Inspired by the October 16 birthdays of Nico, Hüsker Dü’s Bob Mould, Grateful Dead’s Bob Weir, Angela Lansbury, Kelly Marie, John Mayer, Aswad’s Brinsley Forde, and Oscar Wilde; and the October 15 birthdays of Richard Carpenter, The Dead Milkmen’s Joe Genaro, The Orb’s Alex Paterson, Ginuwine, Marv Johnson, Barry McGuire and Jessie Ware.
Tag Archives: Frankie Valli & The Four Seasons
Inspired by the September 19 birthdays of Chic’s Nile Rodgers, Pulp’s Jarvis Cocker, Tegan and Sara, Mama Cass Elliot, The Righteous Brothers’ Bill Medley, Teddybears’ Patrik Arve, Skepta, Rex Smith, The Springfields’ Mike Hurst, Brook Benton, Lol Crème, Austin Roberts, Eamon, Marshall Jefferson, Adam West and Frances Farmer.
Inspired by Black Music Month, LGBTQ Pride Month, and the June 24 birthdays of Mick Fleetwood, Solange, Tears For Fears’ Curt Smith, The Zombies’ Colin Blunstone, Orchestral Manouevres in the Dark’s Andy McClusky, Ariel Pink, Michele Lee, Mazzy Star’s Hope Sandoval, Siedah Garrett, Arthur Brown, Phil Harris, and The Notwist’s Markus Acher.
Inspired by Black Music Month, LGBTQ Pride Month, and the June 20 birthdays of The Beach Boys‘ Brian Wilson, The Coasters’ Billy Guy, Lionel Richie, The Miracles’ Claudette Rogers, Chairlift’s Caroline Polacheck, Jerry Keller, The Rivingtons’ Carl White, The Deftones’ Chino Moreno, and Chris Gibson.
2020 seemed like just another year, until this week. Something mind-boggling happened. No, the president of the U.S. didn’t display empathy. Get this: The Village People are presently in the Top 40 on the Adult Contemporary chart with a ballad taken from their 2019 Christmas album. The key terms in that sentence: Village People, presently, Top 40, Adult Contemporary, ballad, Christmas. It’s 2020! The song is called “If You Believe” and it jumped from #53 to #25 this week with a 310% increase in radio airplay over last week. “If You Believe?” More like “Hard to Believe!” Am I right, people?
Today’s playlist is inspired by the May 3 birthdays of James Brown, Frankie Valli, Father John Misty, Soft Cell’s David Ball, Pete Seeger, Christopher Cross, Mary Hopkin and Napoleon XIV.
Per the email I received from Spotify in mid-December, my most-streamed track of 2016 was Blue Oyster Cult’s “(Don’t Fear) The Reaper.” While that is a great song, I don’t recall playing it more than once or twice this year. However, I did spend hours listening to music by those taken from us by the Grim Reaper. I’m not the only person to feel incredible sadness at the seemingly non-stop loss of great talents, which started on New Year’s Day when we heard the report that Natalie Cole died the day before.
With this playlist I want to celebrate the contributions these folks made to our lives and our culture. If I missed someone, forgive me. There were a lot of folks to remember.
Before we get to the Spotify playlist, videos from two whose music is not on Spotify.
Thank you for enriching my life:
Glenn Frey (of Eagles)
Muhammad Ali (nee Cassius Clay)
Maurice White (of Earth, Wind and Fire)
Carrie Fisher (actress best known for Star Wars)
Paul Kantner (of Jefferson Airplane)
Signe Toly Anderson (of Jefferson Airplane)
Sir George Martin (record producer best known for his work with The Beatles)
Attrell “Prince Be” Cordes (of P.M. Dawn)
Garry Marshall (television/film director/producer/writer, creator of Happy Days)
Pete Burns (of Dead or Alive)
Alan Vega (of Suicide)
Don Ciccone (of The Four Seasons)
Keith Emerson (of Emerson, Lake and Palmer)
Greg Lake (of Emerson, Lake and Palmer)
Steven Young (of M/A/R/R/S)
Joan Marie Johnson (of The Dixie Cups)
Malik “Phife Dawg” Taylor (of A Tribe Called Quest)
Bernie Worrell (of Parliament)
Gary Paxton (of The Hollywood Argyles)
Rick Parfitt (of Status Quo)
Mack Rice (songwriter whose credits include “Respect Yourself”)
Milt Okun (record producer best known for his work with John Denver)
Marni Nixon (singer/actress best known for dubbing the singing voices of Natalie Wood in West Side Story and Audrey Hepburn in My Fair Lady)
Rod Temperton (of Heatwave)
John Chelew (record producer best known for his work with John Hiatt)
Nicholas Caldwell (of The Whispers)
Trisco Pearson (of Force MDs)
Gayle McCormick (of Smith)
Gary Loizzo (of American Breed)
Paul Upton (of The Spiral Starecase)
Carlo Mastrangelo (of The Belmonts)
Fred Tomlinson (co-writer of “Lumberjack Song”)
John D. Loudermilk
Zsa Zsa Gabor
Some time in my teen years I feel in love with the girl group sound. My favorite was The Crystals’ “He’s a Rebel.” The music and the vocals hooked me. The singer tells of how others don’t approve of the boy she loves as he’s a non-conformist, but he treats her well and that’s all that matters.
The story behind the record is as interesting as the record itself. The song was written by Gene Pitney, who had several hits of his own, including “Town Without Pity” and “(The Man Who Shot) Liberty Valence.” “He’s a Rebel” was slated to be the debut single for Vikki Carr, but when Spector heard Pitney’s demo he knew he wanted it for one of his acts, The Crystals.
He needed to record it quickly in order to challenge Carr’s version at the stores. The Crystals, however, were on the road in New York and unable to make the recording sessions in Los Angeles. No problem. Spector hired a local group called The Blossoms, led by Darlene Wright, to record the song. Wright was paid $3000 for the session. Spector released the record under the name The Crystals, as his label owned the name. The actual Crystals first learned of their new hit song when they heard it on the radio. It became their first #1 single, meaning The Crystals had to learn this song so they could perform it at their shows. The group’s lead singer, Barbara Alston, could not match Wright’s vocal performance, so fellow Crystal LaLa Brooks moved into the lead vocalist slot. Coincidentally, the week The Crystals’ “He’s a Rebel” was #1, Gene Pitney was #2 as a singer with “Only Love Can Break a Heart,” a song he didn’t write.
As “He’s a Rebel” was so successful, Spector needed to get a follow-up single out quickly. Again, he turned to The Blossoms to record “He’s Sure the Boy I Love.” Wright, however, was angry that her name was not on “He’s a Rebel” and told Spector she would only do this song if she were singed to a recording agreement and was properly credited for her vocals on the track. Spector agreed, changing her name in the agreement to Darlene Love. He released “He’s Sure the Boy I Love.” It was credited to The Crystals.
Spector used the money he made from “He’s a Rebel” to buy out his business partners in the Philles Records label. In addition to the financial settlement, Spector had to give his two ex-partners a share of the royalties of the next Philles single release, so Spector got the real Crystals into the studio and recorded “(Let’s Dance) The Screw,” a silly number clearly not intended to be a hit. A copy was sent to one of the ex-partners. No royalties were generated.
Tunes du Jour celebrates Throwback Thursday with twenty great hits from 1962, kicking off with “He’s a Rebel” by “The Crystals.”
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