift
“Can’t Feel My Face” — The Weeknd

I’d give it to The Weeknd, but I wouldn’t mind if Mark Ronson or D’Angelo won. I’ve never heard this Taylor Swift fella so I can’t vote for him. I have heard Ed Sheeran so I can’t vote for him.

Song of the Year
“Alright” — Kendrick Lamar (written by Kendrick Duckworth, Mark Anthony Spears and Pharrell Williams)
“Blank Space” — Taylor Swift (written by Max Martin, Shellback and Taylor Swift)
“Girl Crush” — Little Big Town (written by Hillary Lindsey, Lori McKenna and Liz Rose)
“See You Again” — Wiz Khalifa featuring Charlie Puth (written by Andrew Cedar, Justin Franks, Charles Puth and Cameron Thomaz)
“Thinking Out Loud” — Ed Sheeran (written by Ed Sheeran and Amy Wadge)

Kendrick’s “Alright” is more than alright and I have a boy crush on Little Big Town’s “Girl Crush.” As for “See You Again,” I hope I never hear it again. I’m not going to say what I think of Ed Sheeran out loud. This Taylor Swift fella’s songs are not on Spotify, which is why nobody knows who he is.

Album of the Year
Sound & Color — Alabama Shakes
To Pimp a Butterfly — Kendrick Lamar
Traveller — Chris Stapleton
1989 — Taylor Swift
Beauty Behind the Madness — The Weeknd

To Pimp a Butterfly is the best album of 2015, but the category is called Album of the Year, not Best Album of the Year. The Weeknd’s album had its moments, and I have no beef with Alabama Shakes. I wouldn’t know a Chris Stapleton song if it hit me in the ears, but I loved Jean Stapleton on All in the Family. And there’s that Taylor Swift fella again, who will probably win Album of the Year as he named his album after a year, the sneaky devil. Maybe then he’ll finally start getting some press.

Best New Artist
Courtney Barnett
James Bay
Sam Hunt
Tori Kelly
Meghan Trainor

Last year Meghan Trainor was nominated for Record of the Year for “All About That Bass.” However, per the Recording Academy, to be eligible for a Best New Artist nomination “a person or band must have or have not released an album, song, or spoken a single word any time during their life, after their life, or never.” I’m voting for Courtney Barnett, who has been putting out music since 2012, for Best New Artist of 2015. Regarding the others up for this award, I’ve heard of Sam Hunt but haven’t heard any of his or her music, and James Bay and Tori Kelly are names the Academy made up so there would be five nominees.

Best Pop Duo/Group Performance
“Ship to Wreck” — Florence + The Machine
“Sugar” — Maroon 5
“Uptown Funk” — Mark Ronson featuring Bruno Mars
“Bad Blood” — Taylor Swift featuring Kendrick Lamar
“See You Again” — Wiz Khalifa featuring Charlie Puth

Are they going to have this Taylor Swift fella perform on the Grammy Awards telecast so the world can see what he looks like? I’d give this award to Mark Ronson and Bruno Mars. If Maroon 5 or Wiz Khalifa/Charlie Puth win, somebody’s going to get hurt.

Best Pop Solo Performance
“Heartbeat Song” — Kelly Clarkson
“Love Me Like You Do” — Ellie Goulding
“Thinking Out Loud” — Ed Sheeran
“Blank Space”— Taylor Swift
“Can’t Feel My Face” — The Weeknd

Is Taylor Swift that guy from the Twilight movies?

Best Pop Vocal Album
Piece By Piece — Kelly Clarkson
How Big, How Blue, How Beautiful — Florence + The Machine
Uptown Special — Mark Ronson
1989 — Taylor Swift
Before This World — James Taylor

James Taylor? What just happened? Is Taylor Swift the guy who wrote Gulliver’s Travels back in the 1700s?

Best Rap Collaboration
“One Man Can Change The World” — Big Sean featuring Kanye West and John Legend
“Glory” — Common and John Legend
“Classic Man” — Jidenna featuring Roman GianArthur
“These Walls” — Kendrick Lamar featuring Bilal, Anna Wise and Thundercat
“Only” — Nicki Minaj featuring Drake, Lil Wayne and Chris Brown

Where’s Taylor Swift’s nomination?

Best Rap Song
“All Day” — Kanye West featuring Theophilus London, Allan Kingdom and Paul McCartney (written by Kanye West, Paul McCartney, Tyler Bryant, Kendrick Duckworth, Karim Kharbouch, Ernest Brown, Cydel Young, Victor Mensah, Allan Kyariga, Mike Dean, Che Pope, Noah Goldstein, Allen Ritter, Mario Winans, Charles Njapa, Malik Yusef Jones, Patrick Reynolds, Rennard East and Noel Ellis)
“Alright — Kendrick Lamar (written by Kendrick Duckworth, Mark Anthony Spears and Pharrell Williams)
“Energy” — Drake (written by Richard Dorfmeister, A. Graham, Markus Kienzl, M. O’Brien, M. Samuels and Phillip Thomas)
“Glory” — Common and John Legend (written by Lonnie Lynn, Che Smith and John Stephens)
“Trap Queen” — Fetty Wap (written by Tony Fadd & Willie J. Maxwell)

It’s about time Grandmaster Paul McCartney was nominated for Best Rap Song, though the fact that it took 19 people to write it diminishes what is otherwise a perfectly so-so track. MC Paul McC is up against some heavyweights, so he’ll need to keep trying for the rap trophy because this won’t be his year.

Best Rap Album
2014 Forest Hills Drive — J. Cole
Compton — Dr. Dre
If You’re Reading This It’s Too Late — Drake
To Pimp a Butterfly — Kendrick Lamar
The Pinkprint — Nicki Minaj

Kendrick. Anna Kendrick.

Best Rap Performance
“Apparently” — J. Cole
“Back to Back” — Drake
“Trap Queen” — Fetty Wap
“Alright” — Kendrick Lamar
“Truffle Butter” — Nicki Minaj featuring Drake and Lil Wayne
“All Day” – Kanye West featuring Theophilus London, Allan Kingdom and Paul McCartney

Eddie Kendricks.

Best Country Album
Montevallo — Sam Hunt
Pain Killer — Little Big Town
The Blade — Ashley Monroe
Pageant Material — Kacey Musgraves
Traveller — Chris Stapleton

Kendrick Lamar or Taylor Swift.

Best Country Solo Performance
“Burning House” — Cam
“Traveller” — Chris Stapleton
“Little Toy Guns” — Carrie Underwood
“John Cougar, John Deere, John 3:16″ — Keith Urban
“Chances Are” — Lee Ann Womack

Hedy Lamarr or Elizabeth Taylor.

Best Country Duo/Group Performance
“Stay a Little Longer” — Brothers Osborne
“If I Needed You” — Joey + Rory
“The Driver” — Charles Kelley, Dierks Bentley, Eric Paslay
“Girl Crush” — Little Big Town
“Lonely Tonight” — Blake Shelton featuring Ashley Monroe

Hedley Lamarr or Motel the Tailor.

Best Country Song
“Chances Are” — Lee Ann Womack (written by Hayes Carll)
“Diamond Rings and Old Barstools” — Tim McGraw (written by Barry Dean, Luke Laird and Jonathan Singleton)
“Girl Crush” — Little Big Town (written by Hillary Lindsey, Lori McKenna and Liz Rose)
“Hold My Hand” — Brandy Clark (written by Brandy Clark and Mark Stephen Jones)
“Traveller” — Chris Stapleton (written by Chris Stapleton)

Swifty Lazar or Lord and Taylor.

Best Rock Album
Chaos and the Calm — James Bay
Kintsugi — Death Cab for Cutie
Mister Asylum — Highly Suspect
Drones — Muse
.5: The Gray Chapter — Slipknot

Laser Hair Removal or Tailor On Premises.

Best Dance Recording
“We’re All We Need” — Above and Beyond featuring Zoë Johnston
“Go” — The Chemical Brothers
“Never Catch Me” — Flying Lotus featuring Kendrick Lamar
“Runaway (U & I)” — Galantis
“Where Are Ü Now” — Skrillex and Diplo with Justin Bieber

Laser Beams – oh, wait. Kendrick Lamar really is nominated in this category.

Best Rock Performance
“Don’t Wanna Fight” — Alabama Shakes
“What Kind of Man” — Florence + The Machine
“Something From Nothing” — Foo Fighters
“Ex’s & Oh’s” — Elle King
“Moaning Lisa Smile” — Wolf Alice

What happened to that Taylor Swift fella? He hasn’t been nominated in the last few categories. The Academy built him up and then knocked him right back down.

Best Rock Song
“Don’t Wanna Fight” — Alabama Shakes (written by Alabama Shakes)
“Ex’s & Oh’s” — Elle King (written by Dave Bassett and Elle King)
“Hold Back the River” — James Bay (written by Iain Archer and James Bay)
“Lydia” — Highly Suspect (written by Richard Meyer, Ryan Meyer and Johnny Stevens)
“What Kind of Man” — Florence + The Machine (written John Hill, Tom Hull and Florence Welch)

I find these nominees highly suspect. Who is Highly Suspect? Isn’t James Bay the guy who directed Avatar and Transformers? I like the Elle King song, but she’s Rob Schneider’s daughter (seriously!), so give the award to Alabama Shakes or Florence.

Best Dance/Electronic Album
Our Love — Caribou
Born in the Echoes — The Chemical Brothers
Caracal — Disclosure
In Colour — Jamie XX
Skrillex and Diplo Present Jack Ü — Skrillex And Diplo

I’m rooting for – hold on, the phone is ringing.

Best R&B Song
“Coffee” — Miguel (written by Brook Davis and Miguel Pimente)
“Earned It (Fifty Shades of Grey)” — The Weeknd (written by Ahmad Balshe, Stephan Moccio, Jason Quenneville and Abel Tesfaye)
“Let It Burn” — Jazmine Sullivan (written by Kenny B. Edmonds, Jazmine Sullivan and Dwane M. Weir II)
“Really Love” — D’Angelo and the Vanguard (written by D’Angelo and Kendra Foster)
“Shame” — Tyrese (written by Warryn Campbell, Tyrese Gibson and DJ Rogers Jr,)

Jazmine Sullivan put out a record this year? I don’t think so. Tyrese put out a record this year? Yeah, sure he did! I’m okay with any of the folks who actually released a record this year winning.

Best R&B Performance
“If I Don’t Have You” — Tamar Braxton
“Rise Up” — Andra Day
“Breathing Underwater” — Hiatus Kaiyote
“Planes” — Jeremih featuring J. Cole
“Earned It (Fifty Shades Of Grey)” — The Weeknd

This is The Weeknd’s to lose. I don’t know the other nominated songs, but I imagine they’re boring and Hiatus Kaiyote is not a real thing.

Best R&B Album
Coming Home — Leon Bridges
Black Messiah — D’Angelo and the Vanguard
Cheers to the Fall — Andra Day
Reality Show — Jazmine Sullivan
Forever Charlie — Charlie Wilson

If D’Angelo doesn’t win then the terrorists have won.

Best Alternative Music Album
Sound & Color — Alabama Shakes
Vulnicura — Björk
The Waterfall — My Morning Jacket
Currents — Tame Impala
Star Wars — Wilco

[Insert play on names Kendrick Lamar and Taylor Swift here.]

Best Urban Contemporary Album
Ego Death — The Internet
You Should Be Here — Kehlani
Blood — Lianne La Havas
Wildheart — Miguel
Beauty Behind the Madness — The Weeknd

You can Google Kehlani and found out who or what that is. You can Google Lianne La Havas and find out who or what that is. You can Google The Internet and NOT LEARN A GODDAMN THING ABOUT WHO OR WHAT THAT IS. When you’re done Googling, face the fact that this category is a two-person contest between Miguel and The Weeknd.

Best Spoken Word Album
Blood On Snow (Jo Nesbø) – Patti Smith
Brief Encounters: Conversations, Magic Moments, And Assorted Hijinks – Dick Cavett
A Full Life: Reflections at Ninety – Jimmy Carter
Patience And Sarah (Isabel Miller) – Janis Ian and Jean Smart
Yes Please – Amy Poehler

This is Patti Smith’s first Grammy nomination. The woman who co-wrote “Because the Night” with Bruce Springsteen and made it a top fifteen pop hit and classic rock staple has never been nominated previously for a Grammy. The woman whose 1975 release Horses consistently appears on All Time Best Albums lists receives her first Grammy nomination in 2015 for reading a book out loud, a book somebody else wrote at that! This is a real category??? Too bad Smith is going to lose this award to former president Jimmy Carter who, great man that he is, does not have a “Piss Factory” in him.

Today’s playlists is made up of twenty selections that were not nominated for Grammy Awards. Not for Song of the Year, not for Record of the year, not for vocal performance in any genre, nor were the albums on which these tracks initially appeared nominated under any genre. Listen to these losers!


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My Birthday Advice: Don’t!

doggies + Elvis
Today is my birthday. Over my 25+ years on earth, I’ve learned many life lessons. Most of them came from songs. My birthday gift to you is a playlist of 100 songs offering advice as to what not to do.


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50 Songs Named After Real People

Today is the birthday of two music icons – Jam-Master Jay of rap pioneers Run-D.M.C. and disc jockey Wolfman Jack. Besides their place in their history of rock and roll, both men have another thing in common – they were the subjects of songs. That inspired me to put together today’s playlist – songs named after real people.

I found fifty songs whose titles are actual people. Actually I found more than fifty, but I didn’t want to subject you to Chiddy Bang or Mac Miller. I made a few rules for myself:
1) The title can’t have words besides the person’s name, hence no Kim Carnes’ “Bette Davis Eyes” or Sleater-Kinney’s “I Wanna Be Your Joey Ramone.”
2) The title has to be the full name the person is known by, so no “Springsteen” by Eric Church or “Jessica” (about Jessica Simpson) by Adam Green. Allowed are “Galileo,” “Joan of Arc” and “King Tut,” as that is how most people identify Galileo Galilei, Joan d’Arc and Tutankhamun.
3) The song doesn’t have to be about the person after whom it is titled, so “Jack the Ripper” and “Rosa Parks” are in.
4) The track has to be on Spotify. This means I left out Bob Dylan’s “George Jackson” and Hoodie Allen’s “James Franco.”

Amazingly for a playlist based on such a goofy concept, it holds together quite well, if I say so myself.

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Rod Stewart – “The Killing of Georgie”

Rod Stewart wrote his 1977 hit “The Killing of Georgie (Part I and II)” about a close friend of his. He tells us Georgie was cast out of his home by his parents after coming out as gay to them. Georgie moves to New York City, where he finds adulation from people who love to be around him and becomes “the toast of the Great White Way.” In the summer of 1975 he tells Rod he’s in love. Leaving a Broadway show, Georgie and his boyfriend are walking arm in arm in Manhattan when they encounter a gang from New Jersey. The original intention of the gang is to mug the couple, but as you may gather from the song’s title, it doesn’t end well for Georgie.

That the story of an unambiguously gay man should become a top 30 hit in 1977 amazes me. How many hit songs have such a main character? There’s the cross-dressing man who calls himself Lola in The Kinks song of that name and then there’s um, hmmmm, uh…there’s our list, then.

Stewart told Mojo magazine that when he wrote the song, “everyone around me was gay.” He had a gay manager and a gay publicist. “I don’t know whether that prompted me into it or not. I think it was a brave step, but it wasn’t a risk. You can’t write a song like that unless you’ve experienced it. But it was a subject that no one had approached before.”

Part I of the song ends with Stewart sharing with us Georgie’s philosophy on life: Never wait or hesitate / Get in kid, before it’s too late / You may never get another chance / ’Cos youth’s a mask but it don’t last / live it long and live it fast.

Today Rod Stewart turns 70 years old. Here are twenty of his finest moments.

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The #30 Album Of All-Time

Back when Home Box Office was still referred to as Home Box Office and not by its acronym, the network showed music videos between movies. There was no MTV yet, certainly no YouTube. It was between movies on Home Box Office that I discovered Pretenders.

doggies + Pretenders 2014-09-07 13.11
“Brass in Pocket” was shown regularly and I was instantly taken by this woman playing a waitress, signing that she’s “got bottle” and a “new skank,” she’s “Detroit leaning,” and she’s gonna use her “sidestep” to get a guy to notice her. I hadn’t the foggiest what she was talking about.

In Pretenders’ 2005 box set, the woman, lead singer Chrissie Hynde, explained the lyrics. Having “brass in pocket” means you’re doing alright. “So reet” refers to marijuana. “Got bottle” means “I’ve got front.” “Detroit leaning” refers to an attitude with which people from that city drive. “Gonna use my sidestep” refers to a dance move. I still haven’t the foggiest what she’s talking about, but what a great record!

Hynde didn’t and doesn’t care for the song. The track’s producer, Chris Thomas, saw the band play at a club in London and afterwards told Hynde he especially liked “Brass in Pocket.” He insisted the band record it. After acquiescing, Hynde told Thomas “he could release it over [her] dead body.” She was convinced to let the song come out. It became the group’s first top ten single in the UK, where it hit #1 in January 1980, and their first top 40 single stateside, where it peaked at #14.

“Brass in Pocket” was included on the band’s self-titled debut album, released in January 1980. The album also includes their first single, “Stop Your Sobbing,” a Kinks cover produced by Nick Lowe, who declined to produce the rest of the album, supposedly because he didn’t feel the group were going anywhere. (A few years later Hynde would become romantically-involved with The Kinks’ lead singer, Ray Davies.)

“Kid” was the single follow-up to “Stop Your Sobbing.” Here is what AllMusic.com says about this song: “The Pretenders recorded a fair share of brilliant tracks on their first three albums, but ‘Kid’ is probably the band’s masterpiece.”

Other stand-out tracks on the debut album include “Precious,” wherein Hynde sings “But not me, baby, I’m too precious/Fuck off!,” a line that was supposed to end with “I had to fuck off,” but Hynde couldn’t get all the words out; “I Go to Sleep,” another Ray Davies composition, this one not released previously by The Kinks; “Private Life,” a song covered by Grace Jones, of whose version Hynde said ‘Now that’s how it’s supposed to sound!,” calling the cover a “highpoint of [her] career;” “Tattooed Love Boys” and “Mystery Achievement.”

Presently, Pretenders sits at #30 on my Top All-Time Albums list.

Chrissie Hynde turns 63 today. Here are twenty of her finest.

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A Hint Of Mint: The Kinks’ “Lola”

The Kinks were part of the British Invasion of 1964. Alongside UK bands such as The Beatles, The Rolling Stones and The Dave Clark Five, The Kinks scored eight US Top 40 singles between 1964 and 1966, including the classics “You Really Got Me” (#7, 1964), “All Day and All of the Night” (#7, 1965) and “Tired of Waiting for You” (#6, 1965). After “Sunny Afternoon” peaked at #14 in 1966, the hits dried up. Their highest-charting single in 1967 was “Dead End Street,” which reached #73. They didn’t place any singles on the Hot 100 in 1968 or 1969. Their fortunes reversed in 1970.

Per the book The Kinks: The Official Biography, the band’s lead singer and chief songwriter Ray Davies came up with a song after a night out with the group’s manager, Robert Wace. Wace spent the evening dancing with a woman he met, and told Davies he was falling for her. When morning rolled around Ray noticed the woman had stubble on her face. In the song, Ray plays the part of Wace and the “woman” is given the name Lola.

Ringo + Kinks 2014-06-21 15.25
The song’s narrator recounts his meeting Lola in a club where everything is not what it seems. The champagne tastes like Coca-Cola (the BBC forced Davies to change the reference from Coca-Cola to cherry cola so as to not violate their policy against product placement) and the dancing happens under electric candlelight. Amidst these ambiguities he meets Lola, a woman who squeezes him so tight she nearly breaks his spine. A woman who “walked like a woman and talked like a man”. Our narrator is confused but continues to dance with Lola, who invites him to go home with her. He is falling for her, which frightens him, so he heads for the exit. Then he has second thoughts, turn back to Lola, and their eyes lock. He decides “that’s the way that I want it to stay and I always want it to be that way for my Lola.”

Accepting his destiny, he observes “Girls will be boys, and boys will be girls. It’s a mixed up, muddled up, shook up world, except for Lola.” Lola knows exactly who he/she is.

We then learn that our narrator was a virgin who first left his home a week prior, to which Lola responds “Little boy, gonna make you a man.”

Then we get one of my favorite lyrics ever. The narrator sings “I know what I am and I’m glad I’m a man, and so is Lola.” Lola is a man? Lola is glad the narrator is a man? The ambiguity of the character of Lola is reflected in the lyrics of “Lola.”

This is amazing songwriting. It is also amazing that this tale of a transvestite, not a popular song character today let alone in 1970, gave the Kinks their first huge hit in years and became an enduring staple of classic rock radio. The single went top ten in the United States and throughout Europe, hitting #1 in Ireland, Italy, the Netherlands, New Zealand and South Africa. The song made Rolling Stone magazine’s list of the 500 Greatest Songs of All Time.

Today Ray Davies turns 70 years old. Here is some of his best work.

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