Tunes Du Jour Presents Fleetwood Mac

by with No Comment Uncategorized

Fleetwood Mac’s story is one of evolution, creativity, and enduring musical brilliance. From their humble beginnings in the British blues scene to their rise as global rock icons, this band has left an indelible mark on popular music.

The group’s journey began in 1967 when guitarist Peter Green assembled a lineup that included Mick Fleetwood and John McVie. Their early years were steeped in blues, with tracks like “Albatross” and “Oh Well” showcasing their raw talent and musical prowess. However, it was the addition of Stevie Nicks and Lindsey Buckingham in 1975 that catapulted Fleetwood Mac into the stratosphere of rock stardom.

The Buckingham-Nicks era ushered in a new sound for the band, blending pop sensibilities with rock edge and introspective lyrics. Their self-titled 1975 album featuring hits like “Rhiannon,” “Say You Love Me,” and “Over My Head” was just a taste of what was to come. In 1977, Fleetwood Mac released Rumours, an album that would define their career and cement their place in music history. Tracks like “Dreams,” “Go Your Own Way,” “Don’t Stop,” and “You Make Lovin’ Fun” not only rested at or near the top of the charts but also resonated deeply with listeners, exploring themes of love, loss, and personal struggle.

Fleetwood Mac’s willingness to experiment and evolve is evident throughout their discography. The unconventional production of “Tusk,” which incorporated the USC Trojan Marching Band, exemplifies the band’s commitment to pushing boundaries while maintaining their signature style.

The band’s impact on popular music is difficult to overstate. They’ve sold over 120 million records worldwide, making them one of the best-selling music acts of all time. Their accolades include multiple Grammy Awards, induction into the Rock and Roll Hall of Fame in 1998, and a Brit Award for Outstanding Contribution to Music. Beyond these formal recognitions, Fleetwood Mac’s influence can be heard in countless artists across various genres, a testament to their wide-ranging appeal and musical innovation.

As we look back on Fleetwood Mac’s legacy, it’s clear that their music transcends generations. Whether it’s the bluesy riffs of their early work, the pop-rock perfection of their ’70s hits, or the mature songcraft of their later albums, Fleetwood Mac continues to captivate listeners with their unique blend of melody, harmony, and raw emotion. Their journey through the decades stands as a testament to the power of music to connect, inspire, and endure.

Follow Tunes Du Jour on Facebook

Follow Tunes Du Jour on Twitter

Follow me on Instagram

Your (Almost) Daily Playlist: 2-20-24

by with No Comment Uncategorized

Steely Dan’s Walter Becker was obsessed with a tiny sound glitch on the album Katy Lied and flew to a 3M factory in Minnesota to find out the cause. It turned out to be a blot of dried mustard on the tape. Duh!

The late Walter Becker was born on this date in 1950. Lots of Steely Dan on today’s playlist.

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on Twitter

Follow me on Instagram

Your (Almost) Daily Playlist: 12-22-23

by with No Comment Uncategorized

The first of nine US number one singles for The Bee Gees was “How Can You Mend a Broken Heart,” written for Andy Williams by the group’s three brothers (credited to Barry and Robin Gibb on its initial release but later amended to include brother Maurice). The song is from their album Trafalgar, named after where in London they stayed during the recording sessions; however, the single failed to chart in the UK. 

The Bee Gees’ twins Maurice and Robin Gibb were born on this date in 1949. Lots of Bee Gees on today’s playlist.

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on Twitter

Follow me on Instagram

Your (Almost) Daily Playlist: 11-15-23

by with No Comment Uncategorized

I saw the movie Muriel’s Wedding with my friend Kathy in the theater when it was released. You know what’s better than watching Muriel’s Wedding? Not watching Muriel’s Wedding. As I recall, ugly duckling Muriel marries a smoking hot South African swimmer who looks like he stepped out of a Calvin Klein ad and then dumps him for no good reason. Oh, I probably should have written SPOILER ALERT before I told you that. Oh well. Here’s another SPOILER ALERT: Muriel’s an idiot. When she tells the delicious hunk of meat that they’re over, Kathy screamed out “WHAT?” I felt the same, as did most of the people in the theater, as we were in a gay neighborhood. Why would she leave that gorgeous piece of manflesh? To “discover herself?” To “follow her dream?” Give me a break. The only thing she found was a one-way ticket to Loserville. The best thing about Muriel’s Wedding…well, the best thing about Muriel’s Wedding not counting that yummy man candy who Muriel threw away like yesterday’s trash is that it brought AꓭBA back to the spotlight. Since their breakup in 198something they remained prominent throughout much of the world, but in the US, they were a campy artifact of a bygone era. Stateside the group had one number one single, “Dancing Queen,” whereas in England they hit number one 1,876 times. England. People in England are – I say this with love and as a die-hard AꓭBA fan – nuts. Anyhoo, after Muriel’s Wedding we got AꓭBA featured in the delightful motion picture The Adventures of Priscilla, Queen of the Desert, which I also saw in the movie theater, where I was seated behind former New York City mayor Ed Koch, who I used to call Ed Crotch. Then we got the jukebox musical Mamma Mia, which was super successful on stage and screen. I never saw it on stage but I saw the movie – not in the theater but on television – and it made me miss my friends in New York – Kathy, Laura, Daisy, Debbie – because we used to have bad movie days every few weeks where we’d watch Showgirls or Battlefield Earth or that movie in which Anna Nicole Smith played a hostage negotiator and we’d laugh and talk through the movies and it was always a blast. They would love Mamma Mia. It’s like the musical equivalent of Showgirls. I know many disagree. Many disagree with me (and Kathy) about Muriel’s Wedding, too. To each their own. You’re allowed to have your wrong opinions.

AꓭBA’s Frida was born Anni-Frid Lyngstadon this date in 1945. Lots of AꓭBA on today’s playlist.

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on Twitter

Follow me on Instagram

Your (Almost) Daily Playlist: 9-1-23

by with No Comment Uncategorized

The Bee Gees wrote “How Deep Is Your Love” at the Château d’Hérouville in France, where Chopin had stayed and played piano, though Chopin wasn’t involved in the recording of the song, as he was busy being dead. The song was intended for Yvonne Elliman, but Robert Stigwood, the producer of Saturday Night Fever, said “No, no way. Uh uh. Forget it.” The Gibb brothers took their song to number one, the first of 7034 number one hits (give or take) from the Saturday Night Fever soundtrack. HDIYL spent 17 weeks in the top ten of the Billboard Hot 100, a record at that time.

Bee Gee Barry Gibb was born on this date in 1946. A half dozen of his group’s hits are included on today’s playlist.

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on Twitter

Follow me on Instagram

Your (Almost) Daily Playlist: 7-17-23

by with No Comment Uncategorized

The Spencer Davis Group were under pressure from their manager, Chris Blackwell, to come up with a hit single. He put them in a studio. By around 11:30 AM they had a riff. By noon the song was written and the band headed to a café down the road for lunch. Blackwell was livid when he found them eating rather than working on their new record. His anger subsided when the song, “Gimme Some Lovin,” recorded in just one or two takes, became a worldwide smash. It is now considered a rock n roll classic.

The late Spencer Davis was born on this date in 1939. A couple of the Group’s tracks are included on today’s playlist.

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on Twitter

Follow me on Instagram