Tunes Du Jour Celebrates International Jazz Day

Jazz is a genre that defies easy definition, yet its influence is undeniable across decades of music history. At its core, jazz represents freedom – freedom of artistic expression, freedom to improvise and venture into uncharted musical territory. From the early days of jazz pioneers like Louis Armstrong, Duke Ellington, and Billie Holiday, this artistic freedom has been the driving force behind the ever-evolving sounds of jazz.

The genius of jazz lies in its ability to seamlessly blend composition and spontaneity. Take Miles Davis’ seminal album Kind of Blue, where masterful musicians like John Coltrane and Cannonball Adderley were given a simple modal framework to build upon through their improvisations. The result was a transcendent exploration of space, melody, and emotion that still captivates listeners today. Similarly, Dave Brubeck’s “Take Five” broke new ground with its innovative use of quintuple meter, exemplifying jazz’s boundary-pushing spirit.

Yet jazz is more than just innovative time signatures and harmonic progressions. It’s a language of human experience, a means of conveying the full spectrum of emotions through sound. Billie Holiday’s haunting rendition of “Strange Fruit” transformed a song into a searing indictment of racism and injustice. Nina Simone’s stirring vocals on “My Baby Just Cares for Me” radiate warmth and playfulness. And Chet Baker’s rendition of “My Funny Valentine” captures the exquisite vulnerability of heartbreak with effortless cool.

As the genre evolved through the latter half of the 20th century, jazz continued to defy conventions and push creative boundaries. The modal jazz of John Coltrane’s “A Love Supreme” was a spiritual exploration unlike anything that came before it. Ornette Coleman’s pioneering free jazz broke down traditional concepts of melody and harmony. And the fusion era saw artists like Herbie Hancock, Weather Report, and Grover Washington Jr. incorporate elements of funk, rock, and R&B into their jazz foundations.

From its humble beginnings in New Orleans to its modern global influence, jazz has remained a quintessential expression of artistic freedom. Its ability to constantly reinvent itself while maintaining a deep reverence for its roots is what makes it one of the most vital and culturally significant art forms of our time. Jazz is more than just a genre – it’s a living, breathing embodiment of the human spirit’s endless capacity for creativity and innovation.

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on Twitter

Follow me on Instagram

Tunes Du Jour Presents Covers of Show Tunes

The theme of today’s playlist is cover versions of songs that originated in stage musicals. Here are the songs listed with the shows that introduced them:

  • Mack the Knife by Bobby Darin – From The Threepenny Opera (1928)
  • Till There Was You by The Beatles – From The Music Man (1957)
  • Smoke Gets In Your Eyes by The Platters – From Roberta (1933)
  • Little Girl Blue by Nina Simone – From Jumbo (1935)
  • You’ll Never Walk Alone by Gerry & The Pacemakers – From Carousel (1945)
  • I Am What I Am by Gloria Gaynor – From La Cage aux Folles (1983)
  • On The Street Where You Live by Vic Damone – From My Fair Lady (1956)
  • Everything’s Coming Up Roses by The Replacements – From Gypsy (1959)
  • Send In The Clowns by Judy Collins – From A Little Night Music (1973)
  • I Don’t Know How to Love Him by Helen Reddy – From Jesus Christ Superstar (1970)
  • Hair by The Cowsills – From Hair (1967)
  • Put On A Happy Face by Diana Ross & The Supremes – From Bye Bye Birdie (1960)
  • Losing My Mind by Liza Minnelli – From Follies (1971)
  • Tomorrow by Grace Jones – From Annie (1977)
  • My Favorite Things by John Coltrane – From The Sound of Music (1959)
  • Well Did You Evah? by Debbie Harry & Iggy Pop – From DuBarry Was a Lady (1939)
  • The Man I Love by Kate Bush – From Lady, Be Good! (1924)
  • If My Friends Could See Me Now by Linda Clifford – From Sweet Charity (1966)
  • Summertime by Big Brother & The Holding Company – From Porgy and Bess (1935)
  • Cabaret by Harold Melvin & The Blue Notes – From Cabaret (1966)
  • I Get A Kick Out Of You by Frank Sinatra – From Anything Goes (1934)
  • Don’t Cry For Me Argentina by Festival – From Evita (1978)
  • Somewhere by Pet Shop Boys – From West Side Story (1957)
  • The Lady is a Tramp by Tony Bennett & Lady Gaga – From Babes in Arms (1937)
  • I’ll Never Fall In Love Again by Dionne Warwick – From Promises, Promises (1968)
  • I Love Paris by Screamin’ Jay Hawkins – From Can-Can (1953)
  • Night + Day by U2 – From Gay Divorce (1932)
  • There Are Worse Things I Could Do by Alison Moyet – From Grease (1971)
  • Corner of the Sky by The Jackson 5 – From Pippin (1972)
  • I Enjoy Being a Girl by Phranc – From Flower Drum Song (1958)

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on Twitter

Follow me on Instagram

Your (Almost) Daily Playlist: 9-22-22

Today’s playlist celebrates the September 21 birthday of Leonard Cohen, inadvertently missed the other day; the September 22 birthdays of Joan Jett, Nick Cave, Whitesnake’s David Coverdale, Mystikal, Toni Basil, Right Said Fred’s Richard Fairbrass, The Rentals’ Matt Sharp, Debby Boone, Concrete Blonde’s Johnette Napolitano, Marlena Shaw, Martin Solveig, The Jones Girls’ Shirley Jones, Timebox’s Mike Patto, and Pat Suzuki; and the September 23 birthdays of Bruce Springsteen, John Coltrane, Ray Charles, Ani DiFranco, The Whispers’ Walter and Wallace Scott, Jermaine Dupri, Freeez’s John Rocca, K’s Choice’s Sam Bettens, Paul Petersen, Anya Marina, and Mary Kay Place.

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on Twitter

Follow me on Instagram

Winston + Chaka 002

Chaka Khan’s Jazz

Winston + Chaka 002
Having already displayed her vocal chops with soul, funk, ballads and disco, Chaka Khan experiments with jazz on “And the Melody Still Lingers On,” her interpretation of Dizzy Gillespie’s “Night in Tunisia.” Featuring Herbie Hancock and Gillespie himself, as well as a Charlie Parker sample, Chaka and producer Arif Mardin add lyrics that pay tribute to the classic original composition. When it arrived in 1942 “it was new and very strange” but subsequently “paved the way for generations from Coltrane to Stevie.” “The past you can’t ignore, the torch is lit, we’ll keep the flame,” vows Chaka, at once saluting the past while being very much in the present. The performance also foretold her future – one of Khan’s 22 Grammy nominations would be for Best Jazz Vocal Performance in 1983. Seventy-two years after the debut of “Night in Tunisia” and thirty-three years after Chaka’s version, its melody still lingers on.

Tunes du Jour listens to Chaka’s jazzier sides today, her 61st birthday.