Tag Archives: Dolly Parton

Your (Almost) Daily Playlist (3-21-20)

Inspired by the passing of Kenny Rogers, the March 21 birthdays of The Stylistics’ Russell Thompkins Jr., Solomon Burke, The Prodigy’s Maxim, Eddie Money, Mungo Jerry’s Ray Dorsett, Bonzo Dog Doo-Dah Band’s Vivian Stanshall; and World Poetry Day.

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Your (Almost) Daily Playlist (3-10-20)

Inspired by the March 10 birthdays of Neneh Cherry, Timbaland, Dean Torrence, Boston’s Tom Scholz, Edie Brickell, Robin Thicke and Carrie Underwood.

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Your Daily Playlist (1-19-20)

Inspired by the January 19 birthdays of Phil Everly, Dolly Parton, Janis Joplin, Robert Palmer, Caron Wheeler, America’s Dewey Bunnell, Deep Purple’s Rod Evans, and Shelley Fabares, and by National Popcorn Day.

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20 Duets

Duets. Twenty of ’em.

Happy Valentine’s Day!


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The Ultimate Christmas Playlist

Today is the day after Thanksgiving here in the United States of America. You’re officially allowed to start listening to holiday music now. To get you started, I compiled a playlist of what I consider to be 100 of the best Christmas songs. Okay, 98 songs, a stand-up routine and a skit. It’s a mix of standards, versions of standards with which you may not be familiar, and obscure but delightful tunes.

Enjoy!

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A Hint Of Mint – Volume 60 – Songs From Movies

Popcorn is fine, but be sure to have some Junior Mints around for this edition of A Hint of Mint, featuring minty movie music. Movies represented include The Rocky Horror Picture Show, Tommy, The Bodyguard, Can’t Stop the Music, The Wizard of Oz, Footloose and Fame. Artists include Queen, Dolly Parton and Olivia Newton-John.

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Throwback Thursday – 1983

Winston + MJ
MTV debuted on August 1, 1981. Back then it was a music video network. It positioned itself as a rock station. Most of the videos shown were of songs made by Caucasian performers, though rock-leaning black acts such as Joan Armatrading and the Bus Boys got some play.

Then came “Billie Jean.” The second single from Michael Jackson’s Thriller, “Billie Jean” was accompanied by a stylish video featuring a mesmerizing performance from Jackson. However, it wasn’t a rock song. It didn’t fit the format of rock radio stations, and it didn’t fit the format of MTV either.

But there is a big difference between radio and music television. There were plenty of radio stations and many different formats. You may not hear “Billie Jean” on the rock stations, but you could hear it on r&b stations and pop stations and dance-leaning stations. However, there was only one music television – MTV.

In his autobiography, Howling at the Moon, Walter Yetnikoff, head of CBS Records, for whom Jackson recorded (and where I worked in my first music business job), wrote “I screamed bloody murder when MTV refused to air [Jackson’s] videos. They argued that their format, white rock, excluded Michael’s music. I argued they were racist assholes – and I’d trumpet it to the world if they didn’t relent. I’ve never been more forceful or obnoxious. I’ve also never been as effective, threatening to pull all our videos. With added pressure from [Thriller producer] Quincy Jones, they caved in, and in doing so the MTV color line came crashing down.”

Jackson’s video for “Billie Jean” aired on MTV, followed just weeks later by his video for “Beat It,” a song whose guitar solo from Eddie Van Halen helped make it a hit on rock radio. These two videos made Jackson, already a superstar, a worldwide phenomenon with a humongous fan base that transcended race, age and location in a way never seen before. These two videos made MTV, a year and a half old and fairly popular in white suburban areas, a cultural institution. These two videos made the music video, then not something done for many singles, particularly those performed by artists of color, an art form and a necessary marketing tool.

Some people tuned in to MTV to see the Michael Jackson videos, and while watching the channel, discovered other acts. Some people tuned in to MTV to watch “white rock” videos, and while watching the channel, discovered Michael Jackson.

MTV went to showcase more “non-rock” videos. In 1988, they launched their hugely popular program Yo! MTV Raps, something that would have been completely unexpected just five years earlier, pre-“Billie Jean.”

While MTV deserves credit for making “Billie Jean” and Thriller successful, the person most responsible is Jackson himself. He wrote the song. He sang the song. He danced the song. Quincy Jones did not want “Billie Jean” to appear on Thriller. He didn’t like the title. He didn’t like the bassline. He felt the song’s introduction was too long. Jackson argued “But that’s the jelly!…That’s what makes me want to dance.” Jones wasn’t ready for this jelly, but Jackson stood his ground.

In May of 1983, NBC aired a tribute to Motown Records. Motown: Yesterday, Today, Forever featuring many legends who recorded for the storied label performing their classics. We saw Diana Ross, the Temptations, Marvin Gaye, Smokey Robinson and the Miracles, Stevie Wonder, the Four Tops, Martha Reeves, Lionel Richie and the Commodores, Mary Wells, Junior Walker and then some. It was a terrific show, but the talk of the town following its airing was the performance of a song not from the Motown catalogue – Michael Jackson’s “Billie Jean.” The iconic performance, during which Jackson brought the famous moonwalk to the world at large, pushed him that much more ahead of any other performer working in music back then.

Following “Beat It,” CBS Records released four more singles from Thriller. All seven of the singles released (the album had only nine songs!) went top ten, breaking the record of most top ten hits from a single-artist album that was set a few years earlier by…Michael Jackson, whose Off the Wall gave us four. Before Thriller, four singles for one album was considered a lot. Thriller raised the bar for blockbuster albums, and subsequent releases such as Bruce Springsteen’s Born in the U.S.A., Prince’s Purple Rain, Def Leppard’s Hysteria and Janet Jackson’s Control each produced more than four hits.

“Billie Jean” changed everything.

On this week’s Throwback Thursday playlist, Tunes du Jour spotlights 1983, kicking off with Michael Jackson’s classic “Billie Jean.”


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My Birthday Advice: Don’t!

doggies + Elvis
Today is my birthday. Over my 25+ years on earth, I’ve learned many life lessons. Most of them came from songs. My birthday gift to you is a playlist of 100 songs offering advice as to what not to do.


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Throwback Thursday – 1981

me before promThe blogger in 1981, before heading to the senior prom

For this week’s Throwback Thursday playlist, we revisit 1981. The 1981 Grammy Award for Album of the Year went to John Lennon and Yoko Ono’s Double Fantasy. The Best New Artist was Shena Easton. Record of the Year and Song of the Year went to “Bette Davis Eyes,” performed by Kim Carnes. Both Carnes and Easton were nominated for Best Pop Vocal Performance, Female, along with Olivia Newton-John for “Physical” and Juice Newton for “Angel of the Morning,” but those ladies lost to Lena Horne for “WTF?”. Rick Springfield won Best Rock Performance, Male (naturally) for “Jessie’s Girl.” “Just the Two of Us,” the Grover Washington, Jr./Bill Withers hit, took home the trophy for Best Rhythm & Blues Song.

Here are some of 1981’s biggest hits:

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A Mothers Day Playlist

It’s Mothers Day weekend. Today’s playlist consists of songs about mothers. Not mothers like Shaft, a bad mother shut-your-mouth. Real mothers.

Happy Mothers Day!


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