Inspired by the July 26 birthdays of The Rolling Stones’ Mick Jagger, Queen’s Roger Taylor, The Crystals/Bob B. Soxx & the Blue Jeans’ Darlene Love, Dobie Gray and Brenton Wood.
Tag Archives: Curtis Mayfield
Inspired by Black Music Month, LGBTQ Pride Month, the June 3 birthdays of Curtis Mayfield, Deniece Williams, Mott the Hoople’s Ian Hunter, C + C Music Factory’s David Cole, Suzi Quatro, Allen Ginsberg, Dan Hill, Boots Rudolph, Republica’s Saffron, Stereophonics’ Kelly Jones, and Beabadoobee, and the June 2 birthdays of The Rolling Stones‘ Charlie Watts, Chubby Tavares, Cypress Hill’s B-Real, Spandau Ballet’s Tony Hadley, Bangles’ Michael Steele, Jimmy Jones, Skillz, Otis Williams, David Dundas, Marvin Hamlisch, Sammy Turner, and Robin Lamont.
2020 seemed like just another year, until this week. Something mind-boggling happened. No, the president of the U.S. didn’t display empathy. Get this: The Village People are presently in the Top 40 on the Adult Contemporary chart with a ballad taken from their 2019 Christmas album. The key terms in that sentence: Village People, presently, Top 40, Adult Contemporary, ballad, Christmas. It’s 2020! The song is called “If You Believe” and it jumped from #53 to #25 this week with a 310% increase in radio airplay over last week. “If You Believe?” More like “Hard to Believe!” Am I right, people?
Today’s playlist is inspired by the May 3 birthdays of James Brown, Frankie Valli, Father John Misty, Soft Cell’s David Ball, Pete Seeger, Christopher Cross, Mary Hopkin and Napoleon XIV.
Inspired by the April 13 birthdays of Al Green, Louis Johnson, Nellie McKay, Little Feat’s Lowell George, Bill Conti, Future Islands’ Samuel T. Herring, Lou Bega and Flamin’ Groovies’ Roy Loney.
Inspired by the April 1 birthdays of Jimmy Cliff, Rudy Isley, Henry Gross, Gil Scott-Heron, Tom Shipley and Rachmaninoff, and April Fools Day.
A company I worked for – I won’t say which one – has an amazing catalogue of rhythm & blues music, arguably the best r&b catalogue of any record label. Despite possessing this goldmine, most of our catalogue releases were from white rock bands. I asked a member of senior management why we didn’t do more with our black artists, and the answer I got was “We don’t know how to sell that music.”
Is that not a stupid response? If you don’t know how to do that, hire someone who has that expertise, or learn how to do it. Why ignore a large swath of your potential market, especially when you already own the assets?
Years ago I was put in charge of licensing at a record label. I knew the music and I knew the components of licensing deals; however, I wasn’t a very good negotiator. I found the process intimidating. I could have left it at that – “I don’t know how to negotiate.” My company would have made money nonetheless, though not at its full potential. For that matter, I wouldn’t be working at full potential.
I took a course in negotiations. Six weeks, $300. Money well spent. I put what I learned in the class into action. Practice makes perfect, and I became an excellent negotiator. In my four years at that company our licensing revenue increased 400%. My skills also led to my next job as the Vice President of Licensing at another company.
Is a lack of some skill or knowledge holding you back? Fix that. Read a book, attend a seminar, take an on-line course or find a mentor. Saying “I don’t know how” won’t lead to success; learning how will.
Today is the last day of Black Music Month. It would be ludicrous to think a 40-song playlist would cover black music in any comprehensive way. Enjoy it for what it is – nearly three hours of fantastic music. Listen to it while you research how to learn a new skill.
In my role as the Vice President of Licensing at Warner Music Group I oversaw the licensing of “samples.” A sample is when a newer song uses a portion of an existing recording. A prominent example is Puff Daddy’s sample of The Police’s “Every Breath You Take” in his “I’ll Be Missing You.”
One of the most popular catalogues for sample licensing is that of Curtis Mayfield. Elements of his records have been used by many well-known and respected rap acts, including Kanye West and Beastie Boys. I’d run the requests by Curtis’ son Kirk, who was always a pleasure to work with.
Many complain of hip hop’s dependence on samples, and while often times samples are used in a lazy and uninspired way, there are many examples where the samples complement the new song perfectly. It can also be argued that samples keep the music of great acts of the past alive and introduce this music to younger generations. Where else might a teenager hear Curtis Mayfield or James Brown other than via a new Kanye jam?
Today, the third day of Black Music Month, we celebrate the birthday of the late, great Curtis Mayfield with some of the classics he had a hand in – as a solo artist, as a member of The Impressions, as a writer/producer, or via a sample. Click here for the playlist.