Tunes Du Jour Presents The Original Versions

Many of us grow up assuming the hit version of a song is the original. This playlist celebrates those surprising musical genealogies: well-known songs that were originally recorded by someone else, often with little fanfare. Here are the stories behind the transformations—where they started, and how they became iconic.


“Don’t Leave Me This Way” – Thelma Houston / Originally by Harold Melvin & the Blue Notes (1975)
Houston’s disco anthem actually began life as a Philly soul track sung by Teddy Pendergrass. Thelma took it to the dancefloor—and to #1.

“War” – Edwin Starr / Originally by The Temptations (1970)
This protest song started as an album cut by The Temptations. Starr’s rawer, angrier take made it a searing hit during the Vietnam era.

“Strawberry Letter 23” – The Brothers Johnson / Originally by Shuggie Otis (1971)
Otis’ dreamy, psychedelic original flew under the radar until producer Quincy Jones supercharged it with funk for The Brothers Johnson.

“I Feel for You” – Chaka Khan / Originally by Prince (1979)
Prince wrote it, recorded it, and released it on his 1979 self-titled album. Chaka Khan added Stevie Wonder’s harmonica and Melle Mel’s rap, creating a genre-blurring smash that gave the song a second life—and a much bigger audience.

“Louie Louie” – The Kingsmen / Originally by Richard Berry (1957)
Berry’s calypso-tinged rhythm & blues song became an unintelligible rock ‘n’ roll classic in the hands of teenage garage rockers.

“Pass The Koutchie” – Musical Youth as “Pass the Dutchie” / Originally by Mighty Diamonds (1981)
Musical Youth’s version cleaned up the ganja references but kept the groove. A British reggae hit born from a roots original.

“Tainted Love” – Soft Cell / Originally by Gloria Jones (1964)
This Northern Soul favorite was ignored in the U.S. until Soft Cell’s chilly synth-pop cover turned it into an international sensation.

“You Are So Beautiful” – Joe Cocker / Originally by Billy Preston (1974)
Preston’s gospel-inflected original was co-written with Dennis Wilson of the Beach Boys. Cocker slowed it down into a tearjerking ballad.

“The First Cut Is The Deepest” – Rod Stewart / Originally by P.P. Arnold (1967)
Before Cat Stevens, the song’s writer, sang it himself, P.P. Arnold delivered a powerful version. Stewart’s cover gave it global traction.

“Red, Red Wine” – UB40 / Originally by Neil Diamond (1967)
Diamond’s mournful original was a slow ballad. UB40’s reggae version confused even him—he didn’t recognize his own song on the radio.

“Brand New Cadillac” – The Clash / Originally by Vince Taylor and His Playboys (1959)
This rockabilly obscurity became a snarling punk track on London Calling. Vince Taylor later served as an inspiration for David Bowie’s Ziggy Stardust persona.

“Take Me To The River” – Talking Heads / Originally by Al Green (1974)
Green’s swampy soul gave way to Talking Heads’ jittery art-funk. An old-school spiritual reborn in new wave style.

“The Tide Is High” – Blondie / Originally by The Paragons (1967)
Jamaican rocksteady meets NYC cool. Blondie took this mellow gem and gave it a global pop sheen.

“Brandy” – Barry Manilow as “Mandy” / Originally by Scott English (1971)
English’s sad and simple original got a new name and new polish. Manilow’s grand version topped the charts.

“Don’t Let Me Be Misunderstood” – The Animals / Originally by Nina Simone (1964)
Simone’s pleading ballad became a snarling British Invasion hit. Her nuanced sorrow gave way to the raw edge of rock.

“Bette Davis Eyes” – Kim Carnes / Originally by Jackie DeShannon (1974)
The original was breezy and piano-driven. Carnes and her producer Val Garay turned it into new wave noir.

“Heaven Must Have Sent You” – Bonnie Pointer / Originally by The Elgins (1966)
Pointer’s disco version revived a Motown deep cut and put it back on the charts over a decade later.

“Love Buzz” – Nirvana / Originally by Shocking Blue (1969)
Nirvana turned this obscure Dutch psych-rock tune into a distorted grunge landmark. Their debut single.

“Piece Of My Heart” – Big Brother & The Holding Company / Originally by Erma Franklin (1967)
Aretha’s sister recorded it first, but Janis Joplin made it a fiery centerpiece of her legend.

“It’s Oh So Quiet” – Björk / Originally by Betty Hutton (1951)
A novelty big-band number revived by Björk into a theatrical showstopper. Old Hollywood meets Icelandic art-pop.

“China Girl” – David Bowie / Originally by Iggy Pop (1977)
Co-written with Bowie, Iggy’s version was skeletal and raw. Bowie’s version added synth gloss and MTV appeal.

“Good Lovin'” – The Young Rascals / Originally by The Olympics (1965)
The Olympics had the groove, but The Rascals turned it into a garage-rock rave-up and a #1 hit.

“Valerie” – Mark Ronson featuring Amy Winehouse / Originally by The Zutons (2006)
The Zutons wrote it as a bluesy rock song. Winehouse made it retro-soul perfection.

“Police On My Back” – The Clash / Originally by The Equals (1967)
A stomping, paranoid track from Eddy Grant’s first band. The Clash turned it into a punk fugitive anthem.

“After Midnight” – Eric Clapton / Originally by J.J. Cale (1966)
Cale’s laid-back shuffle was juiced up with guitar licks by Clapton, who kept the songwriter’s cool intact.

“On Broadway” – The Drifters / Originally by The Cookies (1962)
Songwriters Barry Mann & Cynthia Weil gave this to a girl group first, but The Drifters made it a city-slick R&B classic.

“Love Hurts” – Nazareth / Originally by The Everly Brothers (1960)
Gentle heartbreak became hard rock agony. Nazareth’s arena wail made the song a power ballad staple.

“I Love Rock ‘n’ Roll” – Joan Jett & the Blackhearts / Originally by The Arrows (1975)
Jett saw it on UK TV and recorded a fiercer, snarling version that girls (and boys) everywhere could scream along to.

“Without You” – Nilsson / Originally by Badfinger (1970)
Badfinger’s version was plaintive; Nilsson’s was operatic. He didn’t just sing it—he wailed it.

“Superman” – R.E.M. / Originally by The Clique (1969)
A psychedelic pop obscurity turned indie-rock cult classic. One of R.E.M.’s rare early tracks not written by the band.


These songs remind us that inspiration doesn’t always strike where the spotlight shines. Sometimes greatness is borrowed—and reinvented.


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Tunes Du Jour Presents 1974

The music of 1974 proved that the pop charts could be both wildly fun and profoundly moving. It was a year where novelty songs like Carl Douglas’s “Kung Fu Fighting” and Ray Stevens’ “The Streak” shared space with deeply resonant tracks like Stevie Wonder’s “Living for the City” and Aretha Franklin’s “Until You Come Back to Me (That’s What I’m Gonna Do).” While it’s easy to dismiss the year as a playground for lighthearted hits, a closer listen reveals a wealth of outstanding singles that still resonate today.

Take “Rock Your Baby” by George McCrae, for example. Often credited as one of the earliest disco hits, its smooth groove helped usher in a new musical era. Meanwhile, Paul McCartney & Wings offered rock escapism with “Band on the Run,” a mini-suite that felt cinematic in scope. Dolly Parton’s “Jolene,” with its pleading urgency and timeless melody, has become a cultural touchstone, while David Bowie’s “Rebel Rebel” gave glam rock an anthem for the ages.

It was also a year of musical storytelling. Terry Jacks’ “Seasons in the Sun” might be remembered as saccharine by some, but its tale of farewell struck a chord with listeners. In a completely different vein, Stevie Wonder’s “Living for the City” painted a vivid picture of systemic inequality, blending sharp social commentary with impeccable musicianship. These songs showcased the versatility of 1974’s music, capable of being both personal and political.

Of course, 1974 also gave us unabashedly joyful hits that simply aimed to make us feel good. The Hues Corporation’s “Rock the Boat” was an irresistible call to the dance floor, while ABBA’s “Waterloo” introduced the Swedish group’s knack for crafting pop perfection. On the romantic front, Barry White’s “Can’t Get Enough of Your Love, Babe” and The Stylistics’ “You Make Me Feel Brand New” showcased lush, heartfelt soul.

For every “The Streak,” there was a “Help Me” by Joni Mitchell—a song of intricate vulnerability. For every “Kung Fu Fighting,” there was a “Rikki Don’t Lose That Number” by Steely Dan—an effortlessly cool fusion of jazz and rock. The pop charts of 1974 reflected a fascinating duality, where silly and sublime coexisted, creating a year of music that remains as memorable as it was diverse.

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Tunes Du Jour Presents Eric Clapton

Eric Clapton stands as a towering figure in the realm of music, his guitar prowess and soulful vocals leaving an indelible mark on the landscape of rock and blues. From his early days with The Yardbirds and Cream to his solo career, Clapton has continually redefined the boundaries of guitar playing, weaving intricate melodies and emotive solos that resonate with audiences across generations.

At the heart of Clapton’s music lies a raw authenticity, a testament to his deep-rooted love for the blues. Songs like “Layla,” “Tears In Heaven,” and “Sunshine of Your Love” not only showcase his technical brilliance but also his ability to infuse each note with profound emotion. His music transcends mere entertainment, offering listeners a cathartic experience that speaks to the complexities of the human condition.

Beyond his musical contributions, Clapton has also been involved in various philanthropic endeavors. His most notable effort is perhaps the creation of the Crossroads Centre in Antigua, a rehabilitation facility dedicated to helping individuals overcome addiction. Having battled addiction himself, Clapton’s commitment to supporting others on their journey to recovery underscores his compassion and empathy.

However, Clapton’s legacy is not without controversy. Accusations of xenophobia, racism, and anti-science sentiments have cast a shadow over his career. His inflammatory remarks in the past have sparked widespread criticism and prompted many to reevaluate their support for him. While his musical achievements are undeniable, it’s essential to acknowledge and address the problematic aspects of his persona.

As listeners engage with Clapton’s music, they are encouraged to appreciate the artistry while also confronting the complexities of the artist behind it. While his contributions to music are undeniable, it’s crucial to approach his legacy with nuance and critical reflection. Ultimately, Eric Clapton’s journey serves as a reminder that even the most revered figures are not immune to scrutiny, and that true appreciation requires an acknowledgment of both the brilliance and the flaws.

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Tunes Du Jour Presents George Harrison

George Harrison, the lead guitarist of the legendary band The Beatles, left an indelible mark on the world of music and philanthropy. Born on February 25, 1943, in Liverpool, England, Harrison’s creative genius extended far beyond his iconic slide guitar playing. Let’s delve into his remarkable contributions and the profound impact he had on both the music industry and humanitarian causes.

While John Lennon and Paul McCartney often took center stage, George Harrison’s quiet brilliance elevated The Beatles’ sound. His compositions, such as “While My Guitar Gently Weeps” and “Here Comes the Sun,” showcased his ability to blend intricate melodies with soulful lyrics. Harrison’s solo debut album, All Things Must Pass, remains a timeless masterpiece, earning its place on many lists of the 100 best albums ever recorded.

George Harrison’s commitment to making the world a better place was unwavering. In 1971, he organized the groundbreaking Concert for Bangladesh, a multi-artist benefit event that raised funds for refugees displaced by war and famine. The concert featured luminaries like Bob Dylan, Eric Clapton, and Ravi Shankar, emphasizing music’s power to effect change.

Harrison’s philanthropic efforts extended beyond charity concerts. He established the Material World Charitable Foundation in 1973, supporting diverse artistic expressions and alternative life views. His passion for peace and social justice resonated through his music and actions. As the first Western musician to explore Eastern spirituality, he bridged cultural gaps and introduced Indian sounds to the world.

Harrison’s fascination with Indian culture blossomed during the filming of Help! (1965), a quirky movie that playfully parodied cultural norms. Amidst the irreverence, he discovered India through a sitar played by one of the film’s Indian musicians. This encounter ignited his lifelong love affair with Indian music and philosophy. The sitar-infused tracks like “Within You Without You” and “The Inner Light” stand as testament to his cross-cultural exploration.

George Harrison’s legacy extends far beyond his guitar strings. His commitment to spiritual harmony continues to inspire generations. As we listen to his timeless tunes, let’s remember the man who not only shaped musical history but also championed a better world—one note at a time. 🎵🌍

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Your (Almost) Daily Playlist: 2-12-24

I keep forgettin’ why I walked in this room
I keep forgettin’ where it was that I parked my car
I keep forgettin’ my Wifi password
I keep forgettin’ where my phone is, oh it’s in my hand

I keep forgettin’ what day of the week it is
I keep forgettin’ if turned the oven off or not
I keep forgettin’ if I fed those damn cats
I keep forgetin’ that I don’t have any cats to feed

I keep forgettin’ to schedule a haircut
I keep forgettin’ the last place I put my keys down
I keep forgettin’ my apartment doesn’t clean itself
I keep forgettin’ something else about some other thing

I haven’t forgotten that Michael McDonald was born on this date in 1952. You can hear him on a few songs on today’s playlist.

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Throwback Thursday: 1996

When first presented with his brother Noel’s composition “Wonderwall,” Oasis’ usual lead singer Liam Gallagher didn’t care for it. Of course, the song became a worldwide smash. Did Liam come around? In 2008 he told MTV News “I can’t fucking stand that fucking song! Every time I have to sing it I want to gag.” Guess not. What about Noel, the song’s writer? He must like it, right? Here is what he said: “Outside of England, it’s the one song we’re famous for all over the world, and it annoys the fuck out of me. It’s not a fucking rock’n’roll tune. There’s quite a vulnerable statement to it. When people come up to me and say it’s one of the greatest tunes ever written, I think, ‘fucking hell, have you heard “Live Forever”?’”

Oasis’ “Wonderwall” is one of the 1996 songs on today’s Throwback Thursday playlist.

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Your (Almost) Daily Playlist: 8-12-23

I’m generally not one for guitar solos, but Mark Knopfler’s work on this record, particularly starting at around the 4:50 mark, coupled with the main riff, sends me every time.

Dire Straits’ Mark Knopfler was born on this date in 1949. Some of his band’s best work is included on today’s playlist.

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