Tag Archives: Gwen Guthrie

It’s Friday And I Need To Dance!

It’s long overdue!


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It’s Keith Sweat and George Clinton’s Birthday Today And I Need To Dance!

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I received a message from a guy on OKCupid
He needed to tell me my screen name is stupid

He objected to my handle including the word “cute”
I looked at his photos; he isn’t a beaut

He ended his note with “Have a nice day”
And for a brief moment, I was done being gay

I chose to ignore his unsolicited advice
Me listen to you? Uh uh, no dice

Am I supposed to believe he’s an expert who knows?
The man is 45 and posing in Speedos

Will I now change my name? No way! Not a chance!
On another note, it’s Friday, and I need to dance!

Today’s the 55th birthday of Mr. Keith Sweat
“I Want Her”’s the tune that kicks off this set

It’s also the 75th birthday of the legend George Clinton
No relation to Hillary, who I’m voting for because Donald Trump is a fucking nightmare.


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Throwback Thursday – 1986

By 1986, Aerosmith appeared to have had their best years behind them. Sales of their releases that decade lagged significantly behind their hits in the 1970s, and the group’s members were struggling with drug addictions.

They did have fans, though. One was music producer Rick Rubin. He was working with rap group Run-D.M.C., who were known in hip hop circles and with music critics for incorporating rock guitars and beats in their boastful raps, such as “Rock Box” and “King of Rock.”

Rubin suggested Run-D.M.C. do a remake of Aerosmith’s 1977 hit “Walk This Way,” but the rappers had no interest in doing a cover. However, the group’s DJ, Jam Master Jay, was open to the idea, and Rubin called Aerosmith’s Steven Tyler and Joe Perry to come into the studio. Perry was familiar with the rappers, as his stepson was a fan. Jam Master Jay convinced Run and D.M.C. to give the remake a shot, seeing as Tyler and Perry were in the studio with Rubin.

The Run-D.M.C./Aerosmith version of “Walk This Way” was not only massively successful, but highly influential as well. It became Run-D.M.C.’s first crossover hit, and the first rap track to make the top ten of Billboard’s Hit 100, peaking at #4, six notches higher than Aerosmith’s original peaked. It opened the door to future song/rap collaborations, something that continues to dominate the charts to this day, not to mention bringing “rock rap” to a wide audience.

Steven Tyler went to rehab in 1986, and the other members of Aerosmith also sought treatment for their drug addictions. On the heels of the success of the “Walk This Way” remake, Aerosmith released the Permanent Vacation album in the late summer of 1987. Its first single, “Dude (Looks Like a Lady),” became the group’s first hit single outside the Run-D.M.C. collaboration since 1978’s “Come Together.” They followed that single with a string of big hits over the next few years, including “Love in an Elevator,” “Cryin’,” “Janie’s Got a Gun,” “I Don’t Want to Miss a Thing,” “Livin’ on the Edge,” and “Jaded.”

This week’s Throwback Thursday playlist spotlights the best of 1986, kicking off with the groundbreaking “Walk This Way,” performed by Run-D.M.C. and featuring Aerosmith’s “Steven Tyler and Joe Perry.


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It’s Aretha Franklin’s Birthday And I Need To Dance!

In 1994, Aretha Franklin took “A Deeper Love” to #1 on the dance club chart. Her record was a remake of a song that hit #1 on the dance club chart just two years prior. The 1992 version was credited to Clivillés + Cole, the song’s writers and producers, with vocals performed by Deborah Cooper. Clivillés + Cole, the C + C of C + C Music Factory, produced the Aretha’s version as well.

“A Deeper Love” was one of six #1 singles Aretha had on the dance club chart, which shows that in addition to being the Queen of Soul, she was a dance queen as well. It kicks off our weekly dance party, in honor of the Queen, who turns 74 today.


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It’s Jody Watley’s Birthday And I Need To Dance!

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Jody Watley is more of a trailblazer than you may realize.

She debuted as a Soul Train dancer at 14, where she amassed many fans due to her fashion sense and her dance style, called waacking, described on her web-site as a “beat-driven cousin of voguing.” She told DiscoMusic.com that she remembers those days fondly. “The Soul Train era was a lot of fun. It’s where I received my diva training in working the camera, giving attitude and ‘working it!’ All of the gay boys on the show taught me well!”

In 1977 she became a member of the music trio Shalamar, with whom she remained until 1983. The group landed hits on the pop, r&b and dance charts with “The Second Time Around,” “Dead Giveaway,” “Make That Move,” “A Night to Remember,” “Full of Fire” and “Right in the Socket.”

In 1984 she participated in the recording of “Do They Know It’s Christmas?” She and Robert “Kool” Bell of Kool & the Gang were the only American performers in Band Aid.

Her self-titled solo debut album was released in 1986. It produced five charted singles – “Don’t You Want Me,” “”Some Kind of Lover,” “Still a Thrill,” “Most of All,” and the classic “Looking For A New Love,” which gave us the catch-phrase “Hasta la vista, baby,” later used by Tone-Loc in “Wild Thing” and Arnold Schwarzenegger in Terminator 2: Judgment Day. She co-wrote all but three songs on the album, including its three top ten pop singles.

That album won Jody the Grammy Award for Best New Artist, nearly a decade after her first hit as part of Shalamar.

The music videos for “Most of All” and “Real Love,” the first single from her second solo album, were directed by David Fincher, director of the films Gone Girl, The Social Network, The Curious Case of Benjamin Button, Fight Club, The Girl with the Dragon Tattoo, Zodiac and Se7en. The “Real Love” video received six MTV Video Award nominations.

The follow-up to the “Real Love” single, which hit #2, was another top ten pop hit. “Friends” was groundbreaking in that it was the first crossover hit to which a rapper, in this case Rakim, added an original verse. This formula became and remains very popular, to the extent that in 2002 the Grammy Awards added a Rap/Sung category.

That song’s music video was radical as well. In it, Jody and Rakim perform for a multicultural crowd that includes people of different races, sexual orientations and gender expressions, but not in a way that appears pandering to her base.

In 1994, Jody had a dance hit with an original song entitled “When a Man Loves a Woman.” In the UK re-edits of the song were released. “When a Man Loves a Man” was a big hit in gay clubs there. (There was also a “When a Woman Loves a Woman” mix.)

Said Jody to DiscoMusic.com, “I appreciate my gay fan base so much… I’m told they admire my individuality, style, and inner strength to persevere. I’ve also been told that my songs have helped people come out to their families or go through break ups. I’m always humbled.”

In 2004, four years before Prop 8 became a Prop, city officials in San Francisco issued about 4000 marriage licenses to same-sex couples. Jody Watley was there to serenade the newlyweds. (The California Supreme Court ordered the city to cease marrying same-sex partners in March 2004.)

Today Tunes du Jour celebrates the 56th birthday of Jody Watley by peppering our weekly dance playlist with some of her finest moments.

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It’s Friday And I Need To Dance!

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Today’s dance playlist kicks off with Michael Jackson’s “Billie Jean.” It was on this day in 1984 that Jackson swept the Grammy Awards, winning Album of the Year and Best Pop Vocal Performance for Thriller, Record of the Year and Best Rock Vocal Performance for “Beat It,” Best R&B Song and Best R&B Vocal performance for “Billie Jean” and Best Recording for Children for E.T., the Extraterrestrial. By the time the awards were presented Thriller had already been certified as the largest-selling album of all-time and received a record-setting twelve Grammy nominations. It would also smash the record for most top ten singles generated from one album by producing seven such smashes, three more than the previous record, held by Off the Wall, the previous album by Jackson. Prior to his Grammy victories that night thirty years ago, Jackson had won only one Grammy – Best R&B Performance for Off the Wall’s “Don’t Stop ‘Til You Get Enough.” With Thriller, Jackson also broke the perceived racial barrier on MTV, whose programming predominately featured white acts until “Billie Jean” proved to be an across-the-board smash.

Do you have a Thriller inside of you? It might be an album or an app or a blog post that brings joy to many. It might be an idea or a message that millions of people could get behind. It might be a business plan that changes the landscape. Carve out some time to work on your Thriller.

In the meantime, dance!

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Happy June Pointer’s Birthday!

As an adult my mother took night classes to earn her college degree. One of the electives she took was a course on music appreciation. During the semester my mother had to attend three concerts and write papers on each. She came to me with a deal. “If I buy you a ticket to the Pointer Sisters concert, will you write my paper for me?” Getting to see one of my favorite groups in concert without spending a dime? Deal!

Not only did my mother treat me to a great show, she taught me valuable life lessons about effective delegation of tasks and quid pro quo.

I saw the best-known incarnation of the group – as a trio consisting of sisters Ruth, June and Anita. Bonnie Pointer left the fold years earlier to pursue a solo career. As a threesome the women scored over a dozen top 40 singles on the US pop chart.

Today Tunes du Jour celebrates the birthday of the late June Pointer, who sang lead on the trio’s hits “He’s So Shy,” “Dare Me,” “Happiness” and “Jump,” which became “Jump (For My Love)” to avoid confusion with the Van Halen hit “Jump.” People were always confusing The Pointer Sisters with Van Halen.

One more thing – my mother got an “A” on her paper.

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