1972. The Vietnam War raged on, Watergate loomed, and the social landscape shifted beneath our feet. Amidst this backdrop of upheaval, our ears tuned in to a soundtrack that transcended mere melodies—it pulsed with the countercultural spirit and the burgeoning individuality of an era. Let us step back in time, dust off the record player, and explore the timeless tunes that wove themselves into the fabric of our lives—a kaleidoscope of genres and voices that defined a generation.
From the introspective musings of Lou Reed’s “Perfect Day” to the raw energy of Led Zeppelin, each track on this playlist embodies the spirit of its time while transcending it—a symphony that continues to resonate across generations.
The music of 1972 continues to evoke nostalgia and stir emotions across generations. These iconic tunes remind us of the enduring legacy of artists who dared to push boundaries and challenge the status quo. So turn up the volume and let these timeless tunes whisk you back to celebrate the enduring beauty of music that transcends generations.
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Today’s playlist recognized World AIDS Day and celebrates the December 1 birthdays of Billy Paul, The Doors’ Jon Densmore, Janelle Monáe, Basement Jaxx’s Simon Ratcliff, Blue Öyster Cult’s Eric Bloom, Clap Your Hands Say Yeah’s Alec Ounsworth, Gilbert O’Sullivan, Julee Cruise, Bette Midler, Sandy Nelson, Lou Rawls, Jaco Pastorius, Mary Martin, Matt Monro, Hair‘s Treat Williams, Sarah Silverman, and Jonathan Coulton.
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This Throwback Thursday we revisit 1972. What happened in music in 1972?:
Michael Jackson had the first of 13 solo US #1 Hot 100 singles with a song
about a rat.
Chuck Berry had his first US #1 single with a song about his penis.
Roberta Flack spent six weeks at #1 on the US Hot 100 with a song she
released in 1969.
Helen Reddy rerecorded a song from her 1971 album I Don’t Know How To Love Him. It became the first of her three US #1 Hot 100 singles and became an anthem for women’s equality.
The Staple Singers scored their first of two US #1 Hot 100 hits with a classic song that had only one verse.
Neil Young scored his only US #1 Hot 100 single.
Some of the other classic singles to peak in 1972 are “American Pie,” “Let’s Stay Together,” “Me & Mrs. Jones,” “Without You,” “If You Don’t Know Me By Now,” “Alone Again (Naturally),” “Lean On Me,” “Papa Was a Rollin’ Stone,” “School’s Out” and “The Harder They Come.”
David Bowie released The Rise and Fall of Ziggy Stardust and the Spiders
from Mars.
The Rolling Stones released Exile on Main St.
Elton John released Honky Château.
As far as music goes, I’d say 1972 was pretty pretty pretty pretty good. Even the bad songs were good! Here are thirty highlights.
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Inspired by the season and the December 1 birthdays of Bette Midler, Janelle Monae, Basement Jaxx’s Simon Ratcliff, Lou Rawls, Richard Pryor, Billy Paul, Gilbert O’Sullivan, Mary Martin, Woody Allen, Treat Williams, Sarah Silverman, Julee Cruise, Jonathan Coulton and Matt Monro.
Willie Mitchell, the producer of Al Green’s string of hits in the first half of the 1970s, recalled the one time he and the singer had a fight. It was over a song the two men had written with Al Jackson, Jr. While producing that track, Mitchell told Green to sing it much more softly than he had sung his other material. Green thought that direction was wrong and the song would never become a hit.
That recording was “Let’s Stay Together,” and it became Green’s first #1 on the pop chart. It also spent nine weeks at #1 on the r&b chart.
Following the success of “Let’s Stay Together,” Mitchell said Green never again argued with him.
This week’s Throwback Thursday playlist focuses on the year 1972, kicking off with the song that Rolling Stone magazine named the 60th greatest of all time, Al Green’s “Let’s Stay Together.”
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I didn’t get the film Muriel’s Wedding. Not as in I didn’t get the Blu-Ray of this movie for Hanukkah. I don’t even own a Blu-Ray player. No, I mean I didn’t understand it. Or rather, I didn’t buy it. Muriel, the ugly duckling girl who is mocked and abused, ends up marrying a beautiful South African swimmer and then splits up with him because of some self-esteem bullshit. WHAT? For fuck’s sake, Muriel! The man has beautiful eyes, a great body and doesn’t beat you. What more could you want? If this means I’m shallow and superficial then I don’t want to be right. She says to him “I don’t love you” and he replies “I don’t love you either but I think I could like having you around.” He’s so sweet! I dream of the day someone says something so romantic to me! Someone attractive, that is. Oh, um, SPOILER ALERT. I should have said that a few sentences ago. If you haven’t seen the movie yet and plan to (which you should, just to see what Muriel walked away from) then forget what you just read.
This is what Muriel left. This. THIS! It stretches all credibility.
Muriel’s Wedding had its good points: a) David (Muriel’s husband), b) it introduced us to Toni Collette as Muriel, c) it introduced us to Rachel Griffiths, and d) along with The Adventures of Priscilla, Queen of the Desert, it brought ABBA back into the public consciousness.
Today Tunes du Jour celebrates the birthday of ABBA’s Benny Andersson who, along with the group’s Björn Ulvaeus, co-wrote and co-produced most of their hits.