Inspired by the May 20 birthdays of Cher, Busta Rhymes, Joe Cocker, The Go-Go’s’ Jane Wiedlin, Haircut 100’s Nick Heyward, Shorty Long, and Paul & Paula’s Jill Jackson.
Tag Archives: Busta Rhymes
Inspired by Mother’s Day, the passing of Betty Wright, and the May 10 birthdays of U2‘s Bono, Sex Pistols’ Sid Vicious, Spinners’ Henry Fambrough, Donovan, Traffic’s Dave Mason, Larry Williams, Fred Astaire, Underworld’s Karl Hyde, Young MC, Filter’s Richard Patrick, Jay Ferguson, Craig Mack, Sunscreem’s Lucia Holm and Young Disciples’ Carleen Anderson.
Randy Badazz Alpert received many requests to license “Rise,” a song he co-wrote that became a #1 hit for his uncle Herb in 1979, as a sample in hip hop tracks. He said no to Ice Cube, Vanilla Ice, Eazy-E, and the others who requested permission. However, when he received a cassette from the producer then known as Puff Daddy of a new song utilizing the sample, he consented. He loved the new tune and felt it could make his song go to #1 again.
He was right. The new recording was “Hypnotize” and it was performed by the Notorious B.I.G. “Hypnotize” topped the Billboard Hot 100 in May of 1997, less than two months after the rapper was killed in Los Angeles.
This week’s Throwback Thursday playlist spotlights the best of 1997, kicking off with The Notorious B.I.G.’s “Hypnotize,” which uses a sample from a songwriter whose middle name really is Badazz.
Per the site WhoSampled.com, Joe Cocker’s “Woman to Woman” (1972) has been sampled 24 times. Joe Cocker! Twenty-four times! Who knew?
The best-known track to sample “Woman to Woman” is 2Pac’s “California Love,” which utilizes the instrumental riff from the beginning of the Cocker song as one of its hooks. Here is “Woman to Woman:”
“California Love” kicks off this week’s Throwback Thursday playlist, spotlighting the music of 1996.
Eminem has often been accused of being homophobic. Maybe it’s because he rapped “I’ll still be able to break a motha-fuckin’ table over the back of a couple of faggots and crack it in half.” Maybe it’s because he rapped “My words are like a dagger with a jagged edge / That’ll stab you in the head whether you’re a fag or lez.” And “All you lil’ faggots can suck it / No homo, but I’ma stick it to ’em like refrigerator magnets.” And “Little gay-looking boy / So gay I can barely say it with a straight face-looking boy / You witnessing massacre like you watching a church gathering taking place-looking boy / ‘Oy vey, that boy’s gay,’ that’s all they say looking-boy / You take a thumbs up, pat on the back, the way you go from your label every day-looking boy.” And “You fags think it’s all a game.” Anyone can see how the artist born Marshall Mathers got labeled a homophobe, even if he pretends he doesn’t see it.
So it’s ironic that in his first hit single, the song that put him on the map and into the international consciousness, the music bed is based around a sample from an openly gay singer-songwriter.
“My Name Is” became Eminem’s first single to crack the Billboard Hot 100, peaking at #36. Its music is taken from a 1975 release called “I Got the…,” written and performed by Labi Siffre. Siffre, who was born in England in 1945, says he knew he was gay since age four. He met his life partner, Peter John Carver Lloyd, in 1964. They remained a couple for 49 years, until Lloyd’s death in 2013.
Before Siffre would allow Eminem to use the sample, he made the rapper change some of the words on “My Name Is.” The lyric “My English teacher wanted to have sex in junior high / The only problem was, my English teacher was a guy” became “My English teacher wanted to flunk me in junior high / Thanks a lot, next semester I’ll be 35.” The lyric “Extraterrestrial killing pedestrians, raping lesbians while they’re screaming, ‘Let’s just be friends!’” became “Extraterrestrial running over pedestrians in a spaceship while they’re screaming, ‘Let’s just be friends!’”.” Said Siffre, “Dissing the victims of bigotry – women as bitches, homosexuals as faggots – is lazy writing. Diss the bigots, not their victims. I denied sample rights till that lazy writing was removed. I should have stipulated “all versions” but at that time knew little about rap’s “clean” & “explicit” modes, so they managed to get the lazy lyric on versions other than the single and first album.”
For Throwback Thursday this week, Tunes du Jour revisits some of the musical highlights of 1999, kicking off with Eminem’s “My Name Is.”
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One day in the late 1990s, while in my office at Sony Music, I received a call from the security desk in the lobby. “Art Garfunkel is here to see you.”
I wasn’t expecting Art Garfunkel. I’d never met Art Garfunkel, though we spoke on the phone a few times. I worked in the International Licensing department and received a fair number of requests to have Simon & Garfunkel and Art Garfunkel solo tracks included on compilations. “Send him up, please.”
A few minutes later, Art Garfunkel walked into my office. We shook hands and then both sat down and chatted. I don’t recall our entire conversation, though I do remember him telling me that he is particular about the artists with whom he is to be coupled on compilations, saying he wouldn’t want a track of his to be next to one performed by Iggy Pop. It wasn’t meant as a slight to Iggy; he meant the transition from one of his ballads to a heavy rocker would be jarring to the listener. He said he and Paul Simon used to argue about the running order of the tracks on their albums.
He hung out in my office for around fifteen minutes, during which time I got him to laugh more than once (about what I have no recollection). When he got up to leave he shook my hand again and told me “You are my favorite person at Sony Music.”
A decade later I met k.d. lang at a small party meant to celebrate her latest release. I’ve seen many concerts over the years; only twice has a singer so thrilled me that the hair on my arms stood up. The first time was when I attended the original Broadway production of Dreamgirls and Jennifer Holliday sang “And I Am Telling You I’m Not Going.” The other time was when I saw k.d. lang at Radio City Music Hall and she covered Roy Orbison’s “Crying.” Spectacular!
My interaction with k.d. at this party was very brief. A hello and a handshake. My only memory of this encounter is that she had the firmest handshake of anybody with whom I’ve ever shaken hands, including my step-uncle Steve. Damn, girl!
In 2012 I attended Warner Music Group’s pre-Grammy bash. Sean Combs a/k/a Puff Daddy a/k/a Puffy a/k/a P. Diddy a/k/a Diddy…now I forgot what I was going to write. Oh, yeah – he was at that party. I didn’t chat with him or shake his hand.
I’ve never chatted with Glenn Frey of Eagles nor have we both attended the same party, though I occasionally licensed his music while working at Warner.
k.d. lang’s birthday was this past Sunday, Diddy/Puffy/whatever’s birthday is today, Art Garfunkel’s is tomorrow and Glenn Frey’s is Thursday. Unlike Garfunkel I like compilations with jarring transitions. As such Tunes du Jour celebrates the birthdays of these four folks in today’s playlist.
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Perhaps while you were watching the Grammy Awards this past weekend you asked “Who is this cute guy with great hats who sings “Get Lucky?” He is Pharrell Williams and he has been having hits for more than twenty years.
He first hit the Top 40 as one of the writers of Wreckx-N-Effect’s “Rump Shaker,” which hit #2 in 1992. Since then he has co-written and co-produced hits for many pop and hip hop superstars. He has also performed as a member of N.E.R.D. Today’s playlist is a sampler of his work. You may be surprised as to how many of his hits you already know.