June is LGBTQ+ Pride Month. Tune du Jour celebrates with this playlist consisting of two hundred songs by and/or about Ls, Gs, Bs, Ts and Qs. Happy Pride!
Tag Archives: Lady Gaga
“I don’t care to belong to any club that will have Bon Jovi as a member.”
– Groucho Marx
On April 14, the Rock and Roll Hall of Fame will induct several worthwhile acts and Bon Jovi. Over the coming weeks, Tunes du Jour will spotlight artists that are eligible for induction (i.e. they commercially released their debut recording at least 25 years ago), but have not been inducted as they are not as talented, innovative or influential as Bon Jovi.
Today we look at and listen to Carole King. King is in the Rock and Roll Hall of Fame as a songwriter. With her ex-husband Gerry Goffin, King wrote so many rock and roll classics, including “Will You Still Love me Tomorrow,” “(You Make Me Feel Like) A Natural Woman,” “Up on the Roof,” “The Loco-motion,” “One Fine Day,” “I’m Into Something Good,” and “Pleasant Valley Sunday.”
While her admission into the Rock and Roll Hall of Fame as a songwriter is well-deserved, her induction as a performer is long overdue. Her landmark 1971 album Tapestry spent 15 consecutive weeks at #1 in the US and has sold over 25 million copies to date. It won the Grammy Award for Album of the Year, with its track “It’s Too Late” winning Record of the Year and its “You’ve Got a Friend” winning Song of the Year, making King the first female solo act to win either of those last two. However, it’s not about sales and awards, right Bon Jovi? The influence of Tapestry coupled with the other smash records King released in the 1970s was heard on the records of her singer-songwriter contemporaries such as James Taylor and Laura Nyro and remained consistent through the years and changing pop music trends, up to Taylor Swift and Lady Gaga and beyond.
She is a terrific recording artist as well as a stellar songwriter. Still, she never wrote or recorded the lyrics “’Cause a bottle of vodka is still lodged in my head.” Do you know who did? Bon Jovi.
Here are twenty of Carole King’s finest performances.
July is National Cell Phone Courtesy Month. Seriously. I didn’t make that up.
The fact that we need a National Cell Phone Courtesy Month says a lot about our country. Cell phones are ubiquitous. People are self-centered sphincters. You need to be courteous for only one month per year.
We use cell phones to text people we don’t feel like talking to. We use them to show the world what food looks like. We use them to film police officers murdering unarmed black citizens. Sometimes we use them as phones. Naomi Campbell has been known to use hers as a weapon.
Here are some cell phone courtesy tips:
Don’t use your cell phone during business meetings! Those meetings are set by executives who need their egos stroked by having people gather in a room to hear them bloviate and accomplish nothing. How can they adequately waste your time if you’re getting things done on your cell phone? That’s cheating. Put the phone away, unless you’re one of the senior execs who need the ego stroking. Then by all means check your phone while people sit in the conference room waiting for the meeting to be over. They already think you’re rude, so why not take that as far as you can? Sphincter!
Reply to your text messages promptly! Don’t keep someone in suspense who needs to know what you think of their alleged witticism. Send an emoji. They’ll probably then respond with a different emoji, meaning you’ll have to answer that as well. Next thing you know, the whole day is shot, you got nothing done, but the insecure person who initiated the text conversation feels a little bit better about themselves, so it’s all worth it. If you’re at a meeting when a text message comes in, don’t respond right away! Wait until the egomaniacal sphincter who called the meeting isn’t looking at you, which will be most of the meeting as his only concern is the sound of his own voice. Hold your phone under the table and reply. That works every time.
Don’t use your phone while on a date! That is so rude! Someone is taking the time to get to know you and try to enjoy a meal with you. Not paying attention to them demonstrates your complete lack of manners. There are exceptions to this rule. If the person bores you to tears, text your best friend and tell him to call you with a made-up emergency. If your best friend doesn’t reply promptly (rude!) and your date is droning on and on about how “all lives matter” or how great the band Chicago is, break the monotony of his or her blather by photographing your food and showing the pic to your date. He or she will be astonished at how much the food in the photo looks like the food on the table in front of him or her, and for a moment, will cease his or her otherwise endless babble. If that doesn’t work, just run out of the restaurant. What do you care? You have no intention of seeing him/her again anyway. Don’t forget to block them on your phone so they can’t text or call you again.
Set your phone to silent or vibrate while in a movie theater, a Broadway show, or a house of worship on your wedding day. Do the same thing if you die. It’s so awkward to be at a funeral and hear “Thong Song” emanate from the deceased. Mourners won’t know if it’s okay to laugh, and that song will be stuck in everyone’s head for the rest of the day, just like it will be stuck in yours for the next few hours. That thong-th-thong-thong-thong.
Don’t be staring at your cellular device while walking on a crowded sidewalk or while in a shopping mall with a large fountain. I take that back. Stare at it in the mall. I can never get enough of that video of that woman who fell into the mall fountain while staring at her device. Remember her? Then she sued the mall! LOL! If you see someone at the mall who is so busy staring at their device that they’re about to fall into the fountain, PLEASE, take out your phone and film it! Post it on the Internet. Humiliate them so they learn proper cell phone etiquette, but only do so if it is July.
I hope these tips help you avoid being a complete sphincter while out in public.
Friday is dance day at Tunes du Jour. Our weekly dance party kicks off with the Lady Gaga/Beyoncé collaboration, “Telephone.”
In a moment I’ll introduce you to Anohni, who was nominated for an Oscar this year in the category of Best Original Song, but first I want to talk a little about Kesha, Grimes and Sam Smith.
You may have heard about Kesha’s much-publicized battle to get out of her recording agreement. She claims that Dr. Luke, the producer to whose company, Kemosabe Records, she is signed, drugged and sexually assaulted her on several occasions. As a courtroom proceeding about those allegations had not yet been tried, a New York Supreme Court justice denied Kesha’s motion for a preliminary inunction extraditing her from recording for Kemosabe.
This led to the proliferation of the hashtag #FreeKesha. A group of fans protested outside Sony Music’s headquarters, demanding that the music corporation free Kesha. Kesha isn’t signed to Sony Music, but no matter. Sony should cease distribution of Kemosabe Records, which would leave Kesha still signed to Kemosabe, but hey – it was a nice day for a good protest, and what else is there in the world to complain about? Ongoing wars? Poisoned public water supplies? Human rights violations? More important to get a pop star out of her recording agreement. #Priorities
Many public figures offered support to Kesha, among them Lady Gaga, Lily Allen, Adele, Janelle Monáe, Fiona Apple, Kelly Clarkson, Demi Lovato, Tegan and Sara, HAIM, Alessia Cara, Lorde, Wale, Best Coast, George Takei, Anne Hathaway, Reese Witherspoon, Lena Dunham, Mariska Hargitay, Troye Sivan, Halsey, Iggy Azalea, Sara Bareilles, JoJo, Adam Lambert, Ariana Grande, Miley Cyrus, Margaret Cho, Zedd, and Jack Antonoff. Taylor Swift donated $250,000 to Kesha to help with her financial needs.
Also supporting Kesha is Claire Elise Boucher, the Canadian singer-songwriter who records under the name Grimes. In response to a question from a Time Out reporter about Kesha’s legal situation, Grimes, whose “Kill v. Maim” is #3 this week in Glenn’s Ten, said the following about recording agreements: “You shouldn’t be allowed to sign a human being, regardless of what the allegations are or what anyone said or did. It’s basically like slavery.” Yes, making millions of dollars doing your dream job is basically the same as being forcibly taken from your home and forced to do a job you don’t want to do for no pay, much like Spaghetti Carbonara is basically the same thing as a nuclear missile, which is to say, both exist. (Grimes’ two most recent albums were released by the 4AD label, with whom, I assume, she is signed to a recording agreement.)
If Kesha’s allegations against Dr. Luke are true, then I hope at the very least she is let out of her agreement with Kemosabe, as being forced to aid your rapist make money is unconscionable, and that is where the slavery comparison applies.
British singer-songwriter Sam Smith may or may not know what slavery is, but he exhibited a lack of grasp on history last weekend at the Academy Awards. As he couldn’t pronounce Anohni or The Weeknd, Common announced as the winner of the Best Original Song award the easiest name to remember and pronounce, Sam Smith.
In his acceptance speech, Smith claimed to be the first openly gay person to win an Oscar, which is true, if you don’t count Dustin Lance Black, Elton John, Melissa Etheridge, John Schlesinger, Stephen Sondheim, Bill Condon, Alan Ball, Scott Rudin, Pedro Almodovar and the other openly gay people who have won. Maybe Smith meant to say he’s the first openly gay person to win an Oscar for Best Original Song in 2016. He says he got his information from actor Sir Ian McKellen via an interview Smith read, which is true, if you leave out the part where McKellen refers to no openly gay winners in the Acting categories.
It was pointed out to Smith that he is not the first openly gay person to win an Oscar, to which he responded “I think I’m the second openly gay person to win it,” which is true, if you don’t count Dustin Lance Black, Elton John, Melissa Etheridge, John Schlesinger, Stephen Sondheim, Bill Condon, Alan Ball, Scott Rudin and the other openly gay people who have won less one. In the real world, Smith is not even the first openly gay person in the category of Best Original Song. When told that openly gay Howard Ashman won that category twice, Smith replied “I should know him. We should date.” Ashman died of AIDS-related complications in 1991, the year for which his title song from Beauty and the Beast won, but sure, Sam, date him. You’ll be the first openly necrophiliac to win an Oscar. #Trailblazer. I do agree with one thing Smith said. He should know of Ashman.
Which brings us to Anohni. Along with her collaborator, J. Ralph, Anohni was nominated for Best Original Song for “Manta Ray” from the film Racing Extinction. Unlike Sam Smith, The Weeknd and Lady Gaga, Anohni, a transsexual woman, was not invited to perform her nominated song at the Oscar ceremony. In a year in which The Academy was taken to task for a lack of diversity among the nominees, the producers felt it was more important for the president of the Academy of Motion Pictures Arts and Sciences to give a speech on the show about the importance of diversity in Hollywood than it was to allow only the second transgender person to be nominated for an Oscar to perform (not a Sam Smith second person, but truly the second). Besides, The Danish Girl received nominations, including one for Best Actor for Eddie Redmayne as the titular character Lili Elbe, one of the first known recipients of gender correction surgery, and who better to represent trans women at the Oscars than a heterosexual cisgender man? Also, the award show needed time for clueless Clueless actress Stacey Dash insult the .04% of viewers who know who she is. #Priorities
Here’s your chance to get to know Anohni, who previously recorded under the name Antony. Her distinctive voice will grab you and her songs will move you. Check out twenty of her best, including guest appearances on other artists’ tracks:
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The 1000th record to hit #1 on Billboard’s Hot 100 was Lady Gaga’s “Born This Way.” Many complained about the song’s similarity to Madonna’s “Express Yourself.” I don’t hear it, but even if it’s there, what’s wrong with sounding like “Express Yourself?” If more pop hits sounded like “Express Yourself” I’d listen to top 40 radio more often. Also, how many #1 songs besides “Born This Way” expressly called out for LGBT rights? You can count them on one fist.
Today Lady Gaga celebrates her 29th birthday. Here are twenty career highlights.
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The 2014 Grammy Awards will be handed out tomorrow night. Here are my fearless predictions:
RECORD OF THE YEAR – “Stay With Me” – Sam Smith
ALBUM OF THE YEAR – Beyoncé – Beyoncé
SONG OF THE YEAR – “Stay With Me” – Sam Smith
BEST NEW ARTIST – Sam Smith
BEST POP SOLO PERFORMANCE – “All of Me” – John Legend
BEST POP DUO/GROUP PERFORMANCE – “A Sky Full of Stars” – Coldplay
BEST TRADITIONAL POP VOCAL ALBUM – Cheek to Cheek – Tony Bennett & Lady Gaga
BEST POP VOCAL ALBUM – X – Ed Sheeran
BEST DANCE RECORDING – “F for You” – Disclosure featuring Mary J. Blige
BEST DANCE/ELECTRONIC ALBUM – While(1<2) – Deadmau5
BEST ROCK PERFORMANCE – “Fever” – The Black Keys
BEST ROCK SONG – “Blue Moon” – Beck
BEST ROCK ALBUM – Turn Blue – The Black Keys
BEST ALTERNATIVE MUSIC ALBUM – Reflektor – Arcade Fire
BEST R&B PERFORMANCE – “Drunk in Love” – Beyoncé featuring Jay-Z
BEST R&B SONG – “Drunk in Love” – Beyoncé featuring Jay-Z
BEST URBAN COMTEMPORARY ALBUM – Beyoncé – Beyoncé
BEST R&B ALBUM – Give the People What They Want – Sharon Jones & the Dap-Kings
BEST RAP PERFORMANCE – “i” – Kendrick Lamar
BEST RAP/SUNG COLLABORATION – “The Monster” – Eminem featuring Rihanna
BEST RAP SONG – “i” – Kendrick Lamar
BEST RAP ALBUM – Oxymoron – ScHoolboy Q
BEST COUNTRY SOLO PERFORMANCE – “Automatic” – Miranda Lambert
BEST COUNTRY DUO/GROUP PERFORMANCE – “Somethin’ Bad” – Miranda Lambert and Carrie Underwood
BEST COUNTRY SONG – “Automatic” – Miranda Lambert
BEST COUNTRY ALBUM – Platinum – Miranda Lambert
BEST COMEDY ALBUM – Mandatory Fun – “Weird Al” Yankovic
BEST SONG WRITTEN FOR VISUAL MEDIA – “Let It Go” – Adele Dazeem
BEST BOXED OR SPECIAL LIMITED EDITION PACKAGE – The Rise & Fall of Paramount Records, Volume One
BEST ENGINEERED ALBUM (NON-CLASSICAL) – Morning Phase – Beck
PRODUCER OF THE YEAR (NON-CLASSICAL) – Max Martin
BEST REMIXED RECORDING (NON-CLASSICAL) – “All of Me” (Tiesto’s Birthday Treatment Remix) – John Legend
Enjoy the show!
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I don’t understand Beyoncé. She spells her name with an accent over the second e, but she pronounces her name with the accent on the second syllable. That makes no sense to me. Musically, however, I was down with Cé in 2014. She challenged herself artistically with her latest album, snuck out at the tail end of 2013, and for the most part she succeeded. Yonc places four songs in my year-end list, more than anybody else, with two of those songs in my top ten. And to think, she owes her whole career to me.
The big trend that nobody talks about is that Sweden has invaded in a big way. Tove Lo and Neneh Cherry (welcome back!) are on my year-end list, and First Aid Kit are in this week’s top ten. Three acts may not look like a big trend to you, but let’s encourage Sweden. They still have a ways to go to make up for Ace of Base. Elsewhere in Scandinavia, Norway is represented by Röyksopp, Annie and Bjarne Melgaard. Come on, Denmark and Finland – let’s step it up! Other foreign acts representing this year are Britain’s George Ezra, Katy B, Disclosure, Sam Smith, SBTRKT and alt-J; Scotland’s Paolo Nutini and Belle & Sebastian; Canada’s Mac DeMarco, Tegan & Sara and Arcade Fire; Australia’s Courtney Barnett and Sia; France’s Daft Punk, Nigeria’s Chimamanda Ngozi Adichie; and Neverland’s Michael Jackson.
There’s little hip hop on my 2014 list. Very little. Two songs, both performed by Kendrick Lamar. This is the poorest showing for rap in a year-end list since the early eighties, I think. I’m too lazy to look for my old listings, but I’m pretty sure that’s accurate. Was hip hop really that lame this year or am I turning into my mother?
Country music fared a little better than hip hop. Three songs, two of those performed by Miranda Lambert. The third song is “Follow Your Arrow,” performed by Kasey Musgraves, which is my #1 song of 2014. This is the first time a country song has topped my year-end list, I think. I’m too lazy to look for my old listings, but I’m pretty sure that’s accurate. The song, about being true to yourself and not letting others dictate your path, resonated with me when I was at a crossroads in my professional life. Do I continue working for the man in a soul-sucking job or do I pursue my passions? I opted to follow my arrow. If I crash and burn, Musgraves will hear from my lawyer. Also, it was rad to hear a simple, catchy tune coupled with the lyrics “Kiss lots of boys or kiss lots of girls if that’s what you’re into.” It was radder that this song won the Country Music Association’s Song of the Year award, despite being only a modest hit on the country chart. Raddest was that two male country singers, Billy Gilman and Ty Hendon, who each have sold hundreds of thousands of records, announced that they kissed lots of boys and that’s what they’re into. I’m paraphrasing.
I now present to you my favorite songs of 2014. The list was compiled from my weekly top ten lists. I crunched the numbers and this is the result. Songs that are in Glenn’s Ten at the present time (e.g. First Aid Kit’s “Cedar Lane,” Mark Ronson/Bruno Mars’ “Uptown Funk!,” Perfume Genius’ “Queen”) are not included; I’ll put them on my 2015 list. Here are the 83 tracks that made my weekly top ten in 2014:
1. “Follow Your Arrow” – Kacey Musgraves
2. “Ain’t It Fun” – Paramore
3. “Happy” – Pharrell Williams
4. “Every Time the Sun Comes Up” – Sharon Van Etten
5. “Do You” – Spoon
6. “Partition” – Beyoncé
7. “Drunk in Love” – Beyoncé featuring Jay-Z
8. “Really Don’t Care” – Demi Lovato featuring Cher Lloyd
9. “Seasons (Waiting on You)” – Future Islands
10. “Beggin for Thread” – Banks
11. “Avant Gardener” – Courtney Barnett
12. “Budapest” – George Ezra
13. “Habits (Stay High)” – Tove Lo
14. “Gotta Get Away” – The Black Keys
15. “Love Never Felt So Good” – Michael Jackson
16. “Somethin’ Bad” – Miranda Lambert featuring Carrie Underwood
17. “Hundreds of Ways” – Conor Oberst
18. “Step” – Vampire Weekend featuring Danny Brown, Heems and Despot
19. “Put Your Number In My Phone” – Ariel Pink
20. “Blue Moon” – Beck
21. “All the Rage Back Home” – Interpol
22. “i” – Kendrick Lamar
23. “5 AM” – Katy B
24. “Secrets” – Mary Lambert
25. “Cinnamon and Lesbians” – Stephen Malkmus
26. “Just One Drink” – Jack White
27. “Chandelier” – Sia
28. “Automatic” – Miranda Lambert
29. “How Can You Really” – Foxygen
30. “Out of the Black” – Neneh Cherry featuring Robyn
31. “XO” – Beyoncé
32. “Wait for a Minute” – Tune-Yards
33. “Control” – Broken Bells
34. “Bored in the U.S.A.” – Father John Misty
35. “Latch” – Disclosure featuring Sam Smith
36. “New Dorp, New York” – SBTRKT featuring Ezra Koenig
37. “All About that Bass” – Meghan Trainor
38. “I Blame Myself” – Sky Ferreira
39. “Do It Again” – Röyksopp and Robyn
40. “Birth in Reverse” – St. Vincent
41. “Prince Johnny” – St. Vincent
42. “Bother” – Les Sins
43. “Brother” – Mac DeMarco
44. “Everything Is Awesome!!” – Tegan and Sara featuring The Lonely Island
45. “Dark Sunglasses” – Chrissie Hynde
46. “Heart is a Drum” – Beck
47. “Sing About Me, I’m Dying of Thirst” – Kendrick Lamar
48. “Let Me Down Easy” – Paolo Nutini
49. “Talking Backwards” – Real Estate
50. “Stranger to My Happiness” – Sharon Jones and the Dap-Kings
51. “High Hopes” – Bruce Springsteen
52. “Electric Lady” – Janelle Monae featuring Solange
53. “Crying for No Reason” – Katy B
54. “After the Disco” – Broken Bells
55. “***Flawless” – Beyoncé featuring Chimamanda Ngozi Adichie
56. “West Coast” – Lana Del Rey
57. “Nothing More than Everything to Me” – Christopher Owens
58. “Left Hand Free” – alt-J
59. “The Party Line” – Belle & Sebastian
60. “Low Key” – Tweedy
61. “Come Get It Bae” – Pharrell Williams
62. “Do What U Want” – Lady Gaga featuring R. Kelly
63. “Alone in My Home” – Jack White
64. “Fever” – The Black Keys
65. “Me and Liza” – Rufus Wainwright
66. “You Are Your Mother’s Child” – Conor Oberst
67. “Inside Out” – Spoon
68. “Instant Crush” – Daft Punk featuring Julian Casablancas
69. “I Wanna Know” – Best Coast
70. “Eyes to the Wind” – The War on Drugs
71. “Forever” – Haim
72. “It Comes Back to You” – Christopher Owens
73. “Just One of the Guys” – Jenny Lewis
74. “My Own World” – Eleanor Friedberger
75. “Spit Three Times” – Neneh Cherry
76. “Lazaretto” – Jack White
77. “Russian Kiss” – Annie featuring Bjarne Melgaard
78. “Another Night” – The Men
79. “Dangerous” – Big Data featuring Joywave
80. “Gust of Wind” – Pharrell Williams
81. “A Place with No Name” – Michael Jackson
82. “Give Life Back to Music” – Daft Punk
83. “We Exist” – Arcade Fire
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