For better or worse, these 30 songs are representative of what we were listening to in 1991. For more 1991 music, click here.
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Inspired by Black Music Month, LGBTQ Pride Month, the June 5 birthdays of The Psychedelic Furs’ Richard Butler, Badfinger’s Tom Evans, Ronnie Dyson, Laurie Anderson, Aesop Rock, Marky Mark, and Cherish’s Felisha and Fallon King; and the June 4 birthdays of The Mamas and the Papas’ Michelle Phillips, Freddy Fender, Peter & Gordon’s Gordon Waller, El DeBarge and Devin the Dude.
Inspired by the May 26 birthdays of Stevie Nicks, Ms. Lauryn Hill, The Band’s Levon Helm, Peggy Lee, Lenny Kravitz, Swinging Blue Jeans’ Ray Ennis, Alphaville’s Marian Gold, Nashville Teens’ Art Sharp and Black; and the May 25 birthdays of The Jam’s Paul Weller, Disclosure’s Guy Lawrence, Tom T. Hall, The Tokens’ Mitch Margo, and Jessi Colter.
“Do we have any foreigners in the audience tonight? If so, please put up your hands. Wogs I mean, I’m looking at you. Where are you? I’m sorry but some fucking wog…Arab grabbed my wife’s bum, you know? Surely got to be said, yeah this is what all the fucking foreigners and wogs over here are like, just disgusting, that’s just the truth, yeah. So where are you? Well wherever you all are, I think you should all just leave. Not just leave the hall, leave our country. You fucking (indecipherable). I don’t want you here, in the room or in my country. Listen to me, man! I think we should vote for Enoch Powell. Enoch’s our man. I think Enoch’s right, I think we should send them all back. Stop Britain from becoming a black colony. Get the foreigners out. Get the wogs out. Get the coons out. Keep Britain white. I used to be into dope, now I’m into racism. It’s much heavier, man. Fucking wogs, man. Fucking Saudis taking over London. Bastard wogs. Britain is becoming overcrowded and Enoch will stop it and send them all back. The black wogs and coons and Arabs and fucking Jamaicans and fucking (indecipherable) don’t belong here, we don’t want them here. This is England, this is a white country, we don’t want any black wogs and coons living here. We need to make clear to them they are not welcome. England is for white people, man. We are a white country. I don’t want fucking wogs living next to me with their standards. This is Great Britain, a white country, what is happening to us, for fuck’s sake? We need to vote for Enoch Powell, he’s a great man, speaking truth. Vote for Enoch, he’s our man, he’s on our side, he’ll look after us. I want all of you here to vote for Enoch, support him, he’s on our side. Enoch for Prime Minister! Throw the wogs out! Keep Britain white!”
– Eric Clapton, to his audience during an August 1976 concert in Birmingham, UK. (Per Wikipedia, “in British English, wog is an offensive racial slur usually applied to Middle Eastern and South Asian peoples.”)
Clapton’s rant, coupled with the rise of fascist and neo-Nazi rhetoric in England, led to the formation of Rock Against Racism, a UK campaign in which recording artists including The Clash, Elvis Costello, The Buzzcocks, Steel Pulse, Aswad and Generation X performed concerts with an anti-racism theme.
In an interview some years later, Clapton claims his remarks weren’t aimed at any one particular minority. True. They were aimed at “wogs” and “coons” and Arabs and Jamaicans, so several minorities. You dug yourself out of that one! “It was kind of a feeling of loss of identity, being English and losing my Englishness,” said the blues guitarist whose first solo top ten hit was a cover of a reggae song written by Bob Marley.
In his 2007 autobiography, cleverly entitled Clapton: The Autobiography, in a paragraph that begins with the sentence “I had never really understood, or been directly affected by, racial conflict,” Clapton says of the 1976 outburst “Since then I have learned to keep my opinions to myself.” Okay, that’s one lesson. I think there may be more if one looks hard enough.
Today Eric Clapton turns 70 years old. To celebrate, here are twenty songs about the idiocy of racism.
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Ebola is now in the US. Isis is on its way. Unarmed civilians are getting shot by law enforcement officials. Civil wars, mass kidnappings, volcanoes, a new Lenny Kravitz album. It’s a scary world!
I got my flu vaccination earlier this week, so I have one less thing to worry about. There is a movement against the flu vaccine, but the flu is mighty unpleasant and can lead to death. I’d rather go on living and enjoying my life with a little mercury in my system than deal with chills, fever, a runny nose, a sore throat, muscle pains, a severe headache, coughing, and/or fatigue. If I wanted to be in that much pain I’d listen to the new Lenny Kravitz album.
Though I get my flu shot every year, the needle always scares me. This year the doctor used a very small needle. I barely felt it and I’m happy to say I suffered no side effects. I feel great and energized, which is great because it’s Friday and I need to dance.
We’ll kick off this week’s dance playlist with the only Fleetwood Mac song to make the US dance chart, “Big Love.” The track was written, co-produced and sung by FM’s Lindsey Buckingham, who turns 65 today.
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In 1980 an Ohio-born performer living in Australia wrote and recorded a song that went on to sell over six million copies. It went to #1 in a dozen or so countries, including Australia, Canada, Germany, France, and the UK, where it reigned on top for three weeks. It has been covered dozens of times in different languages, and that’s not including the many versions of the tune that have been uploaded to YouTube.
The performer is Joe Dolce and the song is “Shaddap You Face,” which was #1 in Glenn’s Ten (the only chart that matters) on this day in 1981.
My point in telling you this is this – no idea is too stupid. If there is a song you wish to write, a book you wish to publish, an invention you wish to create, go for it! You could be the next Joe Dolce! And if someone tells you your idea sucks, say to them “Ah, shaddup you face.”
Today’s playlist consists of songs that were #1 in Glenn’s Ten on May 8 going back to 1981. The only one missing is 1993’s entry, “Riding on a Rocket” by Shonen Knife, as that is not available on Spotify.