Tag Archives: Luther Vandross

Your (Almost) Daily Playlist (5-8-20)

Earlier this week I mentioned that the Village People suddenly find themselves with a hit song on the Adult Contemporary chart. Because 2020 needs to be even stranger, that classic group is joined in the upper reaches of that chart by Corey Feldman. Corey Feldman. Corey Feldman’s “U R Free” is in the top 20 of Billboard’s Adult Contemporary chart. Corey Feldman. 2020, am I right, people?

Today’s playlist is inspired by the May 8 birthdays of Earth Wind & Fire’s Philip Bailey, Toni Tennille, Basement Jaxx’s Felix Buxton, Rick Nelson, Martha Wainwright, Katy B, Bloodstone’s Charles McCormick, Darren Hayes and Jack Blanchard.

https://open.spotify.com/playlist/7uLj3YuAC67uTtPbKrKwcP

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Your (Almost) Daily Playlist (4-20-20)

Inspired by the April 20 birthdays of Luther Vandross, Hot Chip’s Alexis Taylor, Ecstasy Passion & Pain’s Barbara Roy, Johnny Tillotson and 420; the April 19 birthdays of Dickie Goodman, The Turtles’ Mark Volman, Tim Curry and New Seekers’ Eve Graham; and the April 18 birthdays of Onyx’s Fredro Starr and Aminé.

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Your (Almost) Daily Playlist (2-18-20)

I’m experimenting here at Tunes du Jour. Yesterday I started including multiple songs by the birthday performers who inspired that day’s playlist. As of today I’m not limiting myself to twenty songs. My thinking is that by removing that restriction I can posts playlists (almost) dailier and you get a deeper dive into some of the artists. I’m living on the edge!

Today’s playlist is inspired by the February 18 birthdays of Regina Spektor, Yoko Ono, Styx’s Dennis DeYoung, John Travolta, Randy Crawford, Juelz Santana, Irma Thomas, Juice Newton, and Space’s Tommy Scott.

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Not Your Typical LGBTQ+ Pride Playlist

June is LGBTQ+ Pride Month. Tune du Jour celebrates with this playlist consisting of two hundred songs by and/or about Ls, Gs, Bs, Ts and Qs. Happy Pride!

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The Ultimate Christmas Playlist

Today is the day after Thanksgiving here in the United States of America. You’re officially allowed to start listening to holiday music now. To get you started, I compiled a playlist of what I consider to be 100 of the best Christmas songs. Okay, 98 songs, a stand-up routine and a skit. It’s a mix of standards, versions of standards with which you may not be familiar, and obscure but delightful tunes.

Enjoy!

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A Hint Of Mint – Volume 74: LGBTQ Music From 1981 To 1982

The British are coming! Not that they ever left, but the early eighties brought the U.S. pop charts another British invasion, this one queerer than the previous ones. Half of the twenty songs on this playlist come from UK artists, including new acts such as Soft Cell and Depeche Mode, plus some folks we’ve heard from on previous playlists in this series.

Also debuting in this edition is Luther Vandross. He didn’t come out publicly during his lifetime, but that doesn’t mean his place in queer music history should be left out.

[8tracks width=”300″ height=”250″ playops=”” url=”http://8tracks.com/mixes/8420505″]
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It’s National Teachers Day And I Need To Dance!

On the off-chance I don’t win an Oscar for Best Original Screenplay, which, seeing as I have yet to write a single scene, is a remote possibility, I’d like to present the text of my acceptance speech here and now.

“Thank you! Thank you so much! Thank you! (wink at Meryl) Wow! I wasn’t expecting to win. This is such a surprise. Let me read you the speech I wrote for this occasion.

I’d like to thank the Academy, specifically the members who voted for me. I’d like to thank everyone who bought a ticket to see my movie. I’d like to thank the cast and crew. It takes a village! Am I right? Of course I’m right! I’m a right-er! (smile, acknowledge the laughter in the audience)

Mostly, I’d like to thank all those who taught me about writing and provided encouragement. I’d like to thank all of my English teachers, my writing teachers, my stand-up comedy teachers and my improvisation teachers. I’d like to thank my fellow classmates, workshops and meetup members and the friends and family members who provided feedback and support. In particular, I’d like to…oh, they’re playing the music, indicating it’s time for me to leave. Until next year, remember I love you all, except those who voted for my competitors.”
Winston + Hall-Oates
Today is National Teachers Day. Our weekly dance party kicks off with Daryl Hall and John Oates’ “Adult Education.”


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Luther Vandross Was Here

In 1974, David Bowie hired Luther Vandross to sing background vocals and do vocal arrangements for his Young Americans album. Bowie told the then 23-year-old singer “You’re going to make it…next year is your year!”

Bowie’s timing was a little off (depending on how you define “making it”). Luther cracked the top 40 as a solo artist for the first time with “Never Too Much” in 1981. Before then, he was a much in-demand session vocalist and arranger.

Tunes du Jour celebrates the birthday of Luther Vandross with twenty tracks on which the soul great is the lead singer, a backup singer, the arranger, the producer, the songwriter, or some combination thereof.


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It’s Irene Cara’s Birthday And I Need To Dance!

Winston + Irene Cara

Fame! I’m gonna live forever! Baby, remember my name!

Though she hasn’t had a hit song in more than thirty years, people still remember Irene Cara’s name. Between 1980 and 1984, she had more hit songs than the two you can name off the top of your head.

First came the song “Fame,” taken from the movie Fame, in which Cara played Coco Hernandez. “Fame,” written by Dean Pitchford and Michael Gore and featuring backing vocals from Luther Vandross and Vicki Sue Robinson, hit #4, and won the Academy Award and Golden Globe Award for Best Original Song. In addition, Cara’s performance in the film earned her a Golden Globe nomination for Best Actress.

Also vying for the Academy Award for Best Original Song that year was “Out Here on My Own,” written by Michael Gore and his sister Lesley. Also performed by Cara in the film, it became her second consecutive top 40 single.

She didn’t appear in the movie Flashdance, but her theme song, “Flashdance…What a Feeling!,” was #1 in the US for six weeks, and won Cara, one of its writers, the Oscar for Best Original Song. “What a Feeling” also won Cara the Grammy for Best Pop Vocal Performance – Female and a nomination for Record of the Year, which she lost to Michael Jackson’s “Beat It” (fair enough!). The single topped charts around the world.

Given the song’s massive success, Cara found it odd that per her record label, her royalties from sales of the record amounted to $183. In 1985, following a few more hit songs (“The Dream,” from the movie D.C. Cab, in which she played Irene Cara; “Why Me?,” and “”Breakdance”), she sued the head of that label (which had since gone under) for $10 million for breach of contract. Eight years later, a jury awarded her $1.5 million. By then, her time in the spotlight was long over. She never hit the charts again after filing her lawsuit.

Take your passion and make it happen, but make sure you have people you trust looking after your affairs.

Today, Irene Cara turns 57 years old. Tunes du Jour’s weekly dance party kicks off with “Flashdance…What a Feeling!”


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It’s Umberto Tozzi’s Birthday And I Need To Dance!

Who is Umberto Tozzi? Is that what you just asked?

Born in Italy in 1952, Umberto Tozzi is a singer-songwriter who has sold over 70 million records throughout the world. In 1979 he released a single of his composition “Gloria,” which became a big hit in his home country, remaining in the top ten for 16 weeks, six of those at #2. The song also went top ten in Germany, France, Switzerland, Austria, Belgium, South Africa and Spain.

Ringo + Umberto
In 1982, singer Laura Branigan collaborated with Trevor Veitch on English-language lyrics set to the original’s melody. Her recording of “Gloria,” co-produced by Greg Mathieson, arranger and keyboardist on the Tozzi version, reached #2 on the Billboard Hot 100.

Friday is dance day at Tunes du Jour. Our weekly party kicks off with the track for which Umberto Tozzi is best-known in the United States.


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