Tag Archives: C+C Music Factory

Your (Almost) Daily Playlist (7-30-20)

Inspired by the July 30 birthdays of Kate Bush, Paul Anka, Robert Clivilles, White Town, Frank Stallone, Sleeper’s Louise Wener, and Seth Avett; and the July 29 birthdays of Danger Mouse, Rush’s Geddy Lee, Gonzalez’s Lenny Zakatek and Onyx’s Big DS.

https://open.spotify.com/playlist/17DGFysF2wehZxLhMnhKNm

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Your (Almost) Daily Playlist (6-3-20)

Inspired by Black Music Month, LGBTQ Pride Month, the June 3 birthdays of Curtis Mayfield, Deniece Williams, Mott the Hoople’s Ian Hunter, C + C Music Factory’s David Cole, Suzi Quatro, Allen Ginsberg, Dan Hill, Boots Rudolph, Republica’s Saffron, Stereophonics’ Kelly Jones, and Beabadoobee, and the June 2 birthdays of The Rolling Stones‘ Charlie Watts, Chubby Tavares, Cypress Hill’s B-Real, Spandau Ballet’s Tony Hadley, Bangles’ Michael Steele, Jimmy Jones, Skillz, Otis Williams, David Dundas, Marvin Hamlisch, Sammy Turner, and Robin Lamont.

https://open.spotify.com/playlist/4IDCpvKLGdeaAFn85cr8fJ

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Your (Almost) Daily Playlist (2-13-20)

Inspired by the February 13 birthdays of New Order’s Peter Hook, Peter Gabriel, Robbie Williams, Feist, Black Flag’s Henry Rollins, Freedom Williams, the Monkees’ Peter Tork, Tennessee Ernie Ford, and songwriter Boudleaux Bryant, who, sometimes with his wife Felice, composed many of the Everly Brothers hits, including “Bye Bye Love,” “All I Have to Do Is Dream,” “Wake Up Little Susie,” “Bird Dog,” “Devoted To You,” and “Love Hurts.”

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It’s Aretha Franklin’s Birthday And I Need To Dance!

In 1994, Aretha Franklin took “A Deeper Love” to #1 on the dance club chart. Her record was a remake of a song that hit #1 on the dance club chart just two years prior. The 1992 version was credited to Clivillés + Cole, the song’s writers and producers, with vocals performed by Deborah Cooper. Clivillés + Cole, the C + C of C + C Music Factory, produced the Aretha’s version as well.

“A Deeper Love” was one of six #1 singles Aretha had on the dance club chart, which shows that in addition to being the Queen of Soul, she was a dance queen as well. It kicks off our weekly dance party, in honor of the Queen, who turns 74 today.


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Throwback Thursday – 1991

“It was a 5-minute song with no chorus and a mandolin as the lead instrument. So for us to hold that as the bar we have to jump over every time we write a song would be ridiculous.”

In the summer of 1990, R.E.M. demoed a song in the studio with the working title of “Sugar Cane.” The band’s guitarist, Peter Buck, had recently purchased a mandolin and while learning how to play it, came up with the song’s main riff and chorus.

Lyrics about obsession and unrequited love were added, including an expression from the southern part of the United States that means “being at the end of one’s rope.” That expression became the song’s new title. The band’s singer, Michael Stipe, recorded his vocals in one take.

Though in the liner notes the R.E.M.’s career retrospective, Part Lies, Part Heart, Part Truth, Part Garbage 1982-2011, Stipe wrote “I don’t think any of us had any idea it would ever be … anything,” the group wanted it to be the first single released from their album Out of Time. Their record label, Warner Bros., didn’t think that was a good idea, as it was, in the words of one of the company’s executives, an “unconventional track.” After much discussion, Warner relented.

That record, with the title “Losing My Religion,” went to #4 on Billboard’s Hot 100 and became a smash worldwide. The album from which it was taken, Out of Time, sold over 18 million copies, far more than any of their previous releases.

Out of Time won the Grammy Award for Best Alternative Music Album and was nominated for Album of the Year. “Losing My Religion” won Best Pop Performance by a Duo or Group with Vocal and Best Short Form Music Video and was nominated for Record of the Year and Song of the Year, which it lost to “Unforgettable,” which was written in 1951.

When asked at the time if he was worried that the song’s success might alienate older fans, Peter Buck told Rolling Stone, “The people that changed their minds because of ‘Losing My Religion’ can just kiss my ass.”

“Losing My Religion” made Rolling Stone’s list of the 500 Greatest Songs of All Time, VH1’s list of the 100 Greatest Songs of the 90s, Blender’s list of The 500 Greatest Songs Since You Were Born, and The Rock and Roll Hall of Fame’s list of 500 Songs that Shaped Rock and Roll. On their annual music critics poll, the Village Voice had “Losing My Religion” as the #2 single of 1991, just behind Nirvana’s “Smells Like Teen Spirit.”

For this Throwback Thursday, Tunes du Jour presents twenty of the best tracks from 1991. (I didn’t include “Smells Like Teen Spirit” because I base this not on year of release, but on the year a song peaked in popularity. “Smells Like Teen Spirit” hit the top ten on the Hot 100 in 1992.)


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It’s Jesus’ Birthday And I Need To Dance!

Actually, today is not Jesus’ birthday. At least not Jesus Christ’s birthday. Maybe Jesus de la Guarda of East L.A. was born on this date in 1983 (happy birthday, Jesus!), but Jesus Christ was not.

Most likely, Jesus (Christ, not de la Guarda) was born in autumn, perhaps on November 18. Not only is December 25 not His birthday, but 0 was not His birth year, according to some scholars. The assumed year of His birth is 6 to 4 B.C. That means Christ was born six to four years before Christ! He was truly ahead of his time! Ba-dum-bump.

Regardless of when His actual birth date was, folks in many parts of the world celebrate it today, because nothing is open anyway so why not?

As for me, I need to dance! The Tunes du Jour weekly dance party kicks off with Snap!’s “Mary Had a Little Boy.” Happy birthday, Jesus de la Guarda!


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It’s Friday And I Need To Dance!

“You’re gettin’ busy like a bee and that’s the troof
I got a feeling there’s a fire on the roof.”

– “Wiggle It” by 2 in a Room

The phrase “busy like a bee,” or at least a variation thereof, dates back to the 14th century, when Geoffrey Chaucer used it in his The Canterbury Tales:
Ey! Goddes mercy!” sayd our Hoste tho,
Now such a wyf I pray God keep me fro.
Lo, suche sleightes and subtilitees
In wommen be; for ay as busy as bees
Be thay us seely men for to desceyve,
And from a soth ever a lie thay weyve.
And by this Marchaundes tale it proveth wel.

What on earth is he banging on about? Next time, Chaucer, use Spellcheck.

Per Wiktionary, the phrase “busy as a bee” means very active, working constantly.

The phrase is a bit of a misnomer, though. Not all bees work constantly. Take the drone. Unlike other bees, the drone does not collect nectar or pollen. The drone does not participate in the construction of the hive. Drones don’t have stingers so they are unable to cause pain to the frightened blogger who runs shrieking at the site of a bee. Per Slate.com, drones “don’t leave the hive until early afternoon, at which time they carouse around in packs, and when they get home just a few hours later, they rely on the worker bees to feed them.” Drones are assholes.

The drone exists to fertilize a queen bee. The mating takes place while the bees are in flight. Literally, they give a flying fuck. From penetration to ejaculation takes about two seconds, which to me is forty seconds shorter than sex should last. The drone dies soon after, as his penis and other much-loved body parts are ripped off during sexual intercourse. Any drones reading this, take it from me – no woman is worth that aggravation, and that’s the troof.

Friday is dance day at Tunes du Jour. This week’s party kicks off with 2 in a Room’s “Wiggle It.”


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It’s Paula Abdul’s Birthday And I Need To Dance!

I was in my convertible car with my then-friend Victor, sitting in traffic on La Cienega Boulevard just below Sunset. It was late afternoon or evening a few months after I moved to Los Angeles. A convertible containing two young ladies pulled out of a parking garage onto La Cienega. They stopped next to us. One of the women excitedly told us “The lakers won!”

Victor and I looked at the lass and then each other. Neither of us knew to what she was referring. What is a laker? Someone who works on a lake, obviously, but what do they do on/to the lake? Was there an ongoing lake workers’ strike that finally ended when their greedy overlords caved in to their demands? Did the lake workers pool their money to buy Powerball tickets and succeed in matching each number? Who are these lakers, what did they win, and how does this benefit Victor and me?

That we didn’t respond quickly and with equal enthusiasm upset the woman who shared with us this news. “I was going to tell you guys you’re cute, but I changed my mind.” Oh, darn. The traffic moved and off we went. I made a left on Sunset; the woman went right.

Victor and I went for chocolate malts at Mel’s Drive-In, where we learned that the Lakers are a local basketball team. Oh, those Lakers! I heard of them. They gave us Paula Abdul. She was an LA Lakers cheerleader before she became a well-known choreographer/”singer”/reality show judge. If only those ladies said to Victor and me “The basketball team for which Paula Abdul was a cheerleader in the early eighties won a game today,” they may have gotten lucky with two cute guys.

Today Paula Abdul turns 53 years old. We kick off our weekly dance party with “Straight Up.”


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It’s Friday And I Need To Dance!

Trivia Question – Who is the only male solo artist whose first eight singles all went top ten in the UK?

Elton John? No. Elvis Presley? No. Cliff Richard? No. It was Rick Astley. In the US many people remember Rick as a one-hit wonder, but that is incorrect. Rick had seven top 40 singles stateside, including five top tens, two of which, “Never Gonna Give You Up” and “Together Forever,” went to #1. He retired from recording in 1993, by which time he had sold around forty million records.

Winston + Rick A
Today Rick turns 49 years old. We kick off our weekly dance party with a largely-forgotten tune of his that went top ten on both sides of the Atlantic.

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It’s Friday And I Need To Dance!

Ringo + C + C

Every Friday Tunes du Jour presents a dance playlist to get you into the weekend spirit. Today we kick off with C + C Music Factory’s “Things That Make You Go Hmmm…” in memory of David Cole, who with Robert Clivillés were the C + C of the Music Factory. Besides their own group’s hits, Cole and Clivillés produced/remixed tracks for Aretha Franklin, James Brown, Chaka Khan, Lisa Lisa and Cult Jam, Mariah Carey, Cover Girls, Seduction, Martha Wash and, um, Jim Carrey. Cole died on January 24, 1995 of complications of spinal meningitis brought on by AIDS. He was 32.

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