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Disco 1975

If you see Patti LaBelle today, wish her a happy birthday.

Nineteen seventy-five was a pivotal year for disco music. The genre was still very young; the name “disco” as a reference to the music genre was coined just two years earlier by journalist Vince Aletti. Disco music crossed over into the mainstream with more frequency, yet was not as ubiquitous a presence on the pop charts as it would become in the ensuing years of that decade. Artists who had their first top 40 singles in 1975 include Gloria Gaynor and KC and the Sunshine Band. In December of 1975, Donna Summer made her first appearance on the Hot 100 when “Love to Love You Baby” made its debut, having already been a smash in the clubs. The Bee Gees updated their sound in 1975 with “Jive Talkin’,” which became their first top ten single since 1971. Ben E. King, who had hits in the early 1960s as a solo artist and as the lead singer of The Drifters scored his first top ten pop hit since 1961’s “Stand By Me” with the funky “Supernatural Thing.” As the lead singer of the trio named after her, Patti LaBelle scored her first top ten hit in over a decade with “Lady Marmalade.” Veteran acts such as Frankie Valli, The Temptations, The Miracles, The Isley Brothers and Esther Phillips filled the dance floors. And it was in 1975 that the world was doing the hustle.

Today’s playlist is made up of forty disco gems from 1975.

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Throwback Thursday – 1974

In 1974, my Grandpa Abe gave me a radio, thus changing my life. That radio became my best friend and music my main interest. I started buying all the 45 rpm records that made the top ten. Soon I was reading the trade magazines, as well as Rolling Stone, Circus, Creem, Song Hits, Hit Parader, Musician, and then some. Who knows what career path I would have chosen had I not latched onto popular music in my pre-teen years?

Tunes du Jour’s Throwback Thursday playlist this week focuses on the music of 1974. It includes the music I heard on the radio back then (eighteen top 40 hits) plus two I discovered later on.


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It’s Earth Day And I Need To Dance!

“I remember writing ‘Earth Song’ when I was in Austria, in a hotel. And I was feeling so much pain and so much suffering of the plight of the Planet Earth. And for me, this is Earth’s Song, because I think nature is trying so hard to compensate for man’s mismanagement of the Earth. And with the ecological unbalance going on, and a lot of the problems in the environment, I think earth feels the pain, and she has wounds, and it’s about some of the joys of the planet as well. But this is my chance to pretty much let people hear the voice of the planet. And this is ‘Earth Song.’ And that’s what inspired it. And it just suddenly dropped into my lap when I was on tour in Austria.”
– Michael Jackson

Ringo + MJ
Today is Earth Day. Our weekly dance party kicks off with Michael Jackson’s “Earth Song,” which spent six weeks at #1 in the UK beginning in December 1995, but didn’t chart on the US Hot 100.


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It’s Sia’s Birthday And I Need To Dance!

The Guardian described Sia’s “Chandelier” as “a warning about the pitfalls of a party lifestyle.” About the song, MTV News wrote “Sia serves party-girl darkness, toeing the line between celebration and self-destruction as it becomes increasingly more blurred.” Now sober, the singer/songwriter struggled with alcoholism in the past. She told NPR “I wrote [“Chandelier”] because there’s so many party-girl anthems in pop, and I thought it’d be interesting to do a different take on that.”

Friday is dance day at Tunes du Jour. Our weekly party kicks off with “Chandelier,” co-written and performed by Sia, who turns 40 years old today.


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It’s Jay-Z’s Birthday And I Need To Dance!

Back in July of this year, Morrissey, who used to make news for his music, posted on fan site True to You that a Transportation Security Administration official at the San Francisco International Airport touched his junk (i.e. his genitals, not his recently-published novel, List of the Lost). This week, Morrissey continued the one-sided conversation, saying about the TSA “It is unlikely that ISIS would stoop so low.” ISIS, the Islamic State of Iraq and Syria, frequently makes the news for bombings, shooting people, beheading people, and throwing people off of buildings to their death, among other things. All horrible things, to be sure, but not as horrible as having someone touch your testicles. Morrissey for president! Oh, wait – he’s British. Darn!

This week Thom Yorke of Radiohead compared YouTube to Nazis, as YouTube makes its money from the work of artists, “like what the Nazis did during the Second World War.” He asked “What’s the difference?” Hmmm…I’m stumped. What is the difference between the political party that put Jews, homosexuals, Africans, the disabled and Jehovah’s Witnesses into concentration camps and murdered eleven million of them and the Internet site that gave people the opportunity to watch and share “Gangnam Style?” You’re right, Thom. There is no difference. YouTube are monsters! Thom Yorke for president! Oh, wait – he’s British. Darn!

Though Morrissey and Yorke cannot run for president of the United States of America, they remind me of someone who can and is running for president, Dr. Ben Carson. Carson said that the Affordable Care Act is “the worst thing that has happened in this nation since slavery.” He’s right! One consisted of being kidnapped from one’s home, separated from one’s family, shackled, treated as someone else’s property, being forced to work in inhumane conditions, and being abused, while the other provides Americans with health insurance. I bet you don’t know which one is which! They’re practically the same thing! Ben Carson for president! Oh, wait – he’s a fucking moron. Darn!

Until one of these geniuses becomes president, or until YouTube puts me in a camp, a TSA agent throws me off a building or Blue Shield forces me to pick their cotton, I’m going to keep on dancing. Tunes du Jour’s weekly dance party kicks off with Beyoncé’s “Déjà Vu,” which features Jay-Z, who turns 46 today.


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It’s T.I.’s Birthday And I Need To Dance!

Last night I debuted a new speech about diversity and inclusion in corporate America. It was the first time I tackled the subject in a presentation and I’m pleased to say it went very well.

I’m working on a series of speeches about what makes good leaders. It’s a departure from my usual speeches, which lean toward storytelling or purely humorous. Last night’s speech had plenty of humor (and all the jokes hit!), but it had a message and action steps as well. I delivered the twenty minute version. I’m working on a thirty minute and hour-long version as well.

Comments I received afterwards included “Great style – loved every moment,” “enjoyed all aspects,” “good mix of information and humor,” “very interesting,” “very creative,” and “I don’t like your shirt.” For the record, my shirt was a crisp, white Surface To Air button-down with a grey stripe down the center. What’s not to like?

I look forward to the next presentation.

Friday is dance day at Tunes du Jour. We kick off this week’s party playlist with “Blurred Lines,” which features a guest spot from Clifford Harris, Jr., better known by his initials, T.I., who turns 35 today.


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Throwback Thursday – 1981

me before promThe blogger in 1981, before heading to the senior prom

For this week’s Throwback Thursday playlist, we revisit 1981. The 1981 Grammy Award for Album of the Year went to John Lennon and Yoko Ono’s Double Fantasy. The Best New Artist was Shena Easton. Record of the Year and Song of the Year went to “Bette Davis Eyes,” performed by Kim Carnes. Both Carnes and Easton were nominated for Best Pop Vocal Performance, Female, along with Olivia Newton-John for “Physical” and Juice Newton for “Angel of the Morning,” but those ladies lost to Lena Horne for “WTF?”. Rick Springfield won Best Rock Performance, Male (naturally) for “Jessie’s Girl.” “Just the Two of Us,” the Grover Washington, Jr./Bill Withers hit, took home the trophy for Best Rhythm & Blues Song.

Here are some of 1981’s biggest hits:

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It’s Mark Ronson’s Birthday And I Need To Dance!

Perhaps you’ve heard “Uptown Funk,” a #1 single earlier this year for Mark Ronson featuring Bruno Mars. Ronson struggled to nail down the guitar part on the record. He finally arrived at a lick he was happy with on his 82nd take.

The moral of this story is if at first you don’t succeed, try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try again.

Today Mark Ronson turns forty years old. Our weekly dance party kicks off with instant classic “Uptown Funk.”


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It’s Friday And I Need To Dance!

Friday is dance day at Tunes du Jour. This week’s dance playlist kicks off with a song that, per its writer, is “about someone on the brink of self destruction who goes to these [dance] clubs to try and find more, but is at least aware of the fact that if there’s something like true love, that is something that could kind of drag them out of the abyss.” Allee Willis, who wrote the song with Jon Lind, told songfacts.com that the song was inspired by the film Looking for Mr. Goodbar. “I got kind of fascinated with people who did go to clubs every night, whose life was kind of falling apart, but they lived for the night life, though it didn’t seem to be advancing them as humans in the end.”

The song’s first verse is “Midnight creeps so slowly into hearts of men who need more than they get. Daylight deals a bad hand to a woman who has laid too many bets. The mirror stares you in the face and says, ‘Baby, uh-uh, it don’t work.’ You say your prayers though you don’t care; you dance and shake the hurt.”

The chorus expresses the hope that “All the love in the world can’t be gone, all the need to be loved can’t be wrong, all the records are playing and my heart keeps saying ‘Boogie Wonderland.’” Per Willis, Boogie Wonderland “was this state of mind that you entered when you were around music and when you danced, but hopefully it was an aware enough state of mind that you would want to feel as good during the day as you did at night.”

EWF + Ringo

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It’s Ray Parker, Jr.’s Birthday And I Need To Dance!

“Which song is better – ‘Ghostbusters’ or ‘Total Eclipse of the Heart?’”

That question was posed by a co-worker. Are you fudgetown kidding me? It’s like asking “Which movie is better – The Godfather or Paul Blart-Mall Cop 2?”

Okay. That comparison is unfair. “Total Eclipse of the Heart” is far more enjoyable than Paul Blart-Mall Cop 2. I haven’t seen Paul Blart-Mall Cop 2, but I’m confident that “Total Eclipse…” is funnier. “I don’t know what to do, I’m always in the dark / We’re living in a powder keg and giving off sparks.” Ha! And how ‘bout dem sleigh bells?!? How many other summer hits employed sleigh bells?

So yes, I love “Total Eclipse of the Heart,” because it’s so delightfully awful. “Ghostbusters,” on the other hand, is genius. If you were called to write the theme song for a Bill Murray/Ernie Hudson feature film entitled Ghostbusters, would you turn in “Ghostbusters” or “Total Eclipse of the Heart?” Exactly!

RPJ + Winston
“Ghostbusters” is so danged catchy. A lot of people thought so. Huey Lewis thought so. Lewis accused Parker, Jr. of ripping off the Huey Lewis and the News hit “I Want a New Drug” for the melody of “Ghostbusters.” I hear a similarity, but to me it’s like “Hey, Ray – there’s a shitty song called ‘I Want a New Drug.’ Can you make it better, please?” And he did.

“I Want a New Drug” isn’t even fun bad. “I want a new drug – one that won’t make me sick / One that won’t make me crash my car, or make me feel three feet thick.” Really? Did someone misplace their rhyming dictionary?

“Ghostbusters” has no clumsy lyrics. It’s all very efficient. “Who you gonna call? Ghostbusters! Who you gonna call? Ghostbusters! I think you better call. Ghostbusters! Ha ha. Who you gonna call? Ghostbusters! I can’t hear you. Who you gonna call? Ghostbusters! Louder! Ghostbusters! Who you gonna call? Ghostbusters! Who can you call? Ghostbusters! Who you gonna call? Ghostbusters! Ha ha ha. Uh, it likes the girls, too. Ghostbusters!” Then fade, way too soon if you ask me.

“Ghostbusters” was nominated for an Oscar for Best Original Song, but it lost to Stevie Wonder’s “I Just Called to Say I Love You,” a far shittier song than “Total Eclipse of the Heart” and “I Want a New Drug.” I’m not going to quote any lyrics from “I Just Called…,” as I’m pissed off that someone wrote and recorded that atrocity and then Motown stuck Stevie Wonder’s name on it. There’s no way the man who wrote “Maybe Your Baby” also wrote “I Just Called….” By the way, who plays guitar on Stevie Wonder’s “Maybe Your Baby?” Ray Parker, Jr.

Today is Ray Parker, Jr.’s 61st birthday. His hits, solo and with his band Raydio, include “A Woman Needs Love (Just Like You Do),” “Jack and Jill,” “You Can’t Change That” and “The Other Woman.” He also wrote or co-wrote hits for Rufus featuring Chaka Khan and New Edition and has appeared on records by Aretha Franklin, The Carpenters, Barry White, Bill Withers, Deniece Williams, yes I said The Carpenters, The Temptations, Spinners, Boz Scaggs, Gladys Knight and the Pips, Tina Turner, Herbie Hancock, Diana Ross, Cheryl Lynn, LaToya Jackson and Jack Wagner. Jack Wagner. Hey, Jack Wagner – who you gonna call? Ray Parker, Jr.

Our weekly dance party kicks off with Parker, Jr.’s most beloved song, “Ghostbusters.” Try dancing to Bonnie Tyler’s “Total Eclipse of the Heart.” You can’t! Another point for “Ghostbusters.” (Let’s not discuss Nicki French’s hi-NRG remake of “Eclipse” at this time.)


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