Tag Archives: Chic

It’s Alicia Bridges’ Birthday And I Need To Dance!

Ringo + Alicia
“I will never do a disco album. I’d prefer to do deodorant commercials. I didn’t sing since I was ten years old so I could stand up like a moron and go ‘Getfunkynow, getfunkynow, getboogie-woogie, getfunkynow’.”
– Alicia Bridges, Sounds magazine

Alicia Bridges. You know, the lady who sang “I love the nightlife, I gotta boogie on the disco round.” She co-wrote that song as well. That record is a disco classic, peaking at #2 on the Billboard Disco chart. It crossed over to the pop chart, hitting #5, and the r&b chart, where it reached #31. It was Bridges’ only top 40 hit on any chart. Nowadays she shills for Arrid Extra Dry. Not really.

Today, Alicia Bridges turns 63 years old. Friday is dance day at Tunes du Jour, and we’ll celebrate Ms. Bridges’ birthday with a playlist she’s bound to hate, full of disco hits, kicking off with “I Love the Nightlife (Disco ‘Round).” Getboogiewoogie!

Oh, and what is a disco round?


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It’s Cher’s Birthday And I Need To Dance!

In the early 1990s a demo of a song written by four men circulated through Warner Bros. Records. Though people at the label appreciated the song’s chorus, nobody wanted to record it.

Thinking that with some work the song may be good for Cher, whose last top ten pop hit was 1989’s “Just Like Jesse James,” Warner sent the demo to London’s Metro Studio, where two additional songwriters took a stab at improving the composition. Producers Mark Taylor and Brian Rawling created a dance track for the revised song, which they presented to Cher. She liked it.

She recorded the song. She and her producers played with a new technology called Auto-Tune, which added a robotic sound effect to her voice. When Warner heard that, they asked that it be removed, but Cher was adamant it stay.

In October of 1998, more than a half-decade after the composition’s original incarnation, Warner released Cher’s recording of “Believe.” On March 13, 1999, the song, the first pop tune to feature Auto-Tune, became Cher’s fifth #1 single in the United States, making her, then age 52, the oldest woman to top the US charts. It was her first #1 single since “Dark Lady” in 1974, the longest span ever between #1 records. It was the biggest-selling single stateside of 1999.

The record hit #1 in the UK, where it became the best-selling single of all-time by a female artist. It also topped the charts in Germany, Canada, The Netherlands, Australia, France, Sweden, Italy, Spain, Belgium, Norway, Denmark, Switzerland, New Zealand and Ireland.

Today the woman born Cherilyn Sarkisian turns 70 years old. Our weekly dance party kicks off with “Believe.” Have a superb weekend!


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It’s Friday And I Need To Dance!

“If disco had stuck around, we don’t how much less terrorism we might have in the world now.”
– Gloria Gaynor

Recently, Bono, the singer with U2, made headlines when he suggested that to fight ISIS we send comedians to entertain them, which is his stupidest idea since foisting U2’s most recent album on unsuspecting people by automatically including it in their iTunes libraries. Talk about a sneak attack!

To her credit, Gloria Gaynor didn’t go as far as suggesting we deploy KC & the Sunshine Band to the Middle East. She merely wondered aloud if more disco equals less terrorism.

She may be onto something. Case in point – I listen to a lot of disco, and I’ve never killed anyone.

Do you need more evidence? I’ve gone to many a classic disco night, and I’ve yet to witness a single beheading.

People have claimed that playing heavy metal albums backwards reveals satanic messages. You know what happens when you play a Village People album backwards? It sounds exactly the same!

To do my part in fighting terrorism, I present to you some of my favorite disco tunes of all time, with “all time” meaning the years 1975 thru 1979. To show how serious I am in this fight against evil, today’s playlist includes twenty-five songs instead of the usual twenty. You’re welcome.


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It’s Earth Day And I Need To Dance!

“I remember writing ‘Earth Song’ when I was in Austria, in a hotel. And I was feeling so much pain and so much suffering of the plight of the Planet Earth. And for me, this is Earth’s Song, because I think nature is trying so hard to compensate for man’s mismanagement of the Earth. And with the ecological unbalance going on, and a lot of the problems in the environment, I think earth feels the pain, and she has wounds, and it’s about some of the joys of the planet as well. But this is my chance to pretty much let people hear the voice of the planet. And this is ‘Earth Song.’ And that’s what inspired it. And it just suddenly dropped into my lap when I was on tour in Austria.”
– Michael Jackson

Ringo + MJ
Today is Earth Day. Our weekly dance party kicks off with Michael Jackson’s “Earth Song,” which spent six weeks at #1 in the UK beginning in December 1995, but didn’t chart on the US Hot 100.


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Luther Vandross Was Here

In 1974, David Bowie hired Luther Vandross to sing background vocals and do vocal arrangements for his Young Americans album. Bowie told the then 23-year-old singer “You’re going to make it…next year is your year!”

Bowie’s timing was a little off (depending on how you define “making it”). Luther cracked the top 40 as a solo artist for the first time with “Never Too Much” in 1981. Before then, he was a much in-demand session vocalist and arranger.

Tunes du Jour celebrates the birthday of Luther Vandross with twenty tracks on which the soul great is the lead singer, a backup singer, the arranger, the producer, the songwriter, or some combination thereof.


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It’s Cheryl Lynn’s Birthday And I Need To Dance!

The Gong Show debuted on NBC in June of 1976. The program was a competition between amateur performers, whose acts were rated by three celebrity judges, rotating between Rip Taylor, Rex Reed, (Juicy) Jaye P. Morgan, Jamie Farr, Arte Johnson, Phyllis Diller, Steve Garvey, and Potsie Weber. The judges gave each act a rating between 1 and 9, unless any of them found the act particularly odious, in which case he or she would bang the gong and end the performance. The act who scored the highest cumulative rating of any given episode won a trophy and a cash prize of $516.32.

Performers on The Gong Show included Paul Reubens and John Paragon, prior to the creation of their alter-egos Pee Wee Herman and Jambi the genie; Andrea McArdle, just before she won the role of Annie in the Broadway musical based on the Little Orphan Annie comic strip; and Cheryl Lynn, who would go on to sign a record deal with Columbia Records.

Ringo + Cheryl Lynn
On The Gong Show, Cheryl Lynn scored a 30 with her performance of “You Are So Beautiful.” However, she didn’t win the $516.32, as a juggler on the same episode also scored a 30, and audience applause settled the tie score in his favor. Still, the exposure netted Lynn the recording agreement, and odds are she made more than $516.32 from her pop/disco/r&b hit “Got to Be Real.”

“Got to Be Real” was Lynn’s only top 40 single on the pop chart. On the r&b chart, she scored twelve top 40 singles.

Today, Cheryl Lynn turns 59 years old. Tunes du Jour’s weekly dance party kicks off with the disco classic “Got to Be Real.”


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Throwback Thursday – 1978

Just how popular were the Bee Gees in 1978? So big that they accounted for two percent of the record industry’s profits that year.

On January 1, 1978, the trio, made up of brothers Barry, Maurice and Robin Gibb, were at #1 with “How Deep is Your Love,” which the three performed, wrote and co-produced. It stayed on top for three weeks. In February they returned to the #1 position with “Stayin’ Alive.” That stayed at #1 for four weeks. It was knocked from the top spot by “(Love Is) Thicker Than Water,” performed by Andy Gibb, younger brother of the Bee Gees. “Thicker Than Water” was co-written and co-produced by Bee Gee Barry Gibb. “Thicker Than Water” was knocked from the top spot after two weeks by “Night Fever,” performed, written and co-produced by the Bee Gees. That song remained at #1 for eight weeks, only to be knocked from the top by “If I Can’t Have You,” performed by Yvonne Elliman and written and co-produced by the Bee Gees. Starting in mid-June, “Shadow Dancing,” written by the Bee Gees and Andy Gibb, co-produced by Barry Gibb, and performed by Andy Gibb went to #1 and stayed there for seven weeks. In late August Frankie Valli had his first #1 single in three years with “Grease,” written and co-produced by Barry Gibb.

Not everything they touched hit #1 that year. “Emotion,” written by Barry and Robin Gibb, co-produced by Barry Gibb and performed by Samantha Sang, peaked at #3 in March 1978. It was kept from #1 by “Night Fever” and “Stayin’ Alive.”

The album from which “Night Fever,” “Stayin’ Alive,” “How Deep is Your Love” and “If I Can’t Have You” were taken is the soundtrack to the film Saturday Night Fever, which spent 24 weeks at #1 and became the largest-selling album in history at that time. It remains the only soundtrack to have spawned four #1 singles. It could have been five if the Bee Gees’ version of their composition “More Than a Woman” had been released as a commercial single. Instead, the Tavares version of the song, which also appears on the soundtrack, was the single and became a top forty hit. Saturday Night Fever became the first soundtrack album to win the Grammy Award for Album of the Year. The Bee Gees also won Grammy Awards for Best Pop Performance by a Duo or Group with Vocals (both “How Deep is Your Love” and “Stayin’ Alive”) and Best Vocal Arrangement for Two or More Voices (for “Stayin’ Alive”), and Barry Gibb, along with Albhy Galuten and Karl Richardson, won Producer of the Year.

In 1978 the Bee Gees were connected with another high-profile movie project: Sgt. Pepper’s Lonely Hearts Club Band, in which they starred and performed on the soundtrack. Though Robin Gibb hit #15 with the film’s “Oh! Darling”, the album and film were considered flops.

The relative failure of Sgt. Pepper’s notwithstanding, the Bee Gees remained huge throughout 1978. Their blend of pop, soul, and dance music gave them mass appeal. Besides hitting #1 on the pop charts, “Stayin’ Alive” and “Night Fever” were top ten hits on the r&b and disco charts.

Tunes du Jour celebrates Throwback Thursday this week with the music of 1978. The Bee Gees may have dominated the mainstream, but as you’ll hear, rumblings of new and exciting permutations of rock & roll were rumbling under the surface.

We’ll kick off today’s playlist with the song that went to #1 in the UK, Canada, Australia, the Netherlands, Italy, Mexico, New Zealand, South Africa and the US.


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It’s Lisa Lisa’s Birthday And I Need To Dance!

Today is National Hat Day. I was unable to find the origins of this holiday online, though to be honest, I didn’t research it very hard. Frankly, I don’t care. I don’t care from where this holiday sprang. For that matter, I don’t care much about hats.

I don’t look good in hats. Some people look great in hats, such as Pharrell Lanscilo Williams. Some people look great without hats, such as Pharrell Lanscilo Williams.

When I lived in New York, I wore a hat when the temperature fell below zero. Saving my ears trumped vanity. (Sorry about the use of a verb form of the word trump.) Now I live in Los Angeles. No hats.

Moving to the other end of my body, I always wear shoes when outside. Sneakers, actually. I’ll wear flip-flops on the beach, but not when I’m off the sand. I also always wear socks, except when I’m wearing flip-flops. On the beach. And I’ll confess to you, my readers, that I’m judgmental toward those who wear flip-flops in public off the beach or wear shoes with no socks. And don’t get me started on people who wear flip-flops in public off the beach WITH SOCKS! I’d love to hear their therapist explain the root cause of that sociopathic behavior.

As I’ve gone from head to toe, I know I should tell you that not only is today National Hat Day, but it is also the 50th birthday of Lisa Lisa Velez.

Lisa Lisa socks
Friday is dance day at Tunes du Jour. Put on your dancing shoes (no flip-flops) with socks and party down to this twenty-track playlist, kicking off with Lisa Lisa & Cult Jam’s “Let the Beat Hit ‘Em.”


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It’s Friday And I Need To Dance!

‘Cause when the train of thought gets off the track
The engineer, naturally, starts pullin’ back

I started meditating three weeks ago. Actually, I started meditating again three weeks ago. I’ve tried it before in fits and starts, but never made it past one month.

Much has been written about the benefits of meditation, which is why I continue to try. According to a graphic on the website Art of Living, meditation reduces ageing, helps one appreciate life more, increases one’s attention span, improves metabolism, and “helps you have a good night sleep.” I put that last phrase in quotes so you know the poor grammar is the fault of the creator of the quoted chart, not me. This person also wrote that meditation “keeps your stress-free.” Clearly it also makes you words. Meditation also “adds more hours to your day,” which I didn’t think was scientifically possible. Meditation may also keep one from making snarky comments about someone else’s Benefits of Meditation graphic, so I’ll keep trying.

I do guided meditations. A calm voice tells me what to do, and while I try to do what the calm voice says, my mind jumps all over the place. The sessions go something like this:
“Take a deep breath in through your nose.”
(inhale) I’m congested. I need to go to CVS and pick up more Claritin. I hate CVS.
“Now exhale through your mouth.”
(exhale) While at CVS I should get a flu shot.
“Gently close your eyes and feel your weight on the chair.”
I need to go to the gym. When I’m done meditating I’ll do some cardio.
“Scan down your body and notice, but don’t judge, any points of tension or discomfort.”
My eyes are so itchy. I wish I knew what medication to use, but when I asked the doctor last week, she told me what not to put on my eyelids, the opposite of the answer I was seeking. I’m not going back to her again. I don’t like this health plan. I wish I could have kept the doctor I’ve been seeing since 2004. I need to go back to my old health insurance. Not Anthem Blue Cross, as they are the worst, but Blue Shield, who aren’t great, but I can deal with them.
“Breathe in and out through your nose, counting each breath. One in, two out, until you reach ten. Then start again. Focus on your breath.”
One. Two. I hope this meditation is done soon. I have a blog post to write. What should I write about today? It’s Friday so the playlist is dance songs, but what about them?
“If your mind wanders, gently bring your attention back to your breath and your counting.”
Oh, yeah. Three. Four. I have to go to the bank. Oh, and I need to bring the car back to the body shop. Why is there a warning light on when I start the engine? I just got the car back after being without it for six weeks. There shouldn’t be any issues. I’ll go to the body shop and then CVS. I hate CVS. Why is customer service such a challenge? Is it so hard to tell me how long I need to wait to pick up my prescription? Is it so difficult to pick up a tube and slap a sticker bearing my name on it? I don’t get it. I don’t think there’s another pharmacy I could use on this health plan. I hate this health plan. I hate CVS. I hate this doctor. I hate having to go back to the body shop. I hope this meditation relaxes me and changes this mind set. Oh, yeah. Five. Six.
“Now let your mind be free to do whatever it wants. If it wants to think, let it.”
Umm, this is ironic. Nothing is coming to mind. My head is devoid of thought. Wait. That is a thought. Thinking about not thinking about anything is still thinking. It’s a waste of thought. I should think about something more important while given this opportunity. But what? Nothing is coming to mind.
“Congratulations! You’ve completed another day in your meditation journey. Open your eyes, stretch, and contemplate how far you’ve come.”
I hate CVS.

I’m not ready to give up meditating just yet, but you know what activity clears my mind and makes me feel good? Dancing!

doggies + Hues Corp

This week’s dance playlist kicks off with The Hues Corporation’s other hit, their follow-up to the perennial “Rock the Boat,” the all-but-forgotten “Rockin’ Soul,” from which the lyric that opens this blog post is taken. Have a great weekend!


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It’s Ana Matronic’s Birthday And I Need To Dance!

“A kiki is a party, for calming all your nerves
We’re spilling tea, and dishing just deserts when they deserve
And though the sun is rising, few may choose to leave”

It’s Friday and I need to dance, but you already know that.

I’ve always enjoyed going out clubbing, especially in the early nineties. Some Fridays and many Saturdays I’d go with whoever I was then dating or a good friend to The Roxy or The Limelight or Twilo (though Twilo may have come into being a few years into the nineties) or that club on Sixth Avenue around 15th Street whose name escapes me at the moment or that bar/club/fire hazard in the East Village or The Saint. In New York, the clubs didn’t close at 2 AM or 4 AM. They stayed open. There were times we wouldn’t leave until 8 or 9 the next morning. As that was breakfast time, we’d head for a diner (a “coffee shop” in the local parlance, before coffee shop meant a place like Starbucks) to eat before heading home to sleep. Watching people start their Sunday before we even finished our Saturday made me feel so alive. I’m here on this earth and taking advantage of it.

It’s been a long time since I stayed out all night. Though I cherish the memories, I can’t say I miss doing so. That may be because I haven’t hit upon a club that plays music I’d like to dance to for hours on end. The exception is Oil Can Harry’s, a dive in Studio City that hosts classic disco night on Saturdays. I love me some classic disco, and can stay there until closing if classic disco and post-disco 80s house was all that was played. For some reason, the DJ throws on Rihanna or other contemporary acts between midnight and 1. That’s my cue to leave. Nothing against Rihanna – she has many fun club songs – but it throws me off after I’ve been grooving to Donna Summer and KC & the Sunshine Band and Chic to suddenly be brought back to the 2010s.

If they didn’t call it Classic Disco Night, if they mixed up the eras and genres throughout the evening, that would be welcome. Seventies disco, eighties house, nineties alternative, aughts pop – take the best of each and mix ‘em up. I’ll leave when the sun comes up.

I’d love to DJ there. This way I can play the music that would keep me going all night.

Every Friday Tunes du Jour posts a slice of such playlists. Today’s slice kicks off with “Let’s Have a Kiki,” performed by Scissor Sisters, whose Ana Matronic turns 41 today.


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