Your (Almost) Daily Playlist: 6-21-24

On the latest UK Top 100 singles chart, The Killers’ “Mr. Brightside,” from their 2004 debut album Hot Fuss, moves up from number 66 to number 63 in its 415th week on that chart. I think it’s on its way to hit song status.

The Killers’ Brandon Flowers was born on this date in 1981. A handful of that band’s songs are included on today’s playlist.

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Tunes Du Jour Presents 2002


The year 2002 was a turbulent one for the world, marked by wars, terrorism, scandals, and natural disasters. But it was also a year of creativity, innovation, and diversity in music. From hip-hop to rock, from pop to indie, from dance to folk, the music of 2002 reflected the mood and spirit of the times, offering both escapism and commentary, both nostalgia and novelty, both challenge and comfort.

One of the most dominant genres of the year was hip-hop, which reached new heights of popularity and influence. Eminem’s Lose Yourself became an anthem of determination and resilience, while Missy Elliott’s Work It showcased her inventive and playful style. Nelly’s Hot in Herre was a summer smash, while Clipse’s Grindin’ introduced a minimalist and gritty sound. Tweet and Missy Elliott’s Oops (Oh My) was a sensual and empowering ode to self-love, while Truth Hurts and Rakim’s Addictive sampled a Bollywood song and sparked a controversy. Cam’ron’s Oh Boy featured a catchy sample of Rose Royce’s I’m Going Down, while Khia’s My Neck, My Back (Lick It) was a raunchy and explicit hit.

Rock music also had a strong presence in 2002, with a variety of styles and sounds. Elvis Presley’s A Little Less Conversation (JXL Edit) was a remix of a 1968 song that became a worldwide hit, thanks to its inclusion in a Nike commercial. Avril Lavigne’s Complicated was a pop-rock anthem for the rebellious and misunderstood youth, while Coldplay’s In My Place was a melancholic and soaring ballad. The Strokes’ Hard to Explain was a garage rock revival, while Wilco’s Jesus, Etc. was a country-rock masterpiece. Interpol’s Obstacle 1 was a post-punk gem, while Spoon’s The Way We Get By was a catchy and quirky indie rock tune. The Libertines’ What a Waster was a punk rock blast, while Bruce Springsteen’s The Rising was a tribute to the victims and heroes of 9/11.

Pop music also had its share of hits and surprises in 2002, with some old and new faces. Christina Aguilera’s Dirrty was a provocative and edgy reinvention, while Beyonce’s Work It Out was a funky and soulful solo debut. Brandy’s What About Us was a futuristic and sleek R&B track, while No Doubt’s Hella Good was a disco and rock fusion. Bjork’s Pagan Poetry was a haunting and experimental song, while Las Ketchup’s Asereje was a catchy and silly novelty. Alanis Morissette’s Hands Clean was a confessional and catchy pop-rock song, while Rufus Wainwright’s Across the Universe was a beautiful and faithful cover of the Beatles classic.

Some of the most memorable songs of 2002 were not easily categorized, but rather blended genres and styles. Sugababes’ Freak Like Me was a mash-up of Adina Howard’s Freak Like Me and Gary Numan’s Are ‘Friends’ Electric?, creating a pop and electro masterpiece. The Flaming Lips’ Do You Realize?? was a psychedelic and uplifting song, while X-Press 2’s Lazy was a house and spoken word collaboration with David Byrne. The Streets’ Weak Become Heroes was a rap and piano tribute to rave culture, while Doves’ There Goes The Fear was a rock and electronic epic.

The music of 2002 was a reflection of the year itself: diverse, unpredictable, exciting, and sometimes challenging. It was a year of contrasts and surprises, of highs and lows, of old and new. It was a year that gave us some of the most memorable songs of the 21st century, and a year that we can revisit through this playlist. Enjoy!

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Tunes Du Jour Presents R.E.M.

R.E.M. was one of the most influential and innovative bands of the 1980s and 1990s, creating a distinctive sound that blended alternative rock, folk, and pop. The band, which consisted of Michael Stipe, Peter Buck, Mike Mills, and Bill Berry, formed in 1980 in Athens, Georgia, and soon became the quintessential college rock band, attracting a loyal fan base with their poetic lyrics, jangly guitars, and charismatic stage presence.

R.E.M. was not only a musical force, but also a social and political one. The band used their platform to raise awareness and support for various causes, such as environmentalism, human rights, animal rights, and AIDS research., and they also celebrated their own identities, with Stipe coming out as queer in 1994 and Buck embracing his Buddhist faith.

Some of R.E.M.’s songs reflected their activism and values, such as “Fall on Me”, which addressed acid rain and “Orange Crush”, which criticized the Vietnam War. Other songs captured the emotions and experiences of their listeners, such as “Losing My Religion”, which explored doubt and obsession, “Everybody Hurts”, which offered comfort and hope, and “Nightswimming”, which evoked nostalgia and innocence.

R.E.M. also experimented with different musical styles and formats, such as incorporating rap, electronica, and country elements. They also challenged the music industry norms, refusing to print lyrics with their albums until 1994, avoiding lip-syncing on television, and maintaining creative control over their work.

R.E.M. disbanded in 2011, after 31 years and 15 studio albums, leaving behind a legacy of music and social impact that inspired countless artists and fans. Their songs are still widely played and enjoyed today, and their influence can be heard in bands such as Nirvana, Radiohead, Pearl Jam, and Coldplay. R.E.M. was inducted into the Rock and Roll Hall of Fame in 2007, and received numerous awards and accolades for their artistic and humanitarian achievements.

If you want to revisit some of R.E.M.’s best songs, or discover them for the first time, check out this playlist that features some of their hits and deep cuts.

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Your (Almost) Daily Playlist: 10-2-23

In the same room where Ian Fleming wrote James Bond novels Sting of The Police wrote what he called a “nasty little song” about his feelings of jealousy and obsession over his first wife following their divorce. I’m not sure if hearing the song everywhere helped him get over those feelings, but the money the song generated may have lifted his spirits.

Sting was born on this date in 1951. Lotsa Police songs on today’s playlist.

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Your (Almost) Daily Playlist: 9-11-23

Richard Ashcroft’s original plan was to release the songs he wrote for Urban Hymns under his own name, but he got cold feet. Shortly after the album’s release The Verve broke up, briefly reforming in 2007.

The Verve’s Richard Ashcroft was born on this date in 1971. The singles issued from his band’s Urban Hymns are included on today’s playlist.

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Your (Almost) Daily Playlist: 6-21-23

When recording started it was called Bird World. Somewhere along the way Lana Del Rey changed the title of her 2019 album to Norman Fucking Rockwell! The actual middle name of artist Norman Rockwell is Percevel. Fucking is a better middle name.

Lana Del Rey turns 38 today. Showing her lots of love on today’s playlist.

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