Today is Moby’s birthday. A buncha Moby tracks are included on today’s playlist.
Tunes Du Jour Presents 1998
The year 1998 was a watershed moment for popular music. Emerging from the stylistic chaos and radical experimentation of the early/mid ’90s, the music of 1998 represented a culmination of daring artistic visions cohering into some of the most innovative, insightful, and flat-out infectious songs of the decade. Across genres, it was a year that shattered boundaries and solidified legends – a prolific melting pot of game-changing sounds destined to endure.
One of the standout tracks of the year was The Verve’s “Bitter Sweet Symphony,” a song that fused rock with sweeping orchestral arrangements, creating an anthemic yet melancholic sound that resonated with a wide audience. Its poignant lyrics and grandiose strings captured a sense of wistful longing and existential reflection that felt emblematic of the complicated late ’90s zeitgeist. Similarly, Radiohead’s “Karma Police” continued to explore the darker, more unsettling side of human experience with its haunting melody and cryptic lyrics, solidifying the band’s status as one of alt-rock’s most vital and cerebral forces.
The late ’90s also saw electronic music rapidly integrating into the mainstream pop landscape in visionary ways. Fatboy Slim’s “The Rockafeller Skank” was an explosively funky example of this trend, with its gritty, sample-heavy production and addictive dancefloor-ready beats. Stardust’s “Music Sounds Better With You” took a more soulful tack, combining classic house rhythms with a simple yet instantly catchy vocal hook to create an enduring dancefloor classic still beloved today. And the Norman Cook remix of Cornershop’s “Brimful of Asha” ingeniously blended Indian folk sounds with UK club vibes for a globe-spanning hit. For seekers of more atmospheric, boundary-pushing electronica, Massive Attack’s “Teardrop” provided a hypnotic, cinematic soundscape. This fertile era helped lay the groundwork for electronic music’s dominance in pop in the coming decades.
Hip-hop and R&B asserted their cultural force in 1998 as well, with few tracks as powerful as Lauryn Hill’s “Doo Wop (That Thing)” – an undeniable feminist anthem of self-respect powered by Hill’s dexterous rapping and soulful crooning. Her ability to fuse hip-hop bravado with uplifting, socially-conscious lyricism over neo-soul grooves earned her massive critical acclaim. Similarly future-leaning was Aaliyah’s “Are You That Somebody?” which saw the singer’s sultry vocals gliding over Timbaland’s percussive, synthetic production for an alluringly sleek sound that felt years ahead of its time.
While maintaining their commercial clout, pop’s biggest icons weren’t afraid to musically reinvent themselves in 1998. Madonna’s “Ray of Light” saw the Queen of Pop shedding her known persona for a more spiritually inquisitive stance matched by the song’s trance-inflected electronica textures. And Janet Jackson’s “Together Again” honored loved ones lost to AIDS with its uplifting, gospel-tinged dance-pop sound tempering heavier subject matter.
In retrospect, the diverse brilliance of 1998’s musical landscape feels almost overwhelming. From fist-pumping dancefloor anthems to raw outpourings of soul, from guitar-driven songs of profundity to mindblowing productions that rewrote pop’s boundaries – the year’s music seamlessly bridged the underground and the mainstream in a way that felt thrillingly new. It was the sound of artists across genres at their hungriest and most inspired, creating the shared musical memories that still bond generations of fans together in nostalgic reverie decades later. For many, 1998 was simply the rarest of cultural moments – when everything intersected with perfection.
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Your (Almost) Daily Playlist: 9-20-23
The Avalanches’ Robbie Chater estimates there are around 3500 samples used on the group’s Since I Left You album. As someone who negotiates sample uses, I pity the poor soul who had to secure and track those licenses!
Robbie Chater celebrates a birthday today. Or maybe he doesn’t celebrate it. I don’t know. I don’t know him. Either way, I celebrate. Lots of cuts by The Avalanches on today’s playlist.
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Your (Almost) Daily Playlist: 7-31-23
You’ve Come A Long Way, Baby by Fatboy Slim holds the Guinness World Record for the most significant number of samples used on a single album, with more than 60.
FatBoy Slim was born Quentin Cook on this date in 1963. A few of the classics from his You’ve Come A Long Way, Baby album are among the tunes in today’s playlist.
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Your (Almost) Daily Playlist: 1-31-23
Today’s playlist includes a couple of songs by K.C. & the Sunshine Band, whose leader celebrates a birthday today.
Your (Almost) Daily Playlist: 11-10-22
Today’s playlist celebrates the November 10 birthdays of Warren G, Massive Attack’s Andrew Vowles, King Crimson’s Greg Lake, Ennio Morricone, Major Lazer’s Diplo, Miranda Lambert, Eve, Jimmy Eat World’s Jim Adkins, The Capris’ Nick Santo, The Beautiful South’s Jacqui Abbott, Atlanta Rhythm Section’s Ronnie Hammond, Donna Fargo, Tracy Morgan, and Ben L’Oncle Soul; and the November 11 birthdays of XTC’s Andy Partridge, Wu-Tang Clan’s U-God, LaVern Baker, Marshall Crenshaw, Peaches, The Ides of March’s Jim Peterik, X’s Dave Alvin, Hardfloor’s Ramon Zenker, Half Pint, Dennis Coffey, Mose Allison, The Raveonettes’ Sharin Foo, Static Major, Stubby Kaye, and Chris Smither.
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Your (Almost) Daily Playlist (11-14-20)
Inspired by the November 14 birthdays of Run, Veruca Salt’s Nina Gordon, and Stephen Bishop; and the November 13 birthdays of Cass McCombs, Timmy Thomas, Onyx’s Sonny Seeza and The Teddy Bears’ Carol Connors.